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Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Study on the Contemporary Hui Writers' Literary View of Tradition and Modern Hodgepodge* Haojie Ma School of Liberal Arts Northwest Minzu University Lanzhou, China 730030 Abstract—This paper summarizes the literature views of disclosure and disclosure of contradictions and conflicts in contemporary Hui writers' traditions and modern essays social transformation, such as Cao Yu, Ba Jin, Jia Ping'ao, through the study of contemporary Hui literature. Liu Zhenyun and other writers. It can be seen that the Contemporary Hui writers write traditions in the local time literature views of tradition and modern hodgepodge run painting and present modernity in urban construction. The through the whole process of Chinese modern and contemporary creation and unique aesthetic paradigm of contemporary literature. In this way, the situation of minority contemporary Hui literature is a practice that is guided by the literature as an important part of Chinese literature is the traditional and modern multidimensional co-construction of same. Contemporary minority writers also show the literature. The tradition and modern hodgepodge reveals the traditional and modern mixed literary ideas in their creations, continuation and adjustment of the literary view, highlights the such as the Tibetan writer Alai, the Mongolian writer national character in the persistence, adapts to the development of modernity in adaptation, and expresses the Maraqinfu, and the Yi writer Jidimajia, which are powerful literary vision and strong feelings of the patriotism that examples. Therefore, it is not difficult to find the literature actively constructs the new dimension of the motherland reviews and thinking of tradition and modern hodgepodge of literature. -
Frankfurt Book Fair 2015
THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 CHINESE & TAIWANESE AUTHORS OUR TABLE: 14N @ H6.3 LitAg Contact: Gray Tan [email protected] 0 THE GRAYHAWK AGENCY FRANKFURT BOOK FAIR 2015 PRIVATE EYES A Crime Novel by Chi Wei-Jan (Taiwan) Translated by Anna Holmwood and Gigi Chang *A bestseller with over 10,000 copies sold *Major Chinese-language film in development *Winner of the Taipei Book Fair Award *Winner of the China Times Open Book Award *Asia Weekly Top Ten Chinese Novel of the Year *Official “Books From Taiwan” Selection “Taipei is both a curse and a miracle. I wondered which 紀蔚然・私家偵探 higher power it was that sustained me, so that I might take shelter in this chaotic universe, and what was the magical Publisher: Ink (2011) mechanism that enabled our crystalline civilization to Pages: 352pp overcome each disaster in turn?” Full English translation available Length: 100,000 words (English) Winner of the top three literary awards in Taiwan, Chi US: Markus Hoffmann (Regal Wei-Jan’s PRIVATE EYES is a brilliant literary crime novel in Hoffmann & Associates) which Wu Cheng, a failed-academic-turned-sleuth, tries to make sense of the absurdity of modern city life and to prove his innocence in a series of murders. The first ever serial RIGHTS SOLD killer in Taiwan, a family scandal that leads to corruptions of the social health insurance system and a Buddhist fanatic WRITERS PUBLISHING (CHINA) who turns to killing people as a way of “salvation” are only KAHVE (TURKEY) part of the charm of this hilarious and darkly delicious novel. -
A Global Contest for Power and Influence
CHAPTER 1 U.S.-CHINA GLOBAL COMPETITION SECTION 1: A GLOBAL CONTEST FOR POWER AND INFLUENCE: CHINA’S VIEW OF STRA- TEGIC COMPETITION WITH THE UNITED STATES Key Findings • Beijing has long held the ambition to match the United States as the world’s most powerful and influential nation. Over the past 15 years, as its economic and technological prowess, dip- lomatic influence, and military capabilities have grown, China has turned its focus toward surpassing the United States. Chi- nese leaders have grown increasingly aggressive in their pur- suit of this goal following the 2008 global financial crisis and General Secretary of the Chinese Communist Party (CCP) Xi Jinping’s ascent to power in 2012. • Chinese leaders regard the United States as China’s primary adversary and as the country most capable of preventing the CCP from achieving its goals. Over the nearly three decades of the post-Cold War era, Beijing has made concerted efforts to diminish the global strength and appeal of the United States. Chinese leaders have become increasingly active in seizing op- portunities to present the CCP’s one-party, authoritarian gover- nance system and values as an alternative model to U.S. global leadership. • China’s approach to competition with the United States is based on the CCP’s view of the United States as a dangerous ideologi- cal opponent that seeks to constrain its rise and undermine the legitimacy of its rule. In recent years, the CCP’s perception of the threat posed by Washington’s championing of liberal demo- cratic ideals has intensified as the Party has reemphasized the ideological basis for its rule. -
