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The Way of All Flesh
The Way of All Flesh Samuel Butler This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Way of All Flesh Chapter I When I was a small boy at the beginning of the century I remember an old man who wore knee-breeches and worsted stockings, and who used to hobble about the street of our village with the help of a stick. He must have been getting on for eighty in the year 1807, earlier than which date I suppose I can hardly remember him, for I was born in 1802. A few white locks hung about his ears, his shoulders were bent and his knees feeble, but he was still hale, and was much respected in our little world of Paleham. His name was Pontifex. His wife was said to be his master; I have been told she brought him a little money, but it cannot have been much. She was a tall, square-shouldered person (I have heard my father call her a Gothic woman) who had insisted on being married to Mr Pontifex when he was young and too good-natured to say nay to any woman who wooed him. The pair had lived not unhappily together, for Mr Pontifex’s temper was easy and he soon learned to bow before his wife’s more stormy moods. Mr Pontifex was a carpenter by trade; he was also at one time parish clerk; when I remember him, however, he had so far risen in life as to be no longer compelled to 2 of 736 The Way of All Flesh work with his own hands. -
Understanding the Humours Through Burton, Jonson, and Shakespeare Lindsey N
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2016 The eP rformance of Melancholy: Understanding the Humours through Burton, Jonson, and Shakespeare Lindsey N. Betts Claremont McKenna College Recommended Citation Betts, Lindsey N., "The eP rformance of Melancholy: Understanding the Humours through Burton, Jonson, and Shakespeare" (2016). CMC Senior Theses. Paper 1368. http://scholarship.claremont.edu/cmc_theses/1368 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Performance of Melancholy: Understanding the Humours through Burton, Jonson, and Shakespeare submitted to Professor Seth Lobis by Lindsey Betts for Senior Thesis Spring 2016 April 25, 2016 2 To my parents, who have brought me to where I am today; and to my brother, Caleb, who keeps me going. 3 Table of Contents Acknowledgements……………………………………………………………………....5 Introduction……………………………………………………………………………....6 Chapter One: The Seriousness of Burton’s Anatomy of Melancholy…………………....11 Chapter Two: The Caricatures of Jonson’s Every Man Out of His Humour....................39 Chapter Three: The Game of Melancholy in Jonson’s Every Man In His Humour…….51 Chapter Four: Visions of Real World Melancholy in Shakespeare’s As You Like It……61 Chapter Five: The Discourse of Melancholy in Shakespeare’s Hamlet…………………72 Bibliography……………………………………………………………………………..86 4 Acknowledgements First and foremost, I must thank Professor Lobis for the wisdom, support, and guidance he has provided as my advisor. He was there from the moment I showed interest in studying literature to the day I made the transition to becoming the Literature major I was destined to be. -
The Note-Books of Samuel Butler
The Note−Books of Samuel Butler Samuel Butler The Note−Books of Samuel Butler Table of Contents The Note−Books of Samuel Butler..........................................................................................................................1 Samuel Butler.................................................................................................................................................2 THE NOTE−BOOKS OF SAMUEL BUTLER...................................................................................................16 PREFACE....................................................................................................................................................17 BIOGRAPHICAL STATEMENT...............................................................................................................20 I—LORD, WHAT IS MAN?.......................................................................................................................24 Man........................................................................................................................................................25 Life........................................................................................................................................................26 The World..............................................................................................................................................27 The Individual and the World................................................................................................................28 -
