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Intellectual Entrepreneurs Teaches at the New School in New York
MONTAGE “If you prepare material ahead of time, it Then, on Thursday nights, the audiences stream in, the won’t work. The audience can tell.” recording devices roll, and the persiflage flies. It’s much like a tence knowing that I’m ups beforehand, with the pan- conversation among friends— going to need to finish elists kept in the dark. “It’s the panelists all get along and the joke with, say, the like basketball,” Blount like each other. “There’s all name of a movie or a his- explains. “Peter brings sorts of room for per- torical reference that the ball down the court sonality,” Rocca says. I don’t know—but I’m and he will pass off to one “The audience ap- just confident that of us—you can either take preciates the indi- when I get a shot, or dribble and pass vidual quirks of the to the punch it to someone else.” The one panelists. It’s not line, it’ll be segment that allows advance always about a big there.” preparation is the “bluff,” in joke. If you were just Perfor- which one panelist reads a a joke-telling machine without mances run genuine, if bizarre, news story personality, that wouldn’t be for 90 min- and two others invent equally as interesting.” Sagal’s wit is utes or more ridiculous fictional stories on the a sharp as any panelist’s, but and are edited to same topic and try to bluff a listen- he recognizes that “it’s not my 50-minute broad- er on the phone into thinking theirs job to be funny, but to make casts. -
Fall 2013 | Winter 2014 September
ND FALL 2013 | WINTER 2014 SEPTEMBER OCTOBER N OVEMBER DECEMBER Winter 2014 titles continue on inside back cover DECEMBER JA NUARY CONTENTS Aira, César Shantytown ......................... 11 Alomar, Osama Fullblood Arabian .................... 6 Bernal, Rafael The Mongolian Conspiracy ............ 13 Bulgakov, Mikhail Morphine ............................ 5 Cole, Peter The Invention of Influence ............ 18 Cossery, Albert Laziness in the Fertile Valley ........... 2 Dickinson, Emily The Gorgeous Nothings . .7 Espinosa, Pedro The Dog & the Fever .................. 4 Ferlinghetti, Lawrence Blasts Cries Laughter ................. 6 Girondo, Oliverio Poems to Read on a Streetcar .......... 7 Hernández, Felisberto Piano Stories ...................... 20 Hiraide, Takashi The Guest Cat ...................... 19 Krasznahorkai, László DECEMBER FEBRUARY Satantango ......................... 15 Levertov, Denise The Collected Poems ................. 9 Lorca, Federico García Selected Poems .................... 22 Mikhail, Dunya (editor) Fifteen Iraqi Poets ................... 17 Read, Herbert The Green Child ..................... 3 Ridgway, Keith Hawthorn & Child .................... 1 Rosales, Guillermo Leapfrog. 8 Rukeyser, Muriel Elegies ............................. 2 Smith, Stevie Best Poems ........................ 14 Steiner, George My Unwritten Books ................ 21 The Poetry of Thought ............... 21 Williams, Tennessee The Roman Spring of Mrs . Stone ..... 22 Williams, William Carlos (as translator) The Dog & the Fever ................. -
OCTAVIO PAZ, and the Wars BATTLE for CULTURAL MEMORY
Uncivil War S Sandra Messinger Cypess OCTAVIO PAZ, AU AND THE % I I FOR ) A, .1000 . otU Uncivil Wars Uncivil JOE R. AND TERESA LOZAND LONG SERIES IN LATIN AMERICAN AND LATINO ART AND CULTURE JUN0 ELENA GARRO, OCTAVIO PAZ, AND THE Wars BATTLE FOR CULTURAL MEMORY Sandra Messinger Cypess UNIVERSITY OF TEXAS PRE88 AUSTIN Copyright 2012 by Sandra Messinger Cypess All rights reserved Printed in the United States of America First edition, 2012 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 utpress.utexas.edu/about/book-permissions The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48-1992 (R1997) (Permanence of Paper).@ Library of Congress Cataloging-in-Publication Data Cypess, Sandra Messinger. Uncivil wars : Elena Garro, Octavio Paz, and the battle for cultural memory / by Sandra Messinger Cypess. - 1st ed. p. cm. - (Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture) Includes bibliographical references and index. ISBN 978-0-292-75428-7 1. Garro, Elena-Criticism and interpretation. 2. Paz, Octavio, 1914-1998-Criticism and interpretation. 3. National characteristics, Mexican, in literature. 4. Collective memory-Mexico. I. Title. PQ7297.G3585Z64 2012 868'.64o9-dc23 2012010950 First paperback printing, 2013 DEDICATED TO Raymond (everyone knows why) and to Aaron and Leah, Josh and Rebecca, and their wonderful contributions to our happiness: Benjamin Joey Shoshana Sally Hadassah David e e e CONTENTS PREFACE / iX i. Introduction: Uncivil Wars / 1 2. All in the Family: Paz and Garro Rewrite Mexico's CulturalMemory / 13 3. -
Master Document Template
