MUTANT POP Big Catalog
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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
The Queers Beat Off Mp3, Flac, Wma
The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K. -
It's the Amazing
Just when you thought it was safe to go near the mailbox... It’s the amazing... MutantMutant PopPop C a t a l o g ONCE AGAIN IN THE ULTRA-TRADITIONALIST PHOTOCOPIED FORMAT! #38 This catalog is so far over due that the phrase “late” doesn’t begin to do the matter justice. Rather than spend this entire page offering up a wave of excuses and explanations—some lame, some valid—I’ll just refer anyone who cares to the Mutant Pop website: http://www.mutantpop.com, then click INTERVIEWS and select interview no. 10. That’s as complete a recita- tion of my discouragements and failings as anything.... I’m very sorry for any inconvenience that the “18 months of sloth” has caused. I’m actually a little amazed that I’m back with full avidity doing label stuff again—orders are shipping on time, and new stuff is once again being accumulated for the inventory here. The next wave of SRCDs is, at long last, in preparation— apologies and thanks are especially due to the long-suffering SRCD subscribers who have been patiently twiddling their thumbs waiting for me to get it back in gear. I thank you for your tolerance and kindness. While I may have earned a failing grade for my (non-)effort with Mutant Pop in 2001, the year was not a total loss. There may AttentionAttention DeficitDeficit have been only two MP releases for all of 2001, but they both kicked some major boo-tay... Take, for example, the full-length compact disc by ATTENTION DEFICIT, Adventures in Laissez-Faire Eco- nomics.. -
Arbiter, August 23 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 8-23-2004 Arbiter, August 23 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ·::··;!:!!e'~6TiJDEHT VOICE OF BRISE STAn ~)NCE 1933 chao I ofro1ock ) massaqa boards, braaklnq LIlJJams the BIg Easy news, archive search, photo slide shows & weather Online stores saving Bronco bucks on Bronco books BY MRRY GRRCE LUCRS NBws RBportBr The tightening of Bronco purse strings each August is as predictable as having long lines at a printer in any computer lab. Between tuition, textbooks and various classroom supplies, the start of a new academic calendar can mean added fmancial concerns for many BSUstudents. Students are flocking to Web sites selling new and used textbooks, linking students in their quest to save a few bucks. There are many outlets on-line to buy, sell and trade new and used college textbooks. Those who shop carefully can flnd them- selves with a few extra Lincolns in their wallet. Boise State [unior Erin Quinn says a few minutes shopping on-linothis semester saved her about $75. "I look every year. Sometimes they're the same [price], sometimes they're a deal," says Quinn. -
Issue 01 One..Two...Three? Student Tests Newton’S Laws, Fails Tuesday, March 20Th
catalyst issue 01 One..Two...Three? Student Tests Newton’s Laws, Fails Tuesday, March 20th. stairs. responded Stevens when ques- A local teenager, whose and like, they were totally saying Michael Keets, a student at “I had no idea that stairs tioned about Keets’ comment, name will be kept confidential due to was completely wrong." Clark com- Spotsylvania County’s prestigious could be considered an outside “These kids never listen, especially his minor status, recently discovered mented. "I didn't like that at all." Spotsylvania Middle School, was force. I mean, according to every- Michael Keets. You tell them not to exactly how many licks it takes to get The federal government severally injured while attempting to thing else I’ve learned, they can’t be try anything we talk about in class, to the center of a Tootsie Pop. The has sided with the makers of the prove Newton’s first law of physics. a force because they have no direc- and they think you’re asking them if discovered, however, was not free of delicious treat in this case, however, Brian Stevens, the teacher who tion. They aren’t a vector quantity,” they want some cake. And they all controversy and suspicions of fraud. barring the boy from releasing his allegedly introduced Keets to said commented a heavily drugged want cake.” For years, the makers of findings, and stating that he must law, commented that he in no way Keets from his hospital bed the day Stevens also attempted to the aforementioned lollipop have revoke his press release. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Transnational Punk: the Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama Claremont Graduate University, [email protected]
