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112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Dan Dechellis Trio
ada–music.com @ada_music NEW RELEASE GUIDE February 19 February 26 ORDERS DUE JANUARY 15 ORDERS DUE JANUARY 22 2021 ISSUE 5 February 19 ORDERS DUE JANUARY 15 OVERVIEW: NECTAR TRACKLIST: Japan-born singer and producer Joji is a multi-talented visionary, with a cult following from every corner of the inter- net. Joji is one of the most enthralling artists of the digital age. He has a total vision for his work, not just in the writ- 1. Ew ing and producing of his music, but artwork, videos, merch, and live performances as well. It’s a fully realized world 2. MODUS that his fans can inhabit and explore—and see themselves in. “My music is not biographical,” he says, but even still, 3. Tick Tock the deep, heavily shaded emotions in his songs are genuine and they speak to anyone who has ever felt stuck on 4. Daylight (w/ Diplo) the outside looking in, who knows what it means to not belong. In 2019, Joji sold-out his North America tour within 5. Upgrade minutes and performed at some of the most coveted festivals across the world, including Reading & Leeds in the UK 6. Gimme Love and Lollapalooza. As Joji surpasses 5 billion global streams, 2020 promises to be his biggest year to date. 7. Run 8. Sanctuary Joji’s sophomore studio album, Nectar, arrives September 25. With a star-studded cast of features across the 9. High Hopes (feat. Omar Apollo) 18- track album, Nectar is Joji’s most ambitious project to date. From the first 4 singles alon , Nectar has already 10. -
EBP-DA | Berkeley 1994: Paradise Lost Or Did the Drugs Just Finally Wear Off?
-----i EBP-DA | www.eastbaypunkda.com Berkeley 1994: Paradise Lost or Did The Drugs Just Finally Wear Off? And in fact he let me think, or rather ing another Berkeley that no longer exists, a tricked me into thinking that I was getting away Berkeley that perhaps no longer can exist. with it. Barely breathing and at that the same I wonder about such things when I see the time trying to appear so nonchalant that if he hangdog expressions of the beggars, the hol turned around it would look as though I just low-eyed longings of those who seek nothing Sometimes I wonder whatever became of happened to be walking by, I crept to within more elaborate than oblivion, the stooped Flam. He was the first good friend I made in two or three feet of him, until I could clearly shoulder despair of the dazed refugees whose Berkeley that summer of 1968, a veritable see the page he was perusing. home is a downtown doorway, the defiant, beanpole of a boy, with impossibly thick and I couldn't understand a word of it, howev forced exuberance of the career drunkards, the bushy hair that billowed out from his emaciated er. It was all in Latin. I let out a sigh of exas obliquely prying glances of the professional face in the shape of an enormous lightbulb. peration, simultaneously intending it to be a predators. Was it always like this? Did the He seldom if ever ventured out of his signal for Flam to turn around and greet me. -
A D V E N T U R
THE U'HAUL ADVENTURES COLLECTED COLUMNS 1996 TUESDAY MOR N I NG BY MIKE FALOON W riter Mike Faloon Presents The Choose an Intro S weepstakes ! Greetings, reader. I’ll be damned if I can decide which introduction to use for the The U- Haul Adventures, so I’ll leave the choice to you. Simply select your favorite intro, and inform me of your choice via mail or email. I’ll tally the votes and the most popular introduction will be the one that everyone reads! Tally ho! Mike #1 - For those who like the literary approach: “A prologue is written last but placed first to explain