Sketch of the Life of Samuel Butler by Samuel Butler
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Racism and Bad Faith
AN ABSTRACT OF THE THESIS OF Gregory Alan Jones for the degree ofMaster ofArts in Interdisciplinary Studies in Philosophy, Philosophy and History presented on May 5, 2000. Title: Racism and Bad Faith. Redacted for privacy Abstract approved: Leilani A. Roberts Human beings are condemned to freedom, according to Jean-Paul Sartre's Being and Nothingness. Every individual creates his or her own identity according to choice. Because we choose ourselves, each individual is also completely responsible for his or her actions. This responsibility causes anguish that leads human beings to avoid their freedom in bad faith. Bad faith is an attempt to deceive ourselves that we are less free than we really are. The primary condition of the racist is bad faith. In both awarelblatant and aware/covert racism, the racist in bad faith convinces himself that white people are, according to nature, superior to black people. The racist believes that stereotypes ofblack inferiority are facts. This is the justification for the oppression ofblack people. In a racist society, the bad faith belief ofwhite superiority is institutionalized as a societal norm. Sartre is wrong to believe that all human beings possess absolute freedom to choose. The racist who denies that black people face limited freedom is blaming the victim, and victim blaming is the worst form ofracist bad faith. Taking responsibility for our actions and leading an authentic life is an alternative to the bad faith ofracism. Racism and Bad Faith by Gregory Alan Jones A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies Presented May 5, 2000 Commencement June 2000 Redacted for privacy Redacted for privacy Redacted for privacy Redacted for privacy Redacted for privacy Redacted for privacy Acknowledgment This thesis has been a long time in coming and could not have been completed without the help ofmany wonderful people. -
The Humour of Homer
The Humour of Homer Samuel Butler A lecture delivered at the Working Men's College, Great Ormond Street 30th January, 1892 The first of the two great poems commonly ascribed to Homer is called the Iliad|a title which we may be sure was not given it by the author. It professes to treat of a quarrel between Agamemnon and Achilles that broke out while the Greeks were besieging the city of Troy, and it does, indeed, deal largely with the consequences of this quarrel; whether, however, the ostensible subject did not conceal another that was nearer the poet's heart| I mean the last days, death, and burial of Hector|is a point that I cannot determine. Nor yet can I determine how much of the Iliadas we now have it is by Homer, and how much by a later writer or writers. This is a very vexed question, but I myself believe the Iliadto be entirely by a single poet. The second poem commonly ascribed to the same author is called the Odyssey. It deals with the adventures of Ulysses during his ten years of wandering after Troy had fallen. These two works have of late years been believed to be by different authors. The Iliadis now generally held to be the older work by some one or two hundred years. The leading ideas of the Iliadare love, war, and plunder, though this last is less insisted on than the other two. The key-note is struck with a woman's charms, and a quarrel among men for their possession. -
Seriously Playful and Playfully Serious: the Helpfulness of Humorous Parody Michael Richard Lucas Clemson University
Clemson University TigerPrints All Dissertations Dissertations 5-2015 Seriously Playful and Playfully Serious: The Helpfulness of Humorous Parody Michael Richard Lucas Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Lucas, Michael Richard, "Seriously Playful and Playfully Serious: The eH lpfulness of Humorous Parody" (2015). All Dissertations. 1486. https://tigerprints.clemson.edu/all_dissertations/1486 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SERIOUSLY PLAYFUL AND PLAYFULLY SERIOUS: THE HELPFULNESS OF HUMOROUS PARODY A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Michael Richard Lucas May 2014 Accepted by: Victor J. Vitanza, Committee Chair Stephaine Barczewski Cynthia Haynes Beth Lauritis i ABSTRACT In the following work I create and define the parameters for a specific form of humorous parody. I highlight specific problematic narrative figures that circulate the public sphere and reinforce our serious narrative expectations. However, I demonstrate how critical public pedagogies are able to disrupt these problematic narrative expectations. Humorous parodic narratives are especially equipped to help us in such situations when they work as a critical public/classroom pedagogy, a form of critical rhetoric, and a form of mass narrative therapy. These findings are supported by a rhetorical analysis of these parodic narratives, as I expand upon their ability to provide a practical model for how to create/analyze narratives both inside/outside of the classroom. -