The Literature of China in the Twentieth Century
BONNIE S. MCDOUGALL KA此1 LOUIE The Literature of China in the Twentieth Century 陪詞 Hong Kong University Press 挫芋臨眷戀犬，晶 lll 聶士 －－「…－ pb HOMAMnEPgUimmm nrRgnIWJM inαJ m1ιLOEbq HHny可 rryb的問可c3 們 unn 品 Fb 心 油 β 7 叫 J『 。 Bonnie McDougall and Kam Louie, 1997 ISBN 962 209 4449 First published in the United Kingdom in 1997 by C. Hurst & Co. (Publishers) Ltd. This soft cover edition published in 1997 by Hong Kong University Press is available in Hong Kong, China and Taiwan All righ臼 reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the Publisher. Printed in England CONTENTS Acknowledgements page v Chapters 1. Introduction 1 Part I. 1900-1937 2. Towards a New Culture 13 3. Poetry: The Transformation of the Past 31 4. Fiction: The Narrative Subject 82 5. Drama: Writing Performance 153 Part II. 1938-1965 6. Return to Tradition 189 7. Fiction: Searching for Typicality 208 8. Poetry: The Challenge of Popularisation 261 9. Drama: Performing for Politics 285 Part III. 1966-1989 10. The Reassertion of Modernity 325 11. Drama: Revolution and Reform 345 12. Fiction: Exploring Alternatives 368 13. Poe世y: The Challenge of Modernity 421 14. Conclusion 441 Further Reading 449 Glossary of Titles 463 Index 495 Vll INTRODUCTION Classical Chinese poet可 and the great traditional novels are widely admired by readers throughout the world. Chinese literature in this centu可 has not yet received similar acclaim. -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
October 24, 2016
www.thepeninsulaqatar.com PAGE | 21 PAGE | 22 Del Potro wins first Hamilton powersers to ATP title in pole at United SStatestates three years Grand Prix MONDAY 24 OCTOBER 2016 • 23 MOHARRAM 1438 thepeninsulaqatar @peninsulaqatar @peninsula_qatar Four-star Chelsea annihilate Man United Marcello Lippi Lippi to net millions Conte’s side wins third consecutive league without as China coach: conceding a goal as Mourinho struggles State media for solutions Sebastian Soria AFP AFP BEIJING: Marcello Lippi will earn almost $5m a year as China coach but will pocket far more through a tie- Blow for in with a football academy, state media said yesterday. The 68-year-old Italian was named boss of the LONDON: Chelsea support- national team by the Chinese Football Association ers taunted Manchester United Al Rayyan as on Saturday and has the tricky goal of steering the manager Jose Mourinho with Asian giant to qualify for the 2018 World Cup -- a chants of “You’re not special near impossible feat given recent losses to Uzbekistan anymore!” as his Stamford Soria suffers and Syria. Bridge return yielded a humil- Lippi, who steered Chinese top-flight side iating 4-0 defeat yesterday. Guangzhou Evergrande to three consecutive domes- With seven major titles injury tic league titles from 2012, takes over following the across two spells, Mourinho is resignation of Gao Hongbo. Chelsea’s most successful ever Chelsea’s midfielder N’Golo Kante (left) scores their fourth goal during the English Premier “I am proud to announce the start of a new adven- manager, but his return to his The Peninsula League football match against Manchester United at Stamford Bridge in London, yesterday. -
Global Chinese 2018; 4(2): 217–246
Global Chinese 2018; 4(2): 217–246 Don Snow*, Shen Senyao and Zhou Xiayun A short history of written Wu, Part II: Written Shanghainese https://doi.org/10.1515/glochi-2018-0011 Abstract: The recent publication of the novel Magnificent Flowers (Fan Hua 繁花) has attracted attention not only because of critical acclaim and market success, but also because of its use of Shanghainese. While Magnificent Flowers is the most notable recent book to make substantial use of Shanghainese, it is not alone, and the recent increase in the number of books that are written partially or even entirely in Shanghainese raises the question of whether written Shanghainese may develop a role in Chinese print culture, especially that of Shanghai and the surrounding region, similar to that attained by written Cantonese in and around Hong Kong. This study examines the history of written Shanghainese in print culture. Growing