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THE KINGS and QUEENS of BRITAIN, PART I (From Geoffrey of Monmouth’S Historia Regum Britanniae, Tr
THE KINGS AND QUEENS OF BRITAIN, PART I (from Geoffrey of Monmouth’s Historia Regum Britanniae, tr. Lewis Thorpe) See also Bill Cooper’s extended version (incorporating details given by Nennius’s history and old Welsh texts, and adding hypothesised dates for each monarch, as explained here). See also the various parallel versions of the Arthurian section. Aeneas │ Ascanius │ Silvius = Lavinia’s niece │ Corineus (in Cornwall) Brutus = Ignoge, dtr of Pandrasus │ ┌─────────────┴─┬───────────────┐ Gwendolen = Locrinus Kamber (in Wales) Albanactus (in Scotland) │ └Habren, by Estrildis Maddan ┌──┴──┐ Mempricius Malin │ Ebraucus │ 30 dtrs and 20 sons incl. Brutus Greenshield └Leil └Rud Hud Hudibras └Bladud │ Leir ┌────────────────┴┬──────────────┐ Goneril Regan Cordelia = Maglaurus of Albany = Henwinus of Cornwall = Aganippus of the Franks │ │ Marganus Cunedagius │ Rivallo ┌──┴──┐ Gurgustius (anon) │ │ Sisillius Jago │ Kimarcus │ Gorboduc = Judon ┌──┴──┐ Ferrex Porrex Cloten of Cornwall┐ Dunvallo Molmutius = Tonuuenna ┌──┴──┐ Belinus Brennius = dtr of Elsingius of Norway Gurguit Barbtruc┘ = dtr of Segnius of the Allobroges └Guithelin = Marcia Sisillius┘ ┌┴────┐ Kinarius Danius = Tanguesteaia Morvidus┘ ┌──────┬────┴─┬──────┬──────┐ Gorbonianus Archgallo Elidurus Ingenius Peredurus │ ┌──┴──┐ │ │ │ (anon) Marganus Enniaunus │ Idvallo Runo Gerennus Catellus┘ Millus┘ Porrex┘ Cherin┘ ┌─────┴─┬───────┐ Fulgenius Edadus Andragius Eliud┘ Cledaucus┘ Clotenus┘ Gurgintius┘ Merianus┘ Bledudo┘ Cap┘ Oenus┘ Sisillius┘ ┌──┴──┐ Bledgabred Archmail └Redon └Redechius -
Cordelia''s Portrait in the Context of King Lear''s
Paula M. Rodríguez Gómez Cordelias Portrait in the Context of King Lears... 181 CORDELIAS PORTRAIT IN THE CONTEXT OF KING LEARS INDIVIDUATION* Paula M. Rodríguez Gómez** Abstract: This analysis attempts to show the relations between the individual psyche and the contents of the collective unconscious. Following Von Franzs analytical technique, the tragic action in King Lear will be read as an individuation process that will rescue archetypal contents and solve existential paradoxes that cause an imbalance between the ego and the self, leading to self-destruction. Once communication is eased and balance is restored, the transformation-seeking process that engaged the design of the play itself becomes resolved, and events can be led to a conventional tragic resolution. Jungian analysis will therefore provide a critical framework to unveil the subconscious contents that tear the character of the king between annihilation and survival, the anima complex that affects the king, responding thus for the action of the play and its centuries-old success. Keywords: collective unconscious, myth, individuation, archetype, tragedy, anima. Resumen: Este análisis pretende sacar a la luz las relaciones entre la psyche individual y los contenidos del inconsciente colectivo. Siguiendo la técnica analítica de Von Franz, la acción trágica de King Lear será entendida a través del proceso de individuación que revierte sobre los contenidos arquetípicos y resuelve las paradojas existenciales que cau- san el desequilibrio entre ego y self. Una vez que la comunicación es facilitada y el equilibrio psíquico recuperado, el proceso transformativo que afecta la génesis de la trama se resuelve y el argumento alcanza una resolución convencional. -
The Celtic Encyclopedia, Volume IV
