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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
Gad Institute #Gad2019
CinCinnAti 2019 July 16-18 GAD INSTITUTE #GAD2019 realtorparty.realtor/gadinstitute my.yapp.us/GAD2019 HYATT REGENCY CINCINNATI 151 West Fifth Street Cincinnati, OH 45202 USA T +1 513 579 1234 2019 F +1 513 354 4299 cincinnati.hyatt.com GAD INSTITUTE FLOOR PLAN Floor Plan — Third Floor Meeting Floors THIRD FLOOR FIFTH STREET A WILDCAT REGENCY BALLROOM MEN ORS T BLUEGRASS VAT B C WOMEN ELE B ELM STREE A D FREIGHT BUCKEYE ELEVATOR A B EFG SECOND FLOORFOURTH FLOOR FIFTH STREET BOARD OF BOARD OF SUNGARDEN GOVERNORS DIRECTORS CE CO SK N YW VEN AL FIFTH & RA T K ION CENTER TO TO ALK MOUNTAINEER YW SK R TO WOMEN ESCALA MEN SAKS FIFTH KEYSTONE ESCALA B A AV ENUE HOOSIER TO WOLVERINE S OR S R B R A FINDLAY’S AT TO VA W ELEV LE E M 01.15 2019–2020 GAD ADvisory GroUp Chair State GADs Local GADs Matthew Leger REALTORS® of the Andrew Blackburn Palm Beaches and Leslie Cantu Raleigh Regional Greater Texas Association of Fort Lauderdale REALTORS® REALTORS® [email protected] [email protected] [email protected] Vice Chair Jessica Dietrich Lacey Everett Oklahoma MIBOR REALTOR® Julia Parenteau Association of Association ® Texas REALTORS® REALTORS [email protected] jparenteau@ [email protected] texasrealtors.com Samar Jha Greater Philadelphia Immediate Past Chair Jamie Horbach Association of Iowa REALTORS® Association of [email protected] REALTORS® Cady Thomas [email protected] James Ward Litz NC REALTORS® Greater Los Angeles [email protected] Association of Mike Kelly REALTORS® New York State 2019 GAD Institute [email protected] Host Liaisons Association of REALTORS® [email protected] Dwayne Mingo Mark Quarry Prince George’s Cincinnati County Association of Area Board of REALTORS®, Inc. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
HGTV's Alison Victoria
Summer 2015 HGTV’s Alison Victoria crashing kitchens, saving lives Protect Your Pet The Next Step to Avoid these common a No Kill Chicago household risks Englewood door-to-door outreach North Shore Adoption Center Opens! ABOUT If we could, we’d give it a thumbs up. FREDRICK - Adopted May 2015 CLOVER - Adopted May 2015 PAWS CHICAGO MISSION IS TO BUILD NO KILL COMMUNITIES – STARTING WITH A NO KILL CHICAGO – WHERE PETS ARE NO LONGER DESTROYED JUST BECAUSE THEY ARE HOMELESS. Since our founding in 1997, a year in which a staggering 42,561 dogs and cats were killed in Chicago, the number of homeless dogs and cats euthanized annually has dropped significantly, down 77 percent by 2014. But this drop does not mean our work is done: In 2014, 9,817 animals were still killed in Chicago and nearly 60,000 animals were killed in the state of Illinois. When will Chicago be considered a No Kill city? When we are saving every healthy and treatable animal. To reach that goal, PAWS Chicago is implementing a comprehensive No Kill model to build a No Kill Chicago. COMMUNITY ENGAGEMENT HEALTH & BEHAVIOR Community is at the core of everything we do. Engaging the public Part of the commitment to guaranteeing life for all PAWS pets is in the cause of homeless animals and providing them with the keeping them happy, healthy and continually moving toward new information to make lifesaving choices, like adoption and spay/neuter, loving homes. In order to achieve this goal, we have built a is what has brought about such transformation in our 17 years. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Welcome to Cincinnati -- Queen City Destination
