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EBP-DA | Berkeley 1994: Paradise Lost Or Did the Drugs Just Finally Wear Off?
-----i EBP-DA | www.eastbaypunkda.com Berkeley 1994: Paradise Lost or Did The Drugs Just Finally Wear Off? And in fact he let me think, or rather ing another Berkeley that no longer exists, a tricked me into thinking that I was getting away Berkeley that perhaps no longer can exist. with it. Barely breathing and at that the same I wonder about such things when I see the time trying to appear so nonchalant that if he hangdog expressions of the beggars, the hol turned around it would look as though I just low-eyed longings of those who seek nothing Sometimes I wonder whatever became of happened to be walking by, I crept to within more elaborate than oblivion, the stooped Flam. He was the first good friend I made in two or three feet of him, until I could clearly shoulder despair of the dazed refugees whose Berkeley that summer of 1968, a veritable see the page he was perusing. home is a downtown doorway, the defiant, beanpole of a boy, with impossibly thick and I couldn't understand a word of it, howev forced exuberance of the career drunkards, the bushy hair that billowed out from his emaciated er. It was all in Latin. I let out a sigh of exas obliquely prying glances of the professional face in the shape of an enormous lightbulb. peration, simultaneously intending it to be a predators. Was it always like this? Did the He seldom if ever ventured out of his signal for Flam to turn around and greet me. -
Punk Rock History Project Update Punk Planet—The Collection Is Complete
This is MutantMutant PopPop free! Mailorder Catalog AH free! http://members.aol.com/mutantpop/ Hey, we rolled the odometer! Hooray for all of us! If I didn’t use the occasion to tweak the typography a little bit, i wouldn’t be doing my job. Thanks to Jeff Wison for the outstanding New Release Info dancing kids drawing, originally created for the the Pizzafest T-shirts. That cat can draw... As you can recall from MP Days of Yore, Pizzafest was gonna be a big show and pizzafeed with participants getting a free shirt, but the venue got paranoid about security, costs escalated, band avail- abilities got shaky, and the event was cancelled. Fortunately, it was replaced by not one but two “Mutant Fest” type of events: Cincinnati, OH in August (hosted by Dave Spodie of The Connie Dungs) and Columbus, OH in October (hosted by Eddie of The Proms). The bottom line is this: if you wanna have pop-punk events to attend this summer, people need to Do It Yourself. Get out there and independently organize your own Mutant Fest-type of deal! It would seem that there would be enough people and bands in the NY/NJ/PA area and possibly also in the Pacific Northwest—in addition to room for shows in the heartland of the pop-punk world, the midwest. There are rumors of a possible Connie Dungs/Dirt Bike Annie mini-tour this summer, how great would it be to tie into that? It’s something for you The 40th Mutant Pop 7”er is now on the street! people in pop-punk bands to think about—make your own fun! MP-39 THE BEAUTYS “A#1 Sex Shop Em- ployee” EP finally made it to my doorstep from Bill Smith Custom Records in LA on January 4. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
La Citta' E' Quieta… Ombre Parlano