7+( &(/7,& (1&<&/23(',$ 92/80( ,9 . T H E C E L T I C E N C Y C L O P E D I A © HARRY MOUNTAIN VOLUME IV UPUBLISH.COM 1998 Parkland, Florida, USA The Celtic Encyclopedia © 1997 Harry Mountain Individuals are encouraged to use the information in this book for discussion and scholarly research. The contents may be stored electronically or in hardcopy. However, the contents of this book may not be republished or redistributed in any form or format without the prior written permission of Harry Mountain. This is version 1.0 (1998) It is advisable to keep proof of purchase for future use. Harry Mountain can be reached via e-mail: [email protected] postal: Harry Mountain Apartado 2021, 3810 Aveiro, PORTUGAL Internet: http://www.CeltSite.com UPUBLISH.COM 1998 UPUBLISH.COM is a division of Dissertation.com ISBN: 1-58112-889-4 (set) ISBN: 1-58112-890-8 (vol. I) ISBN: 1-58112-891-6 (vol. II) ISBN: 1-58112-892-4 (vol. III) ISBN: 1-58112-893-2 (vol. IV) ISBN: 1-58112-894-0 (vol. V) Library of Congress Cataloging-in-Publication Data Mountain, Harry, 1947– The Celtic encyclopedia / Harry Mountain. – Version 1.0 p. 1392 cm. Includes bibliographical references ISBN 1-58112-889-4 (set). -– ISBN 1-58112-890-8 (v. 1). -- ISBN 1-58112-891-6 (v. 2). –- ISBN 1-58112-892-4 (v. 3). –- ISBN 1-58112-893-2 (v. 4). –- ISBN 1-58112-894-0 (v. 5). Celts—Encyclopedias. I. Title. D70.M67 1998-06-28 909’.04916—dc21 98-20788 CIP The Celtic Encyclopedia is dedicated to Rosemary who made all things possible . -
Na De Vloed De Vroegste Geschiedenis Van Europa Na De
Na de vloed De vroegste geschiedenis van Europa na de Vloed door Bill Cooper http://home.hetnet.nl/~genesis/ INHOUD Hoofdstuk 1 De kennis van God bij de vroege heidense volken. Hoofdstuk 2 Waar te beginnen Hoofdstuk 3 Nennius en de tafel van de Europese Naties Hoofdstuk 4 De kronieken van de vroege Britten. Hoofdstuk 5 De geschiedenis van de vroege Britse Koningen Hoofdstuk 6 De afstamming van de Deense en Noorse Koningen. Hoofdstuk 7 De afstamming van de Angel-Saksische Koningen. Hoofdstuk 8 De Afstamming van de Ierse Koningen. Hoofdstuk 9 Oude kronieken en de ouderdom van de Aarde Hoofdstuk 10 Dinosaurussen in Angelsaksische en andere documenten. Hoofdstuk 11 Beowulf en de dieren in Denemarken. HOOFDSTUK 12 CONCLUSIE Hoofdstuk 1 De kennis van God bij de vroege heidense volken. Om de studie van dit onderwerp in het juiste perspectief te brengen moeten wij ten eerste vaststellen dat veel van onze vooroordelen met betrekking tot de archaïsche (oude) mensheid onjuist zijn. Men veronderstelt in het algemeen, bijvoorbeeld, dat de volkeren op aarde de God van Genesis pas leerden kennen nadat zij ervan hoorden door christelijke missionarissen. Slechts na de vertaling van de Bijbel in hun eigen taal, zo dacht men, hoorden zij van de schepping en van de God van de schepping. Verder wordt verondersteld dat de vroege heidense volken geen weet konden hebben van een godheid hoger dan idolen, omdat men dacht dat het onmogelijk is kennis van de ene ware God te krijgen zonder de directe openbaring van Zijn Woord, enz. Men heeft er zelfs niet aan gedacht dat het mogelijk was dat de heidenen zich bewust waren van God en Zijn machtsmiddelen, en dat dit bewustzijn bestond sedert eeuwen zonder enige kennis van de Bijbel. -
Religion and the Church in Geoffrey of Monmouth
Chapter 14 Religion and the Church in Geoffrey of Monmouth Barry Lewis Few authors inspire as many conflicting interpretations as Geoffrey of Monmouth. On one proposition, however, something close to a consen- sus reigns: Geoffrey of Monmouth wrote history in a manner that shows re- markable indifference toward religion and the institutional church. Antonia Gransden, in her fundamental survey of medieval English historical writing, says that “the tone of his work is predominantly secular” and even that he “abandoned the Christian intention of historical writing” and “had no moral, edificatory purpose”, while J.S.P. Tatlock, author of what is still the fullest study of Geoffrey, speaks of a “highly intelligent, rational and worldly personality” who shows “almost no interest in monachism … nor in miracles”, nor indeed in “religion, theology, saints, popes, even ecclesiastics in general”.1 Yet, even if these claims reflect a widely shared view, it is nonetheless startling that they should be made about a writer who