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New Music Issue
FREE.WEEKLY. VOLUME VOLUME 71 // ISSUE 16 // JAN 19 THE 2017 NEW MUSIC ISSUE THE FIVE FAVOURITE NEW LOCAL BANDS AS CHOSEN BY YOU: KAKAGI // AWAITING THE ANSWER // JUNE KILLING STONES // ROSEBUD // TUSK THE OFFICIAL STUDENT NEWSPAPER OF THE UNIVERSITY OF WINNIPEG CDI_Uniter_Winnipeg_generic.pdf 1 2017-01-03 1:02 PM ASK ABOUT OUR EVENING CLASSES THAT FIT YOUR SCHEDULE C M a trained Y CM MY professional CY Prepare for an exciting new career in one of our accelerated CMY professional programs and be job ready in less than a year! K Get the skills and experience you need to excel in your field and create your own future. Apply today! 1.800.675.4392 NEWCAREER.CDICOLLEGE.CA Symbol of Courage We’d love to tell you more. Special offer: admission only $5 until January 31, 2017 humanrights.ca #AtCMHR THE UNITER // JANUARY 19, 2017 3 ON THE COVER Kakagi, winners of this year's Uniter Fiver, will headline the showcase at The Good Will Social Club on Jan. 19. SHOW TIME! Before I even get into all the awesome content we’ve gathered together for you in this issue, here’s a final shameless plug for our Uniter Fiver showcase. We’ve got a really great lineup for you on Jan. 19 at The Good Will Social Club: Kakagi, June Killing Stones, Tusk, Rosebud and Awaiting the Answer. Doors are at 8 p.m., show is at 9 p.m., and cover is $10 or $5 with student ID. Come join us and support new local music in Winnipeg! Beyond the show, we’ve got some extended music coverage within these pages for our annual New Music Issue. -
2014 JUNO Week Events Guide — As of March 12, 2014 –
2014 JUNO Week Events Guide — As of March 12, 2014 – Ace Burpee (Virgin Radio), Mike Pelyk, and Natalie Spooner and Rebecca Johnston (Sochi 2014 Olympic Winter Games Gold Medallists in Women’s Hockey) have been added to the roster of JUNO Cup. – p. 4 70 new acts have been added to the JUNOfest line-up (more than 50 JUNO Award Nominees!!) including Ron Sexsmith, Luke Doucet, Lemon Bucket Orkestra, The Flatliners and Small Town Pistols! – p. 5 Two new Associated JUNOfest shows have been added: Q Live at the JUNO Awards in Winnipeg and 2014 JUNO Awards Classical Music Showcase. – p. 6 Kardinal Offishall and Trevor Guthrie have been added to the JUNO Fan Fare roster. – p. 7 Lee Harvey Osmond and Little Miss Higgins will now be performing at JUNO Songwriters’ Circle. – p. 8 The 2014 JUNO Awards will be co-hosted by Classified, Johnny Reid, and Serena Ryder. – p. 9 The Science of Rock 'N' Roll at the Ontario Science Centre – p. 9 1 Dancin’ Tones and Buzzin’ Bones: Celebrating the 2014 JUNOS Date: March 15 – June 15, 2014 Time: Open during regular museum hours, visit www.manitobamuseum.ca Location: Manitoba Museum, 190 Rupert Ave, Winnipeg What: The Explore Science Zone in The Manitoba Museum’s Science Gallery is excited to offer the public a series of activities including Buzzin’ Bones, Straw Oboe, and Surfing on a Sound Wave among others, that explore the scientific principles of vibrations and waves that govern music and instruments. Purchase Details: Free with admission Contact: Vanessa Andres, Holmes PR, 416-628-5612, c: 647-828-8802, [email protected] The JUNO Tour of Canadian Art Date: March 24 – June 1, 2014 Time: Open during regular gallery hours, visit wag.ca Location: Winnipeg Art Gallery, 300 Memorial Blvd, Winnipeg What: Now in its fourth year, The JUNO Tour of Canadian Art is an exhibit that takes place at a high- profile art gallery in the host city to the JUNO Awards. -
Daily Eastern News: September 19, 2003 Eastern Illinois University
Eastern Illinois University The Keep September 2003 9-19-2003 Daily Eastern News: September 19, 2003 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2003_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 19, 2003" (2003). September. 14. http://thekeep.eiu.edu/den_2003_sep/14 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. N “Tell the truth September 19, 2003 FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 20 THEDAILYEASTERNNEWS.COM Panthers host Redbirds ISU’s explosive offense meets Eastern’s stifling defense Saturday at O’Brien Stadium. Page 12 SPORTS No charges filed yet in crash death N State’s attorney will determine whether to pursue action in homicide By Carly Mullady CITY EDITOR Pressing charges for a summer death ruled homicide is now in the State’s Attorney’s hands. Last Thursday, a coroner’s jury in Champaign County ruled the summer car accident death of Eastern student Sheila Sue Henson a homicide. The homicide ruling is then submitted to the state’s attorney in the county the accident occurred. “Depending on circumstances, sometimes they will press charges and sometimes they won’t,” Champaign Deputy Coroner Duane Northrup said. “The state’s attorney does not have to prosecute unless they feel there is enough evidence to prose- DAILY EASTERN NEWS PHOTOS BY COLIN MCAULIFFE cute a homicide.” Lorelei Sims, former Eastern graduate and owner of 5 Points Blacksmith located at 218 State St., works on a welding project A homicide ruling means the jury viewed a death Thursday afternoon. -
