How Female Authors in Latin America Confront and Challenge the Patriarchal Control of Science and Legality in the Representation of Women

Total Page:16

File Type:pdf, Size:1020Kb

How Female Authors in Latin America Confront and Challenge the Patriarchal Control of Science and Legality in the Representation of Women University of New Mexico UNM Digital Repository Spanish and Portuguese ETDs Electronic Theses and Dissertations Spring 4-29-2020 Science Under the Microscope and Legality on Trial: How Female Authors in Latin America Confront and Challenge the Patriarchal Control of Science and Legality in the Representation of Women Anna Bellum Follow this and additional works at: https://digitalrepository.unm.edu/span_etds Part of the Latin American Languages and Societies Commons, Latin American Literature Commons, and the Women's Studies Commons Recommended Citation Bellum, Anna. "Science Under the Microscope and Legality on Trial: How Female Authors in Latin America Confront and Challenge the Patriarchal Control of Science and Legality in the Representation of Women." (2020). https://digitalrepository.unm.edu/span_etds/131 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Spanish and Portuguese ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. i Anna Bellum Candidate Spanish and Portuguese Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Eleuterio Santiago-Díaz, Chairperson Kimberle López Miguel López Adriana González Mateos ii Science Under the Microscope and Legality on Trial How Female Authors in Latin America Confront and Challenge the Patriarchal Control of Science and Legality in the Representation of Women by ANNA BELLUM B.A., Spanish, Eastern New Mexico University, 2006 M.A., Hispanic Literature, University of New Mexico, 2010 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Spanish and Portuguese The University of New Mexico Albuquerque, New Mexico May, 2020 iii DEDICATION In loving memory of my dear friend Matthew Naegeli, who cheered for stories of female empowerment, including my own. I miss you. This dissertation is dedicated to my family, for it belongs, really, to all of us. To my dad, John, whose pursuit of science has always been pure, whose studies and dissertation paved the way for my own, and whose encouragement towards my goals was never lacking, even when I didn’t believe this was possible. To my mom, Debbie, whose love and care for language has shaped me. At a time when women had to fight for their words my mom was one of the brave who knew her own voice, and she has made it so that I don’t have to fight in the same way. To my brother, Daniel, the true scholar, who knows more than most, and yet is humble and kind in his knowing. To my sister, Rebekah, the hardest worker among us, whose dedication, both to what she does and those she loves, has changed me, even as it has set an example for me. And to my sister- in-law, Carly, who shares our family’s love of learning, and who is a perfect fit for my brother, as he is for her. iv ACKNOWLEDGEMENTS In reality I would need the space of an entire book to acknowledge everyone who deserves to be on this page. For those I have missed, I truly apologize, and hope to get the chance to acknowledge you face-to-face. I wish to give the highest acknowledgement to Professor Eleuterio Santiago-Díaz, my advisor, my committee chair, my teacher, and my friend. It is no exaggeration to say that I am getting this PhD because of him, for I learned to love learning even more in his classes. More than a degree, what I wanted was to continue working with Professor Santiago-Díaz. His profound understanding, his engaging teaching, his empowering guidance, and his generous assessment of me are what spurred me to take on this endeavor in the first place; and then, when I least wanted, to finish it. It’s possible he knows my words better than I do, and yet, he graciously lets them be mine. Thank you. I would also like to give acknowledgement to my committee members, Kimberle López, Miguel López, and Adriana González Mateos, whose knowledge and passion for the field have helped drive me at different points over the many years of this doctoral program, and whose insight, feedback, and direction have given my thoughts and words shape and meaning that they didn’t have before. Thank you. Similarly, I would like to acknowledge three professors from my Master’s and Undergraduate programs: Susana Rivera, Anne Beck, and Mary Ayala. These women each opened the written word up to me in different ways, they always believed in me, and they always challenged me beyond what I thought was possible for me to do. Thank you. There are two fellow students who have been instrumental in my graduate studies: Nohemí Hinojosa-López, my study buddy for our Master’s Exams, without whom I would not have passed; and Bryn Campbell, the entirety of my PhD cohort, without whom I would not have made any progress on my dissertation. Bryn was the friend that I needed throughout many years of writing. Our weekly appointments to write together were refreshing, encouraging, and – ultimately – effective. I miss them. Thank you. There are others who allowed me to use them as sounding boards as I worked through my own thoughts, and who helped those thoughts take form: my family and Kara Carroll are at the top of that list, but there are many friends, especially from my Hope Church family, who genuinely took interest in my topic, listened to my vocal processing like champs, and spurred me on towards my goal. Thank you. It’s important for me to also acknowledge my colleagues at Hope Church, especially Christian Schlenker, Gary Villa, Andy Cook, Catherine Noble, Adam