DOCSLIB.ORG

OCTAVIO PAZ, and the Wars BATTLE for CULTURAL MEMORY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
OCTAVIO PAZ, and the Wars BATTLE for CULTURAL MEMORY Uncivil War S Sandra Messinger Cypess OCTAVIO PAZ, AU AND THE % I I FOR ) A, .1000 . otU Uncivil Wars Uncivil JOE R. AND TERESA LOZAND LONG SERIES IN LATIN AMERICAN AND LATINO ART AND CULTURE JUN0 ELENA GARRO, OCTAVIO PAZ, AND THE Wars BATTLE FOR CULTURAL MEMORY Sandra Messinger Cypess UNIVERSITY OF TEXAS PRE88 AUSTIN Copyright 2012 by Sandra Messinger Cypess All rights reserved Printed in the United States of America First edition, 2012 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 utpress.utexas.edu/about/book-permissions The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper).@ Library of Congress Cataloging-in-Publication Data Cypess, Sandra Messinger. Uncivil wars : Elena Garro, Octavio Paz, and the battle for cultural memory / by Sandra Messinger Cypess. - 1st ed. p. cm. - (Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture) Includes bibliographical references and index. ISBN 978-0-292-75428-7 1. Garro, Elena-Criticism and interpretation. 2. Paz, Octavio, 1914-1998-Criticism and interpretation. 3. National characteristics, Mexican, in literature. 4. Collective memory-Mexico. I. Title. PQ7297.G3585Z64 2012 868'.64o9-dc23 2012010950 First paperback printing, 2013 DEDICATED TO Raymond (everyone knows why) and to Aaron and Leah, Josh and Rebecca, and their wonderful contributions to our happiness: Benjamin Joey Shoshana Sally Hadassah David e e e CONTENTS PREFACE / iX i. Introduction: Uncivil Wars / 1 2. All in the Family: Paz and Garro Rewrite Mexico's CulturalMemory / 13 3. War at Home: Betrayals of/in the Mexican Revolution / 49 4. Love and War Don't Mix: Garro and Paz in the Spanish Civil War / 79 5. Tlatelolco: The Undeclared War / 115 6. From Civil War to Gender War: The Battle of the Sexes / 151 NOTES / 179 BIBLIOGRAPHY / 207 INDEX / 237 u a 1 "The difficult part is taking the first step." ELENA GARRO Reencuentro de personajes (Reunion of Characters) "I am the shadow my words cast." OCTAVIO PAZ "A Draft of Shadows" (The Collected Poems of Octavio Paz, 1957-1987, trans. Eliot Weinberger) PREFACE FOR MANY YEARS I CONSIDERED EXPLORING the roles of Elena Garro and Octavio Paz in formulating and transmitting the cultural memory of Mexico during the second part of the twentieth century. The inspiration derived in part from my earlier study of the historical figure of the indigenous woman, La Malinche, and how she was portrayed in Mexican literature and culture through the ages, from the initial chronicles to contemporary literary expres sions. It seemed to me that everyone-or perhaps almost everyone-dealing with the topic quoted Octavio Paz's influential essay "Los hijos de la Malinche" (The Sons of Malinche) to discuss the impact and relevance of that historical figure for Mexican ethnic identity. Most readers and critics, however, ignored the subtle commentary of Elena Garro on the same topic (if they even knew that she had attempted such a response). By contrast, my reading suggests that Garro was actually in debate with Paz when she wrote her now canonical short story "La culpa es de los tlaxcaltecas" (It's the Fault of the Tlaxcaltecas). It offers a commentary not only on Mexican ethnic identity but also on gender relationships, an issue that Paz often neglected. The ideas and esthetic expressions of Garro and Paz project varying per spectives on Mexican cultural memory-both what is recalled and "memorial ized" and what is ignored and forgotten. What is poignant and yet paradoxical in the "Garro and Paz story" is that they each had so much to offer to Mexican culture, yet their personal and professional trajectories were so divergent. A case in point: after the traumatic Tlatelelolco Massacre of 1968, Paz became a figurehead for the protesting Mexican students, who called him "El padrino" (the godfather), while Garro was marginalized and forced into exile by both governmental and literary communities for her supposedly inappropriate ac tions. In this book I document the two writers' war of words, in which they explore in different ways similar themes that cover esthetic, erotic, and ethical questions as well as issues of individual and national identity. Paz was certainly the "go-to" intellectual for any number of esthetic, philosophical, political, and poetic topics in the twentieth century, while Garro's voice was muted, overshadowed by recurring personal issues. Her difficult personal life, spent in exile and marked by financial and psychological stresses, often clouded the vi brant and coherent literary texts that she created. Despite the obstacles, Garro contributed to the Latin American canon three virtuoso texts in three dif ferent genres: Los recuerdos del porvenir (translated as Recollections of Things to Come), "La culpa es de los