Lewis Theobald
English Studies ISSN: 0013-838X (Print) 1744-4217 (Online) Journal homepage: http://www.tandfonline.com/loi/nest20 Lewis Theobald Edward B. Koster To cite this article: Edward B. Koster (1922) Lewis Theobald, English Studies, 4:1-6, 20-60 To link to this article: http://dx.doi.org/10.1080/00138382208596434 Published online: 13 Aug 2008. Submit your article to this journal Article views: 1 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=nest20 Download by: [University of Cambridge] Date: 05 June 2016, At: 13:09 20 The question is naturally asked how it is that the nominative with infinitive is not used with verbs of wishing. The answer cannot be that the nominative with infinitive in English is only an apparent one, for the genuine construction has been shown to occur. But it seems to follow from the facts mentioned that the genuine nominative with infinitive is only used in the case of verbs that can take an apparent (i.e. analysable) accusative with infinitive. The construction, therefore, is one step behind the development of the corres- ponding active construction. It is natural to consider, in this connection, the similar constructions with the present participle. Such a sentence as / saw him looking at a dead flower may be turned into the passive: He was seen looking at a dead flower (Handbook, 695). But it is clear that the nominative with present par- ticiple occurs only in the case of verbs that have an apparent accusative with participle, i.e. -
American Society for Eighteenth-Century Studies (ASECS)
American Society for Eighteenth-Century Studies (ASECS) Mr. Spectator and the Coffeehouse Public Sphere Author(s): Brian Cowan Source: Eighteenth-Century Studies, Vol. 37, No. 3, Critical Networks (Spring, 2004), pp. 345-366 Published by: The Johns Hopkins University Press . Sponsor: American Society for Eighteenth-Century Studies (ASECS) . Stable URL: http://www.jstor.org/stable/25098064 Accessed: 01-05-2015 01:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press and American Society for Eighteenth-Century Studies (ASECS) are collaborating with JSTOR to digitize, preserve and extend access to Eighteenth-Century Studies. http://www.jstor.org This content downloaded from 194.27.18.18 on Fri, 01 May 2015 01:13:12 UTC All use subject to JSTOR Terms and Conditions ,JL . Spectator and the Coffeehouse Public Sphere Brian Cowan Recent critical and historical studies of post-Restoration England have been fascinated with the thought that the period saw the emergence of something called a "public sphere" and that the coffeehouse was a central locus for it. J?r gen Habermas -
Works the Greek and Romai Poets
W ORKS THE G REEK AN D R O MAI P O E T S, E THNSLATED I NTO ENGLISHV RSE. won} 9, 3 con'rAmsé ‘ C O ’ ‘ OK E S V E R S O F H S I D. kQ H; . E O O ’ MEEN S CQ RUJ'HUS AND B LI S’S HY M T HE CRE TO UPO N O T A R. r m un n B w e n s Y 0. a “ . L OND ON A ' A' n m m » to: str um , EV NCE, AND r o x, s r rlo m com SHARP! AND HAILES musm m mocw um ; , , A - g T r w n AND utssn r. us er ST REET ; AND a. !s mu 1813. W ORKS HE I O D S , TRANSLATED FROM THE REE G K, THOMAS COOKE. com m WITHTHE 3m EDITIONS THOMAS PARK E88. F. s . A . , V . OL I . L ON D ON printzuattbs Q tanbnpt pm}, BY W INT I ING HAM AND RO W LAND, Gam a- Str eet; unusnzD DY SU’IT ABY LVANCE AN s ' lo ' r , , D m x . r A r xs ns c ' L ' u s 'r S A ounr UD A rt. s r z H RP , G , !) AN D m uss, PICCA Il - DILLY ; AND TAY LO R AN D LSSEY, FLEET S TREET. 1811. ON E N C T TS . OATH” ! uurse on the Life of Hesiod W ritings of Hesiod ral Argument to the Work s and W ORKS AND DAYS . I tes on Book I II tea on Book II III . -
The Declaration of Sports As a Via Media: Popular Recreations and Religious Conflict in Early Seventeenth Century England
THE DECLARATION OF SPORTS AS A VIA MEDIA: POPULAR RECREATIONS AND RELIGIOUS CONFLICT IN EARLY SEVENTEENTH CENTURY ENGLAND By Christopher R. Steiner, B.A. Pennsylvania State University A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History to the Office of Graduate and Extended Studies of East Stroudsburg University of Pennsylvania December 14, 2019 ABSTRACT A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History to the Office of Graduate and Extended Studies of East Stroudsburg University of Pennsylvania Student’s Name: Christopher Steiner, B.A. Title: The Declaration of Sports as a Via Media: Popular Recreations and Religious Conflict in Early Seventeenth Century England Date of Graduation: December 14, 2019 Thesis Chair: Christopher