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University Volume 3 | Issue 1 Article 9 2013 Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama Claremont Graduate University, [email protected] Follow this and additional works at: http://scholarship.claremont.edu/lux Part of the Other Arts and Humanities Commons Recommended Citation Lalama, Alexander (2013) "Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture," LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University: Vol. 3: Iss. 1, Article 9. Available at: http://scholarship.claremont.edu/lux/vol3/iss1/9 Lalama: Transnational Punk Lalama 1 Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama, M.A. Claremont Graduate University School of Arts and Humanities Department of English Abstract Little media attention has been devoted to the burgeoning punk scene that has raised alarm abroad in areas such as Banda Aceh, Indonesia and Moscow, Russia. While the punk subculture has been analyzed in-depth by such notable theorists as Dick Hebdige and Stuart Hall, their work has been limited to examining the rise and apparent decline of the subculture in England, rendering any further investigations into punk as looking back at a nostalgic novelty of post- World War II British milieu. Furthermore, the commodification of punk music and style has relegated punk to the realm of an alternative culture in Britain and locally in the U.S. In these current international incarnations, however, a social space for this alternative culture is threatened by severe punishment including what Indonesian police officials have label “moral rehabilitation” and, in the case of Russian punks, imprisonment. -
Aafjufj Fpjpw^-Itkalfcic BILLY Rtiabrir/ HIATUS ^ ^Mrc ^ ^International
THAT MSAZlNf FKOm CUR UM.* ftR AAfJUfJ fPJpw^-iTKAlfCIC BILLY rtiABrir/ HIATUS ^ ^mrc ^ ^international 06 I 22 Ex-Centric Sound System / Velvet 06 I 23 Cinematic Orchestra DJ Serious 06 I 24 The New Deal / Q DJ Ramasutra 06 I 26 Bullfrog featuring Kid Koala Soulive 06 I 30 Trilok Gurtu / Zony Mash / Sex Mob PERFORMANCE WORKS SRflNUILLE ISLRND 06 ! 24 Cinematic Orchestra BULLFROG 06 1 25 Soulive 06 127 Metalwood ^ L'" x**' ''- ^H 06 1 28 Q 06 1 29 Broken Sound Barrier featuring TRILOK GURTU Graham Haynes + Eyvind Kang 06 130 Kevin Breit "Sisters Euclid" Heinekeri M9NTEYINA ABSOLUT ^TELUS- JAZZ HOTLINE 872-5200 TICKETMASTER 280-4444 WWW.JAZZVANCOUVER.COM PROGRAM GUIDES AT ALL LOWER MAINLAND STARBUCKS, TELUS STORES, HMV STORES THE VANCOUVER SUN tBC$.radiQ)W£ CKET OUTLETS BCTV Music TO THE BEAT OF ^ du Maurier JAZZ 66 WATER STREET VANCOUVER CANADA Events at a glance: \YJUNE4- ^guerilla pres ERIK TRUFFAZ (Blue Note) s Blue Note signed, Parisian-based trumpe t player Doors 9PM/$15/$12 ir —, Sophia Books, Black S — Boomtown, Bassix and Highlife guerilla & SOPHIA Bk,w-> FANTASTIC PLASTIC MACHINE plus TIM 'LOVE' LEE fMfrTrW) editrrrrrrp: Lyndsay Sung gay girls rock the party by elvira b p. 10 "what the hell did i get myself DERRICK CARTER© inSOe drums are an instrument, billy martin by sarka k p. 11 into!!! je-sus chrisssttf!" mirah sings songs, by adam handz p. 12 ad rep/acid kidd: atlas strategic: wieners or wankers? by lyndsay s. p. 13 Maren Hancock Y JUNE 10 - SPECTRUM ENT pres bleepin' nerds! autechre by robert robot p. -
The Evolution of Emo and Its Theoretical Implications 175
The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
1 Saltlakeunderground
SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 22• Issue # 266 • February 2011 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: Bethany Editor: Angela H. Brown Fischer Managing Editor: Marketing: Ischa Buchanan, Jea- Jeanette D. Moses nette D. Moses, Jessica Davis, Billy Editorial Assistant: Ricky Vigil Ditzig, Hailee Jacobson, Stephanie Action Sports Editor: Buschardt, Giselle Vickery, Veg Vol- Adam Dorobiala lum, Chrissy Hawkins, Emily Burkhart, Copy Editing Team: Jeanette D. Rachel Roller, Jeremy Riley. Moses, Rebecca Vernon, Ricky Vigil, Esther Meroño, Liz Phillips, Katie SLUG GAMES Coordinators: Mike Panzer, Rio Connelly, Joe Maddock, Brown, Jeanette D. Moses, Mike Reff, Alexander Ortega, Mary Enge, Kolbie Sean Zimmerman-Wall, Adam Doro- Stonehocker, Cody Kirkland, Hannah biala, Jeremy Riley, Katie Panzer, Jake Christian. Vivori, Chris Proctor, Dave Brewer, Billy Ditzig. Cover Artist: Lindsey Kuhn Issue Design: Joshua Joye Distribution Manager: Eric Granato Design Interns: Adam Dorobiala, Distro: Eric Granato, Tommy Dolph, Eric Sapp, Bob Plumb. Tony Bassett, Joe Jewkes, Jesse Ad Designers: Todd Powelson, Hawlish, Nancy Burkhart, Brad Barker, Kent Farrington, Sumerset Bivens, Adam Okeefe, Manuel Aguilar, Ryan Jaleh Afshar, Lionel WIlliams, Christian Worwood, David Frohlich. Broadbent, Kelli Tompkins, Maggie Office Interns: Jeremy Riley, Chris Poulton, Eric Sapp, Brad Barker, KJ, Proctor. Lindsey Morris, Paden Bischoff, Mag- gie Zukowski. Senior Staff Writers: Mike Brown,