Welcome to Queen City I N T R O D U C I N G S O M E O F O U R F A V O R I T E C I N C Y S P O T S w w w . q u e e n c i t y d e s t i n a t i o n . c o m neighborhood spotlight: Over-the-Rhine Over-the-Rhine is a growing neighborhood rich in history and gorgeous 19th century architecture. Add in recent renovation and a bustling business scene, and it's become a favorite stop for locals and visitors alike. Findlay Market HISTORIC FINDLAY MARKET IS OHIO'S OLDEST, CONTINUOUSLY RUN PUBLIC MARKET. Home to 60+ full-time merchants, a vibrant Outdoor Market and our region's largest farmers market, Findlay Market is the premier fresh Findlay Market food destination and a gathering spot in our city. The market is open Tuesday-Sunday. Holtman's CLICK HERE TO LEARN MORE. Donut Shop TAKE A MORNING JOG (OR RIDE A Washington LIME IN) TO OTR BEFORE YOUR CONFERENCE BEGINS AND GRAB Park SOME BREAKFAST FOR THE TEAM. WASHINGTON PARK HAS A RICH Established in 1960, Holtman's HERITAGE AS THE CENTER OF Donuts, located in Loveland, OVER-THE-RHINE'S Williamsburg and now OTR, is family MULTIGENERATIONAL, owned since 1960. Holtman's MULTIETHNIC DISTRICT. continues their tradition by making To this day, it serves as the epicenter donuts from scratch using the highest of OTR. Picnic at the park with your quality ingredients. -
Summer LAGUNITAS DAYTIME IPA $9 | $18 | $36 Summer NOBLE VINES ROSÉ $72 Cider 4% ABV Lagunitas Brewing, Petaluma, CA $5.75 FLEUR DE MER ROSÉ $96 ROSÉ B.A.M
MARGARITA Cocktails blanco tequila, agave, lime $10 BOURBON MULE PEACH BASIL COLLINS bourbon, housemade ginger beer, vodka, st. germain, peach, basil, citrus, soda $10 citrus $10 Belgian/Belgian-Style German CHIMAY GRANDE RESERVE (BLUE) AYINGER CELEBRATOR DOPPELBOCK 9% ABV Bières de Chimay, Belgium $15 6.7% ABV Braüerei Aying, Germany $9 FROZEN PALOMA tequila, grapefruit, lime, salt $10 ORVAL TRAPPIST ALE SCHLENKERLA HELLES LAGER 6.9% ABV Brasserie d'Orval, Belgium $14.50 4.3% ABV Schlenkerla, Germany $10 STRAWBERRY LEMONADE LA CHOUFFE GOLDEN Deep Eddy Lemon vodka, housemade SCHNEIDER WEISSE AVENTINUS lemonade $10 8% ABV Brasserie d'Achouffe, Belgium $14 8.2% ABV G. Schneider & Sohn, Germany $9.50 OMMEGANG THREE PHILOSOPHERS PAULANER SALVATOR 9.7% ABV Ommegang, Cooperstown, NY $14 7.9% ABV Paulaner Brauerei, Germany $7 ROSÉ GARDEN LINDEMANS FRAMBOISE LAMBIC 2.5% ABV Brouwerij Lindemans, Belgium $14 Hops BEARDED IRIS HOMESTYLE IPA ROSÉ TOWERS ROSÉ SANGRIA LINDEMANS GUEUZE CUVÉE RENÉ 6.3% ABV Bearded Iris Brewing, Nashville, TN $9 1.5 liter chilled towers orange juice, strawberry, grand marnier GLASS | 1/2 CARAFE | FULL CARAFE 5.2% ABV Brouwerij Lindemans, Belgium $14 serves 4-6 Summer LAGUNITAS DAYTIME IPA $9 | $18 | $36 Summer NOBLE VINES ROSÉ $72 Cider 4% ABV Lagunitas Brewing, Petaluma, CA $5.75 FLEUR DE MER ROSÉ $96 ROSÉ B.A.M. ORIGINAL SIN DRY ROSÉ CIDER UINTA CLEAR DAZE JUICY IPA big a** mimosa with rosé and 6.5% ABV Original Sin, Hudson Valley, NY $6.50 6% ABV Uinta Brewing, Salt Lake City, UT $5.75 ROSÉ SANGRIA $72 grapefruit served -
ASIFA 50 on 50” (Aka “ASIFA 51 on 51”) – the Contest
“ASIFA 50 on 50” (aka “ASIFA 51 on 51”) – the contest th inspired by the 50 anniversary of International Animated Film Association (Association Internationale du Film d’Animation – ASIFA) This year, a significant group of artists, producers, festival directors, animation critics and viewers can th celebrate the 50 anniversary of the creation of the International Animated Film Association (Association Internationale du Film d’Animation – ASIFA), an organization founded by Norman Mc Laren and other exceptional creators in order to unite animation artists from all around the world. th The head of the Association chose 2010 to be the year in which the 50 anniversary is celebrated. As people responsible for the International Etiuda&Anima Film Festival, which is the oldest Polish festival devoted to film education and international animation, we have decided to hold a competition together with ASIFA Poland. The