Copyright by Robert George Kohn 2012 The Dissertation Committee for Robert George Kohn Certifies that this is the approved version of the following dissertation: The Language of Uncertainty in W.G. Sebald’s Novels Committee: Pascale Bos, Supervisor Sabine Hake John Hoberman Philip Broadbent David Crew The Language of Uncertainty in W.G. Sebald’s Novels by Robert George Kohn, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation would not have been possible without the amazing and generous support, both emotional and intellectual, as well as incredible patience of my lovely and kind wife, Nadine Cooper-Kohn. I would like to, therefore, dedicate this study to her as a small token of my gratitude for being at my side through it all. Acknowledgements I would like to acknowledge the following people for their help and contributions they have made to my intellectual and personal growth during my graduate career. First and foremost, I would like to recognize my wife, Nadine Cooper-Kohn for her steadfast support, inspiration and love throughout these past seven years. I would like to thank my adviser, Dr. Pascle Bos, for her patience and understanding throughout the process of writing, as well as for encouraging me during difficult times. The helpful feedback of Dr. Sabine Hake and Dr. John Hoberman inspired me and helped me to see this project through. -
The Cambridge Companion to the Modern German Novel Edited by Graham Bartram Frontmatter More Information
Cambridge University Press 978-0-521-48253-0 - The Cambridge Companion to the Modern German Novel Edited by Graham Bartram Frontmatter More information The Cambridge Companion to the Modern German Novel The Cambridge Companion to the Modern German Novel provides a wide- ranging introduction to the major trends in the development of the German novel from the 1890s to the present. Written by an international team of ex- perts, it encompasses both modernist and realist traditions, and also includes a look back to the roots of the modern novel in the Bildungsroman of the late eighteenth and nineteenth centuries. The structure is broadly chronologi- cal, but thematically focused chapters examine topics such as gender anxiety, images of the city, war and women’s writing; within each chapter, key works are selected for close attention. Unique in its combination of breadth of cover- age and detailed analysis of individual works, and featuring a chronology and guides to further reading, this Companion will be indispensable to students and teachers alike. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-48253-0 - The Cambridge Companion to the Modern German Novel Edited by Graham Bartram Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-48253-0 - The Cambridge Companion to the Modern German Novel Edited by Graham Bartram Frontmatter More information THE CAMBRIDGE COMPANION TO THE MODERN GERMAN NOVEL EDITED BY -
Cultural Narratives and Alternative Topographies in the Works of Etel Adnan, Ingeborg Bachmann and Sevim Burak
Cultural Narratives And Alternative Topographies In The Works Of Etel Adnan, Ingeborg Bachmann And Sevim Burak Gizem Okulu SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ROYAL HOLLOWAY, UNIVERSITY OF LONDON OCTOBER 2020 1 Declaration of Authorship I ………Gizem Okulu……………. hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ____________________Gizem Okulu__ Date: _____________22.10.2020___________ 2 Table of Contents Abstract – 4 Acknowledgements – 5 List of Illustrations - 6 Introduction – 7 Chapter I: ‘Unsettled Dissident Eruptive In Anarchy’: Etel Adnan – 30 Chapter 2: ‘Beneath A Foreign Sky’: Ingeborg Bachmann – 51 Chapter 3: ‘We Are The Dead’: The Work Of Sevim Burak – 80 Conclusion – 112 Manuscript: Master Island - 130 I. Night Poems – 133 II. Exit Point On Earth – 138 III. Master Island – 146 IV. Counter Dance – 165 Bibliography – 189 3 Abstract The thesis explores the use of alternative topographies and cultural narratives in the works of Etel Adnan, Ingeborg Bachmann and Sevim Burak. The term ‘alternative topography’ suggests that these writers do not simply describe existing topographies: rather, they create imaginative spaces, invented countries, which provide spaces from which to challenge the violence present within national boundaries and zones of conflict. ‘Cultural narrative’ suggests the narrative used to define a particular national or ethnic group. While this term has provided useful in reclaiming the identities of marginalized and oppressed groups, it has its limitations. These writers were very aware of the narratives used to describe situations of national and ethnic conflict, witnessing political crises in Lebanon, Turkey, Austria, Germany and America. -
The Bohemian Horizon: 21St-Century Little Magazines and the Limits of the Countercultural Artist-Activist
