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With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties. -
April's Fools
APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom. -
JELLO IS FREE! Byruth Schwartz Therealitv of the Courtroom,The Realitv of the Legalsystem I"S Not Like Anyother Reality Anywhere Orlor Invone
OCTOBER37 THIS TSART! JELLO IS FREE! ByRuth Schwartz Therealitv of the courtroom,the realitv of the legalsystem i"s not like anyother reality anywhere orlor invone. It is still inbredibleto rnethat these officersof tnecourt train in thisrealitv for somanv years. I think that all of us who walkedin therb blind,with a senseof iusticeand anger over this disruption of our livesand liberty iearned a big"lessonin logic,lhw, and reason. When we started this trial.................(continued inside) ** {. r.rrhe q ti b.rlr. $ sd jndvs|l|a&[vt'Elb.o|oi t '. d db !on.^ d br or e o'yr t io sv. bdE rc o'.i - rts,d @ rrYb tl, .d,brnhr*hr'snb*daalr*'$ I io'r.d or, d rq'di€ rrd ft. i'.r F I q r'r d Fla r.*{i rd v{ rd yd I '|l t cr&dy d cd tJ rdd i! ,A & n..h .r,rd rnro r'!.r y4 6 dr \ d {rb^ rh', d M !.i pcd ,{, 't 6.6m. rM b$ly rFr i io b {Jt- \ l'.6lhdf.lls'.4rq..|Mton.?,jgl##5rofiffi$r ,,4\ . 7 oor'!.d.tr!bd. @d,d. dr "ryil,'"ry" *i?; sp -- l: ffi"8ft f i,lf*"i ;a hi, b. -d6!b i6' bd 'o - .-\'/'/l j'r. 'r -- \t //1 <, h '*adq d oo. d ^t'!o. d.a.l0.lpiid'rdk.lo,b..ff| sl'ld.d@{dp'ld,q'cidbh 'dlb!d,l'.d/M.|'d6oh P}IANTOMRECORDS GNP FREESPEECH NIEUWEKOEKRAND BARBIEARMY ATOMICGOOS HENRYNOLLINS JEFFSALE SACREDDENIAL t'Dahn dah aahn dahrr" oao who Dgrtrrrnlndod sll the soarches) wa! prc6strt ss the assiBta[t to ths pt!|4ntor throughout the trlal. -
IN THEATERS FRIDAY, MARCH 11 Register to Win A
Become a CAMPUS CIRCLE Fan on Facebook http://bit.ly/dhFhEE INSIDE campus CIRCLE campus circle UC Riverside March 2 - March 8, 2011 Vol. 21 Issue 9 Summer Spain 6 Editor-in-Chief England Jessica Koslow Study [email protected] 18 Managing Editor Abroad 8 Yuri Shimoda [email protected] 04 BLOGS D-DAY Program Film Editor Jessica Koslow 05 BLOGS BARFLY [email protected] All UC and Visiting Students are Welcome to Apply! 14 BLOGS TREND BLENDER Cover Designer Deadline to apply: May 9, 2011 Sean Michael Challenge your senses and open your imagination while you explore and 06 FILM TV TIME Editorial Interns discover the far-reaching influences ofSpain ’s Past and Present, Dana Jeong, Cindy KyungAh Lee or spend five weeks walking in Shakespeare’s World inEngland . 06 FILM MOVIE REVIEWS Madrid, Spain: June 20 – July 23, 2011 Contributing Writers 07 FILM DVD DISH London, England: July 25 – August 27, 2011 Tamea Agle, Priscilla Andrade, Mary Broadbent, Erica Carter, Richard Castañeda, Deepthi (Check with your campus Financial Aid Office for program Cauligi, Amanda D’Egidio, Natasha Desianto, assistance and Scholarship opportunities. A non-refundable 08 FILM TAKE ME HOME TONIGHT $300 application fee is required with submission.) Sean Fitz-Gerald, Stephanie Forshee, Jacob Teresa Palmer and Topher Grace Gaitan, Denise Guerra, Elisa Hernandez, Zach Students earn 8 units of UC credit by taking two classes Hines, Da Ron Jackson, Alexandre Johnson, during the five week program. Check out the website for more information and to download your application today! flashback to the ’80s. Mike Matusiewicz, Stephanie Nolasco, Samantha Ofole, Brien Overly, Ariel Paredes, www.summerstudyabroad.ucr.edu 08 FILM RANGO Sasha Perl-Raver, Eva Recinos, Mike Sebastian, Doug Simpson, John Stapleton IV, David Tobin, Drew Vaeth, James Violette, Kevin Wierzbicki, Johnny Depp and Gore Verbinski reunite The Wing Girls, Candice Winters and get animated. -
Contag 100 011
UB-INNSBRUCK FAKULTATSBIBLIOTHEK THEOLOGIE Z3 CONTAG 100 011 VOLUME 11 SPRING 2004 EDITOR ANDREW MCKENNA I LOYOLA UNIVERSITY OF CHICAGO ADVISORY EDITORS REN£ GIRARD, STANFORD UNIVERSITY JAMES WILLIAMS, SYRACUSE UNIVERSITY EDITORIAL BOARD REBECCA ADAMS CHERYL K3RK-DUGGAN UNIVERSITY OF NOTRE DAME MEREDITH COLLEGE MARK ANSPACH PAISLEY LIVINGSTON £COLE POLYTECHNIQUE, PARIS MCGILL UNIVERSITY CESAREO BANDERA CHARLES MABEE UNIVERSITY OF NORTH CAROLINA ECUMENICAL THEOLOGICAL SEMINARY, DETROIT DIANA CULBERTSON KENT STATE UNIVERSITY JOZEF NIEWIADOMSKI THEOLOGISCHE HOCHSCHULE, LINZ JEAN-PIERRE DUPUY STANFORD UNIVERSITY, £COLE POLYTECHNIQUE SUSAN NOWAK SYRACUSE UNIVERSITY PAUL DUMOUCHEL UNIVERSITE DU QUEBEC A MONTREAL WOLFGANG PALAVER UNIVERSITAT INNSBRUCK ERIC GANS UNIVERSITY OF CALIFORNIA, LOS ANGELES MARTHA REINEKE UNIVERSITY