lived in the first half of the 12th century. Some commentators find Geoffrey’s work so divergent from the norms of ear- lier medieval historiography that they are reluctant to treat him as a historian at all. Gransden flatly describes him as “a romance writer masquerading as an historian”.2 More cautiously, Matilda Bruckner names Geoffrey among those Latin historians who paved the way for romance by writing a secular-minded form of history “tending to pull away from the religious model (derived from Augustine and Orosius) that had viewed human history largely within the scheme of salvation”.3 This Christian tradition of historiography, against which Geoffrey of Monmouth is said to have rebelled, had its origins in late antiquity in the works of Eusebius, Augustine, and Orosius. -
British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to Including King Leir
GRANHOLM GENEALOGY BRITISH ROYAL ANCESTRY, BOOK 1 Legendary Kings INTRODUCTION The British ancestry is very much a patchwork of various beginnings. Until King Alfred the Great established England various Kings ruled separate parts. In most cases the initial ruler came from the mainland. That time of the history is shrouded in myths, which turn into legends and subsequent into history. Alfred the Great (849-901) was a very learned man and studied all available past history and especially biblical information. He came up with the concept that he was the 72nd generation descendant of Adam and Eve. Moreover he was a 17th generation descendant of Woden (Odin). Proponents of one theory claim that he was the descendant of Noah’s son Sem (Shem) because he claimed to descend from Sceaf, a marooned man who came to Britain on a boat after a flood. See the Biblical Ancestry and Early Mythology Ancestry books). The book British Mythical Royal Ancestry from King Brutus shows the mythical kings including Shakespeare’s King Lair. The lineages are from a common ancestor, Priam King of Troy. His one daughter Troana leads to us via Sceaf, the descendants from his other daughter Creusa lead to the British linage. No attempt has been made to connect these rulers with the historical ones. Before Alfred the Great formed a unified England several Royal Houses ruled the various parts. Not all of them have any clear lineages to the present times, i.e. our ancestors, but some do. I have collected information which show these. These include British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to including King Leir. -
Geoffrey of Monmouth, Historia Regum Britanniae, a Variant Version. Edited
THE MEDIAEVAL ACADEMY OF AMERICA PUBLICATION No. 57 GEOFFREY OF MONMOUTH VARIANT VERSION OF HIS HISTORIA REGUM BRITANNIAE GEOFFREY OF MONMOUTH HISTORIA REGUM BRITANNIAE A VARIANT VERSION EDITED FROM MANUSCRIPTS BY JACOB HAMMER HUNTER COLLEGE THE MEDIAEVAL ACADEMY OF AMERICA CAMBRIDGE 38, MASSACHUSETTS 1951 The publication of this book was made possible by grants of funds to the Academy from the John Simon Guggenheim Foundation, the Institute for Advanced Study, and an Anonymous Donor COPYRIGHT BY THE MEDIAEVAL ACADEMY OF AMERICA 1951 Printed in U.S.A. TO E. A. LOWE AND THE MEMORY OF ERNST RIESS PREFACE In 1927 Professor Chambers wrote: Critical work on the manuscripts (of Geoffrey of Monmouth) is still in its infancy, and in these circumstances speculation as to the original form of the Historia and any revision which it may have undergone can only be tentative.1 Two years later, in 1929, two editions of Geoffrey appeared,2 which constitute a real advance over the older, uncritical editions. The present edition which offers the first critical text of a Variant Version of the Historia, based on manuscripts that hitherto passed under the name of Geoffrey, is only another step in this advance. It represents the first fruits of an investigation undertaken many years ago and is preliminary to a critical edition of the Historia, based on all manuscripts known to scholars, the larger portion of which (135 in actual numbers) has already been col- lated. A task of this scope could not have been undertaken without outside assistance. It was thanks to the generous grants (and publication sub- vention) from the John Simon Guggenheim Foundation and the American Council of Learned Societies that it was possible to visit the various libraries of Europe and collect the material necessary for the project. -
