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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
HGTV's Alison Victoria
Summer 2015 HGTV’s Alison Victoria crashing kitchens, saving lives Protect Your Pet The Next Step to Avoid these common a No Kill Chicago household risks Englewood door-to-door outreach North Shore Adoption Center Opens! ABOUT If we could, we’d give it a thumbs up. FREDRICK - Adopted May 2015 CLOVER - Adopted May 2015 PAWS CHICAGO MISSION IS TO BUILD NO KILL COMMUNITIES – STARTING WITH A NO KILL CHICAGO – WHERE PETS ARE NO LONGER DESTROYED JUST BECAUSE THEY ARE HOMELESS. Since our founding in 1997, a year in which a staggering 42,561 dogs and cats were killed in Chicago, the number of homeless dogs and cats euthanized annually has dropped significantly, down 77 percent by 2014. But this drop does not mean our work is done: In 2014, 9,817 animals were still killed in Chicago and nearly 60,000 animals were killed in the state of Illinois. When will Chicago be considered a No Kill city? When we are saving every healthy and treatable animal. To reach that goal, PAWS Chicago is implementing a comprehensive No Kill model to build a No Kill Chicago. COMMUNITY ENGAGEMENT HEALTH & BEHAVIOR Community is at the core of everything we do. Engaging the public Part of the commitment to guaranteeing life for all PAWS pets is in the cause of homeless animals and providing them with the keeping them happy, healthy and continually moving toward new information to make lifesaving choices, like adoption and spay/neuter, loving homes. In order to achieve this goal, we have built a is what has brought about such transformation in our 17 years. -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
Corona-Fastnet-Short-Film-Festival
FASTNET SHORT FILM FESTIVAL OUR VILLAGE IS OUR SCREEN stEErIng coMMIttEE fEstIvAL pAtrons 2012 welcome to schull and CFSFF 2012! MAurIcE sEEzEr tony bArry thanks to all of our sponsors for sticking with us in 2012, and in Chair & Artistic Director stEvE coogAn particular to our title sponsors Michael and kathleen Barry of Barry hELEn wELLs sInéAd cusAck & Fitzwilliam, importers of Corona, who won an allianz Business Co-Chair, Admin & Submissions grEg dykE to arts award for their cheerful and encouraging sponsorship of MArIA pIzzutI JAck goLd CFSFF in 2011. these last years have been enormously stressful Co-Artistic Director JErEMy Irons to festivals around the country as government funding for the arts hILAry McCarthy John kELLEhEr in Ireland dries up, and just when it seemed like it couldn’t get any Public Relations Officer chrIs o’dELL bsc worse, there is a whisper that the sponsorship support that alcohol PauLInE cottEr DavId puttnAM brands give to both arts festivals and sporting events around Ireland Fundraising JIM shErIdAn may be banned by the government within the next two years. If this brIdIE d’ALton kIrstEn shErIdAn goes ahead, it will accelerate the centralization of cultural events Treasurer gErArd stEMbrIdgE in larger population centres already well under way thanks to the economic recession and will consequently put huge pressure on tEchnIcAL dIrEctor for ALL EnquIrIEs all festivals in rural areas, including our own. this will have an MArtIn LEvIs pLEAsE contAct: extremely negative impact on an already under pressure tourism sector and is surely unnecessary at this time. grAphIc dEsIgn FEStIval Box oFFICE JonAthAn pArson @ Your lEISurE last year we developed Distributed Cinema and became a mutegrab.com MaIn StrEEt streaming festival for the short film competition submitters, all PAUL GOODE SChull within the confines of Main Street Schull. -
A Study Guide by Marguerite O Lhara