Kane, Josh Swanson and Ryan Bestlemeyer, who have not only taken an interest in my finishing, but have had incredible patience with me over many years as I carried this burden into our office on a regular basis. Similarly, I want to acknowledge the leadership v board of my church, who have encouraged me as I worked, and who generously gave me a month of paid leave in order for me to finish what remained of my writing. Thank you. I would be remiss if I didn’t mention my best friend, Alex Tennison, whose friendship has been one of the great joys of my life, and whose free physical therapy throughout my studies kept my body healthy as my mind worked. Thank you. Lastly, I want to acknowledge God, whose Word is the life source of all words, whose creativity is the heartbeat of all creative impulse, and who – I discovered during this process – in His infinite wisdom, decided to work out His good plan of salvation for the world in a way that is quintessentially female, or as one working from the margins. In such, He embedded Himself in the oppression He sought to disarm and then, when least expected, He subverted it from within. For that I am forever grateful. vi Science Under the Microscope and Legality on Trial How Female Authors in Latin America Confront and Challenge the Patriarchal Control of Science and Legality in the Representation of Women by Anna Bellum B.A., Spanish, Eastern New Mexico University, 2006 M.A., Hispanic Literature, University of New Mexico, 2010 Ph.D., Spanish and Portuguese, University of New Mexico, 2020 ABSTRACT In this dissertation, I analyze a selection of works by eight Latin American female authors in order to explore how they represent the process of the social construction of women’s identities and roles in the male-dominated social, institutional, familial, and personal spaces that force women into particular positions of subordination. This analysis will focus, in particular, on how women writers represent the hegemonic systems of legality and science in order to highlight their role in the reproduction of values, practices, and institutions that maintain male control and female exploitation. Each of the authors I analyze addresses the construction of women’s social roles and identities within the modern institutions of legality and science through their female characters and poetic voices. These authors have a discerning eye on their cultural context and, at times, a biting tongue as they demand social change and project what it could look like. vii TABLE OF CONTENTS List of Figures ................................................................................................................. xiii Introduction ....................................................................................................................... 1 Significance of Research ......................................................................................... 5 Primary Texts .......................................................................................................... 6 Relevant Literature .................................................................................................. 7 A Critical Approach to Science and Legality ....................................................... 12 Chapter Layout ...................................................................................................... 14 Chapter 1 The Triangle of Desire: A Theoretical Framework ................................... 19 Three-Pointed Desires: A Theoretical Base .......................................................... 20 The Symbol and its Functions................................................................... 26 The Appeal of the Symbolic Process ........................................................ 30 Seperable, Inherent Values v. A Natural Association of Meaning ........... 32 Conclusion
Recommended publications
  • Gustavo Adolfo Bécquer Y La Influencia De Heinrich Heine, Por Linda Ojeda
    ENSAYOS / ESSAYS POESIA / POETRY InVerso Home A Critical Analysis of Bernal Diaz del Castillo’s La Conquista de Nueva España: Problems in Historiography. By Daniel Santana-Hernandez Gustavo Adolfo Bécquer y la influencia de Heinrich Heine, por Linda Ojeda Back to Issue 16 InVerso Home A Critical Analysis of Bernal Diaz del Castillo’s La Conquista de Nueva España: Problems in Historiography Daniel Santana-Hernandez Department of History, California State University, Northridge Abstract Of all the Spaniard accounts of the conquest of Mexico, Bernal Diaz Del Castillo’s are one of many that nurture the violent imaginations of historians citing pre-Cuauhtemoc Mesoamerican civilization. Castillo is well known for his first-hand experience in the conquest. He is especially known for his repeated accounts of supposed mass human sacrifice. He also paints us a picture of how great a captain he saw Hernan Cortes to be and how he felt they were on a mission to bring Christianity to the nation. Often historians may overlook the possibility that the conquistador’s accounts may have been grossly exaggerated. Here, I briefly explore Castillo’s La conquista de Nueva España (The Conquest of New Spain) and examine the fallacies that surround his written accounts such as the questionable intent of the Spaniards, his flawed portrayals of Mesoamerican civilization, and his supposed accounts of mass human sacrifice. Moreover, I relate this to contemporary problems in the field of historiography where historians may rely too heavily on the mistranslations and misinterpretations of amateur historians. Introduction Some historians rarely take into account the possibility of inaccuracies in Díaz’s writings.