the book's shortcomings and to ask the reader to be kind. But a prologue is also a note of farewell from a writer to his book. For years the writer and his book have been together—friends or bitter enemies but very close as only love and fighting can accomplish. ” —John Steinbeck, Journal o f a Novel #2 - For those who dig the dry details: The U-Haul Adventures could be accurately subtitled “Columns I Wrote for Other Zines That My Friends Never Got to Read, Along with New Stuff I Wrote for Tour.” Last summer I went through the box in which I keep copies of zines I’ve written for. Flipping through the stack I realized that most of my friends never had a chance to read the columns, and never would given that all but one of the zines is now extinct. (Josh Rutledge’s fab Now Wave being the noteworthy exception.) And that’s not right because I often write with my friends in mind. -
The KARAOKE Channel Song List
11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat. -
Punk Rock History Project Update Punk Planet—The Collection Is Complete
This is MutantMutant PopPop free! Mailorder Catalog AH free! http://members.aol.com/mutantpop/ Hey, we rolled the odometer! Hooray for all of us! If I didn’t use the occasion to tweak the typography a little bit, i wouldn’t be doing my job. Thanks to Jeff Wison for the outstanding New Release Info dancing kids drawing, originally created for the the Pizzafest T-shirts. That cat can draw... As you can recall from MP Days of Yore, Pizzafest was gonna be a big show and pizzafeed with participants getting a free shirt, but the venue got paranoid about security, costs escalated, band avail- abilities got shaky, and the event was cancelled. Fortunately, it was replaced by not one but two “Mutant Fest” type of events: Cincinnati, OH in August (hosted by Dave Spodie of The Connie Dungs) and Columbus, OH in October (hosted by Eddie of The Proms). The bottom line is this: if you wanna have pop-punk events to attend this summer, people need to Do It Yourself. Get out there and independently organize your own Mutant Fest-type of deal! It would seem that there would be enough people and bands in the NY/NJ/PA area and possibly also in the Pacific Northwest—in addition to room for shows in the heartland of the pop-punk world, the midwest. There are rumors of a possible Connie Dungs/Dirt Bike Annie mini-tour this summer, how great would it be to tie into that? It’s something for you The 40th Mutant Pop 7”er is now on the street! people in pop-punk bands to think about—make your own fun! MP-39 THE BEAUTYS “A#1 Sex Shop Em- ployee” EP finally made it to my doorstep from Bill Smith Custom Records in LA on January 4. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
La Citta' E' Quieta… Ombre Parlano
Carlo Cannella LA CITTA’ E’ QUIETA… OMBRE PARLANO IO 11 1977 13 GLI ALTRI 17 TELEBOYS 21 SHINO 27 IL FLUSSO ELETTRICO 37 L’OLTRAGGIO 43 NO GESTAPO 49 DICTATRISTA 55 BELLADONNA 63 UN RECORD MONDIALE 65 UN GRAZIE 67 MAXIMUM ROCK’N’ROLL 69 PREAVVISATI... MA NON PREMUNITI 73 ESTREMO ATTO D’AMORE 77 LA VOLGARITA’ DEL SUCCESSO 85 SULLE TRACCE DEI DICTATRISTA 87 STIGE 91 L’ULTIMA VOLTA AL VIRUS 95 GODDAM CHURCH 99 PEOPLE OF THE PIT 103 NO-FRILLS STYLE 107 LASCIA O RADDOPPIA? 113 UNITI NELL’ABBRACCIO 117 MACELLO 123 GLI ADDII 127 LA FINE DEGLI STIGE 131 AFFLUENTE 135 DONNA, PARA IL CULO! 139 AGNOSTIC FRONT 141 UFO DIKTATORZ 145 CAZZI MOSCI E ALTRE STORIE 149 SLAPSHOT 153 L’ANNO DEGLI AFFLUENTE 155 DALLA DREAM MACHINE A VERI SUONI DELLA LIBERTA’ 159 CIAO 169 Per contatti: Carlo Cannella - [email protected] Lasciate che vi presenti la mia stupida piccola band. E’ duro da capire. Suoniamo anche se sappiamo che non verrà nessuno. Accenderemo i nostri Marshall di seconda mano, stupidi piccoli amplificatori che paghiamo con i nostri stupidi piccoli lavori. Il tipo al bar dice che siamo ok, gli ricordiamo un po’ i Green Day, ma siamo una stupida piccola band e non c’è molto da dire. Forse ci vedremo un giorno in qualche locale vuoto, noi facciamo un disco all’anno che tanto nessuno ascolta. Ogni anno ci distruggiamo un po’. Ci sciogliamo quando il batterista ci lascia. Quando lo convinciamo a fare ancora un concerto, ci lascia il bassista e ci sciogliamo di nuovo. -