A STUDY GUIDE BY MArguerite o ’hARA http://www.metromagazine.com.au http://www.theeducationshop.com.au Introduction > Mary and Max is an animated feature film from the creators of the Academy Award-winning short animation Harvie Krumpet (Adam Elliot, 2003). This is Adam Elliot’s first full-length feature film. LikeHarvie , it is an animated film with claymation characters. However, unlike many animated feature films, it is minimal in its use of colour and the action does not revolve around kooky creatures with human voices and super skills. Mary and Max is about the lives of two people who become pen pals, from opposite sides of the world. Like Harvie Krumpet, Mary and Max is innocent but not naive, as it takes us on a journey that explores friendship and autism as well as taxidermy, psychiatry, alcoholism, where babies come from, obesity, kleptomania, sexual difference, trust, copulating dogs, religious difference, agoraphobia and much more. Synopsis at the Berlin Film festival in the seter, 1995) and WALL·E (Andrew Generation14+ section aimed at Stanton, 2008), will be something HIS IS A TALE of pen- teenagers where it was awarded that many students will find fasci- friendship between two the Jury Special Mention. How- nating. Tvery different people – Mary ever, this is not a film written Dinkle, a chubby, lonely eight-year- specifically for a young audience. It would be enjoyed by middle and old girl living in the suburbs of It is both fascinating and engaging senior secondary students as well Melbourne, and Max Horovitz, a in the way it tells the story of the as tertiary students studying film. -
Creative Nation: Advancing Britain’S Creative Industries
creative nation: advancing Britain’s creative industries The Smith Institute The Smith Institute is an independent think tank that has been set up to look at issues which flow from the changing relationship between social values and economic imperatives. If you would like to know more about the Smith Institute please write to: creative nation creative Edited by Cathy Koester The Director The Smith Institute 3rd Floor 52 Grosvenor Gardens London SW1W 0AW Telephone +44 (0)20 7823 4240 Fax +44 (0)20 7823 4823 Email [email protected] Website www.smith-institute.org.uk Designed and produced by Owen & Owen 2006 Creativity_Txt_V2.qxd 10/11/06 11:03 am Page 1 THE SMITH INSTITUTE creative nation: advancing Britain’s creative industries Edited by Cathy Koester Published by the Smith Institute ISBN 1 905370 12 1 © The Smith Institute 2006 Creativity_Txt_V2.qxd 10/11/06 11:03 am Page 2 THE SMITH INSTITUTE Contents Preface By Wilf Stevenson, Director, Smith Institute 3 Foreword Rt Hon Tessa Jowell MP, Secretary of State for Culture, Media and Sport 4 Biographies of contributors 5 Introduction Dr Michael Harris 16 Part I: Understanding creative individuals Why do you do what you do? 22 The freelancing nature of the creative industries 26 Creative expression is the driver of enterprising activity 28 Translating creative enterprise into commercial success 30 Part II: Understanding creative enterprises The EMI story by Eric Nicoli CBE 36 The assets of the creative industries 39 Risky business? Innovation and risk in the UK’s creative industries -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
Sherlock Holmes
sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself. -
Caroline Cornish Management
CAROLINE CORNISH MANAGEMENT 12 SHINFIELD STREET, LONDON W12 OHN Tel: 44 (0) 20 8743 7337 Mobile: 07725 555711 e-mail: [email protected] www.carolinecornish.co.uk MAGI VAUGHAN - HAIR & MAKE-UP DESIGNER BAFTA AWARD WINNER - 3 BAFTA NOMINATIONS 1 EMMY AWARD - 1 EMMY NOMINATION 2 MAKE-UP ARTISTS & HAIR STYLISTS GUILD AWARDS Make-Up application by AIR-BRUSH Special Make-Up Effects/Prosthetics Application and Making of Gelatine & Silicone Pieces Character and Period Makeup/Hair Work including Wigs and Hairpieces Countries Worked In: Croatia, Czech Republic, France, Holland, Hungary, Malta, Mallorca, Morocco, Romania, South Africa Languages Spoken: Fluent Welsh, Basic French and Spanish, Hungarian and Italian AVENUE 5 Prod Co: Jettison Productions/HBO Producers: Kevin Loader, Richard Daldry Directors: Armando Iannuci + TBC ALEX RIDER II Prod Co: Eleventh Hour Productions/Sony Producer: Richard Burrell Directors: TBC THE MALLORA FILES II Production Suspended due to Coronavirus 10x45min Drama Series Producer: Dominic Barlow Directors: Bryn Higgins, Rob Evans, Craig Pickles, Christina Ebohon-Green