Vergessene Stimmen, Nationale Mythen
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AAM. Terrestrial Humanism and the Weight of World Literature, Ddavies
City Research Online City, University of London Institutional Repository Citation: Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/26525/ Link to published version: http://dx.doi.org/10.1017/pli.2020.23 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black Abstract (151 words) Through an extended reading of Canadian author Esi Edugyan’s novel, Washington Black (2018), this article aims to revise and reinsert both the practice of close reading and a radically revised humanism back into recent World(-)Literature debates. -
Selected Bibliography of Work on Canadian Ethnic Minority Writing
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Selected Bibliography of Work on Canadian Ethnic Minority Writing <http://docs.lib.purdue.edu/clcweblibrary/canadianethnicbibliography> Steven Tötösy de Zepetnek, Asma Sayed, and Domenic A. Beneventi 1) literary histories and bibliographies of canadian ethnic minority writing 2) work on canadian ethnic minority writing This selected bibliography is compiled according to the following criteria: 1) Only English- and French-language works are included; however, it should be noted that there exists a substantial corpus of studies in a number Canada's ethnic minority languages; 2) Critical works about the literatures of Canada's First Nations are not included following the frequently expressed opinion that Canadian First Nations literatures should not be categorized within Canadian "Ethnic" writing but as a separate corpus; 3) Literary criticism as well as theoretical texts are included; 4) Critical texts on works of authors writing in English and French but usually viewed or which could be considered as "Ethnic" authors (i.e., immigré[e]/exile individuals whose works contain Canadian "Ethnic" perspectives) are included; 5) Some works dealing with US or Anglophone-American Ethnic Minority Writing with Canadian perspectives are included; 6) M.A. -
Introduction
WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Canada & Beyond 5 (2015): 27 Liminality and (Trans)Nationalism in the Rethinking of African Canadian Subjectivity: Esi Edugy
Liminality and (Trans)Nationalism in the Rethinking of African Canadian Subjectivity: Esi Edugyan’s The Second Life of Samuel Tyne. Vicent Cucarella-Ramon Universitat de València Canada is a location where…blackness is threatened with psychological evisceration (George Elliott Clarke, Odysseys Home) In a Canadian context, writing blackness is a scary scenario: we are an absented presence always under erasure (Rinaldo Walcott , Black Like Who) Who is to say what a Canadian story looks like, where it should be set, who should be telling it?…Indeed, what is a Canadian at all? (Esi Edugyan, Dreaming of Elsewhere) Introduction The publication of Paul Gilroy’s The Black Atlantic: Modernity and Double Consciousness in 1993 marked an ontological shift in the recognition of the diversity and conflict in black experiences and their cultural production. There exists an established consensus on the impact and groundbreaking potential of Gilroy’s work as it propounded a global reconfiguration of the notion of a multilayered black self. Gilroy repositioned black consciousness from the margins to the center, engaging a transnational and transcultural debate that contributed to securing black subjectivity as “a central symbol in the psychological, cultural, and political systems of the West as a whole” (Gilroy 158). However, in the late 1990s Gilroy’s theory generated debates over its shortcomings, namely because new readings of The Black Atlantic pointed out that the social realities of Africa, the Caribbean and Canada were absent from its theoretical -
