DOCSLIB.ORG

Celebrating 50 Years of Animation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Celebrating 50 Years of Animation NEXT GEN ANIMATED EFFECTS IN AN ANIMATED FEATURE PRODUCTION So Ishigaki, Graham Wiebe VOICE ACTING IN AN ANIMATED FEATURE PRODUCTION Charlyne Yi CHARACTER DESIGN IN AN ANIMATED FEATURE PRODUCTION Marceline Tanguay HILDA BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR CHILDREN CHARACTER ANIMATION IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Scott Lewis WRITING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Stephanie Simpson TALES OF ARCADIA: TROLLHUNTERS BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR CHILDREN ANIMATED EFFECTS IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION David M.V. Jones, Vincent Chou, Clare Yang TALES OF ARCADIA: 3BELOW DIRECTING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Guillermo del Toro, Rodrigo Blaas EDITORIAL IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION John Laus, Graham Fisher BIG MOUTH BEST GENERAL AUDIENCE ANIMATED TELEVISION/BROADCAST PRODUCTION WRITING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Emily Altman BOJACK HORSEMAN BEST GENERAL AUDIENCE ANIMATED TELEVISION/ BROADCAST PRODUCTION VOICE ACTING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Will Arnett ASK THE STORYBOTS BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR PRESCHOOL CHILDREN DIRECTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Evan Spiridellis DINOTRUX: SUPERCHARGED BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR PRESCHOOL CHILDREN WATERSHIP DOWN ANIMATED EFFECTS IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Philip Child, Nilesh Sardesai F IS FOR FAMILY VOICE ACTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Debi Derryberry SKYLANDERS ACADEMY VOICE ACTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Patrick Warburton THE EPIC TALES OF CAPTAIN UNDERPANTS CONGRATULATIONS TO OUR EDITORIAL IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Steve Downs, John Wall, 46TH ANNIE Adam Smith, Collin Erker AWARD NOMINEES ANNIE AWARD PROGRAM BOOK NETFLIX: CONGRATS BLEED: 8.75” X 11.25” TRIM 8.5” x 11” The Animation Guild Congratulates Our Members On Their Annie Award Nominations! Individual Achievement Nominees Sung Jin Ahn Aaron Hammersley Phil Lord Alonso Ramirez Ramos Marie Tollec James Baxter Mikey Heller Michael Losure Peter Ramsey Jeff Trammell Dominic Bisignano Michael Herrera Justin Martin Michelle Rhee Eddie Trigueros Rodrigo Blaas Amy Higgins Joseph Martinez Pamela Ribon Jeff Turley Trey Buongiorno Aaron Horvath Shauna McGarry Bobby Alcid Rubio Chris Turnham Matt Burnett Chyuan Huang Chris Mitchell Rachel Ruderman Cesar Velazquez Antonio Canobbio John Infantino Alexander Moaveni Chris Sauve Vitor Vilela Richard Chang Michael Jelenic Kevin Molina-Ortiz Stephanie Simpson Bobby Walker Howard Chen Phil Johnston Keiko Murayama Glenn Slater Patrick Witting Sandro Cleuzo Amanda Jolly Ovi Nedelcu Crystal Yoori Son Scott Wills Ian J. Coony Dean Kelly Daron Nefcy Aaron Spurgeon James Woods Sabrina Cotugno Shiyoon Kim Richard Oey Genndy Tartakovsky Louie Zong Peter DeMund Karey Kirkpatrick Silvia Olivas Ami Thompson Tiffany Ford Jasmin Lai K.C. Ong DanBob Thompson Craig Gerber Sang Yup Lee Will Patrick Justin K. Thompson Zach Glynn Ben Levin Bob Persichetti Alex Timchenko Nominated Union Productions Ben 10 Hotel Transylvania 3: Summer Vacation Spider-Man: Into the Spider-Verse Big Hero 6: The Series Kung Fu Panda: The Paws of Destiny SpongeBob SquarePants Big Mouth Little Big Awesome Star vs. The Forces of Evil Bob's Burgers Niko and the Sword of Light Tales of Arcadia: 3Below Craig of the Creek Pete the Cat Tales of Arcadia: Trollhunters Dinotrux: Supercharged Puppy Dog Pals Tangled: The Series Disney Mickey Mouse Ralph Breaks the Internet Teen Titans Go! to the Movies Dr. Seuss' The Grinch Rapunzel's Tangled Adventure The Adventures of Rocky and Bullwinkle DreamWorks Theatre Presents Rise of the Teenage Mutant Ninja Turtles The Epic Tales of Captain Underpants Kung Fu Panda Skylanders Academy Unikitty Elena of Avalor Smallfoot We Bare Bears Juried Award Recipients Frank Braxton Adam Burke Winsor McCay Award June Foray Award CREDITS EXECUTIVE PRODUCER WEB DEVELOPMENT ASIFA-HOLLYWOOD’S Frank Gladstone Brett Kistler, ClearView ANIMATION EDUCATOR’S Studios FORUM STEERING COMMITTEE SHOW/EVENT PRODUCER Chuck Grieb, Co-Chair Annette O’Neil PROGRAM COVER Harvey Deneroff, Co-Chair and Russell Frazier Faculty Grants Committee Chair EVENT DIRECTOR Patrick Despres, Secretary, BRONZE SPONSORS Gretchen Houser PROGRAM BOOK EDITOR Designer, and Archivist Fox Searchlight Annette O’Neil, Clever Karen Sullivan, Treasurer Sheridan College WRITER Ginger Creative Dori Littell-Herrick, Scholarships Skydance Animation Mike Mallory Committee Chair PROGRAM BOOK DESIGN AND Tom Sito PATRON MEMBERS TALENT SUPERVISOR PRODUCTION Lee Crowe, Event Coordinator Allison Kennedy Ned Lott Olivia Hernandez, Odez Designs Ellen Besen, General Andreas Deja Membership Committee Andy Areffi PRODUCTION DIRECTOR PRINTER Kati Angelov Andy Bean Mike Benson Terri Norman, Fineline Printing Michael Bonitatis Anthony Leo Michael Libonati B. Paul Husband STAGE & VIDEO SERVICES TROPHY DESIGN Barb Cimity Ray Gorman, Full Blown Events Tom Woodward ANIMATION PRESERVATION Chris Armstrong PROJECT DIRECTOR Debra Blanchard Knight STREAMING BY AWARD TROPHIES Scott MacQueen, UCLA Film & Ennio Torresan Take One Digital John Billings, Billings Artworks Television Archive Frank Gladstone Guillaume Champavere CEREMONY SOUND DESIGN CATERING ASIFA-HOLLYWOOD WOULD Heather Adams Brittney DuBay Maxine Banks, LIKE TO GIVE SPECIAL THANKS J.J. Blumenkranz Maxine Banks Events TO ALL OF OUR GENEROUS Jeremy Mika EDITORIAL SERVICES SUPPORTERS... Jodi Downs Josh Gladstone AFTER-PARTY MUSIC Joe Letteri The Barry Mosley Jazz CORPORATE MEMBERS John Harvatine IV VIDEO GRAPHICS Ensemble Bento Box Entertainment, LLC John Ramirez Russell Frazier Blue Sky Studios Kara Vallow ASIFA-HOLLYWOOD BOARD Disney Television Animation Keith Barten ANNOUNCER OF DIRECTORS Illumination Entertainment Kelli Bixler Dina Sherman Frank Gladstone, Executive Laika Entertainment, LLC Ken Mora Director Netflix Kent Braun MEDIA AND PUBLIC Jerry Beck, President Nickelodeon Lenora Hume RELATIONS David Derks, Vice President Pixar Animation Studios Lourri Hammack Gretchen Houser, Houser PR Susan Shakespeare, 2nd Vice Sony Pictures Animation Martha Nelson Andrews President Starburns Industries Inc. Matthew Cuny PR/MEDIA ASSOCIATES Brooke Keesling, 3rd Vice Warner Animation Group Matthew Senreich Gil DeGloria President Weta Digital Michael Genz Jane LaBonte Jeff Wike, Chief Financial Officer Mike Gonzalez Becky Pruett William C. Turner, Secretary PLATINUM SPONSORS Nikolai Leyco Erika Price Schulte Jeanette Bonds, ASIFA DreamWorks Animation Olivier Dubard Susan Vanderhyden International Representative Netflix Or Ofri B. Paul Husband, General Prime Video Patrice Avery PHOTOGRAPHERS Counsel Walt Disney Animation Studios/ Patrick Beaulieu Bonnie Burrow Jamie Kezlarian Bolio Pixar Animation Studios Paula Spence Joel Hindman Tom Caulfield Peilin Chou Dori Littell-Herrick GOLD SPONSORS Peter Ettinger TALENT HOSTS Jennifer Cardon Klein Cartoon Network Raffaello Vecchione Azusa Pacific University Bob Kurtz Disney Television Animation Richard Gehr Animation Students Aubry Mintz Illumination Entertainment