    [Show full text]
  • Pistas Karaoke - Noviembre 2019 - FIESTATECH
    Listado de Pistas Karaoke - Noviembre 2019 - FIESTATECH 1 aionio El alquiler es por día. Lo dejamos instalado y lo retiramos al día siguiente. Cubre fiestas hasta 50 personas. fiestatech.com.ar Listado de Pistas Karaoke - Noviembre 2019 - FIESTATECH 2 80s Aretha Franklin - Chain Of Fools 90s Fito Paez - Giros 80s Ariel Rot - Debajo del puente 90s George Michael - Careless Whisper 80s Charly Garcia - Demoliendo hoteles 90s Guns N' Roses - Patience 80s Charly Garcia - No me dejan salir 90s Guns N' Roses - Sweet Child O'Mine 80s Charly Garcia - No voy en tren 90s Led zeppelin - stairway to heaven 80s Charly Garc¡a - No Me Dejan Salir 90s Leonardo Favio - Din Dong Din Dong 80s Charly Garc¡a - Nos siguen pegando abajo 90s Los Autenticos Decandentes - El murguero.m 80s Eagles - Hotel California 90s Los Calzones Rotos - No te calles 80s Fabiana Cantilo - Detectives 90s Los enanitos verdes - Por el resto 80s Irene Cara-Flashdance...What A Feeling 90s Los Ladrones Sueltos - No Le Dijo Nada 80s Los Abuelos de la Nada - Mil horas 90s Los Rodr¡guez - Sin documentos 80s Los abuelos de la nada - Mil horas 90s Los Violadores - 1,2 Ultraviolentos 80s Los Naufragos - Wadu Wadu 90s Marco Antonio Solis - Tu Carcel 80s Los Pericos - El ritual de la banana 90s Marta S nchez - Desesperada 80s Magneto - Vuela Vuela 90s Matador - Los Fabulosos Cadillacs 80s Miguel Mateos - Cuando seas grande 90s Metallica - Nothing Else Matters 80s Miguel Mateos - Llamame si me necesitas 90s Queen - Bohemian Rhapsody 80s pepe aguila - el autob£s 90s Queen - Don't Stop me
    [Show full text]
  • Catalogo Midis
    CATALOGO MIDIS [email protected] Whatsapp +549 1161958948 / Dany Azzaroni Los midis donde dice “M” significa que tienen la melodìa tocada, pero no la letra Los midis donde dice “ML” o “MLOK” significa que tienen la melodia y tambien LA LETRA SINCRONIZADA Todo està en formato mid Precios Cada midi $ 500 (pesos argentinos) EXTERIOR 8,99 Dolares 8,10 euros 179,52 Pesos Mexicanos 6476, 25 Pesos Chilenos 324,86 Pesos Uruguayos Paypal MercadoPago Tarjetas 20% por 5 a 9 midis 40% por 10 o mas 18 Kilates - Son de amores MLOK 18 Kilates feat. Roman - Chica especial MLOK- 3 de Copas - Tu fantasma MLOK A dos velas - Con la gente que me gusta MLOK- Abba - Chiquitita ML- Abba - Fernando MLOK (Letra en Castellano) Abba - Fernando MLOK (Letra en ingles) Abba - Gracias por la musica MLOK Abel Pintos - 3 MLOK Abel Pintos - A Dios ML_OK Abel Pintos - Alguna vez ML Abel Pintos - Aqui te espero ML_OK Abel Pintos - Bailando con tu sombra ML_OK Abel Pintos - Cancion que acuna MLOK- Abel Pintos - Como te extraño MLOK Abel Pintos - Cuando ya me empiece a quedar solo ML_OK Abel Pintos - Cuantas veces ML Abel Pintos - De solo vivir ML_OK Abel Pintos - El adivino ML-OK Abel Pintos - El mar ML_OK Abel Pintos - Flores en el rio ML Abel Pintos - Incomparable Buenos Amores Vagabundo ML_OK Abel Pintos - La llave (Vers Encuentro en el Estudio) MLOK Abel Pintos - La llave (Version Piano) MLOK Abel Pintos - La llave ML_OK Abel Pintos - Mariposa ML_OK Abel Pintos - Motivos ML_OK AP Abel Pintos - Motivos MLOK Abel Pintos - Once mil ML_OK Abel Pintos - Por una
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • Verdadero Bastión Del Soporte En El País Como Es Héc- Como Destacamos Aparte