Nr. 139-140/04
Nr. 139/140 · April/Mai 13 · Euro 5,50 P. b. b. GZ 02Z032603M Verlagspostamt 9020 Klagenfurt Erscheinungsort Klagenfurt am Wörthersee KÄRNTEN KUNST KULTUR das fenster zum (ton)hof Text – Bild – Ton – Film im (literarischen) Frühling mit allen terminen und galerien www.bruecke.ktn.gv.at EDITORIAL Foto: Alpen-Adria-Universität Klagenfurt, Robert Musil-Institut für Literaturforschung/Kärntner Literaturarchiv Ohne den Hund käme der Mensch auf den Hund. Foto: VDV Ernst Elitz Sind wir Oscar? Film ist 24-mal die Wahrheit in einer Sekunde, hat noch Jean-Luc Godard gesagt. Oder 24-mal die Lüge, wie Michael Haneke ergänzte. Uns geht es in der vorliegenden Bruecke jedoch nicht um physikalische- bzw. Wahrnehmungsgesetze und auch nicht um die Robert Musil (vielleicht beim Sinnieren über seinen Roman Mann ohne Eigenschaften) weltweit gefeierten (Hollywood) Filmakteure, auch wenn sie heimischer Provenienz sind. Vielmehr wollen wir hier dem Österreichischen Film und seinen verschiedensten Vertretern eine Lanze brechen – Stoff dafür gibt es mehr als genügend. Am besten kann man sich davon jährlich bei der Diagonale einen guten Überblick verschaffen, denn auch das renommierte carte.blanche Festival war bzw. ist gekennzeichnet vom Aufwärtstrend und den großen Erfolgen der Filmproduktionen unseres Landes – noch dazu wo ein aus Kärnten stammender Künstler in Panta rhei – Alles fließt Graz zwar Hundstage hatte, aber mit mehr als einem Panorama entschädigt wurde. Was steht sonst noch auf unserer Menükarte im Frühjahr: 2013 wird das Jahr des Tonhofs! Ein neuer Papst, eine neue Regierung und ein Schon der Auftakt mit Lady’s Voice durch Peter Wagner im k.e.-Theater war bemerkenswert. neuer Trainer bei Austria Klagenfurt – es ist ein Im Interview mit Caroline, die den TonHofSpuren in der Alpen-Adria-Galerie folgt, haben wir Kommen und Gehen. -
Wozu Das Theater?! Eine Darbietung Der Darstellenden Künste
Nr. 11 | Brückengeneration 5 | Feber · März 2019 | Euro 5,50 Österreichische Post AG | PZ16Z040851P Amt der Kärntner Landesregierung Abteilung 14 – Kunst und Kultur Burggasse 8, 9021 Klagenfurt Wozu das Theater?! Eine Darbietung der darstellenden Künste. www.bruecke.ktn.gv.at Kärntens ältester Theaterzettel Der älteste, noch erhaltene Theaterzettel unseres Landes stammt aus dem Jahre 1746 und kündigt ein in Kärnten spielendes Attila-Drama an. Darin geht es um die „jämmerliche Verwüstung und Zerstörung der vormals herrlichen berühmten und großen Stadt Sala“, die man an Stelle Virunums annahm. Dass die Aufführung in Klagenfurt stattgefunden hat, geht aus dem finalen Vers des papiernen Reliktes hervor: „Laß dich heut Clagenfurt nicht Geld und Zeit gereuen / Es wird diß Schau-Spihl dich mit Hertzens-Lust erfreuen!“ ● Foto: Kärntner Landesarchiv | Dietrichstein Sch. 496/96/5 Markus Guschelbauer: Rasenstück II Der 1974 in Friesach geborene Künstler lebt und arbeitet in Wien. Zu seinen bevorzugten Medien gehören Fotografie, wie Video und rauminstallative Arbeiten. Das Thema Landschaft und deren Darstellung in der bildenden Kunst, sowie der theoretische und praktische Diskurs über Natur, bilden das Hauptanliegen in Guschelbauers künstlerischer Praxis. Foto: Markus Guschelbauer vor<w>ort Homo ludens Der spielende Mensch versucht sich am Spiel des Lebens [ohne Generalprobe]. Der Begriff „Spieltrieb“ verrät uns, dass das Verlangen nach dem Spiel ein angeborenes Grundbedürf- nis und Verhalten des Menschen ist. Das Spiel ermöglicht uns das Lernen durch Versuch und Irrtum. Es eröffnet uns den alternativen Zugriff auf Wirklichkeit und Handlungsfreiheit – wir können „aus der Rolle fallen“. Das Leben führt alle Formen des <selbst>dar- stellenden Spiels auf: es ist Komödie, Tragödie, Drama oder Dramolett, Lustspiel .. -
Complete Teachers' Guide to Enemy