Ryan McDougal Tom Sito Sony Pictures Animation Steven Woloshen AWARD BALLOTING Charles Solomon Tom Chen Brett Kistler, ClearView Theresa Wiseman SILVER SPONSORS Studios Danny Young Blue Sky Studios Google Spotlight Stories AWARD PROTOCOL ASIFA-HOLLYWOOD STAFF Pixar Animation Studios David Derks MEMBERS The Animation Guild Leslie Ezeh, Executive Assistant Walt Disney Animation Studios GRAPHIC DESIGN Gary Perkovac, Office Olivia Hernandez, Odez Designs Coordinator 46th ANNUAL ANNIE AWARDS 7 FEBRUARY 2, 2019 UCLA ROYCE HALL - LOS ANGELES, CALIFORNIA PROGRAM Outstanding Achievement in Virtual Reality Best Student Film Best Animated Short Subject Message from the President June Foray Award Production Design in a TV/Broadcast Production Production Design in a Feature Production Best Animated Special Production Best Animated TV/Broadcast Commercial Music in an Animated TV/Broadcast Production Music in an Animated Feature Production Character Design in an Animated TV/Broadcast Production Character Design in an Animated Feature Production Certificate of Merit Message from the Executive Director Ub Iwerks Award Character Animation in a Video Game Character Animation in a Live Action Production Character Animation in a TV/Broadcast Production Character Animation in a Feature Production Animated Effects in an Animated Production Animated Effects in a Live Action Production Editorial in a TV/Broadcast Production Editorial in a Feature Production Winsor McCay Awards Voice Acting in an Animated TV/Broadcast Production Voice Acting in an Animated Feature Production Writing in an Animated TV/Broadcast Production Writing in an Animated Feature Production Best Animated Television Production for Preschool Children Best Animated Television Production for Children Best General Audience Television/Broadcast Production In Memoriam Storyboarding in a TV/Broadcast Production Storyboarding in a Feature Production Directing in an Animated TV/Broadcast Production Directing in an Animated Feature Production Best Animated Feature-Independent Best Animated Feature OUTSTANDING ACHIEVEMENT IN VIRTUAL REALITY Age of Sail - Google Spotlight Battlescar - AtlasV Crow: The Legend - Baobab Studios Stories, Broad Reach Pictures Mind Palace - Filmakademie Moss - Polyarc Baden-Württemberg GmbH NEVER BORING E s c a p e t o o u r u r b a n h i d e a w a y a n d live it up in
Load more

Recommended publications
  • Batman Beyond 2.0: Marked Soul Volume 3 Free Download
    BATMAN BEYOND 2.0: MARKED SOUL VOLUME 3 FREE DOWNLOAD Thony Silas,Phil Hester,Kyle Higgins | 176 pages | 22 Sep 2015 | DC Comics | 9781401258016 | English | United States BATMAN BEYOND 2.0 TP MARK OF THE PHANTASM VOL 03 After the evidence of the illegal weapon production is forcibly taken from Terry by Derek Powers, Terry subsequently steals the Batsuit, intending to bring Powers to justice. Retrieved October 23, A high-speed motorcycle chase between Terry and the Jokerz leads them to the grounds of Wayne Manor, where they run into the elderly Bruce Wayne. Barbara Gordon Robin. Later that night, Jim Tate aka Armory, one of Terry's old rogues, came home to find Hush along with his stepson and wife tied up. This is great! Green Lantern. Views Read Edit View history. Star Wars. Star Wars - Modern. Parasyte -the maxim. Silver Age. Bruce couldn't get close to Batman Beyond 2.0: Marked Soul Volume 3 because for some reason he wasn't on good terms with the police at that time. Terry and Melanie's relationship is similar to that of Bruce and Selina Kyle. Submit Back To Login. DC Universe. Download as PDF Printable version. She explains through flashbacks Batman Beyond 2.0: Marked Soul Volume 3, even though she grew to trust and respect Batman, she was aware of him aging, thus accepting the idea of either Bruce retiring or being killed at some point. Star Trek. Retrieved May 17, Terry returns home to discover that his father has been murdered, apparently by the vengeful Jokerz.