New S Features Arts Sports FREE March 5, 2009
www.TheReflector.ca FREE March 5, 2009 Cougars tear into playoffs …See pg. 19 & 23 Logo Up up and What if you had Cougars seek away: paper Arts one week to transfer to CIS News contest goes awry planes take live? Sports Features flight 5 7 13 21 Photo courtesy istock.com Illustration by James Paton NEWS EDITOR: Alan Mattson [email protected] Feeling the crunch Government reluctant to give growing school cash during recession March 5, 2009 by Miriam Ostermann Alberta were capped at the consumer price index (CPI), The Reflector which is directly linked to Amid falling oil prices, rising inflation. This year, CPI stood Cash crunch unemployment and reduced at 4.1 per cent, which means BRIEFS investment, the Alberta Alberta institutions were government forecast a $39.9 allowed to increase tuition by Tuition at Mount Royal (per course, 2009/2010) billion revenue with diminutive that amount from last year’s ount Royal will resources for funding part figures. As a result, the costs of college revenues leaving of the college increase or Mhost a symposium lobbyists abysmally little decrease relative to the rate of on the misconceptions wiggle room to negotiate lower inflation and the cost of tuition and stereotypes tuition fees. fees follow the same rate. Sup. course fee surrounding mental Despite such a significant Currently Mount Royal $83.25 illness on Mar. 19. Topics figure in Canada’s cash- College tuition fees are constrained economy, running at the maximum include stigma about Alberta’s revenue has proven rate of 4.1 per cent and will mental illness in the to have its limitations. -
Talking to Songwriters About Copyright and Creativity
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-01-25 Taking Inspiration: Talking to Songwriters About Copyright and Creativity Hemminger, Peter Hemminger, P. (2013). Taking Inspiration: Talking to Songwriters About Copyright and Creativity (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27972 http://hdl.handle.net/11023/478 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Taking Inspiration Talking to Songwriters About Copyright and Creativity by Peter Hemminger A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF COMMUNICATION AND CULTURE CALGARY, ALBERTA JANUARY, 2013 c Peter Hemminger 2013 Abstract In the debate surrounding contemporary approaches to copyright law, the voice of songwriters has been significantly under-represented. This thesis presents the findings of seven interviews with practising Western Canadian singer-songwriters regarding the use of pre-existing intellectual property in their creative process, as well as their understanding of and attitudes towards copyright law. These findings are placed within the context of current theoretical approaches to creativity, and are compared to the beliefs about creativity inherent in current copyright law. -
Everett Rock Band/Musician List "GH"
Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie -
Punk Lyrics and Their Cultural and Ideological Background: a Literary Analysis
Punk Lyrics and their Cultural and Ideological Background: A Literary Analysis Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Karl-Franzens Universität Graz vorgelegt von Gerfried AMBROSCH am Institut für Anglistik Begutachter: A.o. Univ.-Prof. Mag. Dr. Hugo Keiper Graz, 2010 TABLE OF CONTENTS PREFACE 3 INTRODUCTION – What Is Punk? 5 1. ANARCHY IN THE UK 14 2. AMERICAN HARDCORE 26 2.1. STRAIGHT EDGE 44 2.2. THE NINETEEN-NINETIES AND EARLY TWOTHOUSANDS 46 3. THE IDEOLOGY OF PUNK 52 3.1. ANARCHY 53 3.2. THE DIY ETHIC 56 3.3. ANIMAL RIGHTS AND ECOLOGICAL CONCERNS 59 3.4. GENDER AND SEXUALITY 62 3.5. PUNKS AND SKINHEADS 65 4. ANALYSIS OF LYRICS 68 4.1. “PUNK IS DEAD” 70 4.2. “NO GODS, NO MASTERS” 75 4.3. “ARE THESE OUR LIVES?” 