The Way of All Flesh
The Way of All Flesh Samuel Butler This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Way of All Flesh Chapter I When I was a small boy at the beginning of the century I remember an old man who wore knee-breeches and worsted stockings, and who used to hobble about the street of our village with the help of a stick. He must have been getting on for eighty in the year 1807, earlier than which date I suppose I can hardly remember him, for I was born in 1802. A few white locks hung about his ears, his shoulders were bent and his knees feeble, but he was still hale, and was much respected in our little world of Paleham. His name was Pontifex. His wife was said to be his master; I have been told she brought him a little money, but it cannot have been much. She was a tall, square-shouldered person (I have heard my father call her a Gothic woman) who had insisted on being married to Mr Pontifex when he was young and too good-natured to say nay to any woman who wooed him. The pair had lived not unhappily together, for Mr Pontifex’s temper was easy and he soon learned to bow before his wife’s more stormy moods. Mr Pontifex was a carpenter by trade; he was also at one time parish clerk; when I remember him, however, he had so far risen in life as to be no longer compelled to 2 of 736 The Way of All Flesh work with his own hands. -
The Note-Books of Samuel Butler
The Note−Books of Samuel Butler Samuel Butler The Note−Books of Samuel Butler Table of Contents The Note−Books of Samuel Butler..........................................................................................................................1 Samuel Butler.................................................................................................................................................2 THE NOTE−BOOKS OF SAMUEL BUTLER...................................................................................................16 PREFACE....................................................................................................................................................17 BIOGRAPHICAL STATEMENT...............................................................................................................20 I—LORD, WHAT IS MAN?.......................................................................................................................24 Man........................................................................................................................................................25 Life........................................................................................................................................................26 The World..............................................................................................................................................27 The Individual and the World................................................................................................................28 -
The Suspension of Seriousness
CHAPTER ONE Matters of Life and Death And López Wilson, astigmatic revolutionist come to spy upon his enemy’s terrain, to piss on that frivolous earth and be eyewit- ness to the dying of capitalism while at the same time enjoying its death-orgies. —Carlos Fuentes, La región más transparente (1958) Introduction wentieth-century Mexican philosophy properly considered boasts Tof a number of great thinkers worthy of inclusion in any and all philosophical narratives. The better known of these, Leopoldo Zea, José Vasconcelos, Antonio Caso, Samuel Ramos, and, to a great extent, Octavio Paz, have received their fair share of attention in the United States over the last fifty years, partly due to a concerted effort by a few philosophy professors in the US academy who find it necessary to dis- combobulate the Eurocentric philosophical canon with outsiders. For reasons which I hope to make clear in what follows, Jorge Portilla is not one of these outsiders to which attention has been paid—even in his homeland, where he is more likely to be recognized, not as one of Mex- ico’s most penetrating and attuned minds, but rather by his replicant, López Wilson, a caricature of intelligence and hedonism immortalized by Carlos Fuentes in his first novel. This oversight is unfortunate, since Portilla is by far more outside than the rest; in fact, the rest find approval precisely because they do not stray too far afield, keeping to themes and methodologies in tune with the Western cannon. One major reason for 1 2 The Suspension of Seriousness the lack of attention paid to Portilla has to do with his output, restricted as it is to a handful of essays and the posthumously published text of his major work, Fenomenología del relajo. -