    [Show full text]
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • February 9, 2007 the Free-Content News Source That You Can Write! Page 1
    February 9, 2007 The free-content news source that you can write! Page 1 Top Stories Wikipedia Current Events Animation). Annie Awards for animation the spokesman for al-Ghurabaa, Cars, Happy Feet, and Monster Sunday; Wikinews will be an organization the British House are all nominated in the there government has designated as Academy Awards for the same This Sunday, the Annie Awards will terrorist, on charges of inciting category, perhaps signifying an be handed out in Glendale, terrorism. edge up in the competition. California. Professional •Seven alleged members of the photographer John Mueller will Islamic Movement of Uzbekistan, Direct-to-DVD releases are eligible attend the ceremony on behalf of an organization affiliated with Al- for the "Best Home Entertainment Wikinews, taking photos of Qaeda, are on trial in Tajikistan. If Production". Included are Bambi II nominees and the rest of convicted of terrorism they could (DisneyToon Studios), The America's animation elite. be sentenced to up to twenty Adventures of Brer Rabbit years in prison. (Universal Animation Studios), and Snow causes disruption in UK Winnie the Pooh: Shapes & Sizes Heavy snow has caused disruption (DisneyToon Studios). in the United Kingdom with Annie Awards for animation Sunday; Wikinews will be there airports and schools closed and Charlie and Lola, Foster's Home for delays on the road network. This Sunday, the International Animated Film Association Imaginary Friends, King of the Hill, Snowfall was highest near The Fairly OddParents, and Wow! Worcester with 9cms of snow (Association International du Film d'Animation) or ASIFA will hand out Wow! Wubbzy! are all up for "Best falling.
    [Show full text]
  • A CHARLIE BROWN CHRISTMAS Synopsis
    A CHARLIE BROWN CHRISTMAS Based on the television special by Bill Melendez Synopsis One Act (55 minutes) Charlie Brown, Snoopy, and all your favorite Peanuts characters come together to retell a classic story about finding the true meaning of Christmas. It’s almost Christmas and the kids are enjoying the season. Well, everyone except for Charlie Brown. While the others ice skate, throw snowballs, and receive Christmas cards, Charlie Brown is feeling depressed about the holiday. Even Snoopy, dressed as Santa, is getting in on the fun. The kids catch snowflakes on their tongues (although Lucy informs the group she only eats January snow), create a snowman, and throw snowballs at a can (which Linus eventually knocks down with his blanket). But, in spite of all the merriment, Charlie Brown is still sad about Christmas. Charlie Brown decides he needs to talk to someone about his sorrow. He goes to see doctor Lucy. Lucy, after happily accepting his money for her service, asks Charlie Brown what he fears. He reveals that he’s feeling down about Christmas. Lucy’s remedy? Charlie Brown needs involvement and she finally convinces him to direct the Christmas play. Much to Charlie Brown’s dismay, Snoopy is decorating his doghouse for Christmas in an effort to win prize money. Meanwhile, Linus and Lucy are attempting to craft the perfect letter to Santa Claus. And, reluctantly, Charlie Brown even helps his little sister, Sally, write her letter to Santa. It’s Charlie Brown’s first rehearsal as director of the Christmas play. However, things quickly go awry.