77 4.4. “NAME AND ADDRESS WITHHELD”/“SUPERBOWL PATRIOT XXXVI (ENTER THE MENDICANT)” 82 EPILOGUE 89 APPENDIX – Alphabetical Collection of Song Lyrics Mentioned or Cited 90 BIBLIOGRAPHY 117 2 PREFACE Being a punk musician and lyricist myself, I have been following the development of punk rock for a good 15 years now. You might say that punk has played a pivotal role in my life. Needless to say, I have also seen a great deal of media misrepresentation over the years. I completely agree with Craig O’Hara’s perception when he states in his fine introduction to American punk rock, self-explanatorily entitled The Philosophy of Punk: More than Noise, that “Punk has been characterized as a self-destructive, violence oriented fad [...] which had no real significance.” (1999: 43.) He quotes Larry Zbach of Maximum RockNRoll, one of the better known international punk fanzines1, who speaks of “repeated media distortion” which has lead to a situation wherein “more and more people adopt the appearance of Punk [but] have less and less of an idea of its content. -
John K. Samson & the Winter Wheat Spielten Im
Songs aus zwei Solo-Alben und Klassiker seiner 2015 aufgelösten Band The Weakerthans: John K. Samson & The Winter Wheat traten in Hannover im sehr gut besuchten LUX auf. Funkeln in den Augen John K. Samson & The Winter Wheat spielten im LUX 08. Mai 2017, Von: Andreas Haug, Foto(s): Torsten Gadegast Mehr ruhige, intensive Momente, als Druck und Tempo: Am gestrigen Sonntagabend spielte der kanadische Musiker und Ex-The-Weakerthans-Frontmann John K.Samson mit seiner Band The Winter Wheat ein bemerkenswertes Konzert in Hannover. Im sehr gut besuchten LUX wurde ihm dabei hohe Aufmerksamkeit zuteil. Wenn nicht ganz selten mal eine Getränkeflasche auf den Boden kullerte, hätte man bei Balladen zeitweise die berühmte Stecknadel fallen hören. Neben dem Material aus seinen beiden Solo-Alben spielte Samson auch einige Songs aus dem Fundus der 2015 aufgelösten The Weakerthans. Da ist dieses verschmitzte Lächeln, der meist offene Blick in das aufmerksam lauschende Hannoveraner Publikum, hier und da ein Grinsen und ein Funkeln in den Augen: Der kanadische Sänger, Gitarrist und Songschreiber John K.Samson wirkt entspannt und ausgeschlafen, scheint den 75-minütigen Auftritt hier im LUX sichtlich zu genießen. Ebenso, wie die zahlreich erschienenen Besucher, die, von ganz, ganz wenigen Ausnahmen abgesehen, sich mit voller Aufmerksamkeit Samson und seiner Band The Winter Wheat hingeben, deren Rhythmusgruppe, wie auch Samson selbst, schon in der 2015 aufgelösten Indie-Rock-Band The Weakerthans zusammen wirkten. The Weakerthans mit Sänger und Frontmann John K.Samson war eine Band, die in der Indie-Szene eine hohe Wertschätzung genoss, in Deutschland vor allem durch ihr 2003er-Album „Reconstruction Site“, das zu den herausragenden Veröffentlichungen der Band aus Winnipeg zählt. -
Juno Concert Series Presents Songs from Winnipeg
MEDIA ADVISORY: JUNO CONCERT SERIES PRESENTS SONGS FROM WINNIPEG MUSICAL SHOWCASE RETURNS SATURDAY, DECEMBER 7 AT THE LEGENDARY HORSESHOE TAVERN WITH ARTISTS RAISING FUNDS FOR MUSICOUNTS — Show features Cuff the Duke, Harlan Pepper, Jeremy Fisher, Del Barber, Ridley Bent and many more playing their favourite tunes from Winnipeg musical greats like Neil Young, Bachman-Turner Overdrive, The Guess Who, The Watchmen, Streetheart and The Weakerthans. Toronto, ON (October 29, 2013) — The Canadian Academy of Recording Arts and Sciences (CARAS) along with Paquin Entertainment are gearing up for the latest edition of the JUNO Concert Series, which pays tribute to Winnipeg songwriters in advance of the 2014 JUNO Awards in Winnipeg. A diverse lineup of established artists and rising talent will collaborate to salute Winnipeg’s rich musical heritage for one unforgettable night at The Legendary Horseshoe Tavern in Toronto. Proceeds from the December 7 event will go to MusiCounts, Canada’s music education charity associated with CARAS. The slate of performers on December 7 includes Cuff the Duke, Harlan Pepper, Jeremy Fisher, Lindy, Miranda Mulholland, NQ Arbuckle, Del Barber, and Ridley Bent, with more to be announced, along with special guests. SiriusXM’s Jeff Leake will host the musical showcase. “The opportunity to bring together artists from across Canada to celebrate songs born out of Manitoba has a particularly strong personal connection for us,” explains Julien Paquin, CARAS board member and President of Paquin Entertainment Group’s Agency division, which holds offices in Toronto and Winnipeg. “We look forward to kicking off the 2014 JUNO festivities, and are thankful to partner with MusiCounts and CARAS on this event.” Advance tickets are $20 and are available now at Ticketfly.com, the Horseshoe front bar (801 Queen Street West), Soundscapes (572 College Street), and Rotate This (801 Queen Street West). -
2008/2009 Annual Report