“EnemyAliens” The Internment of Jewish Refugees in Canada, 1940-1943 TEACHER’S GUIDE “ENEMY ALIENS”: The Internment of Jewish Refugees in Canada, 1940-1943 © 2012, Vancouver Holocaust Education Centre Lessons: Nina Krieger Text: Paula Draper Research: Katie Powell, Katie Renaud, Laura Mehes Translation: Myriam Fontaine Design: Kazuko Kusumoto Copy Editing: Rome Fox, Anna Migicovsky Cover image: Photograph of an internee in a camp uniform, taken by internee Marcell Seidler, Camp N (Sherbrooke, Quebec), 1940-1942. Seidler secretly documented camp life using a handmade pinhole camera. − Courtesy Eric Koch / Library and Archives Canada / PA-143492 Vancouver Holocaust Education Centre 50 - 950 West 41st Avenue Vancouver, BC V5Z 2N7 604 264 0499 / [email protected] / www.vhec.org Material may be reproduced for non-commercial purposes provided that the publisher and author are acknowledged. The exhibit Enemy Aliens: The Internment of Jewish Refugees in Canada, 1940 – 1943 was generously funded by the Community Historical Recognition Program of the Department of Citizenship, Immigration and Multiculturalism Canada. With the generous support of: Oasis Foundation The Ben and Esther Dayson Charitable Foundation The Kahn Family Foundation Isaac and Sophie Waldman Endowment Fund of the Vancouver Foundation Frank Koller The Vancouver Holocaust Education Centre gratefully acknowledges the financial investment by the Department of Canadian Heritage in the creation of this online presentation for the Virtual Museum of Canada. Teacher’s Guide made possible through the generous support of the Mordehai and Hana Wosk Family Endowment Fund of the Vancouver Holocaust Centre Society. With special thanks to the former internees and their families, who generously shared their experiences and artefacts in the creation of the exhibit. -
York University Humanities 4000A.06 Canadian Jewish Experience Through Literature 1990-91
Rachel Feldhay Brenner YORK UNIVERSITY HUMANITIES 4000A.06 CANADIAN JEWISH EXPERIENCE THROUGH LITERATURE 1990-91 COURSE DESCRIPTION This course explores the shaping of Canadian Jewish literture as a response to contemporary Jewish experience. We shall focus on literary representations of the immigrant experience in Canada, the tragedy of the Holocaust, and the establishment of the Jewish State. The emphasis on literary-historical inter-relationships aims at clarification of issues which currently pre-occupy Jews and non-Jews alike. COURSE REQUIREMENTS First Term: 2 essays (15%, 20%), 1 presentation (15%). Second Term: 1 essay (30%),1 presentation (15%). Short Essays: 1,500 - 2,000 words (68 typed pages, double spaced). Major Essay: 4,000 - 5,000 words (15-20 typed pages, double spaced). REQUIRED BOOKS Kattan, Naiin. The Neighbour and Other Stories. McClelland and Stewart. Klein, A.M. The Second Scroll. McClelland and Stewart. Kreisel, Henry. The Rich Man. McClelland and Stewart ; The Betrayal. McClelland and Stewart. 64 Rachel Feldhay Brenner Maynard, Fredelle Bruser. Raisins and Almonds. Penguin. Richler, Mordecai. The Apprenticeship of Duddy Kravitz. Bantam; The Street. Penguin; St. Urbain's Horseman. McClelland and Stewart; Joshua Then and Now. Bantam. Waddington, Miriarn. Apartment Seven. Oxford UP. Weinzweig, Helen. Basic Black with Pearls. Anansi. Wiesel, Elie. Night. Bantam. Wiseman, Adele. Memoirs of A Book Molesting Childhood. Oxford UP; The Sacrifice. McMillan; Crackpot. McClelland and Stewart. COURSE OUTLINE FIRST TERM: Week 1 Introduction Week 2 ROSH HASHANA Week 3 Immigrant Experience (General) Week 4 Immigrant Experience (Women Writers) Week 5 Canada and the Old World - Poetry (General) Week 6 Canada and the Old World - Fiction (Adele Wiseman) Week 7 Canada and the Old World - Fiction (Adele Wiseman) Week 8 Canadian Response to Jewish Persecution in Europe (Irving Abella & Harold Tropper) Week 9 Anti-Semitism in Quebec (Lita-Rose Betcheman, A.M. -
Inside the Marshall Center
CENTER FOR AUSTRIAN STUDIES Vol. 21, No. 2 • Fall 2009 Inside the Marshall Center ASNAUSTRIAN STUDIES NEWSLETTER plus: Meet the new Botstiber Fellow! HABSBURG newsgroup changes ASN/TOC spring snapshots I Letter from the Director 3 Minnesota Calendar 3 News from the Center 4 ASN Interview: Anselm Wagner 6 A Look at the George Marshall Center 8 ASN Interview: Andrej Rahten 10 Opportunities for Giving 13 Publications: News and Reviews 14 Hot off the Presses 17 News from the Field 18 Report from New Orleans 19 ASN Interview: Gloria Kaiser 20 News from the North 22 SAHH News 23 Review: Salzburg Festival 2009 24 Announcements 26 On February 24, Daniel Gilfillan (above), German Studies, Arizona State University, gave a lecture entitled “Sounding Out Austrian Radio Space: Tactical Media, Experi- ASN mental Artistic Practice, and the ÖRF Kunstradio Project.” The Department of German, Austrian Studies Newsletter Scandinavian, and Dutch cosponsored the talk. Photo: Daniel Pinkerton. Volume 21, No. 1 • Spring 2009 Designed & edited by Daniel Pinkerton Editorial Assistants: Linda Andrean, Matthew Konieczny, Mollie Madden, Allison Nunnikhoven ASN is published twice annually, in February and September, and is distributed free of charge to interested subscribers as a public service of the Center for Austrian Studies. Director: Gary B. Cohen Administrative Manager: Linda Andrean Editor: Daniel Pinkerton Send subscription requests or contributions to: Center for Austrian Studies University of Minnesota Attn: Austrian Studies Newsletter 314 Social Sciences Building 267 19th Avenue S. Minneapolis MN 55455 Phone: 612-624-9811; fax: 612-626-9004 Website: http://www.cas.umn.edu Editor: [email protected] ABOUT THE COVER: Left to right, Gary Cohen, CAS director, and Ruth Wodak, professor of applied liguistics, University of Lan- Left to right, Austrian musicians Florian Kitt and Rita Medjimorec performed works by caster. -
Welcome Package
WELCOME PACKAGE 2012-06-30 Carinthian International Club · A-9020 Klagenfurt, Dr. Franz-Palla-Gasse 21 P: +43 (0) 650 260 81 95 · [email protected] · www.cic-network.at Dear You! It´s a pleasure to welcome you to Carinthia. The CIC - Carinthian International Club has been created to offer useful information to expatriates and to make contact possible and strengthen links between people interested in benefiting from an international and multi- cultural experience. Advisory service enables people to take informed decisions in relation to work, living or the schooling of children in their new environment. Regular events and activities offer a platform for social networking and information exchange. Some of the benefits you can enjoy as a member of the CIC are: − CIC contact hours Come along and get help with settling in in Carinthia, appointments on demand. Please send an e-mail to [email protected] − CIC guidance and support service (e.g. work opportunities for family members and advice on schools). Meetings by appointment. − CIC get togethers – these are events for you to come along to. They offer opportunities to make contact with other expatriates and locals. − CIC summerkids – a childcare scheme (age 5 to 14) offered in August − CIC networking sessions - monthly meetings to chat and get to know each other, held in the evenings. − CIC language swap: One to one language coaching. − Opportunities to get involved and have your say e.g. translations, writing articles for the website, ideas. Carinthian International Club · A-9020 Klagenfurt, Dr. Franz-Palla-Gasse 21 P: +43 (0) 650 260 81 95 · [email protected] · www.cic-network.at − A diverse programme of activities - regular opportunities to take part in (e.g. -