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • Parade Rewind with Al Roker: His Idea of Perfect Weather and How Oversleeping Inspired His First App MAY 2, 2014
    Parade Rewind with Al Roker: His Idea of Perfect Weather and How Oversleeping Inspired His First App MAY 2, 2014 By ERIN HILL @ErinHillNY America’s favorite weatherman, Al Roker, stopped by to chat with Paradeabout his brand new app, Al’s Weather Rokies (available on iTunes), his early morning routine, growing up in Queens, New York, and having a spouse in the same industry. Check AlRoker.com for all the latest! Tell us about your new app, Al’s Weather Rokies. “Al’s Weather Rokies is unlike anything out there. There are gaming apps, there are weather apps, but there isn’t anything that puts the two together. So you get a forecast, you get information you need to know, but there’s a little game involved. Of course I do early morning TV, both Wake Up with Al and the Todayshow, and there was a little episode last year when I overslept for the first time. There’s a game that involves these cute little weather characters that you have to use to wake me up and help me get to the studio. So it’s both a game and a weather app.” And it incorporates your love of animation. “Yeah, I have loved animation ever since I was a little kid. I wanted to be an animator. What’s been great is that I’ve been able to use some of that in designing these apps and working with the programmers to get the animation right. It’s kind of addictive’ it’s fun. I think each of these little weather icons, these Rokies, whether it’s a cloud or a sun or a windstorm, all have their own little personality.” What were some of your favorite cartoons as a kid? “The classics, Tom and Jerry, The Roadrunner, Bugs Bunny, all the classic Disney feature animations, and then even as I got older, I still loved animation, The Animaniacs, and you move forward into Batman and Batman Beyond.
    [Show full text]
  • Press Release
    GOBELINS and Netflix strengthen their partnership in favour of the emergence of new talents in animation Paris, November 3rd, 2020 - One year after the establishment of a partnership aimed at identifying and developing new talent in animation, Netflix and GOBELINS announce a new chapter in their collaboration with the creation of scholarships for three Bachelor's students, a new post-baccalaureate course. This new chapter of action complements the initiatives already in place with, in particular, the financing of scholarships for Master students from the African continent and the integration each year of a young graduate from GOBELINS into the Netflix Animation Fellowship programme. A broadening of the partnership set up in 2019 On the occasion of the start of the 2020 academic year, Netflix and GOBELINS are strengthening the partnership set up in 2019 with the creation of scholarships that will give three students each year access to GOBELINS' education as part of the introduction of a Bachelor's degree. This new course aims to master all animation techniques, both traditional and digital (2D and 3D), from pre-production to post-production, using professional methods practised in animation film studios in France and abroad. The first beneficiaries of this character animation apprenticeship scholarship programme will be appointed in June 2021. "We are proud to help foster the emergence of new talent from diverse backgrounds alongside GOBELINS. With this new chapter of our collaboration, we will also be able to support younger profiles with just raw talent and their highschool diploma in their pockets", said Dominique Bazay, Kids & Family Director at Netflix.