international contest called “ASIFA 50 on 50” focuses on creating a list of 50 best animated shorts created during the 50 years that the Association has been active. The idea was welcomed by the ASIFA and honorary Patronage was provided by the Association President, Mr Nelson Shin from Korea, and Mr Raoul Servais from Belgium, the Honorary President of the celebration. The story is worth remembering. In the 1984, the ASIFA Hollywood decided to celebrate the Los Angeles Olympics together with the American Academy of Motion Picture Arts and Sciences and conducted the famous “Champions of Animation” poll. The idea first occurred to the late Fini Littlejohn, an ASIFA Hollywood member, designer and illustrator working for the Disney Studios. -
The Need for Speed Rhinegeist Upgrades to a Vertical Disk Stack Centrifuge That Speeds up Its Brewing Process While Enhancing Product Quality and Consistency
Reprinted from February 2020 issue of CASE STUDY The Need for Speed Rhinegeist upgrades to a vertical disk stack centrifuge that speeds up its brewing process while enhancing product quality and consistency. MAYA NORRIS MANAGING EDITOR HINEGEIST KNOWS ALL TOO WELL that pa- mild ale; seasonal offerings, such as its Kalmer Kölsch tience is often required when brewing high-qual- and Calfé coffee milk stout; and limited editions, like the R ity craft beers, a process that can take anywhere Alpha Squid hazy imperial IPA and Bogbeast, a wheat from two to four weeks. But the Cincinnati-based craft wine ale aged in Scotch barrels. The company distrib- brewery can throw some of that patience to the side, utes its beers to grocery stores and restaurants in Ohio, now that it has been able to shave at least a week off Kentucky, Massachusetts, Indiana and Tennessee. of its brewing process after investing in a vertical disk That growing demand prompted Rhinegeist to stack centrifuge system to filter its beers. The new cen- install the AC 2000 centrifuge from Flottweg to bring trifuge has helped the company boost throughput while speed and efficiency to its filtration process. After improving the consistency and quality of its beers to primary fermentation is complete, the beer is pumped meet increasing production demands. to the centrifuge to separate the yeast, hops, proteins, Rhinegeist has experienced exponential growth and other particulates from the liquid. Once the mix- since it opened in June 2013. The craft brewery ini- ture reaches the bowl of the centrifuge, the distributor tially produced 11,500 barrels of beer that year and four gently accelerates the bowl to full speed. -
Greater Cincinnati Exhibition Opportunities Guide 2020
Welcome to the 6th Edition of the Greater Cincinnati Exhibition Opportunities Guide published by the Weston Art Gallery. The EOG 2020 is a veritable encyclopedia of venues and contact information for Cincinnati-area artists seeking a first show or continuing an established exhibition record. With 157 listings, the EOG 2020 is not only a directory of places to show work locally and regionally, it is also a source for Cincinnati’s vibrant arts scene. So don’t miss out on your opportunities: Get going and participate! © 2020 Alice F. and Harris K. Weston Art Gallery Research assistance provided by Kasey Koczo / UC-DAAP Fine Arts 2022 EOG 2020 – page i Artist Tips Before applying, visit some of the listings in this guide to determine which venues are the best match for you. Alternative spaces are a good place to begin. Most commercial galleries expect an established body of work and an exhibition history before representing an artist. Contact venues first to ask about selection procedures: Do not expect anyone to review your work without an appointment. Most venues review digital images or printouts first. If there is interest, a studio visit might be requested. When sending your proposal: For electronic entries, request the proper digital format in advance. Label each submission in your e-mail or jumpdrive with your name, title, date, media, and dimensions. If sending a physical copy of your proposal, include a self-addressed stamped envelope to ensure the return of your materials, or assume they will be discarded. Track responses and returns to better strategize your efforts. -
