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First Love, a Novella Part One Illustrated Volume 27 the Last Marriage of Editor Lily Hibberd Published by Ellikon Press 2009 Space and Time John C
Lily Hibberd First Love A novella Part one Illustrated volume Edited by Lily Hibberd Contents 11 Preface 15 Ice, time, desire Lily Hibberd First Love, a novella Part one illustrated volume 27 The Last Marriage of Editor Lily Hibberd Published by Ellikon Press 2009 Space and Time John C. Welchman Printed by Ellikon Fine Printers 384 George Street, Fitzroy Victoria 3065 Australia 42 Bibliography Telephone: +61 3 9417 3121 Designed by Warren Taylor © Copyright of all text is held by the authors Lily Hibberd and John C. Welchman, and copyright of all images is held by the artist, Lily Hibberd. This publication and its format and design are copyright of the editor and designer. All rights reserved. Artworks from the exhibition First Love, 2009 Lily Hibberd is a lecturer in the Fine Art Department, Faculty of Art & Design, Monash University, and is represented by Karen Woodbury Gallery, Melbourne. The production of this volume coincides with the solo exhibition of First Love at GRANTPIRRIE gallery, Sydney, in June 2009, and was facilitated with the kind assistance of gallery staff. This book was created because of the encouragement and generosity of John C. Welchman, Anne Marsh, Lois Ellis, and Hélène 4-7 Photoluminescent oil Delta time Cixous. paintings on canvas Celestial navigation Available for sale. Contact GRANTPIRRIE Gallery, Sydney. grantpirrie.com Gravity of light National Library of Australia Cataloguing-in-Publication entry: Lunar mirror Author: Hibberd, Lily, 1972- Title: First love. Part one : illustrated volume / Lily Hibberd. 10-34 Ice Mirror 10 works selected ISBN: 9781921179549 (pbk.) Notes: Bibliography. Oil paintings on from 13 in the series, Subjects: Time--Philosophy. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher qualify 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA UMI800-521-0600 THE CONTAGION OFLIFE: ROSSETTI, PATER, WILDE, AND THE AESTHETICIST BODY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen Weninger, MA., M A., M Phil. ***** The Ohio State University 1999 Dissertation Committee: Approved By: Professor David G. -
Introduction
Notes Introduction 1. Herbert Read to T.S. Eliot: 1 October 1949: Herbert Read Archive, University of Victoria (hereafter HRAUV), HR/TSE-170. 2. Herbert Read, The Contrary Experience: Autobiographies (London, 1963), 353, 350. 3. Isaiah Berlin, The Roots of Romanticism (London, [1965] 2000), 97. 4. For a useful discussion, see: Peter Ryley, Making Another World Possible: Anar- chism, Anti-capitalism and Ecology in Late 19th and Early 20th Century Britain (New York, 2013); Mark Bevir, The Making of British Socialism (Princeton, 2011), 256–277. 5. Martin A. Miller, Kropotkin (Chicago, 1976), 166–167; Rodney Barker, Political Ideas in Modern Britain (London, 1978), 42 passim. 6. H. Oliver, The International Anarchist Movement in Late Victorian London (London, 1983), 136; see also: 92, 132–137. For a discussion of the signifi- cance of the Congress, see: Davide Turcato, Making Sense of Anarchism: Errico Malatesta’s Experiments with Revolution (Basingstoke, 2012), 136–139. 7. W. Tcherkesoff, Let Us Be Just: (An Open Letter to Liebknecht) (London, 1896), 7. 8. The report offered short biographies of Francesco Merlino, Gustav Landauer, Louise Michel, Amilcare Cipriani, Augustin Hamon, Élisée Reclus, Ferdinand Domela Nieuwenhuis, Bernard Lazare, and Peter Kropotkin. N.A., Full Report of the Proceedings of the International Workers’ Congress, London, July and August, 1896 (London, 1896), 67–72. 9. N.A., Full Report of the Proceedings, 21, 17. 10. Matthew S. Adams, ‘Herbert Read and the fluid memory of the First World War: Poetry, Prose, and Polemic’, Historical Research (2014), 1–22; Janet S.K. Watson, Fighting Different Wars: Experience, Memory, and the First World War in Britain (Cambridge, 2004), 226. -
OCTAVIO PAZ, and the Wars BATTLE for CULTURAL MEMORY