Carlo Cannella LA CITTA’ E’ QUIETA… OMBRE PARLANO IO 11 1977 13 GLI ALTRI 17 TELEBOYS 21 SHINO 27 IL FLUSSO ELETTRICO 37 L’OLTRAGGIO 43 NO GESTAPO 49 DICTATRISTA 55 BELLADONNA 63 UN RECORD MONDIALE 65 UN GRAZIE 67 MAXIMUM ROCK’N’ROLL 69 PREAVVISATI... MA NON PREMUNITI 73 ESTREMO ATTO D’AMORE 77 LA VOLGARITA’ DEL SUCCESSO 85 SULLE TRACCE DEI DICTATRISTA 87 STIGE 91 L’ULTIMA VOLTA AL VIRUS 95 GODDAM CHURCH 99 PEOPLE OF THE PIT 103 NO-FRILLS STYLE 107 LASCIA O RADDOPPIA? 113 UNITI NELL’ABBRACCIO 117 MACELLO 123 GLI ADDII 127 LA FINE DEGLI STIGE 131 AFFLUENTE 135 DONNA, PARA IL CULO! 139 AGNOSTIC FRONT 141 UFO DIKTATORZ 145 CAZZI MOSCI E ALTRE STORIE 149 SLAPSHOT 153 L’ANNO DEGLI AFFLUENTE 155 DALLA DREAM MACHINE A VERI SUONI DELLA LIBERTA’ 159 CIAO 169 Per contatti: Carlo Cannella - [email protected] Lasciate che vi presenti la mia stupida piccola band. E’ duro da capire. Suoniamo anche se sappiamo che non verrà nessuno. Accenderemo i nostri Marshall di seconda mano, stupidi piccoli amplificatori che paghiamo con i nostri stupidi piccoli lavori. Il tipo al bar dice che siamo ok, gli ricordiamo un po’ i Green Day, ma siamo una stupida piccola band e non c’è molto da dire. Forse ci vedremo un giorno in qualche locale vuoto, noi facciamo un disco all’anno che tanto nessuno ascolta. Ogni anno ci distruggiamo un po’. Ci sciogliamo quando il batterista ci lascia. Quando lo convinciamo a fare ancora un concerto, ci lascia il bassista e ci sciogliamo di nuovo. -
Bill Bailey Vs
TheOnce:ler Of L&Ytonville Bill Bailey Vs. TheLorax MnCity� The Death (Or Was It Murder?) Of Detroit Berlin: Now Let's Tear Down Some Of Our OwnWal ls EmeraldTriangle . & San Francisco News + Northern California Punk Rock: Tons of Totally Crucial Coverage Along WithPages And. Pages Of Insignificant Fluff, Gossip & Mondo DestructoReviews .. EBP-DA | www.eastbaypunkda.com � '-.;._ -� 'Jl t.\.,._�� �- 1· / E:T. -· -...,,,.. �--- ....__� -..._ . .l'. Adventure .., CIADru& Wars: The Continues economies of sever:tJ Latin :-';m :un�ies, an hanced much.l=- p eri�an co d fi h new development m US cities Miami, New , and Lofi--==- -..: Ietnam as O UCM un, et S L I hke York y· W S Angeles. It a1so helped the CIA 10 pursue its regime· of terrorism and. I Ullm'<n1ioo uom,d <h• globe. - D 0 t All Q Vef Agalll... • . ey If ��t trouble _lay ahead for the c ociiliie kmgpi'"iisofLangl , _ Virginia. Inspired by the ,American free enter system, _ Remember Vietnam? Probably not. you're a student, you/ prise If j thousands of entrepeneuni real.1zed that there was r00m them in might have heard about it in history class, which almost guarantees,, for -'I :- � the marketpl e. Anyone with the for a p lan et IO -- you don't have any idea what it was about. you're old enough, ac money e tick �� that �ogota and the cluitzpah to bl way :::,,,--- to have been around when it was happening, even if you were one ofl' . �ff his or her past customs ms to was on the way to t fortune. -
Saladdays13 Web.Pdf
Cover Refused Pic Rigablood Below Show no mercy Pic Rigablood WHAT’S HOT 4 Library 6 Paper Toy BACKSTAGE 8 Danny Way Editor In Chief/Founder - Andrea Rigano Art Director - Alexandra Romano, [email protected] 12 Chob Advertising - Silvia Rapisarda, [email protected] 18 Don’t Sweat The Technique Traduzioni - Chiara Zetti 22 Social Distortion Photographers - Luca Benedet, Nicolas Büchi, Mattia Cabani, Angela Datre 28 Giù a Nordest Kreator, Lance 404, Augusto Lucati, Alex Luise, Enzo Mazzeo, Andrea Nunzio, Patrizia Pastore, Andrea Penco, Mike Pireddu, Alex Ruffini, StreetBoxVideoLab, Federico Vezzoli 36 Zero Boys 38 ASG Illustrators - Santana Electric Tattoo - santanaworks.wordpress.com 40 Negazione Dillinger Escape Plan Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, 44 The Metal Hand tour Ph. Rigablood Marco Capelli, Mat The Cat, Matteo Cavanna, Yari Copt, Boris Dietschi, Paola Dal Bosco, Fabrizio De Guidi, SECSE, Giangiacomo De Stefano, Flavio Ignelzi, Fra, Andrea KNGL 54 Family Album Longo, Max Mbassadò, Angelo Mora(donas), Noodles, Eros Pasi, Davide Pettenuzzo, 66 Gianmarco Moschin Alex ‘Wizo’, Marco ‘X-Man’ Xodo, Alberto Zannier 68 Fabio Limonta Stampa - Tipografia Nuova Jolly 72 This is Polorama Viale Industria 28 35030 Rubano (PD) 76 Napalm Death 78 Everytime I Die Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. 82 Max Cavalera 84 Gallo VS Rino Get in touch - www.saladdaysmag.com [email protected] 86 Those Furious Flames - Tour report facebook.com/saladdaysmag 88 D.I.Y. Chronicles twitter.com/SaladDays_it 90 Highlights L’editore è a disposizione di tutti gli interessati nel collaborare 94 Saints & Sinners con testi immagini. -