Introduction 1
NOTES Introduction 1 . Siân Echard, Arthurian Narrative in the Latin Tradition , Cambridge Studies in Medieval Literature 36 (Cambridge: Cambridge University Press, 1998 ), p. 14; Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004 ), pp. 26–27; Anne F. Sutton and Livia Visser-Fuchs, “The Dark Dragon of the Normans: A Creation of Geoffrey of Monmouth, Stephen of Rouen, and Merlin Silvester,” Quondam et Futurus: A Journal of Arthurian Interpretations 2.2 ( 1992 ): 2 [1–19]. 2 . Julia Briggs discusses the Vortiger and Uther Pendragon plays per- formed by Philip Henslowe’s company as well as William Rowley’s The Birth of Merlin and Thomas Middleton’s Hengist , “New Times and Old Stories: Middleton’s Hengist ,” Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century , ed. Donald Scragg and Carole Weinberg, Cambridge Studies in Anglo-Saxon England 29 (Cambridge: Cambridge University Press, 2000 ), pp. 108–9 [107–21]. 3 . For evidence supporting a late 1138 date for Geoffrey’s HRB , see Wright, introduction to HRB Bern , p. xvi [ix-lix] and John Gillingham, “The Context and Purposes of Geoffrey of Monmouth’s History of the Kings of Britain ,” Anglo-Norman Studies 13 (1991 ): 100 n5 [99–118]. 4 . Clarke, introduction to VM , p. vii [vii-50]; Echard, Arthurian Narrative , p. 218. 5 . Lee Patterson, Negotiating the Past: The Historical Understanding of Medieval Literature (Madison, WI: The University of Wisconsin Press, 1987 ), pp. 160, 201, 170, and 187; Virgil, Aeneid in Eclogues, Georgics, Aeneid I-VI , trans. -
Durham E-Theses
Durham E-Theses Middle English romance, attitudes to kingship and political crisis, c.l272-c.l350 Lucas, Karen How to cite: Lucas, Karen (1997) Middle English romance, attitudes to kingship and political crisis, c.l272-c.l350, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4637/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Middle English romance, attitudes to kingship and political crisis, C.1272-C.1350 by Karen Lucas M. A. (Durham) The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. This thesis is presented in candidature for the degree of Doctor of Philosophy Department of History University of Durham 1997 1 I AUG watt Abstract. Middle English romance, attitudes to kingship and political crisis, C.1272-C.1350 Karen Lucas Ph.D. -
File Trimming;
rr t5t THESIS SUBMITTED FOR THE DEGREEOF DOCTOROF PHILOSOPHY OF TIM, UNIVER- DITY OF LONDON. .ý fýa AN ANGLO NORMAN METRICAL 11BRUT" OF THE FOURTEENTH CENTURY (British Uusnum Mu E 3028) erton° . 19 3 ice. VERNON PHILIP UNDERWt00D;, BEST COPY AVAILABLE Variable print quality AN ANGLO-NORMAN METRICAL "BRUT" OF THE 14th CENTURY. (British Uuseum Ms-Egerton 028 "i ßYNOP8IS 1 Introduction I, The Uanuacript .... page Description (1) date (5), of me, . miniatures (6) related res (12) II, Locality. Origin 18 of ..., Influence of English on Anglo- Norman (18), orthographical feat- pres (25), historical (35)" III, The "Brut". 42 .... Comparison with other texts (42), methods of abridgment (48), addit- ions (55), sources (58), possible successor (63). IV, 65 The Chronicle .... Unreliability (65), treatment of contemporary events (73), author's tendencies (74). 78 V, Language .... Phonetics ( 8), orthography (89), morphology 100}, syntax (125), 131) vocabulary . 136 VI, Versification .... Observance of French rules (136), irregularity (140}, opining on Angl o- Norman versification (148); aim of in Waoe (155) Eng- changes , possible lish influence (15 ), alliteration (162), enjambement (164), rhyme (165 ). Text 175 .... .... .... Notes .... .... .... 239 Glossary 241 .... .... Index Proper Names 242 of .... Bibliography 249 Index 250 .... .... .... 1 INTRODUCTION 1. THB MANUSCRIPT The British Museum me Egerton 3028 contains: (a) 'part of an abridgment of the Brut of Wace, with a contin- uation into the reign of Edward III (ff. 1 to 63 inclusive); (b) a version of the Destruction de Rome, in similar style of writing, miniatures and language, (ff. 64-83) ; (o) a version of the Roman de Fierabras, also in similar style (ff. -