    Prensario música & video | Octubre 2015 Prensario música & video | Octubre 2015 Prensario música & video | Octubre 2015 Prensario música & video | Octubre 2015 Prensario música & video | Octubre 2015 Prensario música & video | Octubre 2015 editorial ARGENTINA / SHOWBUSINESS AGENDA Ariana Grande, Sting y Romeo Santos Grammy Latino y buenas noticias del retail chileno En gran momento entra al último cuarto del el Complejo al Río. También tiene a Pearl Jam el y 2 de noviembre en el Opera, el gran cierre de año el showbusiness argentino, con grandes 7 de noviembre y para enero a One Direction, la gira de Axel tras los 20 Operas en el DirecTV figuras, nuevos venues modernos y progresiva ambos en el Estadio Unico, ya confirmando junto Arena el 14 de noviembre, Airbag el 27 de no- n la industria de la música los premios son una pata e Chile tenemos las mejores noticias discográficas de participación de las marcas, poniendo creativi- a Daniel Grinbank -toda una noticia- a los Ro- viembre y Abraham Mateo, en el Luna, además importante que genera negocios y los Grammy La- este mes, en un mercado que necesita recuperar re- D dad para revalidar el consumo. lling Stones el 7, 10 y 13 de febrero en el Unico. de Vanessa Martín en el ND. tinos los mueven en la parte más importante de la tail para los CDs y los vinilos. Por un lado, Láser partió con un E PopArt apuesta al Cirque du Soleil de Soda región. Justo se han conocido las nominaciones a la 16ta. gran lanzamiento en Almacenes París el pasado miércoles 7 Stéreo, concretó uno de los shows naciona- entrega que se realizará en el MGM Grand Arena de Las Ve- de octubre, y estuvimos allí.
    [Show full text]
  • Derlas Vol. 11 No. 1 J P Rivera
    DeRLAS Vol. 11 No. 1 J P Rivera Delaware Review of Latin American Studies Vol. 11 No. 1 June 30, 2010 Cabeza colosal: la raza y la guerra de escrituras en Colibrí de Severo Sarduy Juan Pablo Rivera Department of World Languages Westfield State College [email protected] Abstract La figura del luchador en Colibrí encarna el cuestionamiento de los orígenes que recorre la obra entera de Sarduy. Lo hace al ser emblema de un origen dudoso y múltiple: (1) el del "luchador" representado en uno de los artefactos mejor logrados del repertorio cultural olmeca y (2) el de los famosos luchadores que discute Roland Barthes en su conocida Mythologies. El proceso de blanqueamiento que atraviesa Colibrí a través del relato no es sino la encarnación o manifestación física de una tensión entre dos tradiciones de escritura: las dudosas raíces de los olmecas en Mesoamérica (la arqueología mesoamericana) y el rastro de la escritura bartheana. ******************************** The virtue of all-in wrestling is that it is the spectacle of excess.1 Roland Barthes, Mythologies El título del primer capítulo de la novela Colibrí, del autor cubano Severo Sarduy, nos pone frente a una representación monumental que cae sobre la página con el peso originario de los ancestros: una cabeza colosal olmeca2. La imagen colosal regresa en varios momentos del relato para marcar el lugar primigenio de la jungla, las profundidades selváticas. Este adjetivo, “colosal,” retrata de entrada la transposición de un vocabulario Occidental al terreno latinoamericano, pues sugiere continuidades falsas entre los colosos de la antigüedad clásica y las representaciones amerindias.