Uncivil War S Sandra Messinger Cypess OCTAVIO PAZ, AU AND THE % I I FOR ) A, .1000 . otU Uncivil Wars Uncivil JOE R. AND TERESA LOZAND LONG SERIES IN LATIN AMERICAN AND LATINO ART AND CULTURE JUN0 ELENA GARRO, OCTAVIO PAZ, AND THE Wars BATTLE FOR CULTURAL MEMORY Sandra Messinger Cypess UNIVERSITY OF TEXAS PRE88 AUSTIN Copyright 2012 by Sandra Messinger Cypess All rights reserved Printed in the United States of America First edition, 2012 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 utpress.utexas.edu/about/book-permissions The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper).@ Library of Congress Cataloging-in-Publication Data Cypess, Sandra Messinger. Uncivil wars : Elena Garro, Octavio Paz, and the battle for cultural memory / by Sandra Messinger Cypess. - 1st ed. p. cm. - (Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture) Includes bibliographical references and index. ISBN 978-0-292-75428-7 1. Garro, Elena-Criticism and interpretation. 2. Paz, Octavio, 1914-1998-Criticism and interpretation. 3. National characteristics, Mexican, in literature. 4. Collective memory-Mexico. I. Title. PQ7297.G3585Z64 2012 868'.64o9-dc23 2012010950 First paperback printing, 2013 DEDICATED TO Raymond (everyone knows why) and to Aaron and Leah, Josh and Rebecca, and their wonderful contributions to our happiness: Benjamin Joey Shoshana Sally Hadassah David e e e CONTENTS PREFACE / iX i. Introduction: Uncivil Wars / 1 2. All in the Family: Paz and Garro Rewrite Mexico's CulturalMemory / 13 3. -
Unless Otherwise Stated, Place of Publication Is London
Notes Unless otherwise stated, place of publication is London. 1 Introduction 1. Julia Briggs, Night Visitors: The Rise of the English Ghost Story (Faber, 1977), pp. 16-17, 19, 24. 2. See my Christian Fantasy: From 1200 to the Present (Macmillan, 1992). 3. Sidney, An Apologie for Poetrie (1595), repr. in G. Gregory Smith, ed., Elizabethan Critical Essays, 2 vols. (Oxford University Press, 1904), I, 156. 4. See my 'The Elusiveness of Fantasy', in Olena H. Saciuk, ed., The Shape of the Fantastic (Westport: Greenwood, 1990), pp. 54-5. 5. J. R. R. Tolkien, 'On Fairy Stories' (1938; enlarged in his Tree and Leaf (Allen and Unwin, 1964); C. S. Lewis, 'On Science Fiction' (1955), repr. in Lewis, Of Other Worlds: Essays and Stories, ed. W. Hooper (Bles, 1966), pp. 59-73; Rosemary Jackson, Fantasy: The Literature of Subver sion (Methuen, 1981); Ann Swinfen, In Defence of Fantasy: A Study of the Genre in English and American Literature Since 1945 (Routledge, 1984). 6. Brian Attebery, Strategies of Fantasy (Bloomington: Indiana University Press, 1992), pp. 12-14. 7. The name is first applied to a literary kind by Herbert Read in English Prose Style (1928); though E. M. Forster had just devoted a chapter of Aspects of the Novel (1927) to 'Fantasy' as a quality of vision. 8. See Brian Stableford, ed., The Dedalus Book of Femmes Fatales (Sawtry, Cambs.: Dedalus, 1992), pp. 20-4. 2 The Origins of English Fantasy 1. See E. S. Hartland, ed., English Fairy and Other Folk Tales (Walter Scott, 1890), pp. x-xxi; Katharine M. -
Bennington College
The Ruth D. Ewing ’37 Lecture and the Center for the Advancement of Public Action present BENNINGTON 2017 translatesFar and Wide, Close and Deep wednesday, MARCH 15 • 7:00 pm • CAPA symposium ESTHER ALLEN “Translating the Local: A Century and a Half of Ethnic Media in the United States” Esther Allen’s most recent translation, Zama, a 1956 novel by Antonio Di Benedetto Photo: Caroline White (NYRB Classics), was chosen by Publisher’s Weekly as one of the top 20 fiction works published in 2016. Allen’s current project, supported by a 2014–2015 fellowship at the Leon Levy Center for Biography, is a biography of José Martí. A former Fellow at the Cullman Center for Scholars and Writers at The New York Public Library, she was named a Chevalier de l’ordre des arts et des lettres by the French government in 2006. A prolific translator of Spanish and French, Allen is an Associate Professor in the PhD programs in French and in Hispanic and Luso-Brazilian Literatures and Languages at the Graduate Center of the City University of New York (CUNY), and at Baruch College, CUNY. wednesday, MARCH 22 • 7:00 pm • CAPA symposium PETER CONSTANTINE “Translation and Autobiography: Augustine, Rousseau, Solzhenitsyn” Peter Constantine is a literary translator and editor, and the director of the Literary Photo: Annette Hornischer Translation Program at the University of Connecticut. His recent translations include The Essential Writings of Rousseau, The Essential Writings of Machiavelli, and works by Chekhov, Tolstoy, Gogol, and Voltaire. He co-edited A Century of Greek Poetry: 1900– 2000 and the anthology The Greek Poets: Homer to the Present. -
The Green Child Online
