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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
The Beneficence of Gayface Tim Macausland Western Washington University, [email protected]
Occam's Razor Volume 6 (2016) Article 2 2016 The Beneficence of Gayface Tim MacAusland Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation MacAusland, Tim (2016) "The Beneficence of Gayface," Occam's Razor: Vol. 6 , Article 2. Available at: https://cedar.wwu.edu/orwwu/vol6/iss1/2 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. MacAusland: The Beneficence of Gayface THE BENEFICENCE OF GAYFACE BY TIM MACAUSLAND In 2009, veteran funny man Jim Carrey, best known to the mainstream within the previous decade with for his zany and nearly cartoonish live-action lms like American Beauty and Rent. It was, rather, performances—perhaps none more literally than in that the actors themselves were not gay. However, the 1994 lm e Mask (Russell, 1994)—stretched they never let it show or undermine the believability his comedic boundaries with his portrayal of real- of the roles they played. As expected, the stars life con artist Steven Jay Russell in the lm I Love received much of the acclaim, but the lm does You Phillip Morris (Requa, Ficarra, 2009). Despite represent a peculiar quandary in the ethical value of earning critical success and some of Carrey’s highest straight actors in gay roles. -
Kameo Team Founded in the Early Stages of the Pandemic, After a Brief Intermission, Hollywood Is Back in Business
Human Interest Lights, Camera, Testing! lex Ostebo did not spend her pan- demic binge-watching movies. In fact, when stay-at-home orders A brought film productions to a grind- ing halt in spring of 2020, the producer and founder of LA-based Creative Picnic thought she’d be back behind the camera soon enough. But as weeks turned to months, she wondered what productions would look like when they were finally able to return. Studios would sure- ly have to provide safeguards against the coro- navirus and of course, frequent testing. At the time though, no lab option was as fast and as flexible as a time-strapped film production would require. “Our entire industry,” she recalls, “is based on being together.” And that entire industry need- ed a solution. “Film sets are all about safety,” she says, so it seemed logical that testing would become es- sential. “The challenge was to get the right peo- ple and the right labs.” The Kameo Team Founded in the early stages of the pandemic, After a brief intermission, Hollywood is back in business. Some productions started filming again last summer, thanks to an LA start-up -- founded by a veteran producer -- that provides reliable, flexible covid testing for the entertainment industry. Ostebo launched Kameo specifically for the partner labs to ensure they would always meet production industry she knows so well. In fact, the industry’s time-sensitive needs for results. Kameo is a play on the word cameo, a short – They even hired out-of-work movie producers but meaningful -- guest appearance. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation. -
The Secret Service - Kingsman Pdf, Epub, Ebook
THE SECRET SERVICE - KINGSMAN PDF, EPUB, EBOOK Mark Millar, Dave Gibbons | 160 pages | 24 Jan 2015 | Titan Books Ltd | 9781783293360 | English | London, United Kingdom The Secret Service - Kingsman PDF Book For assistance, contact your corporate administrator. Kingsman: The Secret Service. This site uses cookies. A spy organisation recruits a promising street kid into the agency's training program, while a global threat emerges from a twisted tech genius. Egerton does a capable job of keeping up with Firth, Caine and Jackson — no small feat. Bateman and Phillips worked closely to develop and source what would become both the on-screen costumes and eventual retail collection. After an entertaining but too-long series of sequences in which various candidates are weeded out, the real and really sick fun begins. Steve Persall. Bulls beat Rockets as veteran Otto Porter Jr. Harry is looking into the demise of another Kingsman, and the trail leads him to tech billionaire Valentine, a. By Tom Withers AP. A super-secret organization recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a dire global threat emerges from a twisted tech genius. Once you select Rent you'll have 14 days to start watching the movie and 24 hours to finish it. A phenomenal cast, including Colin Firth, Samuel L. Company Credits. Cookie banner We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. Harry may look and sound as though he spends more time at headquarters than in the field, but when a band of thugs tests his mettle in a British pub, Harry locks the doors, turns around, takes out his umbrella — and goon blood and goon teeth start flying. -
Conquering the Colon: the Adventure of Advanced Punctuation