Walter Benjamin's Progressive Cultural Production and DIY Punk
Journal of Popular Music Studies, Volume 24, Issue 2, Pages 217–237 “If It Ain’t Cheap, It Ain’t Punk”: Walter Benjamin’s Progressive Cultural Production and DIY Punk Record Labels Kevin Dunn Hobart and William Smith Colleges This article examines contemporary independent do-it-yourself (DIY) punk record labels, regarding them as potentially significant sites of political engagement at the intersection of cultural production and the global political economy. Drawing upon extensive interviews with well over a hundred DIY punk labels from around the globe, the article explores the varied ways in which DIY record labels offer possibilities for political resistance. The article first sketches the development of the global DIY punk record industry over the past several decades, noting the translocal networks that have helped create and connect punk scenes across the globe. The article then explores the practices of these record labels, drawing particular attention to distinctions between DIY and major corporate record labels. Central to this section is the argument that, in most cases, DIY record labels serve as both a social activity and an anticapitalist business model. This leads into an examination of the ways in which DIY punk labels embody Walter Benjamin’s call for progressive cultural production. The recent Occupy Wall Street and related movements have thrown into stark relief many people’s frustrations with globalization and existing capitalist structures and practices, as well as the inherent challenges of imagining, articulating, and realizing alternative ways of being. This is particularly true given the seeming ubiquity of global corporate-led capitalism. As Hardt and Negri (2000) argued in Empire, this system has become all-encompassing, flattening out the fragmented sovereign nation- state system that pre-existed it, to create a fully-enclosed system to which there is no exterior. -
An Analysis of the Growth of San Francisco Bay Area Punk Rock
online Max Buchholz Organizations, Institutions and Networks in Local Scenes: An Analysis of the Growth of San Francisco Bay Area Punk Rock RUPRECHT-KARLS- UNIVERSITÄT HEIDELBERG Issue 2018-01| Volume 14 EXZELLENZUNIVERSITÄT Spatial Aspects Concerning Economic Structures Economic Concerning Aspects Spatial www.spaces-online.com SPACES aims to present conceptual frameworks and empirical studies on online economic action in spatial perspective to a wider audience. The interest is to provide a forum for discussion and debate in relational economic geography. Please quote as Buchholz, Max (2018): Organizations, Institutions and Networks in Local Scenes: An Analysis of the Growth of San Francisco Bay Area Punk Rock. SPACES online, Vol.14, Issue 2018-01. Toronto and Heidelberg: www.spaces-online.com. Authors Max Buchholz, University of Toronto, Department of Geography and Planning, Sidney Smith Hall, 100 St. George Street, Toronto, ON M5S 3G3, Canada, E-mail: [email protected] Keywords Organizations, Institutions, Networks, Scenes, Punk Rock, San Francisco JEL codes D02 (Institutions: Design, Formation, Operations, and Impact), D85 (Network Formation and Analysis: Theory), R11 (Regional Economic Activity : Growth, Development, Environmental Issues, and Changes), Z1 (Cultural Economics, Economic Sociology, Economic Anthropology : General) Abstract Economic geographers have exhaustively acknowledged the importance of the cultural industries to many regional economies and have begun to establish that these industries have economically important interactions with local “underground scenes.” Less well known however is how these scenes themselves develop. Based on archival research on zines, or small circulation independently produced magazines, I illustrate how the 1980s San Francisco Bay Area punk rock scene was a vibrant cultural community. -