Manitoba is overjoyed to announce the rebirth of Manitoba Film & Sound Manitoba Film & Music on January 1, 2009 continuing to make fi lm and music flourish in Manitoba Letter of Transmittal July 31, 2009 Honourable Eric Robinson Minister of Culture, Heritage, Tourism and Sport Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Robinson: In accordance with Section 16 of the Manitoba Film and Sound Recording Development Corporation Act, I have the honour to present the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fi scal year ended March 31, 2009. Respectfully submitted, David Dandeneau Chairperson Table of Contents Message ...............................................4 The Corporation ....................................... 7 Manitoba Film & Music Showcase 2009 ........ 8 Year in Review ........................................10 Production Activity ....................................16 Tax Credit ............................................. 16 Front Cover: The following are all MANITOBA FILM & MUSIC Other Dollars Levered ...............................17 supported artists and projects. TOP ROW (L - R): Promotional poster for the feature fi lm Amreeka • Twilight Hotel • The Perms • The Juries ...................................................18 Details • Alana Levandoski • Promotional poster for feature fi lm, The Haunting in Connecticut • BOTTOM ROW (L - R): Promotional Film Projects Supported .............................18 poster for Feature Film New in Town -
Shine a Light: Surveying Locality, Independence, and Digitization in Ottawa’S Independent Rock Scene
Shine a Light: Surveying Locality, Independence, and Digitization in Ottawa’s Independent Rock Scene by Michael Robert Audette-Longo A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2016 Michael Audette-Longo ii Abstract This dissertation examines the articulation and reconfiguration of locality in Ottawa's independent (indie) rock scene. It argues that styles of producing and relating to indie music that have been traditionally embedded in local scenic activity and practices of “do it yourself” (DIY) have been translated into more ubiquitous, quotidian, and valuable metadata and labour that organizes and powers the operations of disparate digital media sites, including digital music services like Bandcamp, CBC Radio 3, and Wyrd Distro. This argument is developed through closer analyses of the following case studies: the entrepreneurial strategies and musical focuses of Ottawa-based independent record labels Kelp and Bruised Tongue Records; scene-bound media like zines, blogs, music video and campus/community radio; the re-articulation of local regions as metadata that organize the search and retrieval functionalities of the digital music streaming services CBC Radio 3 and Bandcamp (a particular iteration of local regions I dub the “indexi-local”); and the concurrent incorporation of DIY labour and reconfiguration of the business of independent music evident in the digital music retailers Bandcamp and Wyrd Distro. This project contends that in the midst of digitization, the media sites, entrepreneurial strategies, and subcultural practices traditionally folded into the production of independence in local indie music scenes persist. -
Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who
Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who by Susan Elizabeth Dalby Bachelor of Music (Music History, University of Western Ontario, 2003 Bachelor of Education, University of Western Ontario, 2009 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Musicology School of Music, Faculty of Fine Arts Susan Elizabeth Dalby, 2009 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who by Susan Elizabeth Dalby Bachelor of Music (Music History), The University of Western Ontario, 2003 Bachelor of Education, The University of Western Ontario, 2009 Supervisory Committee Dr. Jonathan Goldman, School of Music, Faculty of Fine Arts Supervisor Dr. Susan Lewis Hammond, School of Music, Faculty of Fine Arts Departmental Member Dr. Lianne McLarty, History in Art, Faculty of Fine Arts Outside Member iii Abstract Supervisory Committee Dr. Jonathan Goldman, School of Music, Faculty of Fine Arts Supervisor Dr. Susan Lewis Hammond, School of Music, Faculty of Fine Arts Departmental Member Dr. Lianne McLarty, History in Art, Faculty of Fine Arts Outside Member Conducting musical analyses over three case studies, Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who considers issues of genre, culture, and identity in the music of Canadian rock band the Guess Who. The first case study discusses soft rock transformations in the songs “These Eyes” (1968), “Laughing” (1969), and “Undun” (1969).