The Green Child Online
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
First Love, a Novella Part One Illustrated Volume 27 the Last Marriage of Editor Lily Hibberd Published by Ellikon Press 2009 Space and Time John C
Lily Hibberd First Love A novella Part one Illustrated volume Edited by Lily Hibberd Contents 11 Preface 15 Ice, time, desire Lily Hibberd First Love, a novella Part one illustrated volume 27 The Last Marriage of Editor Lily Hibberd Published by Ellikon Press 2009 Space and Time John C. Welchman Printed by Ellikon Fine Printers 384 George Street, Fitzroy Victoria 3065 Australia 42 Bibliography Telephone: +61 3 9417 3121 Designed by Warren Taylor © Copyright of all text is held by the authors Lily Hibberd and John C. Welchman, and copyright of all images is held by the artist, Lily Hibberd. This publication and its format and design are copyright of the editor and designer. All rights reserved. Artworks from the exhibition First Love, 2009 Lily Hibberd is a lecturer in the Fine Art Department, Faculty of Art & Design, Monash University, and is represented by Karen Woodbury Gallery, Melbourne. The production of this volume coincides with the solo exhibition of First Love at GRANTPIRRIE gallery, Sydney, in June 2009, and was facilitated with the kind assistance of gallery staff. This book was created because of the encouragement and generosity of John C. Welchman, Anne Marsh, Lois Ellis, and Hélène 4-7 Photoluminescent oil Delta time Cixous. paintings on canvas Celestial navigation Available for sale. Contact GRANTPIRRIE Gallery, Sydney. grantpirrie.com Gravity of light National Library of Australia Cataloguing-in-Publication entry: Lunar mirror Author: Hibberd, Lily, 1972- Title: First love. Part one : illustrated volume / Lily Hibberd. 10-34 Ice Mirror 10 works selected ISBN: 9781921179549 (pbk.) Notes: Bibliography. Oil paintings on from 13 in the series, Subjects: Time--Philosophy. -
Fall 2013 | Winter 2014 September
ND FALL 2013 | WINTER 2014 SEPTEMBER OCTOBER N OVEMBER DECEMBER Winter 2014 titles continue on inside back cover DECEMBER JA NUARY CONTENTS Aira, César Shantytown ......................... 11 Alomar, Osama Fullblood Arabian .................... 6 Bernal, Rafael The Mongolian Conspiracy ............ 13 Bulgakov, Mikhail Morphine ............................ 5 Cole, Peter The Invention of Influence ............ 18 Cossery, Albert Laziness in the Fertile Valley ........... 2 Dickinson, Emily The Gorgeous Nothings . .7 Espinosa, Pedro The Dog & the Fever .................. 4 Ferlinghetti, Lawrence Blasts Cries Laughter ................. 6 Girondo, Oliverio Poems to Read on a Streetcar .......... 7 Hernández, Felisberto Piano Stories ...................... 20 Hiraide, Takashi The Guest Cat ...................... 19 Krasznahorkai, László DECEMBER FEBRUARY Satantango ......................... 15 Levertov, Denise The Collected Poems ................. 9 Lorca, Federico García Selected Poems .................... 22 Mikhail, Dunya (editor) Fifteen Iraqi Poets ................... 17 Read, Herbert The Green Child ..................... 3 Ridgway, Keith Hawthorn & Child .................... 1 Rosales, Guillermo Leapfrog. 8 Rukeyser, Muriel Elegies ............................. 2 Smith, Stevie Best Poems ........................ 14 Steiner, George My Unwritten Books ................ 21 The Poetry of Thought ............... 21 Williams, Tennessee The Roman Spring of Mrs . Stone ..... 22 Williams, William Carlos (as translator) The Dog & the Fever ................. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher qualify 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA UMI800-521-0600 THE CONTAGION OFLIFE: ROSSETTI, PATER, WILDE, AND THE AESTHETICIST BODY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen Weninger, MA., M A., M Phil. ***** The Ohio State University 1999 Dissertation Committee: Approved By: Professor David G. -
Introduction