CLj9Y [Read free] The Green Child Online [CLj9Y.ebook] The Green Child Pdf Free Herbert Read ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #972627 in Books Herbert Read 2013-10-16Original language:EnglishPDF # 1 8.00 x .70 x 5.20l, .48 #File Name: 0811221822208 pagesThe Green Child | File size: 58.Mb Herbert Read : The Green Child before purchasing it in order to gage whether or not it would be worth my time, and all praised The Green Child: 5 of 5 people found the following review helpful. If you liked Voltaire's Zadig (c'mon, let's see some hands people!) than you love Read's The Green ChildBy MorrisColumnThis was a really amazing and strange little book, particularly the last chapter, which reminded me a bit of Samuel Beckett's The Lost Ones (1971). Read contrasts two models of life, one in his fictional South American Republic of Rocandor and one for his underground civilization of Green People (there is a little bit of Voltaire in here). Not sure exactly where it is all aiming, or if that is even the right question to ask, but I enjoyed it the whole way through.0 of 4 people found the following review helpful. Five StarsBy kyle braceyPretty good Yo! For yo. Yo!5 of 5 people found the following review helpful. Fantasy versus reality, ideals versus actualitiesBy Sverre SvendsenThe Englishman Herbert Read (1893-1968) was an eminent intellectual, world traveller and critic of the arts. He was well known for his written reviews and commentaries on many subjects. -
The Year 1950 (182)
The Year 1950 (182) Summary: In 1950, The Lion, the Witch and the Wardrobe, the first of the Chronicles of Narnia, was published on October 16 in England and on November 7 in America. Jack was in the midst of writing the Chronicles, and Roger Lancelyn Green was reading them. Jack received his first letter from Joy Gresham on January 10. The Inklings were meeting regularly on Tuesdays, but no longer on Thursdays. Jack was receiving gifts of food, stationery, etc., during post-war rationing from Americans Edward Allen, Vera Mathews, Dr. Warfield Firor, and Mrs. Frank Jones (and perhaps Nathan Starr). Jack declined Firor’s invitation to come to America. On February 13, Jack debated Mr. Archibald Robertson of the Rationalist Press Association on “Grounds for Disbelief in God” at the Oxford Socratic Club. Anthony Flew spoke at the Socratic Club in May. In April, the Revd. Duff arrived to try to interest Jack in a home Mission called the Industrial Christian Fellowship, and Mrs. Moore was taken to a nursing home called Restholme. Jack began daily visits to see Mrs. Moore, which continued until her death in January 1951. Daphne Harwood contracted and then died from cancer. June (Jill) Flewett, one of the World War II evacuees who stayed at the Kilns, was married on September 4, which Warren attended. Grace Havard, wife of Humphrey Havard, died on September 10. The famous Firor Ham Feast took place at 7:30 p.m. at Jack’s rooms on September 19. In December Sheldon Vanauken began corresponding with Jack. Jack writes “What Are We to Make of Jesus Christ?” In this year Jack perhaps writes a poem on the shallowness of modern life, entitled “Finchley Avenue.” A second edition of Dymer is published in this year with a Preface by Jack. -
Copper Canyon Reader Fall 2018 in MEMORIUM Please Visitourwebsite
It is my confirmed bias that the poets remain the most “stunned by existence,” the most determined to redeem the world in words. —C.D. Wright Copper Canyon Reader fall 2018 IN MEMORIUM Sam Hamill Founding Editor 1943–2018 from A PersonAl IntroductIon in The Gift of Tongues: Twenty-Five Years of Poetry from Copper Canyon Press(1996) I couldn’t, in my wildest dream, imagine a world in which my small gift would be multiplied by so many generous hands. But that is exactly how the gift of poetry works: the gift of inspiration is transformed by the poet into a body of sound which in turn is given away so that it may inspire and inform another, who in turn adds to the gift and gives it away again. For more information about Sam Hamill and the founding of Copper Canyon Press, please visit our website. The Chinese character for poetry is made up of two parts: “word” and “temple.” It also serves as pressmark for Copper Canyon Press. Ursula K. Le Guin So Far So Good NEW TITLE NEW “One of the troubles with our culture is we do not respect and train the imagination. It needs exercise. It needs practice. You can’t tell a story unless you’ve listened to a lot of stories and then learned how to do it.” to the rAIn Mother rain, manifold, measureless, falling on fallow, on field and forest, on house-roof, low hovel, high tower, downwelling waters all-washing, wider than cities, softer than sisterhood, vaster than countrysides, calming, recalling: return to us, teaching our troubled souls in your ceaseless descent to fall, to be fellow, to feel the root, to sink in, to heal, to sweeten the sea. -
