DOCSLIB.ORG

Hudibras and Its Literary Context

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hudibras and Its Literary Context Hadibrag and its Literary Context by John Donovir, M.A. Submitted in partial fulfilment of the requirements for the derree of Ph.D. in the nrlYerpity of Birmingham. July 1972 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. This digital copy was scanned from the original thesis typescript, and reflects the print quality of the original. The thesis is approximately 60,000 words in length and is divided into three parts. Bart I (Chapters 1-4) deals with Hudibras in relation to seTenteenth century literary traditions. Chapter 1 introduces the poem and its author, places Hudibras within its ioosdiate historical context, describes its popularity, and states the problem of determining its genre; several possible solutions to the problem are considered, notably those of seventeenth and eighteenth century writare; "mock-heroio" IB defined and adopted. Chapter 2 is a survey: it begins by citing two adverse modern criticisms of Butler*s nethod of ridiculing his principal character, and then sets out to test the justness of them. A number of romances popular in the seventeenth century are described; criticism of them is considered; and several satirical and burlesque works using romantic characters, motifs, and plots are analyzed* Chapter 3 places Hudibras with respect to the works and attitudes described in the previous chapter* The generating circumstances of the first p-rt of the poem are considered in the light of Sutler's presentation of them as a romance; Hudibras and Halpho are examined in relation to other mock-knights and s.uires, especially Don .uiiote and Sancho Banza, and 3raggadoehio and Trompart. Chapter 4 treats Hudibras in connexion with the seventeenth century tradition of classical burlesque, analyzes Butler*s treatment of classical themes and characters for the purpose of satire, -nd in an extended comparison between Hudibras and Gondibert examines Jutler's criticism of the heroic idaala of lora and military valour* Part II (Chapters 5 and a) eoapriaee atudiea of several elementa of Butler's literary oathod in Rudibras. Chapter 5 analyzes Butler* a uaa of metaphor and of dramatic argument as eatirlaal techniques* Chapter 6 traata tha nock-speeches (111,11) and the burlesque heroieal epiatlas, aa noil aa tha aarratiTa »thod of Hudlbra*. a&d tba deTiaa of tha comlo narrator* Fart III aoaaiata of thraa appandioaa. Appaadlac A daali with tlui queatlon of tha identity of tha <UMt Country knight» upon ^om Bat lor aaya that ha bagad tha aharactar of HUdibraa. Tho arida&ea la favour of Sir Sawiel Luka aad Sir Hanry Roaavall ia aad Sir Saau»l Hollo ia prtaantad aa tha mat likaly 'origiaal' of Hbdibraa* A aartaia avmat of aridnoa ia hia favour ia giran for tht firat tint ia thia appamdix. Appandix B aritiaizaa tha idantifiaation of Kalpho ia tha *Kay to Btodihraa* (1715), praaaatiag for th» first tint the aouraa from whioh tha author of tha *Keyf draw tha portrait of * laaae Robiaaoa,' tha raaa upon whoa (ha alaiaa) Butler based hla characterization of Ralpho, Appendix 0 criticize* tha attribution t» Butler (aurraatly aaaaptad) of ifiereuriue Menippeue. a political pamphlet firat jmbliehed in 1680 aad containing a paaaaga of invective agaiaat Sir Samuel Luke. It ia argaed that tha attribution ia virtually without foundation. jo •08 jo WffiSIIQO 1. CHAPTER 1 WHAT KIND OF A POEM IS HUDIBRAS? Butler was ... admirable in a Manner in which no one else has been tolerable: A Manner which began and ended in him; in which he knew no Guide, and has found no Followers. John Dennis Hudibras, then, may truly be said to be the first and last satire of the kind ... Reverend T.R. Nash Hudibras, a poem of eleven thousand five hundred and four octosyllabic lines, divided into three parts and each part into three cantos, was published over a period of fifteen years: Part I in 1662, Part II in 1663, and Part III in 1677. 