Notes Introduction 1. Herbert Read to T.S. Eliot: 1 October 1949: Herbert Read Archive, University of Victoria (hereafter HRAUV), HR/TSE-170. 2. Herbert Read, The Contrary Experience: Autobiographies (London, 1963), 353, 350. 3. Isaiah Berlin, The Roots of Romanticism (London, [1965] 2000), 97. 4. For a useful discussion, see: Peter Ryley, Making Another World Possible: Anar- chism, Anti-capitalism and Ecology in Late 19th and Early 20th Century Britain (New York, 2013); Mark Bevir, The Making of British Socialism (Princeton, 2011), 256–277. 5. Martin A. Miller, Kropotkin (Chicago, 1976), 166–167; Rodney Barker, Political Ideas in Modern Britain (London, 1978), 42 passim. 6. H. Oliver, The International Anarchist Movement in Late Victorian London (London, 1983), 136; see also: 92, 132–137. For a discussion of the signifi- cance of the Congress, see: Davide Turcato, Making Sense of Anarchism: Errico Malatesta’s Experiments with Revolution (Basingstoke, 2012), 136–139. 7. W. Tcherkesoff, Let Us Be Just: (An Open Letter to Liebknecht) (London, 1896), 7. 8. The report offered short biographies of Francesco Merlino, Gustav Landauer, Louise Michel, Amilcare Cipriani, Augustin Hamon, Élisée Reclus, Ferdinand Domela Nieuwenhuis, Bernard Lazare, and Peter Kropotkin. N.A., Full Report of the Proceedings of the International Workers’ Congress, London, July and August, 1896 (London, 1896), 67–72. 9. N.A., Full Report of the Proceedings, 21, 17. 10. Matthew S. Adams, ‘Herbert Read and the fluid memory of the First World War: Poetry, Prose, and Polemic’, Historical Research (2014), 1–22; Janet S.K. Watson, Fighting Different Wars: Experience, Memory, and the First World War in Britain (Cambridge, 2004), 226. -
Unless Otherwise Stated, Place of Publication Is London
Notes Unless otherwise stated, place of publication is London. 1 Introduction 1. Julia Briggs, Night Visitors: The Rise of the English Ghost Story (Faber, 1977), pp. 16-17, 19, 24. 2. See my Christian Fantasy: From 1200 to the Present (Macmillan, 1992). 3. Sidney, An Apologie for Poetrie (1595), repr. in G. Gregory Smith, ed., Elizabethan Critical Essays, 2 vols. (Oxford University Press, 1904), I, 156. 4. See my 'The Elusiveness of Fantasy', in Olena H. Saciuk, ed., The Shape of the Fantastic (Westport: Greenwood, 1990), pp. 54-5. 5. J. R. R. Tolkien, 'On Fairy Stories' (1938; enlarged in his Tree and Leaf (Allen and Unwin, 1964); C. S. Lewis, 'On Science Fiction' (1955), repr. in Lewis, Of Other Worlds: Essays and Stories, ed. W. Hooper (Bles, 1966), pp. 59-73; Rosemary Jackson, Fantasy: The Literature of Subver sion (Methuen, 1981); Ann Swinfen, In Defence of Fantasy: A Study of the Genre in English and American Literature Since 1945 (Routledge, 1984). 6. Brian Attebery, Strategies of Fantasy (Bloomington: Indiana University Press, 1992), pp. 12-14. 7. The name is first applied to a literary kind by Herbert Read in English Prose Style (1928); though E. M. Forster had just devoted a chapter of Aspects of the Novel (1927) to 'Fantasy' as a quality of vision. 8. See Brian Stableford, ed., The Dedalus Book of Femmes Fatales (Sawtry, Cambs.: Dedalus, 1992), pp. 20-4. 2 The Origins of English Fantasy 1. See E. S. Hartland, ed., English Fairy and Other Folk Tales (Walter Scott, 1890), pp. x-xxi; Katharine M. -
The Year 1950 (182)
The Year 1950 (182) Summary: In 1950, The Lion, the Witch and the Wardrobe, the first of the Chronicles of Narnia, was published on October 16 in England and on November 7 in America. Jack was in the midst of writing the Chronicles, and Roger Lancelyn Green was reading them. Jack received his first letter from Joy Gresham on January 10. The Inklings were meeting regularly on Tuesdays, but no longer on Thursdays. Jack was receiving gifts of food, stationery, etc., during post-war rationing from Americans Edward Allen, Vera Mathews, Dr. Warfield Firor, and Mrs. Frank Jones (and perhaps Nathan Starr). Jack declined Firor’s invitation to come to America. On February 13, Jack debated Mr. Archibald Robertson of the Rationalist Press Association on “Grounds for Disbelief in God” at the Oxford Socratic Club. Anthony Flew spoke at the Socratic Club in May. In April, the Revd. Duff arrived to try to interest Jack in a home Mission called the Industrial Christian Fellowship, and Mrs. Moore was taken to a nursing home called Restholme. Jack began daily visits to see Mrs. Moore, which continued until her death in January 1951. Daphne Harwood contracted and then died from cancer. June (Jill) Flewett, one of the World War II evacuees who stayed at the Kilns, was married on September 4, which Warren attended. Grace Havard, wife of Humphrey Havard, died on September 10. The famous Firor Ham Feast took place at 7:30 p.m. at Jack’s rooms on September 19. In December Sheldon Vanauken began corresponding with Jack. Jack writes “What Are We to Make of Jesus Christ?” In this year Jack perhaps writes a poem on the shallowness of modern life, entitled “Finchley Avenue.” A second edition of Dymer is published in this year with a Preface by Jack. -
The Green Child Free