November 25Th 1987
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 11-25-1987 November 25th 1987 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "November 25th 1987" (1987). Coyote Chronicle (1984-). 248. https://scholarworks.lib.csusb.edu/coyote-chronicle/248 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. .RNIA STATE UNIVtnGiTY San Bernardino The DEC 1-1987 LIBRARY Chronicle Volume 22, Number 8 Col Store University, Son Bernardino November 25, 1987 JeUo Molds CSUSB Jello Btafra, former lead singer Park which inserted the posters in for the now defunct Dead the album cover). Charges were Kennedys punk rock band, will filed under the seldom used section speak in the Upper Commons on 313.1 of the California penal code. Thursday, December third. Biafra This section defines harmful will discuss his recent acquital matter as material which appeals from the charges of distributing to 'Prurient interest, i.e., a pornographic material to minors, shameful or morbid interest in as well as other aspects of the nudity, sex, or excretion, and is band. Following his talk Biafra patently offensive to the prevailing will open the floor to a question standards in the adult community and answer session. as a whole with respect to what is Biafra's story begins back in suitable material for minors, and is December, 1985, when the 14- utterly without redeeming social year-old daughter of Mary Ann importance.' It is a misdemeanor Thompson purchased a copy of charge that, with conviction, the Dead Kennedys 1985 LP carries a maximum one-year jail Frankenchrist, as a present for her term and a $2000 fine, ^dKMigh 11-year-old brother. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory. -
Dead Kennedys V. Biafra, 37 F. Supp. 2D 1151 - Dist
9/11/2014 Dead Kennedys v. Biafra, 37 F. Supp. 2d 1151 - Dist. Court, ND California 1999 - Google Scholar 37 F.Supp.2d 1151 (1999) DEAD KENNEDYS d/b/a Decay Music, a California general partnership; East Bay Ray a/k/a Ray Pepperell; Klaus Flouride a/k/a Geoffrey Lyall; D.H. Peligro a/k/a Darren Henley Plaintiffs, v. Jello BIAFRA a/k/a Eric Reed Boucher, individually and d/b/a Alternative Tentacles Records; Mordam Records, a California business entity; and Does 1 through 30, inclusive Defendants. No. C-98-4543 DLJ. United States District Court, N.D. California. February 8, 1999. David C. Phillips, David M. Given, Paul Karl Lukacs, Phillips & Erlewine, LLP, San Francisco, CA, for Dead Kennedys, a California general partnership dba Decay Music, East Bay Ray aka Ray Pepperell, Klaus Flouride aka Geoffrey Lyall, D.H. Peligro aka Darren Henley, Plaintiffs. Michael V. Lirocchi, Lanahan & Reilly LLP, Santa Rosa, CA, Jeffrey A. Berchenko, Berchenko & Korn, Paul Raynor Keating, Thomas Kevin Konicek, Lanahan & Reilley LLP, Marc H. Greenberg, Nelsen Greenberg & Cohen, San Francisco, CA, for Jello Biafra, individually aka Eric Reed Boucher aka Eric Reed dba Alternative Tenacles Records, Mordam Records, a California Business entity, defendants. ORDER JENSEN, District Judge. On February 3, 1999, the Court heard argument on plaintiffs' motion to remand this case to the state courts. David M. Given and Paul Karl Lukacs appeared on behalf of plaintiffs; Paul Raynor Keating appeared for defendant Jello Biafra. 1152 Having considered the arguments of counsel, the papers submitted, the applicable law, *1152 and the record in this case, the Court hereby GRANTS the motion.