4 The three parts form a continuous narrative of the adventures of Sir Hudibras, a Presbyterian Justice of the Peace, and his squire Ralpho, an Independent tailor, in the course of which the hypocrisy, pedantry, and self- interest of the knight and the enthusiasm, ignorance, and disloyalty of the squire are revealed. These adventures may be divided into six principal episodes: their encounter with a mob of bear-baiters; their rescue from gaol by a widow; their rout by a group of revellers; their visit to a charlatan astrologer; their second meeting with the widow; and their consultation with a lawyer. Sach episode is fully developed and distinguished from the others, though as a whole the poem is brought to no logical conclusion. These events take up all of Parts I and II, and the first 2. and third cantos of Part III. The second canto of Part III, the longest one of the poem, has nothing to do with the main narrative, "but is Butler's grotesque fantasy on the political events of 1658 and 1659. Besides the nine cantos, there are three 'Heroical Epistles, 1 one from Hudibras to Sidrophel the astrologer; one from Hudibras to the widow; and her reply to him. The first, though it belongs at the end of Part II, did not appear until the 1674 edition of Parts I and II; the second and third, coming at the end of Part III, were printed with the first edition of that part in 1677. Counting the short verse 'arguments 1 at the beginning of each canto, Hudibras con­ tains nine hundred and thirty-nine more lines than Paradise Lost; though allowing for its shorter octosyllabic metre, Butler's poem has about nine-tenths the number of words of Milton's. Though it is almost exclusively the basis of Butler's literary reputation, Hudibras represents in number of words less than one-fifth of his work. The rest is an assort­ ment of pieces, none of them very long, the most sustained effort being a group of one hundred and seventy-seven prose 'Characters.' There are about two dozen miscellaneous poems satirical, for the most part in a variety of metres, treating both general and occasional themes, as well as two translations, a prologue and an epilogue to a play, and hundreds of lines of verse fragments of different sorts. In prose, besides the'Characters,' there are several pam­ phlets, most of them upon political subjects, and a collect­ ion of more or less desultory notes and observations of a philosophical kind. Almost all these pieces were written after Parts I and II of Hudibras, and the greater part were not published until the middle of the eighteenth century.2 Hudibraa was a popular poem from its publication until the author's death in 1680, especially during the two years 3. 1663-64. Nine editions of Part I, four of them unauthor­ ised! were published in the first year. Only two editions of Part II appeared in 1663; though this was partly because four editions of a spurious poem entitled Hudibras; the Seoond Part had stolen a march upon the genuine article. There was an .edition of Parts I and II in one volume with reTisions and annotations by the author in 1674 and another in 1678; and between 1677 and 1680 there were four editions of Part III. There is ample contemporary testimony to the popularity of Hudibras as well. In February 1663, Pepys described it as 'that which all the world cries up to be the example of wit*; in March it was, according to Richard Oxenden, 'ye most admired peece of Drollary y^ ever came forth.'3 in November it was still, according to Pepys, the book 'which the world cry so mightily up, 1 and in December he says that Parts I and II are 'now in the greatest fashion for drollery.'4 According to Antony a Wood it was read by King* courtiers, scholars, and gentlemen, and the poet himself claimed for his work the approbation of 'ye King & ye best of his Subjects.'5 The fame that Butler achieved through Hudibras came to him relatively late in life. Born in the parish of Strensham in Worcestershire, where he was baptised on 8 February 1613, he died in London on 25 September 1680; and was therefore of the same generation as Milton, Cowley, Lovelace, Denham, Waller, John Cleveland, and Sir Roger L 1 Estrange. Butler earned his living mainly as a clerk or secretary, first, apparently, to a Worcestershire Justice of the peace, either Leonard or Thomas Jeffrey; and later in Bedfordshire to the dowager Countess of Kent, the patron­ ess of John Selden. Here, according to Aubrey, he studied and cultivated skills in painting, drawing, and music. After the Restoration Butler became steward to Richard Vaughan, Earl of Carbery, at Ludlow Castle, a post he held 4. until January 1662. In 1670 he accompanied the Duke of Buckingham to Versailles on a mission of negotiation with Louis XIV; and in June of 1673 was secretary for the Duke's affairs in his capacity as Chancellor of the Uni­ versity of Cambridge. A gift of £100 and an annual grant of the same amount was awarded to him in November, 1677; and in the year of his death he received another royal gift, this time of £20.