    [Show full text]
  • Las Mujeres Del Otro Lado: a Critique of the Representations of Mexican Women at the U.S.-Mexico Border
    LAS MUJERES DEL OTRO LADO: A CRITIQUE OF THE REPRESENTATIONS OF MEXICAN WOMEN AT THE U.S.-MEXICO BORDER By Adriana Martinez-Fernandez A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Hispanic Cultural Studies 2011 ABSTRACT LAS MUJERES DEL OTRO LADO: A CRITIQUE OF THE REPRESENTATIONS OF MEXICAN WOMEN AT THE U.S.-MEXICO BORDER By Adriana Martinez-Fernandez This dissertation analyzes cultural representations of Mexican border women and their interactions with their political and social environment. Short stories, novels, documentaries, plays, testimonial literature and films on the Mexican women at the U.S.-Mexico border are crucial to the understanding of gendered constructions at la frontera, as they formulate a metacommentary to a variety of complex issues ‘on the ground.’ That is to say, the portrayals of border women unquestionably attest to often-clashing perspectives on culture, nation, sexuality and class. This dissertation focuses on the following texts: Chapter 1 centers on Ciudad Juárez, examining Alicia Gaspar de Alba’s novel Desert Blood: The Juárez Murders (2005) and the documentary film La Batalla de las Cruces (2005), directed by Rafael Bonilla. These texts have been chosen because their portrayals of juarense women address the discourse of victimization from different perspectives within the context of the hundreds of murders of women that have afflicted this city with impunity since 1993. These texts reflect the paradoxes that emerge either from underlining the helpless condition of the victims or from creating a public persona for the activists campaigning against the murders.
    [Show full text]
  • Views and Literary Or Film Awards
    (De)humanizing Narratives of Terrorism in Spain and Peru Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Melissa Doran, M.A. Graduate Program in Spanish and Portuguese The Ohio State University 2014 Dissertation Committee: Ulises Juan Zevallos-Aguilar, Advisor Ignacio Corona Aurélie Vialette Copyright by Melissa Doran 2014 2 Abstract Both Spain and Peru experienced protracted violent conflicts between insurgent groups and State forces during the second half of the twentieth century. In Spain, this involved Euskadi Ta Askatasuna (ETA), a radical Basque nationalist organization which sought Basque autonomy via armed struggle in a conflict which lasted from 1959 until 2011. In Peru, the insurgent threat was represented by Sendero Luminoso, a Maoist guerrilla insurgency based in the Peruvian highlands that sought drastic sociopolitical change within Peru. Sendero Luminoso launched what they deemed a people’s war in 1980, and the bloody conflict that ensued continued until 1992. The damage caused by each of these conflicts was monumental, both in terms of the loss of human life and damage to infrastructure in both countries. In this dissertation I examine the depiction of these conflicts in a selection of Peruvian and Spanish novels and films. I argue that each work promotes a certain version of the conflict it describes, and that this can be revealed through an analysis of the humanizing and dehumanizing discourses at play in the representation of the actors in both of these conflicts. From Peru, I will examine Santiago Roncagliolo’s novel Abril rojo (2006) and Fabrizio Aguilar’s film Paloma de papel (2003).
    [Show full text]
  • OCTAVIO PAZ, and the Wars BATTLE for CULTURAL MEMORY
    Uncivil War S Sandra Messinger Cypess OCTAVIO PAZ, AU AND THE % I I FOR ) A, .1000 . otU Uncivil Wars Uncivil JOE R. AND TERESA LOZAND LONG SERIES IN LATIN AMERICAN AND LATINO ART AND CULTURE JUN0 ELENA GARRO, OCTAVIO PAZ, AND THE Wars BATTLE FOR CULTURAL MEMORY Sandra Messinger Cypess UNIVERSITY OF TEXAS PRE88 AUSTIN Copyright 2012 by Sandra Messinger Cypess All rights reserved Printed in the United States of America First edition, 2012 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 utpress.utexas.edu/about/book-permissions The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper).@ Library of Congress Cataloging-in-Publication Data Cypess, Sandra Messinger. Uncivil wars : Elena Garro, Octavio Paz, and the battle for cultural memory / by Sandra Messinger Cypess. - 1st ed. p. cm. - (Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture) Includes bibliographical references and index. ISBN 978-0-292-75428-7 1. Garro, Elena-Criticism and interpretation. 2. Paz, Octavio, 1914-1998-Criticism and interpretation. 3. National characteristics, Mexican, in literature. 4. Collective memory-Mexico. I. Title. PQ7297.G3585Z64 2012 868'.64o9-dc23 2012010950 First paperback printing, 2013 DEDICATED TO Raymond (everyone knows why) and to Aaron and Leah, Josh and Rebecca, and their wonderful contributions to our happiness: Benjamin Joey Shoshana Sally Hadassah David e e e CONTENTS PREFACE / iX i. Introduction: Uncivil Wars / 1 2. All in the Family: Paz and Garro Rewrite Mexico's CulturalMemory / 13 3.