Oranges and Peanuts for Sale Free
FREE ORANGES AND PEANUTS FOR SALE PDF Eliot Weinberger | 272 pages | 08 Sep 2011 | New Directions Publishing Corporation | 9780811218344 | English | New York, United States New Directions Publishing | Oranges & Peanuts For Sale Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh Oranges and Peanuts for Sale try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of BooksThe London Review of Booksand October. One Oranges and Peanuts for Sale focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. The reader will also find Oranges and Peanuts for Sale unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war. Get A Copy. Paperbackpages. More Details Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Dec 03, Jim Coughenour rated it really liked it Shelves: essaysforautodidacts. -
The Green Child Free
FREE THE GREEN CHILD PDF Herbert Read,Graham Greene | 208 pages | 09 Jul 2010 | Capuchin Classics | 9780956294746 | English | London, United Kingdom The Green Child - Wikipedia Each of the novel's The Green Child parts ends with the apparent death of the story's protagonist, President Olivero, dictator of the fictional South American Republic of Roncador. In each case Olivero's death is an allegory for his translation to a "more profound level of existence", [2] reflecting the book's overall theme of a search for the meaning of life. Read's interest in psychoanalytic theory is The Green Child throughout the novel, which is constructed as a "philosophic myth The Green Child story contains many autobiographical elements, and the character of Olivero owes much to Read's experiences as an officer in the British Army during the First World War. The novel was positively received, although some commentators have considered it to be "inscrutable", [5] and one has suggested that it has been so differently and vaguely interpreted by those who have given it serious study The Green Child it may lack the form and content to justify the praise it has received. Primarily a literary critic, poet, and an advocate for modern art, Read wrote his only novel, The Green Childin about eight weeks duringmost of it in the summer house behind his home in HampsteadLondon. Following the Russian Revolution of Read became a supporter of communism, believing it to offer "the social liberty of my ideals", [9] but by the s his The Green Child had begun to waver. -
CCP Catalog 2019 Fall.Indd
though parallel lines touch in the infi nite, the infi nite is here— Arthur Sze Copper Canyon Reader 2020 “Poetry changes how we think.” Ellen Bass DEAR READER DEAR Dear Poetry Reader, Some things never change—like our dedication to poetry, and to you, the reader. But when Copper Canyon Press published our first poetry collection in 1973, • We typeset, printed, and bound each book by hand. • Phones weighed nearly five pounds and were attached to walls. • The word combinations “world wide web” and “search engine” did not yet carry meaning. As we celebrate the launch of our new website—five hundred titles and several decades of technological and cultural advances later—Copper Canyon Press is changing how we think. Specifically,we are changing how we think about getting books into the hands and hearts of those people we care deeply about: readers like you. One vestige of the old model of publishing—traditional direct sales—no longer serves our readers the way it used to. Sales through our catalog and website have become few and far between, with the vast majority of book purchases happening elsewhere. While we are thrilled by the myriad contemporary ways for readers to find and fall in love with poetry, we are pushed to think differently about what it means to operate sustainably. So we’ve decided to let our friends in retail do what they do best: sell books. That allows us to turn, with gratitude, to you, our community. This new Copper Canyon Reader introduces a new way of thinking: To directly support Copper Canyon Press, we invite you to Read Generously! Donate $35 or more to help sustain our nonprofit mission of publishing poetry, and we will be delighted to send you the book of your choice from among those featured within these pages.