Load more

Recommended publications
  • THE KINGS and QUEENS of BRITAIN, PART I (From Geoffrey of Monmouth’S Historia Regum Britanniae, Tr
    THE KINGS AND QUEENS OF BRITAIN, PART I (from Geoffrey of Monmouth’s Historia Regum Britanniae, tr. Lewis Thorpe) See also Bill Cooper’s extended version (incorporating details given by Nennius’s history and old Welsh texts, and adding hypothesised dates for each monarch, as explained here). See also the various parallel versions of the Arthurian section. Aeneas │ Ascanius │ Silvius = Lavinia’s niece │ Corineus (in Cornwall) Brutus = Ignoge, dtr of Pandrasus │ ┌─────────────┴─┬───────────────┐ Gwendolen = Locrinus Kamber (in Wales) Albanactus (in Scotland) │ └Habren, by Estrildis Maddan ┌──┴──┐ Mempricius Malin │ Ebraucus │ 30 dtrs and 20 sons incl. Brutus Greenshield └Leil └Rud Hud Hudibras └Bladud │ Leir ┌────────────────┴┬──────────────┐ Goneril Regan Cordelia = Maglaurus of Albany = Henwinus of Cornwall = Aganippus of the Franks │ │ Marganus Cunedagius │ Rivallo ┌──┴──┐ Gurgustius (anon) │ │ Sisillius Jago │ Kimarcus │ Gorboduc = Judon ┌──┴──┐ Ferrex Porrex Cloten of Cornwall┐ Dunvallo Molmutius = Tonuuenna ┌──┴──┐ Belinus Brennius = dtr of Elsingius of Norway Gurguit Barbtruc┘ = dtr of Segnius of the Allobroges └Guithelin = Marcia Sisillius┘ ┌┴────┐ Kinarius Danius = Tanguesteaia Morvidus┘ ┌──────┬────┴─┬──────┬──────┐ Gorbonianus Archgallo Elidurus Ingenius Peredurus │ ┌──┴──┐ │ │ │ (anon) Marganus Enniaunus │ Idvallo Runo Gerennus Catellus┘ Millus┘ Porrex┘ Cherin┘ ┌─────┴─┬───────┐ Fulgenius Edadus Andragius Eliud┘ Cledaucus┘ Clotenus┘ Gurgintius┘ Merianus┘ Bledudo┘ Cap┘ Oenus┘ Sisillius┘ ┌──┴──┐ Bledgabred Archmail └Redon └Redechius
    [Show full text]
  • The Way of All Flesh
    The Way of All Flesh Samuel Butler This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Way of All Flesh Chapter I When I was a small boy at the beginning of the century I remember an old man who wore knee-breeches and worsted stockings, and who used to hobble about the street of our village with the help of a stick. He must have been getting on for eighty in the year 1807, earlier than which date I suppose I can hardly remember him, for I was born in 1802. A few white locks hung about his ears, his shoulders were bent and his knees feeble, but he was still hale, and was much respected in our little world of Paleham. His name was Pontifex. His wife was said to be his master; I have been told she brought him a little money, but it cannot have been much. She was a tall, square-shouldered person (I have heard my father call her a Gothic woman) who had insisted on being married to Mr Pontifex when he was young and too good-natured to say nay to any woman who wooed him. The pair had lived not unhappily together, for Mr Pontifex’s temper was easy and he soon learned to bow before his wife’s more stormy moods. Mr Pontifex was a carpenter by trade; he was also at one time parish clerk; when I remember him, however, he had so far risen in life as to be no longer compelled to 2 of 736 The Way of All Flesh work with his own hands.
    [Show full text]
  • The Note-Books of Samuel Butler
    The Note−Books of Samuel Butler Samuel Butler The Note−Books of Samuel Butler Table of Contents The Note−Books of Samuel Butler..........................................................................................................................1 Samuel Butler.................................................................................................................................................2 THE NOTE−BOOKS OF SAMUEL BUTLER...................................................................................................16 PREFACE....................................................................................................................................................17 BIOGRAPHICAL STATEMENT...............................................................................................................20 I—LORD, WHAT IS MAN?.......................................................................................................................24 Man........................................................................................................................................................25 Life........................................................................................................................................................26 The World..............................................................................................................................................27 The Individual and the World................................................................................................................28
    [Show full text]
  • The Celtic Encyclopedia, Volume IV
    7+( &(/7,& (1&<&/23(',$ 92/80( ,9 . T H E C E L T I C E N C Y C L O P E D I A © HARRY MOUNTAIN VOLUME IV UPUBLISH.COM 1998 Parkland, Florida, USA The Celtic Encyclopedia © 1997 Harry Mountain Individuals are encouraged to use the information in this book for discussion and scholarly research. The contents may be stored electronically or in hardcopy. However, the contents of this book may not be republished or redistributed in any form or format without the prior written permission of Harry Mountain. This is version 1.0 (1998) It is advisable to keep proof of purchase for future use. Harry Mountain can be reached via e-mail: [email protected] postal: Harry Mountain Apartado 2021, 3810 Aveiro, PORTUGAL Internet: http://www.CeltSite.com UPUBLISH.COM 1998 UPUBLISH.COM is a division of Dissertation.com ISBN: 1-58112-889-4 (set) ISBN: 1-58112-890-8 (vol. I) ISBN: 1-58112-891-6 (vol. II) ISBN: 1-58112-892-4 (vol. III) ISBN: 1-58112-893-2 (vol. IV) ISBN: 1-58112-894-0 (vol. V) Library of Congress Cataloging-in-Publication Data Mountain, Harry, 1947– The Celtic encyclopedia / Harry Mountain. – Version 1.0 p. 1392 cm. Includes bibliographical references ISBN 1-58112-889-4 (set). -– ISBN 1-58112-890-8 (v. 1). -- ISBN 1-58112-891-6 (v. 2). –- ISBN 1-58112-892-4 (v. 3). –- ISBN 1-58112-893-2 (v. 4). –- ISBN 1-58112-894-0 (v. 5). Celts—Encyclopedias. I. Title. D70.M67 1998-06-28 909’.04916—dc21 98-20788 CIP The Celtic Encyclopedia is dedicated to Rosemary who made all things possible .