The Bohemian Horizon: 21st-Century Little Magazines and the Limits of the Countercultural Artist-Activist Travis Mushett Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 ©2016 Travis Mushett All rights reserved ABSTRACT The Bohemian Horizon: 21st-Century Little Magazines and the Limits of the Countercultural Artist-Activist Travis Mushett This dissertation examines the emergence of a cohort of independent literary, intellectual, and political publications—“little magazines”—in New York City over the past decade. Helmed by web-savvy young editors, these publications have cultivated formidable reputations by grasping and capitalizing on a constellation of economic, political, and technological developments. The little magazines understand themselves as a radical alternative both to a journalistic trend toward facile, easily digestible content and to the perceived insularity and exclusivity of academic discourse. However, the bohemian tradition in which they operate predisposes them toward an insularity of their own. Their particular web of allusions, codes, and prerequisite knowledge can render them esoteric beyond the borders of a specific subculture and, in so doing, curtail their political potency and reproduce systems of privilege. This dissertation explores the tensions and limitations of the bohemian artist-activist ideal, and locates instances in which little magazines were able to successfully -
Bennington College
The Ruth D. Ewing ’37 Lecture and the Center for the Advancement of Public Action present BENNINGTON 2017 translatesFar and Wide, Close and Deep wednesday, MARCH 15 • 7:00 pm • CAPA symposium ESTHER ALLEN “Translating the Local: A Century and a Half of Ethnic Media in the United States” Esther Allen’s most recent translation, Zama, a 1956 novel by Antonio Di Benedetto Photo: Caroline White (NYRB Classics), was chosen by Publisher’s Weekly as one of the top 20 fiction works published in 2016. Allen’s current project, supported by a 2014–2015 fellowship at the Leon Levy Center for Biography, is a biography of José Martí. A former Fellow at the Cullman Center for Scholars and Writers at The New York Public Library, she was named a Chevalier de l’ordre des arts et des lettres by the French government in 2006. A prolific translator of Spanish and French, Allen is an Associate Professor in the PhD programs in French and in Hispanic and Luso-Brazilian Literatures and Languages at the Graduate Center of the City University of New York (CUNY), and at Baruch College, CUNY. wednesday, MARCH 22 • 7:00 pm • CAPA symposium PETER CONSTANTINE “Translation and Autobiography: Augustine, Rousseau, Solzhenitsyn” Peter Constantine is a literary translator and editor, and the director of the Literary Photo: Annette Hornischer Translation Program at the University of Connecticut. His recent translations include The Essential Writings of Rousseau, The Essential Writings of Machiavelli, and works by Chekhov, Tolstoy, Gogol, and Voltaire. He co-edited A Century of Greek Poetry: 1900– 2000 and the anthology The Greek Poets: Homer to the Present. -
Gert Hofmann Zum 90
GERT HOFMANN ZUM 90. https://www.mironde.com/litterata/9174/reportagen/gert-hofmann-zum-90 GERT HOFMANN ZUM 90. von Johannes Eichenthal - erschienen in der Litterata am Samstag, Januar 16, 2021 https://www.mironde.com/litterata/9174/reportagen/gert-hofmann-zum-90 Wir freuen uns, Ihnen einen Beitrag unseres Herausgebers Andreas Eichler vorstellen zu können. Johannes Eichenthal Gert Hofmann, einer der meistübersetzten deutschen Dichter der 1970 bis 1990er Jahre, wurde am 29. Januar 1931 in Limbach, einem Ortsteil des heutigen Limbach-Oberfrohna, geboren. Die Sprachmelodie seiner Heimat prägte den Weltbürger Gert Hofmann bis an sein Lebensende. In seiner Dissertation plädierte er für die »Dramatisierung des Romans« in Anlehnung an Henry James und Thomas Mann. In der Novelle »Die Rückkehr des verlorenen Jakob Michael Reinhold Lenz nach Riga« wird Hofmanns herausragende Leistung als deutscher und europäischer Dichter und Erzähler eindrucksvoll deutlich. Das Geburtsjahr Gert Hofmanns liegt am Ende einer beispiellosen Entwicklung der sächsischen Industrie. Bereits im 18. Jahrhundert exportierten Limbacher Unternehmer Strümpfe und Handschuhe in alle Welt. Zwischen 1830 und 1930 verzehnfachten sich die Bevölkerungszahlen in Sachsen. Aus ganz Europa und Deutschland kamen Menschen, um hier Arbeit zu finden. Chemnitz und die Kleinstädte seiner Umgebung verschmolzen zu einer gigantischen Fabrik. Die Stadtsilhouetten wurden von hunderten Industrieschornsteinen geprägt. Selbst noch in Hinterhäusern wirkte man an der textilen Produktion. Die Maschinen entstanden gleich nebenan, in der Nachbarfabrik. Mit den Jahren bestimmte der Rhythmus der Industrie das gesamte Leben der Städte und Dörfer. Morgens strömten tausende und abertausende Menschen in die Fabriken. In den 1920er Jahren verdrängte eine internationale Massenkultur die bürgerlich-paternalistischen Kultur des 18./19.Jahrhunderts. -