SUPPRESSION Prod Co: Snowdonia Feature Film Producers: Andrew Baird, Tom Warren Director: J Mackye Gruber CASTLE ROCK II Prod Co: Scope Productions Moroccan Unit Producer: Debbie Hayn-Cass. Director: Phil Abraham Drama Series Ep 202/204 THE MALLORCA FILES Prod Co: Cosmopolitan Pictures/Clerkenwell Films/BBC 10 x 45 min Drama Series Producer: Dominic Barlow Mallorca Director(s): Bryn Higgins, Charlie Palmer, Rob Evans, Gordon Anderson Featuring: Elen Rhys, Julian Looman RIVIERA II Prod Co: Archery Pictures/SKY 10pt Drama Series Producer: Sue Howells South of France Directors: Hans Herbots, Paul Walker, Destiny Ekaragha Featuring: Poppy Delevingne, Roxanne Duran, Jack Fox, Dimitri Leonidas, Lena Olin, Juliet Stephenson, Julia Stiles Registered Office: White Hart House, Silwood Road, Ascot SL5 0PY. -
Duncan Public Library Board of Directors Meeting Minutes June 23, 2020 Location: Duncan Public Library
Subject: Library Board Meeting Date: August 25, 2020 Time: 9:30 am Place: Zoom Meeting 1. Call to Order with flag salute and prayer. 2. Read minutes from July 28, 2020, meeting. Approval. 3. Presentation of library statistics for June. 4. Presentation of library claims for June. Approval. 5. Director’s report a. Summer reading program b. Genealogy Library c. StoryWalk d. Annual report to ODL e. Sept. Library Card Month f. DALC grant for Citizenship Corner g. After-school snack program 6. Consider a list of withdrawn items. Library staff recommends the listed books be declared surplus and be donated to the Friends of the Library for resale, and the funds be used to support the library. 7. Consider approving creation of a Student Library Card and addition of policy to policy manual. 8. Old Business 9. New Business 10. Comments a. By the library staff b. By the library board c. By the public 11. Adjourn Duncan Public Library Claims for July 1 through 31, 2020 Submitted to Library Board, August 25, 2020 01-11-521400 Materials & Supplies 20-1879 Demco......................................................................................................................... $94.94 Zigzag shelf, children’s 20-2059 Quill .......................................................................................................................... $589.93 Tissue, roll holder, paper, soap 01-11-522800 Phone/Internet 20-2222 AT&T ........................................................................................................................... $41.38 -
Guide to Teaching Reading and Literature, Kindergarten
REPORT RESUMES ED 014 480 TE 000 082 GUIDE TO TEACHING READING AND LITERATURE,KINDERGARTEN GRADE SIX. BY- WARWICK, EUNICE AND OTHERS MADISON PUBLIC SCHOOLS, WIS. PUB DATE 64 EDRS PRICE MF -$0.50 HC -$4.44 109P. DESCRIPTORS- *CURRICULUM GUIDES, *ELEMENTARY GRADES,*ENGLISH INSTRUCTION, *LITERATURE PROGRAMS, *READING PROGRAMS,READING READINESS, READING SKILLS, READING COMPREHENSION, WORD RECOGNITION, ORAL. READING, STUDY SKILLS, INTERPRETIVESKILLS, MADISON, WISCONSIN THE MADISON, WISCONSIN, CURRICULUM GUIDE FOR THE TEACHING OF READING AND LITERATURE IN KINDERGARTENTHROUGH GRADE SIX IS DIVIDED INTO THREE PARTS. PART 1 CONTAINSTHE MADISON POINT OF VIEW CONCERNING READING ANDLITERATURE IN THE ELEMENTARY SCHOOLS, AND PROVIDES FLOW CHARTS TO HELPTHE TEACHER PERCEIVE THE TOTAL READING AND LITERATUREPROGRAM. GRADE -LEVEL EXPECTANCIES IN THE TEACHING OF READINGARE LISTED FOR THE AREAS OF WORD RECOGNITION,COMPREHENSION, ORAL READING, AND STUDY SKILLS. READING EXPECTANCIES FOR INTERPRETIVE SKILLS ARE ADDED FOR GRADES FOUR THROUGHSIX. FOR THE TEACHING OF LITERATURE, GRADE -LEVELEXPECTANCIES ARE LISTED FOR THE AREAS OF LITERATURE AIMS, TYPES,AND .ACTIVITIES. PART 2 INDICATES MORE SPECIFICEXPECTANCIES FOR EACH GRADE LEVEL IN THE TEACHING OF READING ANDLITERATURE. IN ADDITION, LISTS OF SUGGESTED MATERIALS FORTEACHING LITERATURE - -ONE EACH FOR GRADES KINDERGARTEN AND ONE,FOR TWO AND THREE, FOR FOUR AND FIVE, AND FOR SIX AND ADVANCED PUPILS- -ARE FROVIDED. FART 3 INCLUDES SUGGESTEDACTIVITIES FOR DEVELOPING READING READINESS IN KINDERGARTEN, AFLOW CHART