tlaxcaltecas," and Un hogar sdlido (A Solid Home). Despite such evaluations by scholars, many of her works have yet to be trans lated and thus are unknown to an international public. Paz, in contrast, was lionized, interviewed, translated, and showered with prestigious awards, including the Nobel Prize in 1990. He was recognized early as one of the outstanding poets and essayists of the twentieth century. When he died in April 1998, his funeral justifiably was an event of national import. It was attended by thousands, including Mexican president Ernesto Zedillo, who called him a "universal Mexican" (New York Times, April 21, 1998). Paz was mourned by the intellectual elite as well as by average citizens. When Garro died a few months later, in August 1998, her funeral understandably did not occasion the same highly publicized national state of grief caused by Paz's death, although a leader did comment on the meaning of her loss to the world of letters. As reported by the New York Times on August 25, 1998, the president of the National Council for Culture and the Arts in Mexico, Rafael Tovar y de Teresa, singled out Garro as one of the three most important female writers of Mexican letters, along with the seventeenth-century nun and poet Sor Juana In6s de la Cruz and Rosario Castellanos (1925-1974), a contemporary of Paz and Garro. Garro's contributions to cultural memory provide a reckoning of the ter rible impact of machismo in Mexican society. She critiqued the negativities of a patriarchal culture throughout her writings, especially in a number of novels UNCIVIL WARS published after 1980: Testimonios sobre Mariana (Testimonies about Mariana, 1981) and Mi hermanita Magdalena (My Little Sister Magdalena, 1998). Al though it is easy to read these novels as romans a clef within the genre of auto biography, I suggest that they are more like political statements symptomatic of the troubled connection that Garro felt with the realities of Mexican cul ture than a vengeful attempt to discredit Paz. Garro is not so much expending her literary energies out of a personal need for retribution as articulating in her own work the complaints and resentments of Mexican women in general. She had dealt with these issues as far back as her initial writings of the 1950s and 196os, which were created while she was still married to Paz and were en couraged by him, like her early plays and Los recuerdos del porvenir. As is clearly evident in the feminist readings of those early works, Garro presents a picture of Mexican womanhood within the context of the patriarchy. It was not her bitter divorce from Paz that brought her to feminism and to harsh criticism of one male member of this society. On the contrary, her works have always explored gender relations and the unequal power relations that characterize Mexican society. Consequently, in a subversion of the traditional use of the muse figure as a "female" who inspires a male writer, Paz instead became the "muse" for Garro: the object of her artistic gaze. Although most of the creative production of Octavio Paz can be found in English versions, many of the works of Elena Garro have not yet been trans lated. At the first mention of each work I give the Spanish title and its English translation (italicized only if the translation has been published). Thereafter I refer to works in translation by their English titles. All translations of citations from untranslated works by Garro and Paz as well as from other sources are my own. Working on this research project and completing the manuscript led me to explore many books and essays. More importantly, I enjoyed and benefited from conversations and correspondence with numerous colleagues with simi lar interests. If I have forgotten anyone or committed other acts of omission throughout the text, I ask for understanding and pardon. I have to thank so many people for their generosity in sharing their thoughts and comments with me-Tanya Huntington Hyde, Carola Marx Kaplan, Joan Korenman, Jose Maria Naharro-Calder6n, Enrico Mario Santi, Rita Sparrow Mall, Anthony Stanton, Vicky Unruh, and Mary Kay Vaughan. Pat Herron of the University of Maryland Library and the entire staff of the Interlibrary Loan Department, especially Charles Wright, helped me to find many of the resources that en riched my understanding of Garro, Paz, and Mexican culture. Conversations PREFACEXI with Regina Harrison, Roberta Lavine, Eyda Merediz, Ana Patricia Rodriguez, and Rochelle Messinger Strauss enabled me to clarify the points I hoped to communicate. Lucia Melgar's own written work on Elena Garro and our per sonal conversations have also been invaluable. Rebecca Schaefer Cypess ap plied her excellent editorial skills to key chapters. A few treasured friends read every word. A historian and educator by training, Paul Flaum examined the chapters to make sure that what I was saying would be clear and jargon-free.
