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Customizable • Ease of Access Cost Effective • Large Film Library
CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE. -
The Only Defense Is Excess: Translating and Surpassing Hollywood’S Conventions to Establish a Relevant Mexican Cinema”*
ANAGRAMAS - UNIVERSIDAD DE MEDELLIN “The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema”* Paula Barreiro Posada** Recibido: 27 de enero de 2011 Aprobado: 4 de marzo de 2011 Abstract Mexico is one of the countries which has adapted American cinematographic genres with success and productivity. This country has seen in Hollywood an effective structure for approaching the audience. With the purpose of approaching national and international audiences, Meximo has not only adopted some of Hollywood cinematographic genres, but it has also combined them with Mexican genres such as “Cabaretera” in order to reflect its social context and national identity. The Melodrama and the Film Noir were two of the Hollywood genres which exercised a stronger influence on the Golden Age of Mexican Cinema. Influence of these genres is specifically evident in style and narrative of the film Aventurera (1949). This film shows the links between Hollywood and Mexican cinema, displaying how some Hollywood conventions were translated and reformed in order to create its own Mexican Cinema. Most countries intending to create their own cinema have to face Hollywood influence. This industry has always been seen as a leading industry in technology, innovation, and economic capacity, and as the Nemesis of local cinema. This case study on Aventurera shows that Mexican cinema reached progress until exceeding conventions of cinematographic genres taken from Hollywood, creating stories which went beyond the local interest. Key words: cinematographic genres, melodrama, film noir, Mexican cinema, cabaretera. * La presente investigación fue desarrollada como tesis de grado para la maestría en Media Arts que completé en el 2010 en la Universidad de Arizona, Estados Unidos. -
Sunday Morning Grid 8/13/17 Latimes.Com/Tv Times
SUNDAY MORNING GRID 8/13/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Bull Riding 2017 PGA Championship Final Round. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Triathlon From Kailua-Kona, Hawaii. IAAF World Championships 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News News Paid Eye on L.A. Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Invitation to Fox News Sunday News Paid Program 13 MyNet Paid Matter Fred Jordan Paid Program The Pink Panther ›› 18 KSCI Paid Program Church Paid Program The Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Cooking Cooking Baking Project 28 KCET 1001 Nights Bali (TVG) Bali (TVG) Edisons Biz Kid$ Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch Law Order: CI Law Order: CI Law Order: CI Law Order: CI 34 KMEX Conexión Paid Program Fútbol Central Liga MX (N) República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress Super Kelinda John Hagee 46 KFTR Paid Program Recuerda y Gana Juego Estrellas Gladiator ››› (2000, Drama Histórico) Russell Crowe, Joaquin Phoenix. -
Language in the Modern Arthurian Novel
Volume 20 Number 4 Article 4 Winter 1-15-1995 Whose English?: Language in the Modern Arthurian Novel Lisa Padol Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Padol, Lisa (1995) "Whose English?: Language in the Modern Arthurian Novel," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 20 : No. 4 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol20/iss4/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Analyzes the use of language, mood/tone, vocabulary, syntax, idioms, metaphors, and ideas in a number of contemporary Arthurian novels. Additional Keywords Arthurian myth; Arthurian myth in literature; Language in literature; Style in literature This article is available in Mythlore: A Journal of J.R.R. -
First Love, a Novella Part One Illustrated Volume 27 the Last Marriage of Editor Lily Hibberd Published by Ellikon Press 2009 Space and Time John C
Lily Hibberd First Love A novella Part one Illustrated volume Edited by Lily Hibberd Contents 11 Preface 15 Ice, time, desire Lily Hibberd First Love, a novella Part one illustrated volume 27 The Last Marriage of Editor Lily Hibberd Published by Ellikon Press 2009 Space and Time John C. Welchman Printed by Ellikon Fine Printers 384 George Street, Fitzroy Victoria 3065 Australia 42 Bibliography Telephone: +61 3 9417 3121 Designed by Warren Taylor © Copyright of all text is held by the authors Lily Hibberd and John C. Welchman, and copyright of all images is held by the artist, Lily Hibberd. This publication and its format and design are copyright of the editor and designer. All rights reserved. Artworks from the exhibition First Love, 2009 Lily Hibberd is a lecturer in the Fine Art Department, Faculty of Art & Design, Monash University, and is represented by Karen Woodbury Gallery, Melbourne. The production of this volume coincides with the solo exhibition of First Love at GRANTPIRRIE gallery, Sydney, in June 2009, and was facilitated with the kind assistance of gallery staff. This book was created because of the encouragement and generosity of John C. Welchman, Anne Marsh, Lois Ellis, and Hélène 4-7 Photoluminescent oil Delta time Cixous. paintings on canvas Celestial navigation Available for sale. Contact GRANTPIRRIE Gallery, Sydney. grantpirrie.com Gravity of light National Library of Australia Cataloguing-in-Publication entry: Lunar mirror Author: Hibberd, Lily, 1972- Title: First love. Part one : illustrated volume / Lily Hibberd. 