    [Show full text]
  • Na De Vloed De Vroegste Geschiedenis Van Europa Na De
    Na de vloed De vroegste geschiedenis van Europa na de Vloed door Bill Cooper http://home.hetnet.nl/~genesis/ INHOUD Hoofdstuk 1 De kennis van God bij de vroege heidense volken. Hoofdstuk 2 Waar te beginnen Hoofdstuk 3 Nennius en de tafel van de Europese Naties Hoofdstuk 4 De kronieken van de vroege Britten. Hoofdstuk 5 De geschiedenis van de vroege Britse Koningen Hoofdstuk 6 De afstamming van de Deense en Noorse Koningen. Hoofdstuk 7 De afstamming van de Angel-Saksische Koningen. Hoofdstuk 8 De Afstamming van de Ierse Koningen. Hoofdstuk 9 Oude kronieken en de ouderdom van de Aarde Hoofdstuk 10 Dinosaurussen in Angelsaksische en andere documenten. Hoofdstuk 11 Beowulf en de dieren in Denemarken. HOOFDSTUK 12 CONCLUSIE Hoofdstuk 1 De kennis van God bij de vroege heidense volken. Om de studie van dit onderwerp in het juiste perspectief te brengen moeten wij ten eerste vaststellen dat veel van onze vooroordelen met betrekking tot de archaïsche (oude) mensheid onjuist zijn. Men veronderstelt in het algemeen, bijvoorbeeld, dat de volkeren op aarde de God van Genesis pas leerden kennen nadat zij ervan hoorden door christelijke missionarissen. Slechts na de vertaling van de Bijbel in hun eigen taal, zo dacht men, hoorden zij van de schepping en van de God van de schepping. Verder wordt verondersteld dat de vroege heidense volken geen weet konden hebben van een godheid hoger dan idolen, omdat men dacht dat het onmogelijk is kennis van de ene ware God te krijgen zonder de directe openbaring van Zijn Woord, enz. Men heeft er zelfs niet aan gedacht dat het mogelijk was dat de heidenen zich bewust waren van God en Zijn machtsmiddelen, en dat dit bewustzijn bestond sedert eeuwen zonder enige kennis van de Bijbel.