FREE THE GREEN CHILD PDF Herbert Read,Graham Greene | 208 pages | 09 Jul 2010 | Capuchin Classics | 9780956294746 | English | London, United Kingdom The Green Child - Wikipedia Each of the novel's The Green Child parts ends with the apparent death of the story's protagonist, President Olivero, dictator of the fictional South American Republic of Roncador. In each case Olivero's death is an allegory for his translation to a "more profound level of existence", [2] reflecting the book's overall theme of a search for the meaning of life. Read's interest in psychoanalytic theory is The Green Child throughout the novel, which is constructed as a "philosophic myth The Green Child story contains many autobiographical elements, and the character of Olivero owes much to Read's experiences as an officer in the British Army during the First World War. The novel was positively received, although some commentators have considered it to be "inscrutable", [5] and one has suggested that it has been so differently and vaguely interpreted by those who have given it serious study The Green Child it may lack the form and content to justify the praise it has received. Primarily a literary critic, poet, and an advocate for modern art, Read wrote his only novel, The Green Childin about eight weeks duringmost of it in the summer house behind his home in HampsteadLondon. Following the Russian Revolution of Read became a supporter of communism, believing it to offer "the social liberty of my ideals", [9] but by the s his The Green Child had begun to waver. -
Film and TV Rights
Film and TV rights: Nicky Lund Georgina Ruffhead Translation rights: Alice Howe Emma Jamison Emily Randle www.davidhigham.co.uk [email protected] [J. R. ACKERLEY] J. R. Ackerley (1896-1967) was for many years the literary editor of the BBC Magazine, The Listener. A respected mentor to such younger writers as Christopher Isherwood and W. H. Auden, he was also a long time friend and literary associate of E. M. Forster. His works include two memoirs, My Dog Tulip and My Father and Myself, a travel journal, Hindoo Holiday, and a novel, We Think the World of You. Featured Title: MY DOG TULIP (The New York Review of Books Classics, US and UK) J.R. Ackerley's German shepherd Tulip was skittish, possessive, and wild, but he loved her deeply. This clear-eyed and wondering, humorous and moving book is her biography, a work of faultless and respectful observation that transcends the seeming modesty of its subject. In telling the story of his beloved Tulip, Ackerley has written a book that is a profound and subtle meditation on the strangeness abiding at the heart of all relationships. A critically-acclaimed animated feature film adaptation of My Dog Tulip was released in 2011, starring Christopher Plummer. Current Sales: Spanish, Argentina (Beatriz Viterbo Editora); Spanish (Edtioral Anagrama), Polish (Studio Emka Klara Mulnar). ‘…This elegantly written canine biography will prove irresistible to sophisticated dog lovers.’ – Publishers Weekly (on ‘My Dog Tulip’) ‘The best book ever written about a dog’ – Times Literary Supplement -
Postimpressionist Show at the Crofton Galleries. English Art at The
DOCUMENT RESUME ED 369 686 SO 023 778 AUTHOR McWhinnie, Harold J. TITLE Sir Herbert Read and Art Education History. PUB DATE 89 NOTE 14p.; Paper presented at the Annual Conference of History of Art Education (University Park, PA, October 1989). PUB TYPE Speeches/Conference Papers (150) Historical Materials (060) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Aesthetic Values; *Art Criticism; *Art Education; *Art History; *Educational History; Foreign Countries; Higher Education IDENTIFIERS Bell (Clive); *England; Fry (Roger); *Read (Herbert) ABSTRACT In order to understand the place of Herbert Read both in 20th century aesthetics and art education, one needs to carefully consider the entire field of English art and aesthetics from 1900 to the beginning of the Second World War. This time frame was dominated by the thoughts of Roger Fry and Clive Bell, and works both literary and visual, of the Bloomsbury Group. This p lod in English art and design was characterized by the response o!: Roger Fry to cubism and the work of the avant garde in Europe. By 1912 Fry had his postimpressionist show at the Crofton Galleries. English art at the time either reflected the romanticism of the Royal Academy, mysticism, or the crafts traditions of William Morris. It was a time of not only artistic ferment, but an aesthetic revolution. The modern movement entered into England and was interpreted through the eyes of Fry and Bell. They gave it a peculiar English quality. Sir Herbert Read reflected much of thL Fry and Bell points of view as he developed his artistic philosophy in the 1930s.