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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Study on the Contemporary Hui Writers' Literary View of Tradition and Modern Hodgepodge* Haojie Ma School of Liberal Arts Northwest Minzu University Lanzhou, China 730030 Abstract—This paper summarizes the literature views of disclosure and disclosure of contradictions and conflicts in contemporary Hui writers' traditions and modern essays social transformation, such as Cao Yu, Ba Jin, Jia Ping'ao, through the study of contemporary Hui literature. Liu Zhenyun and other writers. It can be seen that the Contemporary Hui writers write traditions in the local time literature views of tradition and modern hodgepodge run painting and present modernity in urban construction. The through the whole process of Chinese modern and contemporary creation and unique aesthetic paradigm of contemporary literature. In this way, the situation of minority contemporary Hui literature is a practice that is guided by the literature as an important part of Chinese literature is the traditional and modern multidimensional co-construction of same. Contemporary minority writers also show the literature. The tradition and modern hodgepodge reveals the traditional and modern mixed literary ideas in their creations, continuation and adjustment of the literary view, highlights the such as the Tibetan writer Alai, the Mongolian writer national character in the persistence, adapts to the development of modernity in adaptation, and expresses the Maraqinfu, and the Yi writer Jidimajia, which are powerful literary vision and strong feelings of the patriotism that examples. Therefore, it is not difficult to find the literature actively constructs the new dimension of the motherland reviews and thinking of tradition and modern hodgepodge of literature. -
Frankfurt Book Fair 2015
THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 CHINESE & TAIWANESE AUTHORS OUR TABLE: 14N @ H6.3 LitAg Contact: Gray Tan [email protected] 0 THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 PRIVATE EYES A Crime Novel by Chi Wei-Jan (Taiwan) Translated by Anna Holmwood and Gigi Chang *A bestseller with over 10,000 copies sold *Major Chinese-language film in development *Winner of the Taipei Book Fair Award *Winner of the China Times Open Book Award *Asia Weekly Top Ten Chinese Novel of the Year *Official “Books From Taiwan” Selection “Taipei is both a curse and a miracle. I wondered which 紀蔚然・私家偵探 higher power it was that sustained me, so that I might take shelter in this chaotic universe, and what was the magical Publisher: Ink (2011) mechanism that enabled our crystalline civilization to Pages: 352pp overcome each disaster in turn?” Full English translation available Length: 100,000 words (English) Winner of the top three literary awards in Taiwan, Chi US: Markus Hoffmann (Regal Wei-Jan’s PRIVATE EYES is a brilliant literary crime novel in Hoffmann & Associates) which Wu Cheng, a failed-academic-turned-sleuth, tries to make sense of the absurdity of modern city life and to prove his innocence in a series of murders. The first ever serial RIGHTS SOLD killer in Taiwan, a family scandal that leads to corruptions of the social health insurance system and a Buddhist fanatic WRITERS PUBLISHING (CHINA) who turns to killing people as a way of “salvation” are only KAHVE (TURKEY) part of the charm of this hilarious and darkly delicious novel. -
A Global Contest for Power and Influence
CHAPTER 1 U.S.-CHINA GLOBAL COMPETITION SECTION 1: A GLOBAL CONTEST FOR POWER AND INFLUENCE: CHINA’S VIEW OF STRA- TEGIC COMPETITION WITH THE UNITED STATES Key Findings • Beijing has long held the ambition to match the United States as the world’s most powerful and influential nation. Over the past 15 years, as its economic and technological prowess, dip- lomatic influence, and military capabilities have grown, China has turned its focus toward surpassing the United States. Chi- nese leaders have grown increasingly aggressive in their pur- suit of this goal following the 2008 global financial crisis and General Secretary of the Chinese Communist Party (CCP) Xi Jinping’s ascent to power in 2012. • Chinese leaders regard the United States as China’s primary adversary and as the country most capable of preventing the CCP from achieving its goals. Over the nearly three decades of the post-Cold War era, Beijing has made concerted efforts to diminish the global strength and appeal of the United States. Chinese leaders have become increasingly active in seizing op- portunities to present the CCP’s one-party, authoritarian gover- nance system and values as an alternative model to U.S. global leadership. • China’s approach to competition with the United States is based on the CCP’s view of the United States as a dangerous ideologi- cal opponent that seeks to constrain its rise and undermine the legitimacy of its rule. In recent years, the CCP’s perception of the threat posed by Washington’s championing of liberal demo- cratic ideals has intensified as the Party has reemphasized the ideological basis for its rule. -