Dudley, Ph.D. Thesis Member: Michael Gray, Ph.D. Abstract The conflict over popular recreations in early seventeenth century England arose out of the disorder caused by the social, economic, and demographic changes of the time. King James I and King Charles I issued the Declaration of Sports to protect recreations against attack from religious reformers. Most historians argue that the Stuart monarchs issued the declaration to assert their authority over the use of recreations. This thesis, through a close analysis of the Declaration of Sports and contemporary writings of the Stuart monarchs and their supporters, reveals that James I’s and Charles I’s recreational policies align with their ecclesiastical policies of creating a via media or middle way between Puritanism and Catholicism. The efforts to create a via media of sports reveal the conflict over popular recreations to include many of the religious, social, and cultural issues that led to the outbreak of civil war in the 1640s. -
Ballad Opera in England: Its Songs, Contributors, and Influence
BALLAD OPERA IN ENGLAND: ITS SONGS, CONTRIBUTORS, AND INFLUENCE Julie Bumpus A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 7, 2010 Committee: Vincent Corrigan, Advisor Mary Natvig ii ABSTRACT Vincent Corrigan, Advisor The ballad opera was a popular genre of stage entertainment in England that flourished roughly from 1728 (beginning with John Gay's The Beggar's Opera) to 1760. Gay's original intention for the genre was to satirize not only the upper crust of British society, but also to mock the “excesses” of Italian opera, which had slowly been infiltrating the concert life of Britain. The Beggar's Opera and its successors were to be the answer to foreign opera on British soil: a truly nationalistic genre that essentially was a play (building on a long-standing tradition of English drama) with popular music interspersed throughout. My thesis explores the ways in which ballad operas were constructed, what meanings the songs may have held for playwrights and audiences, and what influence the genre had in England and abroad. The thesis begins with a general survey of the origins of ballad opera, covering theater music during the Commonwealth, Restoration theatre, the influence of Italian Opera in England, and The Beggar’s Opera. Next is a section on the playwrights and composers of ballad opera. The playwrights discussed are John Gay, Henry Fielding, and Colley Cibber. Purcell and Handel are used as examples of composers of source material and Mr. Seedo and Pepusch as composers and arrangers of ballad opera music. -
Robert Burton
Robert Burton, The Anatomy of Melancholy (edited by Sarah Knight) Robert Burton (1577-1640) was a student of Christ Church, Oxford, English author and Latin playwright. Burton matriculated at Brasenose College in 1593, but moved to Christ Church in 1599, where he remained for the rest of his life. He held three ecclesiastical livings at various times: St Thomas’s to the west of Oxford (1616- 1640), Walesby in Lincolnshire (1624-1631), and Seagrave in Leicester (1632-1640) but lived in college. Within the University, he acted as a clerk of the market three times between 1615 and 1618, intervening for University members in their commerce with Oxford traders; he was also Librarian of Christ Church from 1624 until his death. The Anatomy, a compendious work that details the causes, symptoms and cures for melancholia, was first published in 1621, and Burton worked on it for the rest of his life. A sixth posthumous edition appeared in 1651. A common Renaissance medical belief, based on Hippocratic and Galenic pathology, was that preponderance of a particular bodily fluid or ‘humour’ (blood, phlegm, yellow bile, or black bile) dictated personality, behaviour and constitution, rendering the individual sanguine, phlegmatic, choleric, or melancholic respectively. Consistency of argument is difficult to determine in a text as varied and intricate as the Anatomy, but Burton does appear to reason that melancholy’s origins are typically spiritual: ‘these chastisements are inflicted upon us for our humiliation, [...] to make us knowe God and our selves, to informe, & teach us wisdome’ (I, 124). Several sections focus on university life and the tribulations facing scholars, particularly (as in this excerpt), the hunt for patronage and the prevalence of fake intellectual expertise. -
Anatomy of Melancholy by Democritus Junior