    [Show full text]
  • The Life and Work of Gloria Anzaldúa: an Intellectual Biography
    University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2012 THE LIFE AND WORK OF GLORIA ANZALDÚA: AN INTELLECTUAL BIOGRAPHY Elizabeth Anne Dahms University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dahms, Elizabeth Anne, "THE LIFE AND WORK OF GLORIA ANZALDÚA: AN INTELLECTUAL BIOGRAPHY" (2012). Theses and Dissertations--Hispanic Studies. 6. https://uknowledge.uky.edu/hisp_etds/6 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. I retain all other ownership rights to the copyright of my work.
    [Show full text]
  • Septiembre 2013 Prensario Música & Video | Septiembre 2013 Pre Ppre Ppree Pre Ppree Ppre P
    prensario música & video | septiembre 2013 prensarioprep ensannssarioririoio músicamúm sica & video | septiembreseptiembre 20132013 prensario música & video | septiembre 2013 prensario música & video | septiembre 2013 editorial AARGENTINARGENTINA / AAGENDAGENDA El Showbusiness entra en su etapa más fuerte Más venues: Mandarine Park y Ciudad Rock (ExParque de la Ciudad) Gran entrega de los Premios Gardel: En el mismo mes del 9 de noviembre. Eso además en esta edición Rock in Rio, el showbusiness de los GEBA latinos de Eros Se encontró el formato argentino entre en su etapa Ramazzotti el 4 de octubre y REGIONALES más intensa y con el brillo de de Ricardo Montaner una se- • Premios MTV: buena repercusión los grandes estadios de las Bruce Springsteen mana antes. Para septiembre a • Grammy Latinos: novedades ue una gran entrega la cuando no gana, en lugar de apoyar al productoras principales, creciendo también en Jon Mayer y Alice in Chains en el Luna Park y • BAFIM: nueva realización con foro de negocios internacionales de los Premios Gardel, conjunto. El público suple eso y le da el el número de festivales de marcas y en la inau- Jovanotti en Vorterix. Aparte, inauguró su divi- guración y potenciamiento de nuevos venues. sión de deportes y va con todo con la exhibición toda la industria de la calor y la adrenalina necesarios cuando ARGENTINA F Pero también hay estridentes shows loca- Nalbandian-Nadal en La Rural. música se sumó a ella y creo que, pasan las horas, además de hacer más • Premios Gardel: se encontró un formato les. Está la última parte de los shows Violetta de T4f de Fernando Moya tiene los estadios finalmente y tras mucha búsque- populares a los premios.
    [Show full text]
  • Huarte De San Juan Filologia Eta Hizkuntzaren Didaktika
    Nafarroako Unibertsitate Publikoa Universidad Pública de Navarra Filología y Didáctica de la Lengua HUARTE DE SAN JUAN Filologia eta Hizkuntzaren Didaktika ESTUDIOS Carlos García. Gerardo Diego y Guillermo José Luis Clemente Sánchez y Juan Karlos de Torre López-Mugartza Iriarte. Irasco y otros nombres de animales y plantas de Esco Carlos García Monge. Textos recobrados de Número 9 Zenbakia Pedro Garfias Orreaga Ibarra Murillo. Azkuek Mezkiri- 2008 tzen bilduriko kantak 2007 Consuelo Barrera García. El lado oscuro de 10 la mística masculina en una novela de Be- Juan Karlos López-Mugartza Iriarte. La- len Gopegui rraineko toponimia 1832ko katastroaren arabera Nekane Oroz Bretón. Entre la pluralidad lingüística y el vasco-iberismo: Ideas lin- Henrike Knörr Borràs. El euskera en tierras HUARTE DE SAN JUAN güísticas sobre la España prerromana en del romance: Rioja Alavesa, La Rioja, H Revista de la Facultad de Ciencias Humanas y Sociales • Giza eta Gizarte Zientzien Fakultatearen Aldizkaria los siglos XVI y XVII Burgos, Encartaciones Juan Karlos López-Mugartza Iriarte. No- UART tas preliminares al estudio de los nombres de animales y plantas de Esco Filología y Didáctica de la Lengua E Filologia eta Hizkuntzaren Didaktika D E S AN J UAN Filologia eta Hizkuntzaren Didaktika Filología y Didáctica de la Lengua Universidad Pública de Navarra Nafarroako Unibertsitate Publikoa cubierta filologia 10.indd 1 13/09/13 08:30 HUARTE DE SAN JUAN Filología y Didáctica de la Lengua Filologia eta Hizkuntzaren Didaktika Número 9 Zenbakia 2007 Título/Izenburua:
    [Show full text]