Literature and Democratic Criticism: the Post-9/11 Novel and the Public Sphere
Literature and Democratic Criticism: The Post-9/11 Novel and the Public Sphere Inauguraldissertation zur Erlangung der Doktorwürde der Neuphilologischen Fakultät der Universität Heidelberg vorgelegt von Maria Diaconu April 2016 Erstgutachter: Prof. Dr. Dietmar Schloss Zweitgutachter: Prof. Dr. Günter Leypoldt Contents Introduction .............................................................................................................................. 1 9/11 in Intellectual Debates ................................................................................................... 2 Liberal Humanism(s) .............................................................................................................. 6 The Post-9/11 Novel ............................................................................................................. 12 Chapter 1: Irony Is Dead, Long Live Irony: Satire after 9/11 ............................................................. 21 The Unbearable Triviality of Being: David Foster Wallace’s The Suffering Channel and Claire Messud’s The Emperor’s Children as September 10 Satires .................................... 34 A 9/12 Satire: Jess Walter’s The Zero .................................................................................. 48 Conclusion ............................................................................................................................ 57 Chapter 2: Playing the Victim: The Politics of Memorialization and Grief ........................................ 59 Sentimental -
The Cost of Living: Stories
The Cost of Living: Stories A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English & Comparative Literature of the College of Arts and Sciences by David James Poissant M.F.A. University of Arizona June 2011 Committee Chair: Michael Griffith, M.F.A. i Abstract The Cost of Living: Stories is a collection of thematically linked short fiction that explores the drama of the everyday in the lives of children, women, and men. In fifteen stories, The Cost of Living illuminates life in and beyond the contemporary urban and suburban southeastern United States. Characters, plagued by hardships of their own making, struggle with relationships and the demands of family. Animals, too, find their way into the fiction, as characters intrude on the natural world. By turns comic, dramatic, and frightening, and written in modes both realist and experimental, this collection gives voice to the heroes of the conflicts that often go unnoticed in our own backyards. ii iii Acknowledgements “The Heaven of Animals” was published by The Atlantic. “Lizard Man” (Winner: Playboy College Fiction Contest) appeared in Playboy, New Stories from the South 2008, Best New American Voices 2010, and was named a Distinguished Mystery Story of 2007 in Best American Mystery Stories. “Refund” (Third Prize: Atlantic Monthly Student Writing Contest) will appear in One Story. “What the Wolf Wants” appeared in West Branch. “The Caterer” (Winner: Matt Clark Prize) appeared in the New Delta Review. “Lake in Winter” appeared in Iron Horse. -
Copper Canyon Reader Fall 2018 in MEMORIUM Please Visitourwebsite
It is my confirmed bias that the poets remain the most “stunned by existence,” the most determined to redeem the world in words. —C.D. Wright Copper Canyon Reader fall 2018 IN MEMORIUM Sam Hamill Founding Editor 1943–2018 from A PersonAl IntroductIon in The Gift of Tongues: Twenty-Five Years of Poetry from Copper Canyon Press(1996) I couldn’t, in my wildest dream, imagine a world in which my small gift would be multiplied by so many generous hands. But that is exactly how the gift of poetry works: the gift of inspiration is transformed by the poet into a body of sound which in turn is given away so that it may inspire and inform another, who in turn adds to the gift and gives it away again. For more information about Sam Hamill and the founding of Copper Canyon Press, please visit our website. The Chinese character for poetry is made up of two parts: “word” and “temple.” It also serves as pressmark for Copper Canyon Press. Ursula K. Le Guin So Far So Good NEW TITLE NEW “One of the troubles with our culture is we do not respect and train the imagination. It needs exercise. It needs practice. You can’t tell a story unless you’ve listened to a lot of stories and then learned how to do it.” to the rAIn Mother rain, manifold, measureless, falling on fallow, on field and forest, on house-roof, low hovel, high tower, downwelling waters all-washing, wider than cities, softer than sisterhood, vaster than countrysides, calming, recalling: return to us, teaching our troubled souls in your ceaseless descent to fall, to be fellow, to feel the root, to sink in, to heal, to sweeten the sea.