    [Show full text]
  • American Society for Eighteenth-Century Studies (ASECS)
    American Society for Eighteenth-Century Studies (ASECS) Mr. Spectator and the Coffeehouse Public Sphere Author(s): Brian Cowan Source: Eighteenth-Century Studies, Vol. 37, No. 3, Critical Networks (Spring, 2004), pp. 345-366 Published by: The Johns Hopkins University Press . Sponsor: American Society for Eighteenth-Century Studies (ASECS) . Stable URL: http://www.jstor.org/stable/25098064 Accessed: 01-05-2015 01:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press and American Society for Eighteenth-Century Studies (ASECS) are collaborating with JSTOR to digitize, preserve and extend access to Eighteenth-Century Studies. http://www.jstor.org This content downloaded from 194.27.18.18 on Fri, 01 May 2015 01:13:12 UTC All use subject to JSTOR Terms and Conditions ,JL . Spectator and the Coffeehouse Public Sphere Brian Cowan Recent critical and historical studies of post-Restoration England have been fascinated with the thought that the period saw the emergence of something called a "public sphere" and that the coffeehouse was a central locus for it. J?r gen Habermas
    [Show full text]
  • British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to Including King Leir
    GRANHOLM GENEALOGY BRITISH ROYAL ANCESTRY, BOOK 1 Legendary Kings INTRODUCTION The British ancestry is very much a patchwork of various beginnings. Until King Alfred the Great established England various Kings ruled separate parts. In most cases the initial ruler came from the mainland. That time of the history is shrouded in myths, which turn into legends and subsequent into history. Alfred the Great (849-901) was a very learned man and studied all available past history and especially biblical information. He came up with the concept that he was the 72nd generation descendant of Adam and Eve. Moreover he was a 17th generation descendant of Woden (Odin). Proponents of one theory claim that he was the descendant of Noah’s son Sem (Shem) because he claimed to descend from Sceaf, a marooned man who came to Britain on a boat after a flood. See the Biblical Ancestry and Early Mythology Ancestry books). The book British Mythical Royal Ancestry from King Brutus shows the mythical kings including Shakespeare’s King Lair. The lineages are from a common ancestor, Priam King of Troy. His one daughter Troana leads to us via Sceaf, the descendants from his other daughter Creusa lead to the British linage. No attempt has been made to connect these rulers with the historical ones. Before Alfred the Great formed a unified England several Royal Houses ruled the various parts. Not all of them have any clear lineages to the present times, i.e. our ancestors, but some do. I have collected information which show these. These include British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to including King Leir.
    [Show full text]
  • Introduction
    Notes Introduction 1. A Complete Collection of Genteel and Ingenious Conversation (1738), in Herbert Davis et al. (eds) The Prose Works of Jonathan Swift, 14 vols. (Oxford: Clarendon Press, 1939–68), 4: 102. 2. OED 2. 3. See Ricks’s essay on ‘Plagiarism’, originally published in Proceedings of the British Academy 97, reprinted in his Allusion to the Poets (Oxford University Press, 2002), pp. 219–40, 220. 4. See Chapter 1 for more detail on the lexicographical history. 5. Martial, Epigrams, I. 52. 6. See Stockdale’s An Inquiry into the Nature and Genuine Laws of Poetry (1778). Stockdale’s ideas about plagiarism are discussed in Chapter 8. 7. On modern ‘plagiarism studies’, see my ‘Plagiarism and Plagiarism Studies’, English Subject Centre Newsletter, 13 (October 2007): 6–8. The explosion of studies in this area can be deduced from two major studies published in 2007 alone: Tilar J. Mazzeo’s Plagiarism and Literary Property in the Romantic Period (Philadelphia: University of Pennsylvania Press, 2007) and Robert Macfarlane’s Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (Oxford University Press, 2007). 8. My methodology is indebted to Quentin Skinner, ‘The Idea of a Cultural Lexicon’, Essays in Criticism, 29 (1979): 205–24. 9. It is worth stressing here that this book does not propose itself as a contri- bution to the debate about the development of copyright. My general view is that no necessary relation exists between issues of literary originality and those concerning the definition of literary property as enshrined in eighteenth-century copyright legislation. See Simon Stern’s lucid analysis of these issues in ‘Copyright, Originality, and the Public Domain in Eighteenth- Century England’, in Reginald McGinnis (ed.) Originality and Intellectual Property in the French and English Enlightenment (London: Routledge, 2008), pp.
    [Show full text]
  • Geoffrey of Monmouth, Historia Regum Britanniae, a Variant Version. Edited
    THE MEDIAEVAL ACADEMY OF AMERICA PUBLICATION No. 57 GEOFFREY OF MONMOUTH VARIANT VERSION OF HIS HISTORIA REGUM BRITANNIAE GEOFFREY OF MONMOUTH HISTORIA REGUM BRITANNIAE A VARIANT VERSION EDITED FROM MANUSCRIPTS BY JACOB HAMMER HUNTER COLLEGE THE MEDIAEVAL ACADEMY OF AMERICA CAMBRIDGE 38, MASSACHUSETTS 1951 The publication of this book was made possible by grants of funds to the Academy from the John Simon Guggenheim Foundation, the Institute for Advanced Study, and an Anonymous Donor COPYRIGHT BY THE MEDIAEVAL ACADEMY OF AMERICA 1951 Printed in U.S.A. TO E. A. LOWE AND THE MEMORY OF ERNST RIESS PREFACE In 1927 Professor Chambers wrote: Critical work on the manuscripts (of Geoffrey of Monmouth) is still in its infancy, and in these circumstances speculation as to the original form of the Historia and any revision which it may have undergone can only be tentative.1 Two years later, in 1929, two editions of Geoffrey appeared,2 which constitute a real advance over the older, uncritical editions. The present edition which offers the first critical text of a Variant Version of the Historia, based on manuscripts that hitherto passed under the name of Geoffrey, is only another step in this advance. It represents the first fruits of an investigation undertaken many years ago and is preliminary to a critical edition of the Historia, based on all manuscripts known to scholars, the larger portion of which (135 in actual numbers) has already been col- lated. A task of this scope could not have been undertaken without outside assistance. It was thanks to the generous grants (and publication sub- vention) from the John Simon Guggenheim Foundation and the American Council of Learned Societies that it was possible to visit the various libraries of Europe and collect the material necessary for the project.