Scaling Seriousness: an Evaluation of Magnitude and Category Scaling Techniques George S
Journal of Criminal Law and Criminology Volume 66 | Issue 2 Article 8 1975 Scaling Seriousness: An Evaluation of Magnitude and Category Scaling Techniques George S. Bridges Nancy S. Lisagor Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation George S. Bridges, Nancy S. Lisagor, Scaling Seriousness: An Evaluation of Magnitude and Category Scaling Techniques, 66 J. Crim. L. & Criminology 215 (1975) This Symposium is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. TMI JoURNAL OFCRImINAL LW & CRIMINOLOGY Vol. 66, No. 2 Copyright g 1975 by Northwestern University School of Law Printed in U.S.A. SCALING SERIOUSNESS: AN EVALUATION OF MAGNITUDE AND CATEGORY SCALING TECHNIQUES GEORGE S. BRIDGES* AND NANCY S. LISAGOR** Unidimensional attitude scaling in social re- by delinquency should be measured by scaling search encompasses a variety of measurement attitudes. It was argued: techniques. A relevant issue in the application The criteria for determining degrees of s- of any of these, however, is the extent to riousness must ultimately be determined by which different procedures yield similar re- someone's or some group's subjective interpre- sults. For example, one might expect that since tation. If weights were assigned by a few crim- magnitude and category scales represent two inologists engaged in the task of construct- distinct and different types, of scaling, each ing a mathematical model, we should regard would generate different sets of results. -
What Makes a Crime Serious? Testing Warr's Model of Offence
Ceza Hukuku ve Kriminoloji Dergisi-Journal of Penal Law and Criminology 2020; 8(1):1-31 ISSN: 2148-6646 / E-ISSN: 2602-3911 http://jplc.istanbul.edu.tr Research Article DOI: 10.26650/JPLC2020-0006 What Makes a Crime Serious? Testing Warr’s Model of Offence Seriousness Bir Suçu Ağır Yapan Nedir? Warr’un Suç Ağırlığı Modelinin Bir Testi Galma AKDENİZ1 1Dr. Öğr. Üyesi, İstanbul Bilgi Üniversitesi, Hukuk Fakültesi, İstanbul, Türkiye ORCID: G.A. 0000-0002-7255-8260 ABSTRACT Warr (1989) proposed that the perceptions of seriousness of different criminal offences are a function of perceptions of harmfulness caused by a crime (consequences of the crime), and perceived wrongfulness of a crime (normative evaluations regarding the crime). The study reported in this paper tested this model and examined the perceptions of seriousness of different offences in a sample of university students in Turkey. It was found that the degree of consensus regarding offence seriousness was much higher for offences judged as more serious. It was further found, when using wrongfulness and harmfulness assessments, that offences clustered into three larger groups: offences that present threat/risk of physical harm/death, property offences, and “minor” offences. Further, Warr’s model was tested on both the offence and the individual level of analysis. The findings suggest that the model indeed holds, however relative strength of harmfulness and wrongfulness, as predictors of crime seriousness, are different in Turkey, compared to findings from the USA and Westernest European countries. On an individual level, it was found that harmfulness was a stronger predictor than wrongfulness in a much larger number of offences, and that on the level of the offence, harmfulness was as strong a predictor of seriousness as wrongfulness. -
The Phenomenological Ontologies of Kierkegaard and Sartre: an Existential Theory of Addiction
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1994 Love and Addiction: The Phenomenological Ontologies of Kierkegaard and Sartre: An Existential Theory of Addiction Ross Channing Reed Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Philosophy Commons Recommended Citation Reed, Ross Channing, "Love and Addiction: The Phenomenological Ontologies of Kierkegaard and Sartre: An Existential Theory of Addiction" (1994). Dissertations. 3461. https://ecommons.luc.edu/luc_diss/3461 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1994 Ross Channing Reed LOYOLA UNIVERSITY CHICAGO "LOVE" AND ADDICTION: THE PHENOMENOLOGICAL ONTOLOGIES OF KIERKEGAARD AND SARTRE AN EXISTENTIAL THEORY OF ADDICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF PHILOSOPHY BY ROSS CHANNING REED CHICAGO, ILLINOIS MAY 1994 Copyright by Ross Channing Reed, 1994 All rights reserved. ii ACKNOWLEDGEMENTS I wish to thank the following people and institutions for their support, encouragement, and prayer during the many years that led up to the production of this dissertation, as well as its actual writing: Texas A&M University Library, Millersville University Library, Franklin and Marshall College Library, Dr. John Ellsworth Winter, John Albert Cavin III, Christopher John Broniak, Richard J. Westley, John D. -