The Literature of China in the Twentieth Century
BONNIE S. MCDOUGALL KA此1 LOUIE The Literature of China in the Twentieth Century 陪詞 Hong Kong University Press 挫芋臨眷戀犬，晶 lll 聶士 －－「…－ pb HOMAMnEPgUimmm nrRgnIWJM inαJ m1ιLOEbq HHny可 rryb的問可c3 們 unn 品 Fb 心 油 β 7 叫 J『 。 Bonnie McDougall and Kam Louie, 1997 ISBN 962 209 4449 First published in the United Kingdom in 1997 by C. Hurst & Co. (Publishers) Ltd. This soft cover edition published in 1997 by Hong Kong University Press is available in Hong Kong, China and Taiwan All righ臼 reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the Publisher. Printed in England CONTENTS Acknowledgements page v Chapters 1. Introduction 1 Part I. 1900-1937 2. Towards a New Culture 13 3. Poetry: The Transformation of the Past 31 4. Fiction: The Narrative Subject 82 5. Drama: Writing Performance 153 Part II. 1938-1965 6. Return to Tradition 189 7. Fiction: Searching for Typicality 208 8. Poetry: The Challenge of Popularisation 261 9. Drama: Performing for Politics 285 Part III. 1966-1989 10. The Reassertion of Modernity 325 11. Drama: Revolution and Reform 345 12. Fiction: Exploring Alternatives 368 13. Poe世y: The Challenge of Modernity 421 14. Conclusion 441 Further Reading 449 Glossary of Titles 463 Index 495 Vll INTRODUCTION Classical Chinese poet可 and the great traditional novels are widely admired by readers throughout the world. Chinese literature in this centu可 has not yet received similar acclaim. -
C China Allgemein
Seite 1 C China Allgemein R C 1 Biblio-Bibliographien / Kataloge von Bibliographien / periodisch erscheinende Bibliographien / Bücherkataloge / Bibliographische Jahrbücher C 1 Bibliographien: allgemeine Studien R C 2 Bibliographien, Kataloge und Indices von Zeitschriften, Zeitungen, Datenbanken / allgemeine Verzeichnisse von Zeitschriften- und Zeitungsartikeln [Indices von einzelnen Zeitschriften, welche die Bibliothek besitzt, stehen bei der ZS] R C 3 Bibliographien von Sammelwerken C 4 Geschichte und Technik der Papierherstellung, des Buchdrucks und des Buchbindens / Konservierung alter Materialien / banben 版本 [s.a. → C 299] C 6 Bibliotheken, Archive, Privatsammlungen, Buchhandlungen und Verlagswesen, Zeitschriften und Zeitungen C 7 Bibliothekskunde R C 11 Bibliothekskataloge: bis 1850 (China und Japan) R C 13 Bibliothekskataloge: nach 1850 (nur China) R C 16 Bibliothekskataloge: Privatsammlungen in China (inkl. Hongkong und Taiwan) R C 18 Bibliothekskataloge: Sammlungen chinesischer Bücher im Ausland (ab 1850 inkl. Japan) R C 21 Allg. Bibliographien und Indices / Bibliographien und Indices von allg. Nachschlagewerken C 24 Bibliographische Hinweise, Notizen und Essays / dushu ji 讀書記 R C 25 Spezialbibliographien zu historischen Perioden, geographischen Gebieten, verbotenen, verlorenen und wiedergefundenen Büchern etc. [Bibliographien zu den einzelnen Fachgebieten → Fachgebiete] Seite 2 C 27 Textüberlieferung / Authentizität / jiaokanxue 校勘學 / wenxianxue 文獻學 / [xungu 訓詁 → C 411]/ Verfolgung von Texten, Literatur wenhuo 文禍, wenzi yu 文字獄, Textedition jiaoben 校本 / guji 古 籍 R C 29 Bibliographien und Indices zu Sammelwerken congshu 叢書 R C 31 Enzyklopädien / leishu 類書 [ cihai 辭海 → RC 472] C 31 Sekundärliteratur zu Enzyklopädien, leishu 類書 und congshu 叢書 R C 765 Allgemeine Nachschlagewerke / Handbücher gongjushu 工具書 [Bibliographien dazu → RC 21] C 34 Sekundärliteratur zu Nachschlagewerken und Handbüchern R C 35 Adress- und Telefonbücher C 37 Studiengesellschaften / Museen / Institutionen / Kongresse etc. -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
A Visualization Quality Evaluation Method for Multiple Sequence Alignments