    [Show full text]
  • HUDIBRAS and the PROBLEM of SATIRICAL DISTANCE Samuel
    Balz Engler, "Hudibras and the Problem of Satirical Distance," English Studies 60 (1979), 436-43. HUDIBRAS AND THE PROBLEM OF SATIRICAL DISTANCE Samuel Butler's Hudibras has had a curious fate with its readers. As James Sutherland has observed, in his own day the poem was enjoyed by readers who were unlikely to read much else, but if he is read at all today it is probably by those who have read so much that they have also read Hudibras. Yet although it is chiefly the learned reader that Butler still attracts, this is the wrong sort of reader for Hudibras: the robust parsons and lawyers and country squires who welcomed the poem with bellows of happy laughter were the men who could really appreciate what Butler was doing. 1 Hudibras, one should add, has also survived among those who are not specialists in Restoration literature, as the source of a great number of almost proverbial maxims.2 One reason why Hudibras should have fared thus may be obvious: its topicality. When it was first published it was immediately successful because it said `what large numbers of Englishmen wanted to have said'3 after the Restoration. But the craze seems to have been over soon. In 1674, ten years after the first part had appeared, Butler published the first and second parts together, and added explanatory notes — a sign that he could not reckon anymore with the spontaneous acceptance that his poem had first met. In 1678 the third part followed, and there is no evidence that it caused a great stir: the topical interest of Butler's ridicule of the Puritans had now worn off, eighteen years after the Restoration of the Stuarts to the throne.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Middle English romance, attitudes to kingship and political crisis, c.l272-c.l350 Lucas, Karen How to cite: Lucas, Karen (1997) Middle English romance, attitudes to kingship and political crisis, c.l272-c.l350, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4637/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Middle English romance, attitudes to kingship and political crisis, C.1272-C.1350 by Karen Lucas M. A. (Durham) The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. This thesis is presented in candidature for the degree of Doctor of Philosophy Department of History University of Durham 1997 1 I AUG watt Abstract. Middle English romance, attitudes to kingship and political crisis, C.1272-C.1350 Karen Lucas Ph.D.
    [Show full text]
  • More 23 'Flying King Bladud' by Tysilio
    EMBARGO: Strictly NOT for publication or dissemination without the prior written approval of the copyright holder CVpedia More A repository of essays, independently authored, offering supplementary information to that available in The National CVpedia of Britain. Whilst items are subject to editorial input and the firm obligation is placed upon authors to articulate the truth as they see it, no responsibility is taken for the accuracy of the information presented. More 23 23 March 2012 ‘Flying King Bladud, King Lear & Queen Cordelia’ by Tysilio, Holinshed & Enderbie By The National CV Group This article comprises material on King Bladud and his son, Shakespeare’s King Lear, from the Tysilio Chronicle , which was started in the 7 th century AD, Holinshed’s Chronicles , from the 16 th century, and Pery Enderbie’s Cambria Triumphans or Brittain in its Perfect Lustre , from the 17 th century. We learn from these sources that Lear’s daughter Cordelia came to rule Britain. She was the island’s second queen regnant, after Gwendolen, who had taken the throne following the death of her husband Locrinus, the eldest son of Brutus the Trojan. The same line of monarchs is advertised in the three sources as follows: 1. Brutus 2. Locrinus 3. Gwendolen 4. Madan 5. Mempricius 6. Ebraucus 7. Brutus II Greenshield 8 Leil 9. Hudibras 10. Bladud 11. Lear 12. Cordelia Strictly confidential 1 The National CV 2012 Email: [email protected] EMBARGO: Strictly NOT for publication or dissemination without the prior written approval of the copyright holder Section I This section exhibits material from the Tysilio Chronicle , together with translator’s notes.
    [Show full text]