    [Show full text]
  • February 2019 NASFA Shuttle
    Te Shutle February 2019 The Next NASFA Meeting is Saturday 16 February 2018 at Willowbrook Madison normal 3rd Saturday, except: d Oyez, Oyez d • 23 March—a week late (4th Saturday) to avoid MidSouthCon All meetings are currently scheduled to be at the church, with The next NASFA Meeting will be 16 February 2019, at the the Business Meeting starting at 6P. However, as programs for regular meeting location and the regular time (6P). See the map the year develop, changes may be made to the place, the start below, at right for directions to Willowbrook Baptist Church time, or both. Stay tuned. (Madison campus; 446 Jeff Road). See the map on page 2 for a SHUTTLE DEADLINES closeup of parking at the church as well as how to find the In general, the monthly Shuttle production schedule (though meeting room (“The Huddle”), which is close to one of the a bit squishy) is to put each issue to bed about 6–8 days before back doors toward the north side of the church. Please do not the corresponding monthly meeting. Submissions are needed as try to come in the (locked) front door. far in advance of that as possible. FEBRUARY PROGRAM Please check the deadline below the Table of Contents each The February Program will be a talk by Glenn Taylor, man- month to submit news, reviews, LoCs, or other material. ager of the Huntsville Regional Traffic Management Center of JOINING THE NASFA EMAIL LIST the Alabama Department of Transportation. The topic is AL- All NASFAns who have email are urged to join our email DOT’s Intelligent Transportation System, the goal of which is list, which you can do online at <tinyurl.com/NASFAEmail>.
    [Show full text]
  • RÉALISATEURS ANNÉE PAYS Du R É E N Ou Ve Au X E N
    Droit de passage RÉALISATEURS ANNÉE PAYS TITRES des FILMS VERSION DCP DCP Durée Enfants Nouveaux Abitbol (Judith) 2013 F 103 A BAS BRUIT COUL 229 € Kontchalovsky (Andrei) 1985 USA 111 A BOUT DE COURSE (RunawAy trAin) d'A. Kontchalovsky COUL S/RES Godard (JeAn-Luc) 1960 F 87 A BOUT DE SOUFFLE NB 341 € WAng (PAtrick) 2019 USA 120 NDCP A BREAD FACTORY (A) PArt 2 - Un petit coin de parAdis COUL 231 € ThomAs (PAscAl) 2019 F 100 NDCP A CAUSE DES FILLES COUL 284 € CArpignano (Jonas) 2017 I-USA 118 A CIAMBRA COUL 284 € LAine (MArion) 2012 F 87 A COEUR OUVERT COUL 284 € Johnson (RiAn) 2019 USA 131 NDCP A COUTEAUX TIRES COUL 558 € Collectif (*) 2016 F 38 E A DEUX C'EST MIEUX ! 7 c.m; COUL animAtion 270 € JAcquot (Benoît) 2016 F-P 86 A JAMAIS de B. JAcquot COUL 299 € Collectif (*) 2017 F 90 E A LA DECOUVERTE DU MONDE COUL 227 € KormAkur (BAltAzAr) 2018 USA 98 A LA DERIVE COUL 421 € WAng (Bing) 2014 CHINE 227 A LA FOLIE COUL 371 € Lloyd (HArold) 1930 USA 80 A LA HAUTEUR NB MUET 341 € Rossi (Andrew) 2011 USA 90 A LA UNE DU NEW YORK TIMES COUL documentAire 270 € ZilbermAnn (JeAn-JAcques) 2014 F 104 A LA VIE COUL 328 € MArAis (PiA) 2012 D 95 A L'AGE D'ELLEN COUL 296 € Ford (John) 1917 USA A L'ASSAUT DU BOULEVARD NB MUET SONORISE S/RES KAzAn (EliA) 1954 USA 115 A L'EST D'EDEN COUL SCOPE 407 € BAtrA (Ritesh) 2018 GB 108 A L'HEURE DES SOUVENIRS COUL 371 € GitAi (Amos) 2017 ISR-F 84 A L'OUEST DU JOURDAIN COUL documentAire 284 € VideAu (Frédéric) 2011 F 94 A MOI SEULE COUL 274 € RAyhana (*) 2017 DZ-F 90 A MON AGE JE ME CACHE ENCORE POUR FUMER COUL 274 € PiAlAt (MAurice) 1982 F 102 A NOS AMOURS COUL 444 € FromentAl (Antoine) 2017 F 91 A NOUS DE JOUER ! COUL documentAire 227 € Bouzid (LeylA) 2015 TUN 102 A PEINE J'OUVRE LES YEUX COUL 227 € LAfosse (Joachim) 2012 B 111 A PERDRE LA RAISON COUL SCOPE 274 € JiA (Zhangke) 2013 CHINE 129 A TOUCH OF SIN COUL SCOPE 371 € BergmAn (IngmAr) 1961 S 90 A TRAVERS LE MIROIR NB 341 € De_FreitAs / Ly (Stéphane / LAdj) 2017 F 99 A VOIX HAUTE COUL 299 € SollimA (StefAno) 2011 I 112 A.C.A.B.