10-34 Ice Mirror 10 works selected ISBN: 9781921179549 (pbk.) Notes: Bibliography. Oil paintings on from 13 in the series, Subjects: Time--Philosophy. -
The Aeneid with Rabbits
The Aeneid with Rabbits: Children's Fantasy as Modern Epic by Hannah Parry A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 Acknowledgements Sincere thanks are owed to Geoff Miles and Harry Ricketts, for their insightful supervision of this thesis. Thanks to Geoff also for his previous supervision of my MA thesis and of the 489 Research Paper which began my academic interest in tracking modern fantasy back to classical epic. He must be thoroughly sick of reading drafts of my writing by now, but has never once showed it, and has always been helpful, enthusiastic and kind. For talking to me about Tolkien, Old English and Old Norse, lending me a whole box of books, and inviting me to spend countless Wednesday evenings at their house with the Norse Reading Group, I would like to thank Christine Franzen and Robert Easting. I'd also like to thank the English department staff and postgraduates of Victoria University of Wellington, for their interest and support throughout, and for being some of the nicest people it has been my privilege to meet. Victoria University of Wellington provided financial support for this thesis through the Victoria University Doctoral Scholarship, for which I am very grateful. For access to letters, notebooks and manuscripts pertaining to Rosemary Sutcliff, Philip Pullman, and C.S. Lewis, I would like to thank the Seven Stories National Centre for Children's Books in Newcastle-upon-Tyne, and Oxford University. Finally, thanks to my parents, William and Lynette Parry, for fostering my love of books, and to my sister, Sarah Parry, for her patience, intelligence, insight, and many terrific conversations about all things literary and fantastical. -
Healing in the Works of Elizabeth Goudge
Trinity College Trinity College Digital Repository Masters Theses Student Scholarship Spring 2016 Healing in the Works of Elizabeth Goudge Elizabeth Langford Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/grad Part of the Literature in English, British Isles Commons, Other English Language and Literature Commons, and the Women's Studies Commons Recommended Citation Langford, Elizabeth, "Healing in the Works of Elizabeth Goudge" (2016). Masters Theses. 21. https://digitalrepository.trincoll.edu/grad/21 This Thesis is brought to you for free and open access by the Student Scholarship at Trinity College Digital Repository. It has been accepted for inclusion in Masters Theses by an authorized administrator of Trinity College Digital Repository. TRINITY COLLEGE Thesis Healing in the Works of Elizabeth Goudge Submitted by Elizabeth Edith Kearney Langford (B.A., Trinity College, 2008) M.T., University of Virginia, 2010 In Partial Fulfillment of Requirements for the Degree of Master of Arts in English Fall 2015 Unauthorized reproduction prohibited by copyright law. ABSTRACT Elizabeth Goudge’s fictional works are worthy of further academic consideration. Using the context of Goudge’s persuasive endeavor to provide a framework to conceptualize the healing of the soul, this paper explores the characters who heal and the characters who experience healing, and the practices that these characters engage in, using Goudge’s The Eliots of Damrosehay Trilogy, also published as Bird in the Tree, Pilgrim’s Inn (or Herb of Grace) and Heart of the Family, and The Rosemary Tree. Although Goudge had no professional training in psychology, her characters engage in what today would be labeled as modern-day therapeutic techniques, from Radical Acceptance to forms of Cognitive Behavioral Therapy; her deep understanding of human nature reflects her contemplative spiritual life and her novels focus on both human suffering and joys. -
Ships and Sailors in Early Twentieth-Century Maritime Fiction