2011 5th International Conference on Bioinformatics and Biomedical Engineering (iCBBE 2011) Wuhan, China 10 - 12 May 2011 Pages 1 - 867 IEEE Catalog Number: CFP1129C-PRT ISBN: 978-1-4244-5088-6 1/7 TABLE OF CONTENTS ALGORITHMS, MODELS, SOFTWARE AND TOOLS IN BIOINFORMATICS: A Visualization Quality Evaluation Method for Multiple Sequence Alignments ............................................................1 Hongbin Lee, Bo Wang, Xiaoming Wu, Yonggang Liu, Wei Gao, Huili Li, Xu Wang, Feng He A New Promoter Recognition Method Based On Features Optimal Selection.................................................................5 Lan Tao, Huakui Chen, Yanmeng Xu, Zexuan Zhu A Center Closeness Algorithm For The Analyses Of Gene Expression Data ...................................................................9 Huakun Wang, Lixin Feng, Zhou Ying, Zhang Xu, Zhenzhen Wang A Novel Method For Lysine Acetylation Sites Prediction ................................................................................................ 11 Yongchun Gao, Wei Chen Weighted Maximum Margin Criterion Method: Application To Proteomic Peptide Profile ....................................... 15 Xiao Li Yang, Qiong He, Si Ya Yang, Li Liu Ectopic Expression Of Tim-3 Induces Tumor-Specific Antitumor Immunity................................................................ 19 Osama A. O. Elhag, Xiaojing Hu, Weiying Zhang, Li Xiong, Yongze Yuan, Lingfeng Deng, Deli Liu, Yingle Liu, Hui Geng Small-World Network Properties Of Protein Complexes: Node Centrality And Community Structure -
UNIVERSITY of CALIFORNIA Los Angeles the Qin
UNIVERSITY OF CALIFORNIA Los Angeles The Qin and Literati Culture in Song China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Meimei Zhang 2019 © Copyright by Meimei Zhang 2019 ABSTRACT OF THE DISSERTATION The Qin and Literati Culture in Song China by Meimei Zhang Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2019 Professor David C Schaberg, Chair My dissertation examines the distinctive role that the qin played in Chinese literati culture in the Song dynasty (960-1279) through its representations in literary texts. As one of the earliest stringed musical instruments in China, the qin has occupied a unique status in Chinese cultural history. It has been played since ancient times, and has traditionally been favored by Chinese scholars and literati as an instrument of great subtlety and refinement. This dissertation focuses on the period of the Song because it was during this period that the literati developed as a class and started to indulge themselves in various cultural and artistic pursuits, and record their experiences in literary compositions as part of their self-fashioning. Among these cultural pursuits, the qin playing was an important one. Although there have been several academic works on the qin, most of them focus on the musical aspects of the instrument. My project aims to reorient the perspective on the qin by revealing its close relationship and interaction with the literati class from a series of ii historical and literary approaches. During the Song, the qin was mentioned in a multiplicity of literary texts, and associated with a plethora of renowned literary figures. -
Writing Oneself As a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels Fang-Yu Li Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2015 Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels Fang-yu Li Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Li, Fang-yu, "Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels" (2015). Arts & Sciences Electronic Theses and Dissertations. 556. https://openscholarship.wustl.edu/art_sci_etds/556 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Program in Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E. Hegel, Co-Chair J. Dillon Brown Rebecca Copeland Zhao Ma Marvin Howard Marcus Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels by Fang-yu Li A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2015 St. Louis, Missouri © 2015, Fang-yu Li Table of Contents Acknowledgments.......................................................................................................................... iv ABSTRACT OF THE DISSERTATION ...................................................................................... vi Chapter 1: Writing Oneself as a Writer: Writer-Intellectuals and Narrative Identity.................... -
THE ART of WOMAN WRITERS 1. the Upsurge of Woman Writers There Was a Great Upsurge in Woman Writers During the 1980S in Terms Of