Druidism : the Ancient Faith of Britain
©ruiOigiin & fcirarfflitli of Britain ^uMti) Ulrijlif IC'\ zo^ ©ruiiligin CliE ^ncirarfflitli of l^ritain Printed and Bound by Ed. J. Burrow & Co. Ltd. London and Cheltenham England. : ©ruiOisiin CliE feitnt faitl of i^ritain BY Dudley Wright LONDON ED. J. BURROW & CO., LTD. Central House, 43, 45 & 47 Kingsway AND Cheltenham 1924 . .. LIST OF ILLUSTRATIONS The Massacre of the Druids . Frontispiece Stonehenge, from a Water Colour Drawing by J. M. W. Turner, R.A. 24 The Druids, or The Conversion of the Britons to Christianity . • 48 Stonehenge, from a Water Colour Drawing by Constable (Victoria and Albert Museum) . 72 Druidical Festival at Stonehenge . 96 A Druid .. .. 120 Aerial View of Stonehenge .. .. .. .. 144 Hill Ranges Converging on Stonehenge .. .. 148 Diagrammatic Plan of Stonehenge .. .. .. 184 N.B.—The Illustrations facing pp. 24, 48, 72, 96, 120 and Frontispiece are from the Fine Art Collection of Augustin Rischgitz. The design for the chapter ending on p. 58 shows the comparative sizes of Druidical Stone Circles. The outer circle is that of Avebury, the intermediate that of Brogar, and the centre Stennis and Stonehenge ; on p. 1 10 are represented the three circles referred to on p. 48 ; on p. 172 is given the Maiden Stone at Caldron, and on p. 183 the chambered structure at Callernish. —————— . .. .. .... ... CONTENTS PAGE Chapter I. The Origin of Druidism . i Britain, Gaul, Erin, Persia, Phoenicia, etc. Chapter II. The Creed of Druidism . 22 Monotheism, Polytheism, Anthropomorphism. The Bardic, or Druidic alphabet. Ancient seats of learning. Ancient trees, The Tree of Knowledge. Reference to Cesar's account of Druidism. -
Places, Kings, and Poetry: the Shaping of Breta Sögur for the Norse Corpus
Hugvísindasvið Places, Kings, and Poetry: The Shaping of Breta sögur for the Norse Corpus Ritgerð til MA-prófs í 2012 Ryder Patzuk-Russell September 2012 Háskoli Íslands Íslensku- og menningardeild Medieval Icelandic Studies Places, Kings, and Poetry: The Shaping of Breta sögur for the Norse Corpus Ritgerð til MA-prófs í Íslensku- og menningardeild Ryder Patzuk-Russell Kt.: 250284-3819 Leiðbeinandi: Svanhildur Óskarsdóttir September 2012 1 Table of Contents Acknowledgements.................................................................................................................2 Introduction.............................................................................................................................3 Texts and Manuscripts.................................................................................................4 Chapter One: Place and Genealogy.........................................................................................8 Genealogical Additions: Aeneas and the Anglo-Saxon Kings....................................9 Geography: Scandinavia, the Atlantic Isles, and Caithness......................................16 Geography and Haukr: Alreksstaðir and Hǫrðaland.................................................20 Conclusion: The Scandinavian Narrator....................................................................24 Chapter Two: Pagans and Christians.....................................................................................27 Interpretatio Germania...............................................................................................27