22 VII. the New Golden Age Then Something Wonderful Happened. Just When Everything Was Looking As Grim As It Could for the Art O
VII. The New Golden Age Then something wonderful happened. Just when everything was looking as grim as it could for the art of animation, technology came to the rescue. Here was an art form born only because technology made it possible, almost died when the human costs in time and effort became too high, and now was rescued by technology again. The computer age saved animation. Since computers first came on the scene in the 50s, there have been people who have tried to create machinery and programs to make animation faster, easier and cheaper to both make and distribute. From machines like copiers and scanners, to computers that can draw and render, to the distribution of animation by cable, Internet, phones, tablets and video games - as one character says, “To infinity and beyond” - animation has been totally reborn. As the old animators of the Golden Age were dying off, the new technologies created a huge demand for the old craft. Fortunately, many of the old men were able to pass on their skills to a younger generation, which has helped the quality of today's animation meet and exceed the animation of the Golden Age. In 1985, Girard and Maciejewski at OSU publish a paper describing the use of inverse kinematics and dynamics for animation.! The first live-action film to feature a complete computer-animated character is released, "YOUNG SHERLOCK HOLMES."! Ken Perlin at NYU publishes a paper on noise functions for textures. He later applied this technique to add realism to character animations. In 1986, "A GREEK TRAGEDY" wins the Academy Award. -
Friday 17 – Sunday 26 November 2017
Friday 17 – Sunday 26 November 2017 www.foylefilmfestival.org WELCOME Welcome to the Foyle Film Festival – yes it is THAT time of year again. But this is an extra special time for the festival as it celebrates its 30th year. The programme has increased to 10 days in order to celebrate this milestone birthday in style with a jam-packed programme of screenings and special guest events. The festival launches with the Northern Ireland Premiere of Battle Of The Sexes – the true story of the famous tennis match between women’s world champion Billie Jean King (Emma Stone) and ex–men’s champion Bobby Riggs (Steve Carell). The event became one of the most popular televised sports events of all time. The Closing Night film is The Man Who Invented Christmas and recounts how Charles Dickens (Dan Stevens) created Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Other highlights include the Shorts To Features Conference with special guest Jim Sheridan in conversation about his long and distinguished career. Jim Sheridan will also introduce a special screening of My Left Foot in Brunswick Moviebowl. The cult movie Withnail And I shares Foyle Film Festival’s 30th birthday celebrations this year, and the festival programme includes a special screening with Richard E. Grant in attendance to talk about this hilarious classic and his career in the film industry. The festival pays tribute to the late Sam Shepard with a screening of Days Of Heaven. In a special event following the screening, Stephen Rea and Judith Roddy will read from the short stories of Sam Shepard.