American Society for Eighteenth-Century Studies (ASECS)
American Society for Eighteenth-Century Studies (ASECS) Mr. Spectator and the Coffeehouse Public Sphere Author(s): Brian Cowan Source: Eighteenth-Century Studies, Vol. 37, No. 3, Critical Networks (Spring, 2004), pp. 345-366 Published by: The Johns Hopkins University Press . Sponsor: American Society for Eighteenth-Century Studies (ASECS) . Stable URL: http://www.jstor.org/stable/25098064 Accessed: 01-05-2015 01:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press and American Society for Eighteenth-Century Studies (ASECS) are collaborating with JSTOR to digitize, preserve and extend access to Eighteenth-Century Studies. http://www.jstor.org This content downloaded from 194.27.18.18 on Fri, 01 May 2015 01:13:12 UTC All use subject to JSTOR Terms and Conditions ,JL . Spectator and the Coffeehouse Public Sphere Brian Cowan Recent critical and historical studies of post-Restoration England have been fascinated with the thought that the period saw the emergence of something called a "public sphere" and that the coffeehouse was a central locus for it. J?r gen Habermas -
Alfred Russel Wallace Obituary
310 THE NATION. November 15, 1913. THE GREATNESS OF ALFRED RUSSEL WALLACE. THE sudden passing away of a great man often lets loose a flood of sentimental or dramatic appreciation which obscures for a time the real significance of his life. This has been the case with Alfred Russel Wallace. The numerous obituary notices would have us believe that his fame was founded and will rest upon his discovery, coincident with that of Charles Darwin, of the origin of species by natural selection. The marvel of these two minds, working entirely independently, but led by the same clue, Malthus's "Principles of Population," to the same novel and audacious conclusion, was indeed well calculated to impress the unreflective mind. The pleasent and creditable story of the joint-publication of their discovery to the Linnean Society in 1858, and of the cordial relations existing between the" rivals," gave the glow of generous feeling required to touch the imagmation. But to most people Wallace had never been more than a figure of vague importance, a great naturalist, who, since Darwin's death, had become the representative sage in this department of learning. In point of fact, there was nothing marvellous about the coincidence of the discovery. In the first place, it was not coincident, for though Wallace, brooding over the problem of the origin of species for over ten years, seems to have had a sudden access of illumination in 1858, Darwin had reached the conclusion some years before. The publication was indeed coincident, but it was a designed coincidence. But even had the discovery itself been simultaneous, it would deserve no wonder. -
THE ORIGINALI'fy of SAMUEL BUTLER
. i ' THE ORIGINALI'fY OF SAMUEL BUTLER CARLETON W. STANLEY LIKE everyone else much worth talking about, Samuel Butler, author of Erewhon, can hardly be talked about in short compass. The interesting men in history are the versatile men-Aristotle, Julius Caesar, Leonardo da Vinci, Michel Angelo, in later times Galton. This is true even of greatness in the second rank. Walter Bagehot, for example, is not the greatest of economists, but he is more interesting than any of the others, simply because he was something else besides economist. But versatility carries an ad mirer over wide fields. And Samuel Butler, besides being wide, is deep. The great temptation for one who undertakes to discuss Butler is to use his very witty writings to gain for one's self a momentary reputation for wittiness,-to bask in a reflected light, and leave one's readers saying: "How amusing! How brilliant!" A very interesting essay might also be made merely by recounting Butler's life, which was exceedingly varied in scene, more than a little varied in the ups and downs of fortune, and extraordinarly versatile, . as I have already hinted, in occupation. He was a Cambridge graduate of high standing, a theologian, a botanist, an art critic of great acumen; he painted pictures; he composed music; he was easily the greatest wit of his generation; in New Zealand he learned so well to rear and shear and kill sheep that he made a competence for himself in less than five years; but he was also one of those Iambs who seem to be reared for the special purpose of being shorn and bled by a certain type of Canadian, and in Montreal he lost all that he had made in New Zealand.