In the Wake of Conrad: Ships and Sailors in Early Twentieth-Century Maritime Fiction Alexandra Caroline Phillips BA (Hons) Cardiff University, MA King’s College, London A Thesis Submitted for the Degree of Doctor of Philosophy Cardiff University 30 March 2015 1 Table of Contents Abstract 3 Acknowledgements 4 Introduction - Contexts and Tradition 5 The Transition from Sail to Steam 6 The Maritime Fiction Tradition 12 The Changing Nature of the Sea Story in the Twentieth Century 19 PART ONE Chapter 1 - Re-Reading Conrad and Maritime Fiction: A Critical Review 23 The Early Critical Reception of Conrad’s Maritime Texts 24 Achievement and Decline: Re-evaluations of Conrad 28 Seaman and Author: Psychological and Biographical Approaches 30 Maritime Author / Political Novelist 37 New Readings of Conrad and the Maritime Fiction Tradition 41 Chapter 2 - Sail Versus Steam in the Novels of Joseph Conrad Introduction: Assessing Conrad in the Era of Steam 51 Seamanship and the Sailing Ship: The Nigger of the ‘Narcissus’ 54 Lord Jim, Steam Power, and the Lost Art of Seamanship 63 Chance: The Captain’s Wife and the Crisis in Sail 73 Looking back from Steam to Sail in The Shadow-Line 82 Romance: The Joseph Conrad / Ford Madox Ford Collaboration 90 2 PART TWO Chapter 3 - A Return to the Past: Maritime Adventures and Pirate Tales Introduction: The Making of Myths 101 The Seduction of Silver: Defoe, Stevenson and the Tradition of Pirate Adventures 102 Sir Arthur Conan Doyle and the Tales of Captain Sharkey 111 Pirates and Petticoats in F. Tennyson Jesse’s -
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film Barbara Elisabeth Wyllie School of Slavonic and East European Studies, University College London For the degree of PhD 2 0 0 0 ProQuest Number: 10015007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015007 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Twentieth-century American culture has been dominated by a preoccupation with image. The supremacy of image has been promoted and refined by cinema which has sustained its place as America’s foremost cultural and artistic medium. Vision as a perceptual mode is also a compelling and dynamic aspect central to Nabokov’s creative imagination. Film was a fascination from childhood, but Nabokov’s interest in the medium extended beyond his experiences as an extra and his attempts to write for screen in Berlin in the 1920s and ’30s, or the declared cinematic novel of 1938, Laughter in the Dark and his screenplay for Stanley Kubrick’s 1962 film version of Lolita. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Fall 2013 | Winter 2014 September
ND FALL 2013 | WINTER 2014 SEPTEMBER OCTOBER N OVEMBER DECEMBER Winter 2014 titles continue on inside back cover DECEMBER JA NUARY CONTENTS Aira, César Shantytown ......................... 11 Alomar, Osama Fullblood Arabian .................... 6 Bernal, Rafael The Mongolian Conspiracy ............ 13 Bulgakov, Mikhail Morphine ............................ 5 Cole, Peter The Invention of Influence ............ 18 Cossery, Albert Laziness in the Fertile Valley ........... 2 Dickinson, Emily The Gorgeous Nothings . .7 Espinosa, Pedro The Dog & the Fever .................. 4 Ferlinghetti, Lawrence Blasts Cries Laughter ................. 6 Girondo, Oliverio Poems to Read on a Streetcar .......... 7 Hernández, Felisberto Piano Stories ...................... 20 Hiraide, Takashi The Guest Cat ...................... 19 Krasznahorkai, László DECEMBER FEBRUARY Satantango ......................... 15 Levertov, Denise The Collected Poems ................. 9 Lorca, Federico García Selected Poems .................... 22 Mikhail, Dunya (editor) Fifteen Iraqi Poets ................... 17 Read, Herbert The Green Child ..................... 3 Ridgway, Keith Hawthorn & Child .................... 1 Rosales, Guillermo Leapfrog. 8 Rukeyser, Muriel Elegies ............................. 2 Smith, Stevie Best Poems ........................ 14 Steiner, George My Unwritten Books ................ 21 The Poetry of Thought ............... 21 Williams, Tennessee The Roman Spring of Mrs . Stone ..... 22 Williams, William Carlos (as translator) The Dog & the Fever ................. -
Boots Book-Lovers' Library and the Novel: the Impact of a Circulating Library Market on Twentieth-Century Fiction
Boots Book-lovers' Library and the novel: The impact of a circulating library market on twentieth-century fiction Article Wilson, N. (2014) Boots Book-lovers' Library and the novel: The impact of a circulating library market on twentieth-century fiction. Information and Culture: A Journal of History, 49 (4). pp. 427-449. ISSN 2164-8034 doi: https://doi.org/10.7560/ic49402 Available at http://centaur.reading.ac.uk/31358/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://utpress.utexas.edu/index.php/journals/information-culture To link to this article DOI: http://dx.doi.org/10.7560/ic49402 Publisher: University of Texas All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online 1 Boots Book-lovers’ Library and the novel: The impact of a circulating library market on twentieth-century fiction Nicola Wilson University of Reading Department of English Literature Whiteknights University of Reading Reading RG6 6AH [email protected] This is the final author-copy of an article published in Information and Culture 49.4 (Nov/Dec 2014), 427-49. This version is under a 12 month embargo period as agreed with the publisher of the journal until Nov/Dec 2015.