CHAPTER TWENTYTHREE THE ART OF WOMAN WRITERS 1. Th e Upsurge of Woman Writers Th ere was a great upsurge in woman writers during the 1980s in terms of both numbers and quality, a phenomenon that drew the attention of observers. Th e literary works of woman writers of diff ering ages and diff ering experience appeared at each stage and in each literary trend to diff ering reactions, leading to the work of woman writers becoming an important component of 1980s literature. Th e use of gender (“woman writers”) as one way of describing this literary phenomenon during this period was related to literature’s historical situation. As some critics have pointed out, there were two “high tides” of woman writers during the twentieth century: One was during the “May Fourth” period, and the other during the 1980s.1 Th e woman writers of the “May Fourth” period, such as Chen Hengzhe, Bing Xin, Lu Yin, Feng Yuanjun, Ling Shuhua, Bai Wei, and Luo Shu, and, somewhat later, writers such as Ding Ling and Su Xuelin, participated in the “liberation of the self”, “freedom of marriage”, and other social campaigns through their lit- erary writings as part of the enlightenment trend of thought that had intellectuals at its core. Th is writing not only accorded with the need of women to “discover” themselves, but also received attention as a social issue concerning “women’s liberation”. Moreover, their writing, in so far as it promoted innovative forces, was supported and guided by intel- lectual circles. However, precisely because the work of woman writers primarily received attention for participating in “social movements”, the setbacks met by the enlightenment movement they followed and the shift of attention in society from culture to politics led to a decrease and divisions in this form of writing by women with “oneself” as its object. -
Moderní Čínská Literatura 中國現代文學
Moderní čínská literatura 中國現代文學 Mgr. Kamila Hladíková, Ph.D. Olomouc 2013 Moderní čínská literatura učební materiál pro studenty sinologie Tato publikace vznikla na Katedře asijských studií Filozofické fakulty Univerzity Palackého v Olomouci v rámci projektu OPVK Inovace oboru čínská filologie na Univerzitě Palackého v Olomouci se zaměřením na uplatnění absolventů v praxi, reg. č. CZ.1.07/2.2.00/15.0289. Ediční poznámka KATALOGIZACE V KNIZE - NÁRODNÍ KNIHOVNA ČR Hladíková, Kamila Vzhledem k výukové povaze je v předkládaném textu obsaženo mnoho odborných termínů, jmen i názvů Moderní čínská literatura : učební materiál pro studenty v češtině i čínštině. V textu je použita zjednodušená podoba čínských znaků. Pro přepis čínských jmen a topo- sinologie / Kamila Hladíková. -- 1. vyd. -- Olomouc : Univerzita Palackého v Olomouci, 2013. -- 190 s. nym je důsledně využíváno mezinárodně uznávaného transkripčního přepisu pinyin, pouze v bibliografických ISBN 978-80-244-3840-5 (brož.) citacích je vždy zachován přepis, v němž bylo publikováno původní dílo. 821.581 Dělení slov a psaní velkých písmen v pinyinu vychází z Národního standardu Čínské lidové republiky (ICS - čínská literatura -- 20. stol. 01.140.10), jež spravuje Komise pro Pravopis čínského pinyinu. Tuto standardní podobu a pravidla mohou čte- - učebnice vysokých škol náři nalézt např. na www.pinyin.info. Užití velkých písmen na počátcích českých slov a slovních spojení vychází z Pravidel českého pravopisu 821.58.09 - Sino-tibetské literatury (o nich) [11] a podrobnější a pravidelně aktualizované Internetové jazykové příručky dostupné na http://prirucka.ujc.cas. 37.016 - Učební osnovy. Vyučovací předměty. Učebnice [22] cz/, na jejímž vzniku se podíleli pracovníci Ústavu pro jazyk český AV ČR a pracovníci Centra zpracování při- rozeného jazyka Fakulty informatiky Masarykovy univerzity. -
The Politics of National Identity in Post-Tiananmen China
THE POLITICS OF NATIONAL IDENTITY IN POST-TIANANMEN CHINA: Cultural Nationalism v. State Nationalism By Yingjie Guo MA f Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania May 2001 -- ===-=-~---~=== 11 This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, and to the best of my knowledge and belief, no material previously published or written by another person except due acknowledgement is made in the text of the thesis. This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Yingjie Guo May 2001 III Contents Declaration II Acknowledgements VI Abstract Vlll 1 Introduction ..................................................................................................... 1 I. Socio-political Background of the Politics of Identity .................................... 1 2. Intellectual Background of the Study .............................................................. 3 3. Aims of the Study ........................................................................................... 8 4. Methodology ................................................................................................... 9 5. Basic Arguments ........................................................................................... 11 6. Structure of the Thesis .................................................................................. 16 2 Rethinking the Nation and Nationalism: