Cèntric Svankmajer

Total Page:16

File Type:pdf, Size:1020Kb

Cèntric Svankmajer DOCUMENTS ANIMATS I: A LA RECERCA DUN apareix el missatge «estima els teus semblants» en Diumenge 16 de gener, 18:00 h LLENGUATGE PROPI diversos idiomes. Paradoxalment, una narrativa De dibuixos animats de catàstrofes que el cinema no purament fictícia va guanyar lany 1953 lOscar al va captar, com la dHiroshima o lenfonsament dun millor curt documental. LAcadèmia va considerar la transatlàntic, a principis del S.XX, a visions polítiques pel·lícula una excel·lent metàfora del clima polític de en clau de documental fantàstic del mestre la guerra de Corea i de la guerra freda. Xcèntric Svankmajer. Aquests i daltres autors pioners que han obert noves visions en combinar fragments duna Moonbird, John i Faith Hubley, 1959, 10, 16mm DOCUMENTS ANIMATS realitat contemporània o històrica amb una visió Dibuixos animats.Un director artístic de la Disney i personal daquesta mateixa realitat. una editora de so dels grans estudis de Hollywood abandonen la gran indústria i durant els anys seixanta The Death of Stalinism in Bohemia, Jan Svankmajer, i setanta es dediquen a fer curts dautor. La unió de 1990, 15, 35mm la formació dambdós artistes dóna com a resultat La majoria de països de lEuropa de lEst van forjar peces com ara les guanyadores dun Oscar Moonbird A LA RECERCA DUN tota una tradició en lelaboració de comentaris polítics (Ocell de lluna) o Windy Day, on per primer cop la encoberts. Així, podem qualificar de «documental banda sonora duns dibuixos animats és so «real». LLENGUATGE PROPI fantàstic» aquest irònic retrat del socialisme no exempt En aquest cas es tracta dels balbuceigs i jocs dels absurds horrors de lestalinisme. Svankmajer és imaginatius dels fills de la parella, il·lustrats pels un dels autors danimació més grans de tots els temps. dibuixos també simples i imaginatius de John Hubley. Mining for Muybridge, Tim Cole, 2003. 23, vídeo Jeux des Anges, Walerian Borowczyk, 1964, 12, Una nova visió de lobra del fotògraf pioner de la 16mm imatge seqüenciada. Una de les obres recents del Una impressió personal de lholocaust nazi. Lautor taller de cineastes experimentals London Filmmakers pren com a punt de partida un cant dels camps de Coop. concentració polonesos i el so dun tren. Amb aquest so i uns senzills elements visuals, lautor aconsegueix Going Equipped, Dave Sproxton i Peter Lord, 1989, evocar la trista història des duna perspectiva nova. Per a més informació: www.cccb.org/xcentric 5, 35mm Animació de marionetes. Captain Webb, The Art of Swimmimg, Robert Milne, Un jove que ha passat gairebé la meitat de la seva 2003, 6, vídeo vida en institucions penitenciàries reflexiona sobre la Uns dibuixos animats senzills, amb estètica de manual vida dins i fora de la presó. dinstruccions, i un testimoni en off narrat en primera Cicle de tres sessions de Basat en lenregistrament sonor duna entrevista plena persona recreen la gesta del capità Webb (Dawly 1848 curtmetratges en cinema animat dironia, el curt forma part de la sèrie «Conversation cascades del Niàgara 1883), que el 24 dagost de de diversos autors. Lanimació pieces», que en totes les seves peces fa servir so 1875 va travessar nedant el canal de la Mànega. «real». La següent sèrie feta seguint les mateixes pot ser considerada una tècnica premisses va ser «Lip Sync», en què Nick Park es va Como alitas de Chincol, Vivienne Barry, 2002, 9, massa artificial per parlar amb estrenar a Aardman Animation amb Creature Comforts, vídeo guanyadora dun Oscar. Homenatge a les dones dels barris de barraques més TSAI MING-LIANG veritable autoritat dun contingut pobres de Santiago, que van brodar la història de la de no ficció. Malgrat això, la Pica Don, Renzo Kinoshita, 1978, 10, 35mm dictadura de Pinochet (1973-90) en un moment en producció independent cada cop El que les càmeres de cinema no van poder recollir què no h havia llibertat dexpressió durant el tràgic esclat de la bomba atòmica a Hiroshima. més nombrosa de peces La vida tranquil·la duna ciutat queda tràgicament The Sinking of the Lusitania, Winsor McCay, 1918, animades amb una base truncada en un dels episodis més negres de la Segona 12, vídeo Guerra Mundial. Dibuixos animats detalladíssims sobre lenfonsament documental posa, una cop més, del vaixell anglès per part dun submarí alemany. La en qüestió la suposada Neighbours, Norman McLaren, 1952, 8, vídeo història va tenir un impacte mediàtic tan gran al seu objectivitat de lull darrera la Pixilació. Dos veïns lluiten de manera cada cop més dia (comparable al de lenfonsament del Titanic) que violenta i fins arribar a la mort per aconseguir que una va contribuir a la participació nord-americana a la càmera. flor quedi dins dels seus dominis respectius. Al final Primera Guerra Mundial. VARIACIONS DEL REAL: DEL VARIACIONS PROPERA SESSIÓ: 20_01_05 PROPERA PROGRAMADOR: Carolina López .
Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • HGTV's Alison Victoria
    Summer 2015 HGTV’s Alison Victoria crashing kitchens, saving lives Protect Your Pet The Next Step to Avoid these common a No Kill Chicago household risks Englewood door-to-door outreach North Shore Adoption Center Opens! ABOUT If we could, we’d give it a thumbs up. FREDRICK - Adopted May 2015 CLOVER - Adopted May 2015 PAWS CHICAGO MISSION IS TO BUILD NO KILL COMMUNITIES – STARTING WITH A NO KILL CHICAGO – WHERE PETS ARE NO LONGER DESTROYED JUST BECAUSE THEY ARE HOMELESS. Since our founding in 1997, a year in which a staggering 42,561 dogs and cats were killed in Chicago, the number of homeless dogs and cats euthanized annually has dropped significantly, down 77 percent by 2014. But this drop does not mean our work is done: In 2014, 9,817 animals were still killed in Chicago and nearly 60,000 animals were killed in the state of Illinois. When will Chicago be considered a No Kill city? When we are saving every healthy and treatable animal. To reach that goal, PAWS Chicago is implementing a comprehensive No Kill model to build a No Kill Chicago. COMMUNITY ENGAGEMENT HEALTH & BEHAVIOR Community is at the core of everything we do. Engaging the public Part of the commitment to guaranteeing life for all PAWS pets is in the cause of homeless animals and providing them with the keeping them happy, healthy and continually moving toward new information to make lifesaving choices, like adoption and spay/neuter, loving homes. In order to achieve this goal, we have built a is what has brought about such transformation in our 17 years.
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • CREATURE COMFORTS' Fantastic Five
    SOUTHERN MEET GEORGIA BREWERS Guild Exec Nancy Palmer FROM VIRGINIA, WITH LOVE: Exploring Craft Brews in Old Dominion CREATURE COMFORTS’ Fantastic Five SUMMER MUSTS: Travel Essentials and Fashion Finds HOPSTIX: THE SOUTH’S First SUMMER 2019 $5.99 Asian Brewpub SLIM & HUSKY’S Gets Bigger GUEST EDITOR Ale Sharpton! SOCRAFTBEERMAG.COM 1 Join Us Friday March 20, 2020 For The GO WILD! GAME BEER DINNER SPONSORED BY sWEETWATER BREWING COMPANY OconeeFoodAndWine.com March 20-22, 2020 At The Ritz-Carlton, Reynolds Lake Oconee 2 SUMMER 2019 Twynn Takes Photography Join Us Friday March 20, 2020 For The GO WILD! GAME BEER DINNER SPONSORED BY sWEETWATER BREWING COMPANY OconeeFoodAndWine.com March 20-22, 2020 At The Ritz-Carlton, Reynolds Lake Oconee SOCRAFTBEERMAG.COM 3 Twynn Takes Photography 4 SUMMER 2019 SOCRAFTBEERMAG.COM 5 6 SUMMER 2019 CONTENT 22 GETTING BLUE & DIZZY AT WILDHORSE SALOON 30 BEER ALTERNATIVES TO BEAT THE HEAT 32 SLIM & HUSKY’S 37 ‘A’ IS FOR ALPHARETTA 44 GHOST STORIES 48 FROM OVER THE RHINE TO MUSIC CITY: RHINEGEIST BREWING SOCRAFTBEERMAG.COM 7 20 BEHIND THE COVER Meet Georgia Craft Brewers Guild Exec Nancy Palmer Nancy Palmer’s name is renowned not only in the South’s craft beer scene, but throughout the nation and for good reason. 8 SUMMER 2019 SOCRAFTBEERMAG.COM 9 24 CONTENT COVER STORY DEPARTMENTS SPOTLIGHT: 20 62 16 MEET GEORGIA CRAFT HOMEBREW USING GETAWAY GEAR BREWERS GUILD BRETT EXECUTIVE DIRECTOR NANCY PALMER 64 SOCIAL PARTY LIKE A 40 ON TAP DIABETIC 72 FUNK FEST 66 40 CATAWBA BREWING HOPSTIX UP CREATIVITY 74 HAP & HARRY’S AND 52 FRANKLIN POLO 70 VIRGINIA IS FOR ACADEMY PRE-PARTY TRAVELING BREWERS NECESSITIES 76 56 AJAX TURNER, A BURGEONING BLACKBERRY FARM, CHOCOLATIER PAIRS AND BLACK RABBIT HER TREAT WITH NIGHT OUT 56 VINTAGE BEER 10 SUMMER 2019 New same great beer.
    [Show full text]
  • ASIFA 50 on 50” (Aka “ASIFA 51 on 51”) – the Contest
    “ASIFA 50 on 50” (aka “ASIFA 51 on 51”) – the contest th inspired by the 50 anniversary of International Animated Film Association (Association Internationale du Film d’Animation – ASIFA) This year, a significant group of artists, producers, festival directors, animation critics and viewers can th celebrate the 50 anniversary of the creation of the International Animated Film Association (Association Internationale du Film d’Animation – ASIFA), an organization founded by Norman Mc Laren and other exceptional creators in order to unite animation artists from all around the world. th The head of the Association chose 2010 to be the year in which the 50 anniversary is celebrated. As people responsible for the International Etiuda&Anima Film Festival, which is the oldest Polish festival devoted to film education and international animation, we have decided to hold a competition together with ASIFA Poland. The international contest called “ASIFA 50 on 50” focuses on creating a list of 50 best animated shorts created during the 50 years that the Association has been active. The idea was welcomed by the ASIFA and honorary Patronage was provided by the Association President, Mr Nelson Shin from Korea, and Mr Raoul Servais from Belgium, the Honorary President of the celebration. The story is worth remembering. In the 1984, the ASIFA Hollywood decided to celebrate the Los Angeles Olympics together with the American Academy of Motion Picture Arts and Sciences and conducted the famous “Champions of Animation” poll. The idea first occurred to the late Fini Littlejohn, an ASIFA Hollywood member, designer and illustrator working for the Disney Studios.
    [Show full text]
  • 22 VII. the New Golden Age Then Something Wonderful Happened. Just When Everything Was Looking As Grim As It Could for the Art O
    VII. The New Golden Age Then something wonderful happened. Just when everything was looking as grim as it could for the art of animation, technology came to the rescue. Here was an art form born only because technology made it possible, almost died when the human costs in time and effort became too high, and now was rescued by technology again. The computer age saved animation. Since computers first came on the scene in the 50s, there have been people who have tried to create machinery and programs to make animation faster, easier and cheaper to both make and distribute. From machines like copiers and scanners, to computers that can draw and render, to the distribution of animation by cable, Internet, phones, tablets and video games - as one character says, “To infinity and beyond” - animation has been totally reborn. As the old animators of the Golden Age were dying off, the new technologies created a huge demand for the old craft. Fortunately, many of the old men were able to pass on their skills to a younger generation, which has helped the quality of today's animation meet and exceed the animation of the Golden Age. In 1985, Girard and Maciejewski at OSU publish a paper describing the use of inverse kinematics and dynamics for animation.! The first live-action film to feature a complete computer-animated character is released, "YOUNG SHERLOCK HOLMES."! Ken Perlin at NYU publishes a paper on noise functions for textures. He later applied this technique to add realism to character animations. In 1986, "A GREEK TRAGEDY" wins the Academy Award.
    [Show full text]
  • Friday 17 – Sunday 26 November 2017
    Friday 17 – Sunday 26 November 2017 www.foylefilmfestival.org WELCOME Welcome to the Foyle Film Festival – yes it is THAT time of year again. But this is an extra special time for the festival as it celebrates its 30th year. The programme has increased to 10 days in order to celebrate this milestone birthday in style with a jam-packed programme of screenings and special guest events. The festival launches with the Northern Ireland Premiere of Battle Of The Sexes – the true story of the famous tennis match between women’s world champion Billie Jean King (Emma Stone) and ex–men’s champion Bobby Riggs (Steve Carell). The event became one of the most popular televised sports events of all time. The Closing Night film is The Man Who Invented Christmas and recounts how Charles Dickens (Dan Stevens) created Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Other highlights include the Shorts To Features Conference with special guest Jim Sheridan in conversation about his long and distinguished career. Jim Sheridan will also introduce a special screening of My Left Foot in Brunswick Moviebowl. The cult movie Withnail And I shares Foyle Film Festival’s 30th birthday celebrations this year, and the festival programme includes a special screening with Richard E. Grant in attendance to talk about this hilarious classic and his career in the film industry. The festival pays tribute to the late Sam Shepard with a screening of Days Of Heaven. In a special event following the screening, Stephen Rea and Judith Roddy will read from the short stories of Sam Shepard.
    [Show full text]
  • Rebuilding the Tree Canopy
    Alexandria Times Vol. 14, No. 40 Alexandria’s only independent hometown newspaper. OCTOBER 5, 2017 Carpenter’s Shelter nears move to Landmark Mall Homeless facility, the Howard Hughes Corpo- ing the lease talks. Hughes Corporation ration, which owns the ma- Donley said he originally close to lease agree- jority of Landmark Mall, to approached the Texas-based ment occupy a portion of the area company about the possibil- BY ALEXA EPITROPOULOS Macy’s vacated in January. ity when it first took control The shelter would occupy of the site earlier this year. While the timeline for the space for two years while “We’ve been talking to the redevelopment of Land- its current facility at 930 N. them for a number of months mark Mall is still unclear, the Henry St. goes through a ma- and it seems like our two- nearly vacant shopping cen- jor renovation. year window for using it as a COURTESY PHOTO ter could find a new use in a Former Alexandria May- temporary shelter aligns well More than 130 Oaks and Nysa Sylvatica are delivered to driveways matter of months. or Kerry Donley, who is vice with their planning to rede- of Canopy Tree Campaign leaders Jane Seward and Lynn Gas. Alexandria’s Carpenter’s chairman of the Carpenter’s Shelter is negotiating with Shelter board, has been lead- SEE SHELTER | 6 Rebuilding Local boxer aims for Olympics the tree canopy World Champion Troy Isley trains with Alex- North Ridge residents ganizing, promoting and andria Boxing Club spearhead green carrying out the Canopy BY MISSY SCHROTT campaign Tree Restoration Cam- BY MISSY SCHROTT paign, they put the first Most 19-year-olds think trees in the ground on Mon- about college and fun when Fed up with the declin- day.
    [Show full text]
  • WCNY Multi Channel Grid
    MONDAY 1 6:00 pm 6:30 pm 7:00 pm 7:30 pm 8:00 pm 8:30 pm 9:00 pm 9:30 pm 10:00 pm 10:30 pm 11:00 pm 11:30 pm Midnight Create Curious George Where's Cat in the Hat Knows A Arthur Follow The Space Racers The team Lidia's Kitchen All in the Cook's Country from Mike Colameco's Real Martha Bakes Custards This Old House Rick Steves' Joseph Rosendo's Lidia's Kitchen Cook's Country The Firedog?/Toot Toot Lot About That! Step Bouncing Ball/Buster are creating a garden on Pantry Hearty Pasta and America's Test Kitchen Food Recipes for a classic Charlestown Europe Travelscope Hong All in the Pantry from America's Tootsie Goodbye This Way/Anything You Baxter and the Letter the Mars campus but Bean Soup, Spaghetti Backyard Barbecue Creme Brulee, a Cherry Project Classics The Kong - A City of Hearty Pasta Test Kitchen George's canine friend Can Do Emily the teal, From The Sea Alberto can't figure out why the with Quick Pantry Sauce Barbecued Pulled Clafouti and Creme 2014/Wood Alps of Austria Festivals The annual and Bean Backyard Blaze runs away from the Mikey the lemur and Molina's beloved soccer plants are failing. and a delicate Chicken, South Dakota Caramel Mocha and Water Tom and Italy Dragon Boat Festival, Soup, Barbecue firehouse. George and Greg the gecko show the ball signed by Spaghettini are served. Corncob-Smoked Ribs Custards are shared. shows Norm the Tirolean traditional rice Spaghetti with Barbecued Sam put a tag on her kids their differently Ecuadorian soccer star and more.