THE ANATOMY OF MELANCHOLY WHAT IT IS WITH ALL THE KINDS, CAUSES, SYMPTOMS, PROGNOSTICS, AND SEVERAL CURES OF IT IN THREE PARTITIONS; WITH THEIR SEVERAL SECTIONS, MEMBERS, AND SUBSECTIONS, PHILOSOPHICALLY, MEDICINALLY, HISTORICALLY OPENED AND CUT UP BY DEMOCRITUS JUNIOR [ROBERT BURTON] WITH A SATIRICAL PREFACE, CONDUCING TO THE FOLLOWING DISCOURSE PART 3 – Love-Melancholy and Religious Melancholy Published by the Ex-classics Project, 2009 http://www.exclassics.com Public Domain ROBERT BURTON CONTENTS The Preface ....................................................................................................................8 Love's Beginning, Object, Definition, Division ..........................................................28 Love of Men, which varies as his Objects, Profitable, Pleasant, Honest.....................33 Love of Men, which varies as his Objects, Profitable, Pleasant, Honest.....................33 Pleasant Objects of Love .............................................................................................36 Pleasant Objects of Love .............................................................................................36 Honest Objects of Love ...............................................................................................38 Honest Objects of Love ...............................................................................................38 Charity composed of all three Kinds, Pleasant, Profitable, Honest .............................42 Charity composed of all three Kinds, Pleasant, -
Scholarship on Robert Burton's the Anatomy of Melancholy
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 12-2016 Scholarship On Robert Burton's The Anatomy Of Melancholy Matthew Bishop Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the Literature in English, British Isles Commons Recommended Citation Bishop, Matthew, "Scholarship On Robert Burton's The Anatomy Of Melancholy" (2016). All Graduate Plan B and other Reports. 855. https://digitalcommons.usu.edu/gradreports/855 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. SCHOLARSHIP ON ROBERT BURTON’S THE ANATOMY OF MELANCHOLY by Matthew J. Bishop A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in English Approved: ______________________________ ______________________________ Phebe Jensen Christine Cooper-Rompato Major Professor Committee Member ______________________________ Lynne McNeill Committee Member UTAH STATE UNIVERSITY Logan, Utah 2016 ABSTRACT ii Scholarship on Robert Burton’s The Anatomy of Melancholy by Matthew J. Bishop, Master of Arts Utah State University, 2016 Major Professor: Dr. Phebe Jensen Department: English The history of scholarship on Robert Burton’s The Anatomy of Melancholy will be explored in this thesis, beginning with a biographical background of Robert Burton and a brief description of The Anatomy of Melancholy. The overall arc of scholarship on Burton’s text began with a wave of early popularity in the seventeenth century, followed by a period of critical neglect in the eighteenth century when no new editions of the book were published. -
HUDIBRAS and the PROBLEM of SATIRICAL DISTANCE Samuel
Balz Engler, "Hudibras and the Problem of Satirical Distance," English Studies 60 (1979), 436-43. HUDIBRAS AND THE PROBLEM OF SATIRICAL DISTANCE Samuel Butler's Hudibras has had a curious fate with its readers. As James Sutherland has observed, in his own day the poem was enjoyed by readers who were unlikely to read much else, but if he is read at all today it is probably by those who have read so much that they have also read Hudibras. Yet although it is chiefly the learned reader that Butler still attracts, this is the wrong sort of reader for Hudibras: the robust parsons and lawyers and country squires who welcomed the poem with bellows of happy laughter were the men who could really appreciate what Butler was doing. 1 Hudibras, one should add, has also survived among those who are not specialists in Restoration literature, as the source of a great number of almost proverbial maxims.2 One reason why Hudibras should have fared thus may be obvious: its topicality. When it was first published it was immediately successful because it said `what large numbers of Englishmen wanted to have said'3 after the Restoration. But the craze seems to have been over soon. In 1674, ten years after the first part had appeared, Butler published the first and second parts together, and added explanatory notes — a sign that he could not reckon anymore with the spontaneous acceptance that his poem had first met. In 1678 the third part followed, and there is no evidence that it caused a great stir: the topical interest of Butler's ridicule of the Puritans had now worn off, eighteen years after the Restoration of the Stuarts to the throne.