Load more

Recommended publications
  • 180-10142-10136.Pdf
    This document is made available through the declassification efforts and research of John Greenewald, Jr., creator of: The Black Vault The Black Vault is the largest online Freedom of Information Act (FOIA) document clearinghouse in the world. The research efforts here are responsible for the declassification of hundreds of thousands of pages released by the U.S. Government & Military. Discover the Truth at: http://www.theblackvault.com Biography Central Intelligence Agency .· has no Objection to Relea~~-• Date: ~cu:r~ A Elena Garro de Paz was born O'f Spanish parents in Puebla, M~xico on December 11, 1917 •. Ms. Garro attended the National Autonomous University of Mexico and later did graduate work at Berkley in California and at the University of Paris. In 1963, Elena had long been married to Octavia Paz, a career diplomat who.is also one of Mexico's finest,poets and ieading intellectuals. When n Octavia was named Mexican Ambassador to India, the couple separated by mutual consent. Elena's daughter, also named Elena , has always resided with her mother. Since Elena spent seventeen years of her early life in Europe she had a rather un-Mexican objectivity about her native land and had a reputation for being one if its more articulate detractors. At the same time, Elena was considered emotionally committed to many aspects of Mexican life and made an important contribution to its artistic development. ·In the 1960's Elena became a significant writer. Hogar Solido, El. Rey Ma·go, La Senora en su Baleen, Ventura Allende, Andaise por Tas· Rarn:as, Parada· Em:presa, and E1 Viaje are plays that have had appreciative audiences in Europe, where they were translated into German, as well as in Mexico.
    [Show full text]
  • Gustavo Adolfo Bécquer Y La Influencia De Heinrich Heine, Por Linda Ojeda
    ENSAYOS / ESSAYS POESIA / POETRY InVerso Home A Critical Analysis of Bernal Diaz del Castillo’s La Conquista de Nueva España: Problems in Historiography. By Daniel Santana-Hernandez Gustavo Adolfo Bécquer y la influencia de Heinrich Heine, por Linda Ojeda Back to Issue 16 InVerso Home A Critical Analysis of Bernal Diaz del Castillo’s La Conquista de Nueva España: Problems in Historiography Daniel Santana-Hernandez Department of History, California State University, Northridge Abstract Of all the Spaniard accounts of the conquest of Mexico, Bernal Diaz Del Castillo’s are one of many that nurture the violent imaginations of historians citing pre-Cuauhtemoc Mesoamerican civilization. Castillo is well known for his first-hand experience in the conquest. He is especially known for his repeated accounts of supposed mass human sacrifice. He also paints us a picture of how great a captain he saw Hernan Cortes to be and how he felt they were on a mission to bring Christianity to the nation. Often historians may overlook the possibility that the conquistador’s accounts may have been grossly exaggerated. Here, I briefly explore Castillo’s La conquista de Nueva España (The Conquest of New Spain) and examine the fallacies that surround his written accounts such as the questionable intent of the Spaniards, his flawed portrayals of Mesoamerican civilization, and his supposed accounts of mass human sacrifice. Moreover, I relate this to contemporary problems in the field of historiography where historians may rely too heavily on the mistranslations and misinterpretations of amateur historians. Introduction Some historians rarely take into account the possibility of inaccuracies in Díaz’s writings.
    [Show full text]
  • Qualitative Freedom
    Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Translated by Richard Fincham Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Qualitative Freedom - Autonomy in Cosmopolitan Responsibility Claus Dierksmeier Institute of Political Science University of Tübingen Tübingen, Baden-Württemberg, Germany Translated by Richard Fincham American University in Cairo New Cairo, Egypt Published in German by Published by Transcript Qualitative Freiheit – Selbstbestimmung in weltbürgerlicher Verantwortung, 2016. ISBN 978-3-030-04722-1 ISBN 978-3-030-04723-8 (eBook) https://doi.org/10.1007/978-3-030-04723-8 Library of Congress Control Number: 2018964905 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
    [Show full text]
  • Belonging Beyond Borders: Cosmopolitan Affiliations in Contemporary Spanish American Literature
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2021-01 Belonging Beyond Borders: Cosmopolitan Affiliations in Contemporary Spanish American Literature Bilodeau, Annik University of Calgary Press Bilodeau, A. (2021). Belonging Beyond Borders: Cosmopolitan Affiliations in Contemporary Spanish American Literature. University of Calgary Press, Calgary, AB. pp. 1-267. http://hdl.handle.net/1880/113029 book https://creativecommons.org/licenses/by-nc-nd/4.0 Downloaded from PRISM: https://prism.ucalgary.ca BELONGING BEYOND BORDERS: Cosmopolitan Affiliations in Contemporary Spanish American Literature Annik Bilodeau ISBN 978-1-77385-159-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence.