Oregon State Bar Bulletin — APRIL 2010 April Issue The Legal Writer Conquering the Colon: The Adventures of Advanced Punctuation By Suzanne E. Rowe Perhaps the only punctuation mark more terrifying than the semicolon is the colon. Most writers avoid the colon for fear of misusing it. Most readers feel intimidated by the brave writer who dared try to master the colon’s nuances. When is a colon appropriate? How many spaces follow it? Does the word after a colon need to be capitalized? This article will bring you closer to conquering your fear of the colon. When to Use a Colon Colon usage varies from the exciting to the mundane. In the first two explanations below, think of the colon as the pause — or the drum roll — between an introduction and the exciting details. Picture someone on stage with an envelope saying, “And the winner is…!” The remaining explanations are more mundane, but perhaps easier. Lists One common use of a colon is to introduce a list. The nominees for best actress were impressive: Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Be sure that the introductory sentence preceding the colon is truly a sentence. A colon would be incorrect in the following example. The nominees were Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Independent clauses In the use that inspires the most fear, a colon separates two independent clauses when the second clause expands or illustrates the idea in the first clause. (Remember that an independent clause is just a complete sentence.) The drum roll — the colon — comes after the first sentence. -
The Grand Budapest Hotel Grand Budapest Hotel
WETTBEWERB THE GRAND BUDAPEST HOTEL GRAND BUDAPEST HOTEL Wes Anderson Das Hotelfoyer als Theater der Welt. Heimlicher Regisseur wunderba- Großbritannien/Deutschland 2014 rer Auf- und Abtritte ist der legendäre Concierge Monsieur Gustave. 100 Min. · DCP · Farbe Er kennt die Vorlieben und geheimen Wünsche seiner weit gereisten exzentrischen Gäste. Einige Damen wissen es ihm zu danken. So die Regie, Buch Wes Anderson schrullige Madame D., die ihm ein wertvolles Renaissancegemälde ver- Kamera Robert Yeoman Schnitt Barney Piling macht. Doch ihr missgünstiger Sohn Dimitri beschuldigt Gustave des Musik Alexandre Desplat Mordes an seiner Mutter und der Erbschleicherei. Gustave landet im Production Design Adam Stockhausen Gefängnis. Dank seiner Menschenkenntnis, des glatzköpfigen Mitin- Kostüm Milena Canonero sassen Ludwig und grellfarbiger Patisserie vermag er sich zu befreien. Casting Douglas Aibel, Jina Jay Geboren 1970 in Houston, USA. Schrieb mit Im Zuge weiterer turbulenter Ereignisse wird der Page Zero Moustafa Produzent Wes Anderson acht Jahren erste Theaterstücke und besuchte sein Vertrauter. Gemeinsam gehen sie auf die Suche nach dem ver- Ausführender Produzent Molly Cooper die St. John’s High School (später Drehort schwundenen Gemälde, geraten in einen gefährlichen Streit um ein Co-Produzenten Scott Rudin, Steven Rales, von RUSHMORE). Bachelor-Abschluss im Familienvermögen und in die Wirren einer sich plötzlich dramatisch Jeremy Dawson, Charlie Woebcken, Fach Philosophie an der University of Texas, Christoph Fisser, Henning Molfenter Austin, wo er zusammen mit seinem späteren verändernden Gesellschaft der Zwischenkriegszeit. Wes Anderson ist Spezialist für hintersinnige Tragikomödien mit exzen- Co-Produktion Indian Paintbrush, Santa Co-Autor Owen Wilson an Theaterseminaren Monica; Studio Babelsberg, Potsdam teilnahm. Drehte 1994 seinen ersten Kurzfilm, trischem Personal. -
The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
Copy of Copy of Copy of Streetwear Creative Wide Presentation
"Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own. -
An Examination of Gender Roles in the Adventures of Priscilla, Queen of the Desert Lauren Challinor College of Dupage
ESSAI Volume 11 Article 13 Spring 2013 An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert Lauren Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Lauren (2013) "An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert," ESSAI: Vol. 11, Article 13. Available at: http://dc.cod.edu/essai/vol11/iss1/13 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Examination of General Roles in An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert by Lauren Challinor (English 1154) he Adventures of Priscilla, Queen of the Desert, a 1994 film directed by Stephan Elliott, is a campy movie-musical with a poignant plot, following two transvestites and a trans-woman on T a journey through the Australian outback in a tour-bus they christened Priscilla, travelling from cosmopolitan Sydney to the remote outpost of Alice Springs in the heart of the continent. My focus in this essay shall be to explore the personal journey of each of the three main characters, as well as their interactions with each other and other characters throughout the film, through the lens of shifting gender roles and gender role behaviors. As a source, I refer to an article published in 1998, authored under the name Holly Devor, and entitled ―Gender Role Behaviors and Attitudes‖. -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page