MUTANT POP Big Catalog
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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
New Music Issue
FREE.WEEKLY. VOLUME VOLUME 71 // ISSUE 16 // JAN 19 THE 2017 NEW MUSIC ISSUE THE FIVE FAVOURITE NEW LOCAL BANDS AS CHOSEN BY YOU: KAKAGI // AWAITING THE ANSWER // JUNE KILLING STONES // ROSEBUD // TUSK THE OFFICIAL STUDENT NEWSPAPER OF THE UNIVERSITY OF WINNIPEG CDI_Uniter_Winnipeg_generic.pdf 1 2017-01-03 1:02 PM ASK ABOUT OUR EVENING CLASSES THAT FIT YOUR SCHEDULE C M a trained Y CM MY professional CY Prepare for an exciting new career in one of our accelerated CMY professional programs and be job ready in less than a year! K Get the skills and experience you need to excel in your field and create your own future. Apply today! 1.800.675.4392 NEWCAREER.CDICOLLEGE.CA Symbol of Courage We’d love to tell you more. Special offer: admission only $5 until January 31, 2017 humanrights.ca #AtCMHR THE UNITER // JANUARY 19, 2017 3 ON THE COVER Kakagi, winners of this year's Uniter Fiver, will headline the showcase at The Good Will Social Club on Jan. 19. SHOW TIME! Before I even get into all the awesome content we’ve gathered together for you in this issue, here’s a final shameless plug for our Uniter Fiver showcase. We’ve got a really great lineup for you on Jan. 19 at The Good Will Social Club: Kakagi, June Killing Stones, Tusk, Rosebud and Awaiting the Answer. Doors are at 8 p.m., show is at 9 p.m., and cover is $10 or $5 with student ID. Come join us and support new local music in Winnipeg! Beyond the show, we’ve got some extended music coverage within these pages for our annual New Music Issue. -
The Queers Beat Off Mp3, Flac, Wma
The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K. -
Rocking 7” Vinyl and Compact Discs at Great Prices! New Integrated Ep and Cd Listings
It’s the incredible free! MutantMutant PopPop AB Mailorder Catalog Here we go. Tonight is May 8. It is 10 pm. Sixteen blank pages are before me and I’m hitting the road on June 1. I work at the shoe store five days next week, I have exactly one day to get this bastard nailed to the wall... Everything has to click just right for me to get this catalog written, printed, mailed, delivered, and for you to get your checks in the mail and back to Corvallis before I leave town. It’s gonna create a very insane mailorder tsunami—it should be fun! I’ll do my part and get this to you by the 20th at the very latest. Please remember: you’ve gotta get your bix to me by May 30, if you wanna see your stuff fast rather than in early July... That means your envelope has to be in Corvallis by May 30. Hike! Okay, new release... First one out the gate is MP-515 THE PROMS Helpless Romatic. This one released on May 6, 1999 and the initial reac- tion to the album has been very, very positive. That sort of response from pop-punk fans is kinda a “no duh” to me, I knew this album kicked ass from the first time I heard the tape. It is gratifying to hear nice words none- theless. It’s quite a tremendous album when you get right down to it: awe- some songwriting, huge RAMONESy guitar riffs, and delightful deep har- monies akin to a very fine barbershop quartet. -
It's the Amazing
Just when you thought it was safe to go near the mailbox... It’s the amazing... MutantMutant PopPop C a t a l o g ONCE AGAIN IN THE ULTRA-TRADITIONALIST PHOTOCOPIED FORMAT! #38 This catalog is so far over due that the phrase “late” doesn’t begin to do the matter justice. Rather than spend this entire page offering up a wave of excuses and explanations—some lame, some valid—I’ll just refer anyone who cares to the Mutant Pop website: http://www.mutantpop.com, then click INTERVIEWS and select interview no. 10. That’s as complete a recita- tion of my discouragements and failings as anything.... I’m very sorry for any inconvenience that the “18 months of sloth” has caused. I’m actually a little amazed that I’m back with full avidity doing label stuff again—orders are shipping on time, and new stuff is once again being accumulated for the inventory here. The next wave of SRCDs is, at long last, in preparation— apologies and thanks are especially due to the long-suffering SRCD subscribers who have been patiently twiddling their thumbs waiting for me to get it back in gear. I thank you for your tolerance and kindness. While I may have earned a failing grade for my (non-)effort with Mutant Pop in 2001, the year was not a total loss. There may AttentionAttention DeficitDeficit have been only two MP releases for all of 2001, but they both kicked some major boo-tay... Take, for example, the full-length compact disc by ATTENTION DEFICIT, Adventures in Laissez-Faire Eco- nomics.. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Arbiter, August 23 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 8-23-2004 Arbiter, August 23 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ·::··;!:!!e'~6TiJDEHT VOICE OF BRISE STAn ~)NCE 1933 chao I ofro1ock ) massaqa boards, braaklnq LIlJJams the BIg Easy news, archive search, photo slide shows & weather Online stores saving Bronco bucks on Bronco books BY MRRY GRRCE LUCRS NBws RBportBr The tightening of Bronco purse strings each August is as predictable as having long lines at a printer in any computer lab. Between tuition, textbooks and various classroom supplies, the start of a new academic calendar can mean added fmancial concerns for many BSUstudents. Students are flocking to Web sites selling new and used textbooks, linking students in their quest to save a few bucks. There are many outlets on-line to buy, sell and trade new and used college textbooks. Those who shop carefully can flnd them- selves with a few extra Lincolns in their wallet. Boise State [unior Erin Quinn says a few minutes shopping on-linothis semester saved her about $75. "I look every year. Sometimes they're the same [price], sometimes they're a deal," says Quinn. -
Alien She Is the Rst Exhibition to Examine the Lasting Impact of Riot Grrrl on Artists and Cultural Producers Working Today
Alien She is the rst exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large, Riot Grrrl had a pivotal inuence. The movement inspired many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reect their values and experiences. This exhibition focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. In various ways, they have incorporated, expanded upon, or reacted to Riot Grrrl’s ideology, tactics and aesthetics. Many of them work in multiple disciplines, such as visual art, music, documentary lm, new media, curation, writing and performance – a reection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories. Alien She’s historical section is designed to be plural and open-ended; this is a living history, not a sealed past. By representing numerous voices and experiences, rather than outlining one single denitive story, we hope it will reect the multiplicity that was such an integral part of the original movement. -
The Problematic Westernization of Pussy Riot
Macalester College DigitalCommons@Macalester College Gateway Prize for Excellent Writing Academic Programs and Advising 2020 The Riot Continues: The Problematic Westernization of Pussy Riot Adam Clark Macalester College Follow this and additional works at: https://digitalcommons.macalester.edu/studentawards Part of the Music Commons Recommended Citation Clark, Adam, "The Riot Continues: The Problematic Westernization of Pussy Riot" (2020). Gateway Prize for Excellent Writing. 16. https://digitalcommons.macalester.edu/studentawards/16 This Gateway Prize for Excellent Writing is brought to you for free and open access by the Academic Programs and Advising at DigitalCommons@Macalester College. It has been accepted for inclusion in Gateway Prize for Excellent Writing by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Adam Clark Victoria Malawey, Gender & Music The Riot Continues: The Problematic Westernization of Pussy Riot “We’re gonna take over the punk scene for feminists” -Kathleen Hanna Although they share feminist ideals, the Russian art collective Pussy Riot distinguishes themselves from the U.S.-based Riot Grrrl Movement, as exemplified by the band Bikini Kill, because of their location-specific protest work in Moscow. Understanding how Pussy Riot is both similar to and different from Riot Grrrl is important for contextualizing the way we think about diverse, transnational feminisms so that we may develop more inclusive and nuanced ways in conceptualizing these feminisms in the future. While Pussy Riot shares similar ideals championed by Bikini Kill in the Riot Grrrl movement, they have temporal and location-specific activisms and each group has their own ways of protesting injustices against women and achieving their unique goals. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Talking to Songwriters About Copyright and Creativity
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-01-25 Taking Inspiration: Talking to Songwriters About Copyright and Creativity Hemminger, Peter Hemminger, P. (2013). Taking Inspiration: Talking to Songwriters About Copyright and Creativity (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27972 http://hdl.handle.net/11023/478 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Taking Inspiration Talking to Songwriters About Copyright and Creativity by Peter Hemminger A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF COMMUNICATION AND CULTURE CALGARY, ALBERTA JANUARY, 2013 c Peter Hemminger 2013 Abstract In the debate surrounding contemporary approaches to copyright law, the voice of songwriters has been significantly under-represented. This thesis presents the findings of seven interviews with practising Western Canadian singer-songwriters regarding the use of pre-existing intellectual property in their creative process, as well as their understanding of and attitudes towards copyright law. These findings are placed within the context of current theoretical approaches to creativity, and are compared to the beliefs about creativity inherent in current copyright law. -
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