    [Show full text]
  • Houston Chronicle Index to Mexican American Articles, 1901-1979
    AN INDEX OF ITEMS RELATING TO MEXICAN AMERICANS IN HOUSTON AS EXTRACTED FROM THE HOUSTON CHRONICLE This index of the Houston Chronicle was compiled in the Spring and summer semesters of 1986. During that period, the senior author, then a Visiting Scholar in the Mexican American Studies Center at the University of Houston, University Park, was engaged in researching the history of Mexican Americans in Houston, 1900-1980s. Though the research tool includes items extracted for just about every year between 1901 (when the Chronicle was established) and 1970 (the last year searched), its major focus is every fifth year of the Chronicle (1905, 1910, 1915, 1920, and so on). The size of the newspaper's collection (more that 1,600 reels of microfilm) and time restrictions dictated this sampling approach. Notes are incorporated into the text informing readers of specific time period not searched. For the era after 1975, use was made of the Annual Index to the Houston Post in order to find items pertinent to Mexican Americans in Houston. AN INDEX OF ITEMS RELATING TO MEXICAN AMERICANS IN HOUSTON AS EXTRACTED FROM THE HOUSTON CHRONICLE by Arnoldo De Leon and Roberto R. Trevino INDEX THE HOUSTON CHRONICLE October 22, 1901, p. 2-5 Criminal Docket: Father Hennessey this morning paid a visit to Gregorio Cortez, the Karnes County murderer, to hear confession November 4, 1901, p. 2-3 San Antonio, November 4: Miss A. De Zavala is to release a statement maintaining that two children escaped the Alamo defeat. History holds that only a woman and her child survived the Alamo battle November 4, 1901, p.
    [Show full text]
  • Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
    TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN
    [Show full text]
  • SPA 428 Otoño 2012 Line Number 75468 Martes Y Jueves: 15.00-16.15 José Prats Sariol
    Change V -X **Disclaimer**ie F w e D r P This syllabus is to be used as a guideline only. The information provided is a summary of topics to be covered in the class. Information contained in this document such as assignments, grading scales, due dates, office hours, required books and materials may be from a previous semester and are subject to change. Please refer to your instructor for the most recent version of the syllabus. w Click to buy NOW! w m o w c .d k. ocu-trac SPA 428 Otoño 2012 Line number 75468 Martes y jueves: 15.00-16.15 José Prats Sariol LITERATURA HISPANOAMERICANA II (DEL MODERNISMO A LOS INICIOS DEL SIGLO XXI) SPANISH AMERICAN LITERATURE II (FROM MODERNISM TO PRESENT) Textbooks: Reader at The Alternative Copy Shop (Mill/10th Street) and Foster, David William, ed. Literatura hispanoamericana: una antología. New York: Garland, 1994. Juan Rulfo: Pedro Páramo (Bookstore). Description: Provide an introduction to contemporary Spanish American literature, from the fin-de- siècle Modernismo (late 19th C.), through the avant-gardes (1920s) and the neo-avant- garde (1960s), to the present postboom/postmodern developments, strategically focused on the latest literary currents, genres, authors, and works, as documented in the major cultural areas of Spanish America: 1. The Greater Caribbean and Central America. 2. Southern Cone and Chile. 3. Andean region. 4. Mexico and the US Southwest. Brazil is another independent area. Emphasis will be on the participants' reading and research, individual and in groups, and on development of appropriate critical discourse (the Reader offers substantial samples of critical writing and, also, a model for students' written work).