    [Show full text]
  • Apatoons.Pdf
    San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp.
    [Show full text]
  • Studio Movie Grill Further Expands Its Movies + Meals Program with Dreamworks Animation’S How to Train Your Dragon: the Hidden World
    FOR IMMEDIATE RELEASE Studio Movie Grill Further Expands its Movies + Meals Program with DreamWorks Animation’s How To Train Your Dragon: The Hidden World SMG AccessTM the first and only loyalty program of its kind in movie exhibition launched in June 2018 committed to impacting one million lives through the power of film and sharing a meal. Dallas, TX – February 14, 2019: Studio Movie Grill announced that Universal Pictures has generously offered multiple screenings of DreamWorks Animation’s highly anticipated How To Train Your Dragon: The Hidden World (in theatres 2/22/19) to SMG’s non-profit partners serving children with special needs, including: • Bakersfied, CA - Exceptional Family Center/Centro de Familias Excepcionales • Duluth, GA - Spectrum • Seminole, FL - PARCs Discovery Learning Center • NW Hwy, TX - Bryan's House • Spring Valley, TX - H.E.R.O.E.S. DFW • Tyler, TX - Tyler Run for Autism • Marietta, GA – Variety, the Children’s Charity of Georgia • Chatham, IL – Variety, the Children’s Charity of Illinois • College Park, IN - Riley Children's Foundation • Pearland, TX - BACH Rehabilitation Center These screenings are offered in support of SMG AccessTM and the Movies + Meals outreach program. In keeping with its mission to open hearts and minds, one story at a time, SMG AccessTM launched nationwide in July 2018 and is the only theater-loyalty program focused on positively impacting underserved local community members. Through their purchases, alongside rewards, loyal SMG guests are able to assist SMG outreach in offering movies and meals to local non-profits and underresourced community members with the hope of harnessing the power of movies to inspire and change lives.
    [Show full text]
  • Nicole Lawrence Thesis
    The Pennsylvania State University The Graduate School College of Communications SASSY COWS AND MAGICAL JUJU: REPRESENTATIONS OF RACE AND ETHNICITY ON THREE NICKTOONS PROGRAMS A Thesis in Media Studies by Nicole M. Lawrence © 2012 Nicole M. Lawrence Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 ii The thesis of Nicole M. Lawrence was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Adviser Matthew F. Jordan Associate Professor of Communications Michael Elavsky Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School. iii ABSTRACT This thesis critiques programming on the children’s media channel Nicktoons for patterns of racial representation -- including the presence of stereotyping -- in characters. As research has shown that representation of ethnicity may be especially influential to children viewers, and that there are precedents for problematic racial representations in popular media, including children's media, the continued examination of patterns of racial-ethnic group member representation and stereotyping in character depictions has significant implications. Utilizing textual analysis, three Nicktoons’ programs are examined for racialized constructions of characters, including constructions with hegemonic and ethnocentric implications. The thesis argues that three programs, Back at the Barnyard, Avatar: The Last Airbender, and Tak and the Power of JuJu problematically construct analogies of African Americans, Asians, and native peoples, respectively. The constructions in these Nicktoons programs typically “other” these groups when contrasted to dominant white culture -- or at least the animated stand-ins for dominant white culture -- and imply cultural hierarchies in which white culture is superior and/or the norm.
    [Show full text]