    [Show full text]
  • Call Number Title F ELEVE 11:14 F EIGHT 8 1/2 F TEN 10 F FIFTY 54 F
    Mississauga Library System DVD Library - A to E 08/08 Call Number Title F ELEVE 11:14 F EIGHT 8 1/2 F TEN 10 F FIFTY 54 F THREE 300 F FOURT 1408 F NINET 1941 HINDI F NINET 1947 SF NINET 1984 F TWENT 2046 616.834 BUT "But you still look so well--" living with multiple sclerosis / X 636. 2142 F "F" is for farm do you know where the milk comes from? 914.39 GOO The "good life" in Hungary 620.5 N "N" is for nanotechnology 822.33 T7 "O" 784.54 WEI "Weird Al" Yankovic live! 747 YOU "You can do it!" home decorating series. 7 layers of design & Color courage 747 YOU "You can do it!" home decorating series. Nurturing spaces & Double duty 362.1 AND & thou shalt honor 302.23 HAT (Hate) machine 782. 42166 NSY *NSYNC Popodyssey live. F AND ...And give my love to the swallows 613.71 EIG :08 min. abs and arms CHINESE F ONE 1 litre of tears 973 TEN 10 days that unexpectedly changed America. 1 973 TEN 10 days that unexpectedly changed America. 2 973 TEN 10 days that unexpectedly changed America. 3 613.71 TEN 10 minute solution 613.71 TEN 10 minute solution carb burner 613.71 TEN 10 minute solution kickbox bootcamp. 613.71 TEN 10 minute solution Pilates 613.71 TEN 10 minute solution target toning for beginners 613. 7046 TEN 10 minute solution Yoga F TEN 10 things I hate about you F TEN 10,000 black men named George CHINESE F ONE 100 ways to murder your wife 629.13 ONE 100 years of flight J ONE 101 Dalmatians J ONE 101 Dalmatians II Patch's London adventure / 636.
    [Show full text]
  • Animação Stop-Motion X Animação Digital 3D
    UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO ANA BEATRIZ MUGGIATI SUASSUNA OS INCRÍVEIS: Animação stop-motion x animação digital 3D Rio de Janeiro 2004 Ana Beatriz Muggiati Suassuna OS INCRÍVEIS: animação stop-motion x animação digital 3D Trabalho de conclusão de curso submetido ao corpo docente da Escola de Comunicação, Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do título de Bacharel em Comunicação Social, habilitação Radialismo. Orientador: Professor Luciano Saramago Rio de Janeiro 2004 S. Suassuna, Ana Beatriz Muggiati S. Os Incríveis: animação stop-Motion x animação digital 3D / Ana Beatriz Muggiati Suassuna. Rio de Janeiro, 2004. 125 f.: il. Trabalho de conclusão de curso (Graduação em Comunicação Social) – Universidade Federal do Rio de Janeiro Escola de Comunicação, 2004. Orientador: Luciano Saramago 1. Animação. 2. Debate entre técnicas 3. Comunicação Social (Trabalho de conclusão de curso) I. Saramago, Luciano (orient.). II. Universidade Federal de Comunicação. III. Título. CDD ANA BEATRIZ MUGGIATI SUASSUNA OS INCRÍVEIS: animação stop-Motion x animação digital 3D Trabalho de conclusão de curso submetido ao corpo docente da Escola de Comunicação, Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do título de Bacharel em Comunicação Social, habilitação Radialismo. Rio de Janeiro, 16 de dezembro de 2004 ________________________________________________________________ Prof. Luciano Saramago, MSc Comunicação, ECO / UFRJ. _______________________________________________________________ Profª. Fátima Sobral Fernandes, DSc, ECO / UFRJ. _______________________________________________________________ Prof. José Henrique Ferreira Barbosa Moreira, Mestre em Comunicação Social, ECO / UFRJ. _______________________________________________________________ Prof. Mauricio Lissovsky, Doutor em Comunicação Social, ECO / UFRJ. À minha família. Obrigada aos meus amigos que me ajudaram com suas sugestões e críticas.
    [Show full text]