    [Show full text]
  • Copyright by José García 2016
    Copyright by José García 2016 The Dissertation Committee for José García Certifies that this is the approved version of the following dissertation: DACAmented Educators: The Educational, Professional, and Life Trajectories of Undocumented Pre- and In-Service Educators Committee: Luis Urrieta, Jr., Supervisor Jennifer K. Adair Noah De Lissovoy Martha Menchaca Angela Valenzuela DACAmented Educators: The Educational, Professional, and Life Trajectories of Undocumented Pre- and In-Service Educators by José García, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2016 Dedication A nuestros padres y madres, los primeros soñadores. To our parents, the original dreamers. Acknowledgements Primero que nada, I would like to thank the twenty Latina/o DACAmeneted pre- and in-service educators that made time from their busy schedules to regalarme sus historias de vida that are at the core of this dissertation. I am very much indebted to you and am very honored and humbled to have crossed paths with you. Thank you to the following people that connected me with most of the participants in this study: Dr. Deborah Palmer, Dr. Haydeé Rodríguez, Dr. Viridiana Díaz, Carolina Alfaro, and Jennyffer Morales. Muchas gracias to my dissertation committee members: Dr. Luis Urrieta, Jr., Dr. Noah De Lissovoy, Dr. Angela Valenzuela, Dr. Jennifer Adair, and Dr. Martha Menchaca. Thank for your mentorship and support in seeing this project through, and in encouraging my intellectual curiosity throughout my time at the University of Texas.
    [Show full text]
  • Pistas Karaoke - Noviembre 2019 - FIESTATECH
    Listado de Pistas Karaoke - Noviembre 2019 - FIESTATECH 1 aionio El alquiler es por día. Lo dejamos instalado y lo retiramos al día siguiente. Cubre fiestas hasta 50 personas. fiestatech.com.ar Listado de Pistas Karaoke - Noviembre 2019 - FIESTATECH 2 80s Aretha Franklin - Chain Of Fools 90s Fito Paez - Giros 80s Ariel Rot - Debajo del puente 90s George Michael - Careless Whisper 80s Charly Garcia - Demoliendo hoteles 90s Guns N' Roses - Patience 80s Charly Garcia - No me dejan salir 90s Guns N' Roses - Sweet Child O'Mine 80s Charly Garcia - No voy en tren 90s Led zeppelin - stairway to heaven 80s Charly Garc¡a - No Me Dejan Salir 90s Leonardo Favio - Din Dong Din Dong 80s Charly Garc¡a - Nos siguen pegando abajo 90s Los Autenticos Decandentes - El murguero.m 80s Eagles - Hotel California 90s Los Calzones Rotos - No te calles 80s Fabiana Cantilo - Detectives 90s Los enanitos verdes - Por el resto 80s Irene Cara-Flashdance...What A Feeling 90s Los Ladrones Sueltos - No Le Dijo Nada 80s Los Abuelos de la Nada - Mil horas 90s Los Rodr¡guez - Sin documentos 80s Los abuelos de la nada - Mil horas 90s Los Violadores - 1,2 Ultraviolentos 80s Los Naufragos - Wadu Wadu 90s Marco Antonio Solis - Tu Carcel 80s Los Pericos - El ritual de la banana 90s Marta S nchez - Desesperada 80s Magneto - Vuela Vuela 90s Matador - Los Fabulosos Cadillacs 80s Miguel Mateos - Cuando seas grande 90s Metallica - Nothing Else Matters 80s Miguel Mateos - Llamame si me necesitas 90s Queen - Bohemian Rhapsody 80s pepe aguila - el autob£s 90s Queen - Don't Stop me
    [Show full text]
  • Catalogo Midis
    CATALOGO MIDIS [email protected] Whatsapp +549 1161958948 / Dany Azzaroni Los midis donde dice “M” significa que tienen la melodìa tocada, pero no la letra Los midis donde dice “ML” o “MLOK” significa que tienen la melodia y tambien LA LETRA SINCRONIZADA Todo està en formato mid Precios Cada midi $ 500 (pesos argentinos) EXTERIOR 8,99 Dolares 8,10 euros 179,52 Pesos Mexicanos 6476, 25 Pesos Chilenos 324,86 Pesos Uruguayos Paypal MercadoPago Tarjetas 20% por 5 a 9 midis 40% por 10 o mas 18 Kilates - Son de amores MLOK 18 Kilates feat. Roman - Chica especial MLOK- 3 de Copas - Tu fantasma MLOK A dos velas - Con la gente que me gusta MLOK- Abba - Chiquitita ML- Abba - Fernando