out of the older written Suzhounese tradition, during the early decades of the twentieth century a distinctly Shanghainese form of written Wu emerged in the print culture of Shanghai, and Shanghainese continued to play a role in Shanghai’s print culture through the twentieth century, albeit quite a modest one. In the first decade of the twenty-first century Shanghainese began to receive increased public attention and to play a greater role in Shanghai media, and since 2009 there has been an increase in the number of books and other kinds of texts that use Shanghainese and also the degree to which they use it. This study argues that in important ways this phenomenon does parallel the growing role played by written Cantonese in Hong Kong, but that it also differs in several critical regards. -
Writing Oneself As a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels Fang-Yu Li Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2015 Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels Fang-yu Li Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Li, Fang-yu, "Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels" (2015). Arts & Sciences Electronic Theses and Dissertations. 556. https://openscholarship.wustl.edu/art_sci_etds/556 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Program in Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E. Hegel, Co-Chair J. Dillon Brown Rebecca Copeland Zhao Ma Marvin Howard Marcus Writing Oneself as a Writer: Intellectual Identity and Moral Agency in Contemporary Chinese Novels by Fang-yu Li A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2015 St. Louis, Missouri © 2015, Fang-yu Li Table of Contents Acknowledgments.......................................................................................................................... iv ABSTRACT OF THE DISSERTATION ...................................................................................... vi Chapter 1: Writing Oneself as a Writer: Writer-Intellectuals and Narrative Identity.................... -
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No.1 October 2019 EDITORS-IN-CHIEF Tobias BIANCONE, GONG Baorong EDITORIAL BOARD MEMBERS (in alphabetical order by Pinyin of last name) Tobias BIANCONE, Georges BANU, Christian BIET, Marvin CARLSON, CHEN Jun, CHEN Shixiong, DING Luonan, Erika FISCHER-LICHTE, FU Qiumin, GONG Baorong, HE Chengzhou, HUANG Changyong, Hans-Georg KNOPP, HU Zhiyi, LI Ruru, LI Wei, LIU Qing, LIU Siyuan, Patrice PAVIS, Richard SCHECHNER, SHEN Lin, Kalina STEFANOVA, SUN Huizhu, WANG Yun, XIE Wei, YANG Yang, YE Changhai, YU Jianchun. EDITORS WU Aili, CHEN Zhongwen, CHEN Ying, CAI Yan CHINESE TO ENGLISH TRANSLATORS HE Xuehan, LAN Xiaolan, TANG Jia, TANG Yuanmei, YAN Puxi ENGLISH CORRECTORS LIANG Chaoqun, HUANG Guoqi, TONG Rongtian, XIONG Lingling，LIAN Youping PROOFREADERS ZHANG Qing, GUI Han DESIGNER SHAO Min CONTACT TA The Center Of International Theater Studies-S CAI Yan: [email protected] CHEN Ying: [email protected] CONTENTS I 1 No.1 CONTENTS October 2019 PREFACE 2 Empowering and Promoting Chinese Performing Arts Culture / TOBIAS BIANCONE 4 Let’s Bridge the Culture Divide with Theatre / GONG BAORONG STUDIES ON MEI LANFANG 8 On the Subjectivity of Theoretical Construction of Xiqu— Starting from Doubt on “Mei Lanfang’s Performing System” / CHEN SHIXIONG 18 The Worldwide Significance of Mei Lanfang’s Performing Art / ZOU YUANJIANG 31 Mei Lanfang, Cheng Yanqiu, Qi Rushan and Early Xiqu Directors / FU QIUMIN 46 Return to Silence at the Golden Age—Discussion on the Gains and Losses of Mei Lanfang’s Red Chamber / WANG YONGEN HISTORY AND ARTISTS OF XIQU 61 The Formation -
KT 1-9-2016.Qxp Layout 1
SUBSCRIPTION THURSDAY, SEPTEMBER 1, 2016 THULQADA 29, 1437 AH www.kuwaittimes.net Gas stations Fight against Singer Chris Serena starts jam-packed Egypt sexual Brown freed strong in bid on eve of harassment after standoff for seventh price hike3 bearing 7fruit with37 LA police US20 Open title Kuwait to sue drug kingpins, Min 30º open more anti-drug offices Max 48º High Tide 00:18 & 11:37 MoI foils attempt to smuggle hashish from Iran Low Tide 05:52 & 18:46 40 PAGES NO: 16980 150 FILS By A Saleh and Hanan Al-Saadoun Kuwait ranks KUWAIT: Kuwait intends to sue drug kingpins in some for- eign countries, accusing them of tirelessly working to last in world smuggle drugs into Kuwait with the help of their accom- plices in both Kuwait and some neighboring countries, high-ranking Interior Ministry official sources said. The expat index sources added that Kuwait has official and firm evidence linking these drug lords to the narcotics