Bill Bailey Vs
TheOnce:ler Of L&Ytonville Bill Bailey Vs. TheLorax MnCity� The Death (Or Was It Murder?) Of Detroit Berlin: Now Let's Tear Down Some Of Our OwnWal ls EmeraldTriangle . & San Francisco News + Northern California Punk Rock: Tons of Totally Crucial Coverage Along WithPages And. Pages Of Insignificant Fluff, Gossip & Mondo DestructoReviews .. EBP-DA | www.eastbaypunkda.com � '-.;._ -� 'Jl t.\.,._�� �- 1· / E:T. -· -...,,,.. �--- ....__� -..._ . .l'. Adventure .., CIADru& Wars: The Continues economies of sever:tJ Latin :-';m :un�ies, an hanced much.l=- p eri�an co d fi h new development m US cities Miami, New , and Lofi--==- -..: Ietnam as O UCM un, et S L I hke York y· W S Angeles. It a1so helped the CIA 10 pursue its regime· of terrorism and. I Ullm'<n1ioo uom,d <h• globe. - D 0 t All Q Vef Agalll... • . ey If ��t trouble _lay ahead for the c ociiliie kmgpi'"iisofLangl , _ Virginia. Inspired by the ,American free enter system, _ Remember Vietnam? Probably not. you're a student, you/ prise If j thousands of entrepeneuni real.1zed that there was r00m them in might have heard about it in history class, which almost guarantees,, for -'I :- � the marketpl e. Anyone with the for a p lan et IO -- you don't have any idea what it was about. you're old enough, ac money e tick �� that �ogota and the cluitzpah to bl way :::,,,--- to have been around when it was happening, even if you were one ofl' . �ff his or her past customs ms to was on the way to t fortune. -
Saladdays13 Web.Pdf
Cover Refused Pic Rigablood Below Show no mercy Pic Rigablood WHAT’S HOT 4 Library 6 Paper Toy BACKSTAGE 8 Danny Way Editor In Chief/Founder - Andrea Rigano Art Director - Alexandra Romano, [email protected] 12 Chob Advertising - Silvia Rapisarda, [email protected] 18 Don’t Sweat The Technique Traduzioni - Chiara Zetti 22 Social Distortion Photographers - Luca Benedet, Nicolas Büchi, Mattia Cabani, Angela Datre 28 Giù a Nordest Kreator, Lance 404, Augusto Lucati, Alex Luise, Enzo Mazzeo, Andrea Nunzio, Patrizia Pastore, Andrea Penco, Mike Pireddu, Alex Ruffini, StreetBoxVideoLab, Federico Vezzoli 36 Zero Boys 38 ASG Illustrators - Santana Electric Tattoo - santanaworks.wordpress.com 40 Negazione Dillinger Escape Plan Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, 44 The Metal Hand tour Ph. Rigablood Marco Capelli, Mat The Cat, Matteo Cavanna, Yari Copt, Boris Dietschi, Paola Dal Bosco, Fabrizio De Guidi, SECSE, Giangiacomo De Stefano, Flavio Ignelzi, Fra, Andrea KNGL 54 Family Album Longo, Max Mbassadò, Angelo Mora(donas), Noodles, Eros Pasi, Davide Pettenuzzo, 66 Gianmarco Moschin Alex ‘Wizo’, Marco ‘X-Man’ Xodo, Alberto Zannier 68 Fabio Limonta Stampa - Tipografia Nuova Jolly 72 This is Polorama Viale Industria 28 35030 Rubano (PD) 76 Napalm Death 78 Everytime I Die Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. 82 Max Cavalera 84 Gallo VS Rino Get in touch - www.saladdaysmag.com [email protected] 86 Those Furious Flames - Tour report facebook.com/saladdaysmag 88 D.I.Y. Chronicles twitter.com/SaladDays_it 90 Highlights L’editore è a disposizione di tutti gli interessati nel collaborare 94 Saints & Sinners con testi immagini. -