MLOK (Letra en Castellano) Abba - Fernando MLOK (Letra en ingles) Abba - Gracias por la musica MLOK Abel Pintos - 3 MLOK Abel Pintos - A Dios ML_OK Abel Pintos - Alguna vez ML Abel Pintos - Aqui te espero ML_OK Abel Pintos - Bailando con tu sombra ML_OK Abel Pintos - Cancion que acuna MLOK- Abel Pintos - Como te extraño MLOK Abel Pintos - Cuando ya me empiece a quedar solo ML_OK Abel Pintos - Cuantas veces ML Abel Pintos - De solo vivir ML_OK Abel Pintos - El adivino ML-OK Abel Pintos - El mar ML_OK Abel Pintos - Flores en el rio ML Abel Pintos - Incomparable Buenos Amores Vagabundo ML_OK Abel Pintos - La llave (Vers Encuentro en el Estudio) MLOK Abel Pintos - La llave (Version Piano) MLOK Abel Pintos - La llave ML_OK Abel Pintos - Mariposa ML_OK Abel Pintos - Motivos ML_OK AP Abel Pintos - Motivos MLOK Abel Pintos - Once mil ML_OK Abel Pintos - Por una
    [Show full text]
  • A Survey of the Drama of Colonial Mexico
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1943 A Survey of the Drama of Colonial Mexico Edward Aloysius Dwyer Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Latin American Literature Commons Recommended Citation Dwyer, Edward Aloysius, "A Survey of the Drama of Colonial Mexico" (1943). Master's Theses. 580. https://ecommons.luc.edu/luc_theses/580 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1943 Edward Aloysius Dwyer A SURVEY OF THI DRAMA OJ .' OOLONIAL MIXIOO ,;., .A. Thesis ,. Present ed to the Faculty of the Graduate School Loyola University I n Par t 1 al Ful f i 11m e nt of the Requirements tor the Degree Mast er of Art 8 by Edward Aloysius Dwyer December 1943 • •• VI TA ••. .' The candidate was born on May 18th, 1904, in Rutland Township, Kane County, Illinois, the son of Edward Dwyer and Catherine Clinnin Dwyer. The paternal grandparents, Richard Dwyer and Ellen !arry Moore Dwyer, ~were the first to possess the land after the aboriginal inhabitants. Illen !arry was a cousin of Captain Jack !arry, the,. first Naval Officer ap­ pointed by George Washington after the Declaration of Inde- pendence and therefore the founder of the Navy of the United States of America.
    [Show full text]
  • La Palabra Y Los Dias La Palabra Y Los
    La El estudio de las revistas literarias supone una palabra mirada curiosa hacia el pasado. Signadas por el cambio y la contingencia que implica el tránsito urgente de un número a otro, las revistas literarias abrazan un tiempo propio, un tiempo en movi- Y LO S miento que, sin embargo, aparece suspendido ante los ojos de quien regresa a ellas. En las revistas se redescubre la actualidad del pasado y DIAS se inaugura el presente, se explicitan las anida- des y se clarican las diferencias, se estrechan lazos y se fraguan enemistades, se pulimentan las poéticas y se muestra la obra en proceso, por ello su examen suele entregarnos una imagen ajusta- da, corregida o novedosa de un determinado MEXICANA ESTUDIOS SOBRE PRENSA Y LITERATURA momento literario. La palabra y los días reúne seis estudios sobre Estudios sobre prensa revistas como Savia Moderna, Sagitario, Barandal y Ábside, unidos por el hilo de una curiosidad y literatura mexicana insatisfecha que ha llevado a los autores a exami- nar nuestro pasado hemerográco en busca de nuevas imágenes de nuestra historia literaria, una historia en movimiento permanente que aún conserva momentos sin explorar. LA PALABRA Y LOS DIAS LA PALABRA Y LOS COORDINADORES Anuar Jalife y Ernesto Sánchez Pineda La palabra y los días. Estudios sobre prensa y literatura mexicana del siglo XX Anuar Jalife Jacobo y Ernesto Sánchez Pineda, coordinadores La palabra y los días. Estudios sobre prensa y literatura mexicanas del siglo XX Primera edición, 2019 D.R. © De los textos: los autores D.R. © De la edición: Universidad de Guanajuato Campus Guanajuato División de Ciencias Sociales y Humanidades Departamento de Letras Hispánicas Lascuráin de Retana núm 5, zona centro, C.P.
    [Show full text]