seized in Kuwait, By Aakash Bakaya and stressed that lawsuits would be filed in each drug traf- ficker’s respective country. KUWAIT: In the latest list from Expat Insider, Kuwait, Moreover, the sources highlighted that as part of coordi- along with Greece and Nigeria, made up the bottom nation with other countries to exchange classified informa- three nations, while Taiwan and Malta topped the tion, Kuwait intends to establish its own anti-drug offices in list of the world’s friendliest countries for expats. The key countries to place drug dealers under close surveillance Expat Insider survey from InterNations group pro- and foil their attempts to smuggle drugs into Kuwait before vided an in-depth analysis of everyday expat life in they actually arrive. -
THE ART of WOMAN WRITERS 1. the Upsurge of Woman Writers There Was a Great Upsurge in Woman Writers During the 1980S in Terms Of
CHAPTER TWENTYTHREE THE ART OF WOMAN WRITERS 1. Th e Upsurge of Woman Writers Th ere was a great upsurge in woman writers during the 1980s in terms of both numbers and quality, a phenomenon that drew the attention of observers. Th e literary works of woman writers of diff ering ages and diff ering experience appeared at each stage and in each literary trend to diff ering reactions, leading to the work of woman writers becoming an important component of 1980s literature. Th e use of gender (“woman writers”) as one way of describing this literary phenomenon during this period was related to literature’s historical situation. As some critics have pointed out, there were two “high tides” of woman writers during the twentieth century: One was during the “May Fourth” period, and the other during the 1980s.1 Th e woman writers of the “May Fourth” period, such as Chen Hengzhe, Bing Xin, Lu Yin, Feng Yuanjun, Ling Shuhua, Bai Wei, and Luo Shu, and, somewhat later, writers such as Ding Ling and Su Xuelin, participated in the “liberation of the self”, “freedom of marriage”, and other social campaigns through their lit- erary writings as part of the enlightenment trend of thought that had intellectuals at its core. Th is writing not only accorded with the need of women to “discover” themselves, but also received attention as a social issue concerning “women’s liberation”. Moreover, their writing, in so far as it promoted innovative forces, was supported and guided by intel- lectual circles. However, precisely because the work of woman writers primarily received attention for participating in “social movements”, the setbacks met by the enlightenment movement they followed and the shift of attention in society from culture to politics led to a decrease and divisions in this form of writing by women with “oneself” as its object. -
Moderní Čínská Literatura 中國現代文學
Moderní čínská literatura 中國現代文學 Mgr. Kamila Hladíková, Ph.D. Olomouc 2013 Moderní čínská literatura učební materiál pro studenty sinologie Tato publikace vznikla na Katedře asijských studií Filozofické fakulty Univerzity Palackého v Olomouci v rámci projektu OPVK Inovace oboru čínská filologie na Univerzitě Palackého v Olomouci se zaměřením na uplatnění absolventů v praxi, reg. č. CZ.1.07/2.2.00/15.0289. Ediční poznámka KATALOGIZACE V KNIZE - NÁRODNÍ KNIHOVNA ČR Hladíková, Kamila Vzhledem k výukové povaze je v předkládaném textu obsaženo mnoho odborných termínů, jmen i názvů Moderní čínská literatura : učební materiál pro studenty v češtině i čínštině. V textu je použita zjednodušená podoba čínských znaků. Pro přepis čínských jmen a topo- sinologie / Kamila Hladíková. -- 1. vyd. -- Olomouc : Univerzita Palackého v Olomouci, 2013. -- 190 s. nym je důsledně využíváno mezinárodně uznávaného transkripčního přepisu pinyin, pouze v bibliografických ISBN 978-80-244-3840-5 (brož.) citacích je vždy zachován přepis, v němž bylo publikováno původní dílo. 821.581 Dělení slov a psaní velkých písmen v pinyinu vychází z Národního standardu Čínské lidové republiky (ICS - čínská literatura -- 20. stol. 01.140.10), jež spravuje Komise pro Pravopis čínského pinyinu. Tuto standardní podobu a pravidla mohou čte- - učebnice vysokých škol náři nalézt např. na www.pinyin.info. Užití velkých písmen na počátcích českých slov a slovních spojení vychází z Pravidel českého pravopisu 821.58.09 - Sino-tibetské literatury (o nich) [11] a podrobnější a pravidelně aktualizované Internetové jazykové příručky dostupné na http://prirucka.ujc.cas. 37.016 - Učební osnovy. Vyučovací předměty. Učebnice [22] cz/, na jejímž vzniku se podíleli pracovníci Ústavu pro jazyk český AV ČR a pracovníci Centra zpracování při- rozeného jazyka Fakulty informatiky Masarykovy univerzity.