UNIVERSAL MUSIC • Ace Hood – Trials & Tribulations • Various Artists
Ace Hood – Trials & Tribulations Various Artists – Canada 24: Rock Your Cottage Weekend Vince Gill & Paul Franklin – Bakersfield And more… UNI13-30 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Robin Thicke / Blurred Lines Bar Code: Cat. #: B001868102 Price Code: SP Order Due: July 1, 2013 Release Date: July 30, 2013 6 02537 43573 9 File: R&B/Soul Genre Code: 38 Box Lot: 25 Key Tracks: Blurred Lines Give It 2 You (Feat. Kendrick Lamar) First single, “BLURRED LINES”, has already shown itself to be the summer anthem of 2013, reaching TRIPLE PLATINUM sales status in Canada already! “BLURRED LINES” is the #1 song in Canada on Soundscan for the 5TH week in a row, scanning GOLD (40,000+) each of the past 3 weeks. “BLURRED LINES” has had the highest selling week in Canada for any song in 2013 for 4 straight weeks…this week, he topped his own high for 2013, which he set last week. #4 CHR, #6 Hot AC, and #30 AC this week and the #1 Audience Gainer in the country at radio for the 3rd week in a row. Video is in Heavy Rotation at MUCHMUSIC Over 50 MILLION views for the “Blurred Lines” video on Vevo Currently working on a promotional trip to Toronto and Montreal in August to do press for album launch. Also Available: Artist/Title: Robin Thicke / Love After War Cat#: B001629102 Price Code: SP UPC#: 602527870014 INTERNAL USE Label Name: Interscope Territory: International Release Type: L For additional artist information please contact Jeremy Tanny at 416‐718‐4247 or [email protected] UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: FIVE FINGER DEATH PUNCH / THE WRONG SIDE OF Bar Code: HEAVEN… VOL 1 (CD) Standard Cat. -
Walter Benjamin's Progressive Cultural Production and DIY Punk
Journal of Popular Music Studies, Volume 24, Issue 2, Pages 217–237 “If It Ain’t Cheap, It Ain’t Punk”: Walter Benjamin’s Progressive Cultural Production and DIY Punk Record Labels Kevin Dunn Hobart and William Smith Colleges This article examines contemporary independent do-it-yourself (DIY) punk record labels, regarding them as potentially significant sites of political engagement at the intersection of cultural production and the global political economy. Drawing upon extensive interviews with well over a hundred DIY punk labels from around the globe, the article explores the varied ways in which DIY record labels offer possibilities for political resistance. The article first sketches the development of the global DIY punk record industry over the past several decades, noting the translocal networks that have helped create and connect punk scenes across the globe. The article then explores the practices of these record labels, drawing particular attention to distinctions between DIY and major corporate record labels. Central to this section is the argument that, in most cases, DIY record labels serve as both a social activity and an anticapitalist business model. This leads into an examination of the ways in which DIY punk labels embody Walter Benjamin’s call for progressive cultural production. The recent Occupy Wall Street and related movements have thrown into stark relief many people’s frustrations with globalization and existing capitalist structures and practices, as well as the inherent challenges of imagining, articulating, and realizing alternative ways of being. This is particularly true given the seeming ubiquity of global corporate-led capitalism. As Hardt and Negri (2000) argued in Empire, this system has become all-encompassing, flattening out the fragmented sovereign nation- state system that pre-existed it, to create a fully-enclosed system to which there is no exterior.