The Austrian Imaginary of Wilderness: Landscape, History and Identity In
The Austrian Imaginary of Wilderness: Landscape, History and Identity in Contemporary Austrian Literature Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Magro Algarotti, M.A. Graduate Program in Germanic Languages and Literatures. The Ohio State University 2012 Committee: Gregor Hens, Advisor Bernd Fischer Bernhard Malkmus Copyright by Jennifer Magro Algarotti 2012 Abstract Contemporary Austrian authors, such as Christoph Ransmayr, Elfriede Jelinek, Raoul Schrott, and Robert Menasse, have incorporated wilderness as a physical place, as a space for transformative experiences, and as a figurative device into their work to provide insight into the process of nation building in Austria. At the same time, it provides a vehicle to explore the inability of the Austrian nation to come to terms with the past and face the challenges of a postmodern life. Many Austrian writers have reinvented, revised, and reaffirmed current conceptions of wilderness in order to critique varying aspects of social, cultural, and political life in Austria. I explore the way in which literary texts shape and are shaped by cultural understandings of wilderness. My dissertation will not only shed light on the importance of these texts in endorsing, perpetuating, and shaping cultural understandings of wilderness, but it also will analyze their role in critiquing and dismantling the predominant commonplace notions of it. While some of the works deal directly with the physical wilderness within Austrian borders, others employ it as an imagined entity that affects all aspects of Austrian life. ii Dedication To my family, without whose support this would not have been possible. -
Literatur Und Sommer-Kultur in Kärnten
Nr. 165/166 · Juni/Juli 15 Nr. 167/168 · August/September 15 Euro 5,50 P. b. b. GZ 02Z032603M Verlagspostamt 9020 Klagenfurt KÄRNTEN KUNST KULTUR Erscheinungsort Klagenfurt am Wörthersee LITERATUR UND SOMMER-KULTUR IN KÄRNTEN mit allen terminen und galerien www.bruecke.ktn.gv.at EDITORIAL ORF. WIE WIR. Liebe Leserinnen und Leser! Lange hat es gedauert, bis Sie nun wieder eine BRUECKE in der Hand halten und in dieser blättern können – für diese Zeitverzögerung möchten wir uns auch aufrichtig entschuldigen. Die Umstände, die dazu führten, lagen allerdings außerhalb unseres Einflussbereiches und hatten vielmehr mit den finanziellen Rahmenbedingungen, die im Frühjahr auf Kärnten wirkten, zu tun. Durch den verfügten Zahlungsstopp sämtlicher Ermessensausgaben Ende März mussten auch alle Arbeiten für die Juni/Juli Ausgabe der BRUECKE eingestellt werden. Erst nach Freigabe der Budgetmittel konnte das Bauen der BRUECKE wieder aufgenommen und fortgesetzt werden. Auf diese in der BRUECKE-Geschichte einmalige Sondersituation haben wir nun mit einer besonderen Lösung reagiert. So wurde eine umfangreiche Sommer BRUECKE – sozusagen eine Doppel-Doppel-Nummer – gestaltet, in der Sie sowohl die für Juni/Juli vorgesehenen noch immer aktuellen Themen als auch redaktionelle Beiträge, die für die August/September- Ausgabe geplant waren, vorfinden. Die daher besonders starke und 80 Seiten umfassende BRUECKE ist schwerpunktmäßig den Themen Literatur und Sommer-Kultur gewidmet. Den Literatur-Berichten vorangestellt sind zwei Auf.ge.worfen- Positionen, in denen sich die gegenwärtige Klagenfurter Stadtschreiberin Gertraud Klemm und der ehemalige Klagenfurter Stadtschreiber Karsten Krampitz unterschiedlich zum Thema Writer in Residence äußern. In einem Überblicksartikel zur literarischen Entwicklung in Kärnten wird der Frage, warum gerade aus dem provinziellen Kärnten stammende Schriftsteller den deutschsprachigen Literaturkanon so nachhaltig mitprägen, nachgegangen.