OF NORTHERN IOWA SANDOR GOODHART WHITMAN COLLEGE TOBIN SIEBERS UNIVERSITY OF MICHIGAN ROBERT HAMERTON-KELLY STANFORD UNIVERSITY THEE SMITH EMORY UNIVERSITY HANS JENSEN AARHUS UNIVERSITY, DENMARK MARK WALLACE SWARTHMORE COLLEGE MARK JUERGENSMEYER UNIVERSITY OF CALIFORNIA, EUGENE WEBB SANTA BARBARA UNIVERSITY OF WASHINGTON Rates for the annual issue of Contagion are: individuals $10.00; institutions $32. The editors invite submission of manuscripts dealing with the theory or practical application of the mimetic model in anthropology, economics, literature, philosophy, psychology, religion, sociology, and cultural studies. Essays should conform to the conventions of The Chicago Manual of Style and should not exceed a length of 7,500 words including notes and bibliography. Accepted manuscripts will require final sub- mission on disk written with an IBM compatible program. Please address correspondence to Andrew McKenna, Department of Modern Languages and Literatures, Loyola University, Chicago, IL 60626. Tel: 773-508-2850; Fax: 773-508-2893; Email: [email protected]. Member of the Council of Editors of Learned Journals CELJ © 1996 Colloquium on Violence and Religion at Stanford ISSN 1075-7201 Cover illustration: Pieter Bruegel the Elder, Envy, 1557. -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
10. a Crass Course in Education
ROBERT HAWORTH 10. A CRASS COURSE IN EDUCATION Punk Art, Music and Informal Learning Feeding of the 5000 J. Austin (Ed.), Spinning Popular Culture as Public Pedagogy, 107–115. © 2017 Sense Publishers. All rights reserved. R. Haworth As I sift through punk albums from the 1980s, the artwork on the sleeves (not to mention the etched out grooves of analog music within these cardboard gems) brings back memories of resistance, anger, joy, and frustration. The emotional impact is overwhelming. In many instances, the significance of one cover has connections to another. Moreover, these images are embedded in my own complex experiences during my youth. A larger question comes to mind, “Is it possible to choose an album cover that represents how I, or better stated, ‘we,’ experienced punk?” Part of the complicated process of choosing a cover coincides with how I have internalized my experiences, and how my own knowledge and understanding has emerged from these influential bands, artists, and local “scenes”- especially during tremulous times- both externally and internally. Additionally, my confusion in choosing a specific cover stems from the complex nature of punk’s political and cultural spaces or “counter-publics”. In many cases, the “counter-publics” we (participants in the “scene”) constructed were situated and somewhat temporary; however, these spaces were interwoven with and connected to larger movements that contested the oppressive political and economic institutions of the time. Consider the Dead Kennedys’ song “California Über Alles” (1980) where Jello Biafra lyrically paints the political landscape of California as fascists, and the U.K. band, Crass, who characterized and mocked Margaret Thatcher and Ronald Reagan’s attacks on the poor and working class. -
Revocation High on Fire Horrendous Monster
ONCE HUMAN FIT FOR A KING PYREXIA HORRENDOUS REVOCATION STAGE OF EVOLUTION DARK SKIES UNHOLY REQUIEM IDOL THE OUTER ONES EARMUSIC SOLID STATE RECORDS UNIQUE LEADER RECORDS SEASON OF MIST METAL BLADE Evolution was not just the title of Once Human’s No matter the pristine picture of self-worth we Long standing New York death metal legends Pyrexia Horrendous explode out of the underground with Pushing both the death metal and progressive elements sophomore release last year — it was an armor-plated project, in the unquenchable pursuit of recognition return with its newest and, arguably, most devastating its incredible new album Idol. Drawing inspiration of its signature sound harder than ever, The Outer Ones declaration. And it evolved into something big. Stage and affirmation, the gnawing anxiousness of guilt and album, Unholy Requiem. Recorded, mixed, and from both personal and national crises, Idol’s music represents Revocation at its boldest, most aggressive Of Evolution is the consequential mutation of the brokenness chews away at our spirits, uncovering mastered by guitarist Chris Basile, Unholy Requiem is a methodical and unapologetic take on dynamic, and complex. Moving away from the societal and Evolution album from studio to stage. “I know it’s new pain and vulnerability. Dark Skies is Fit For A finds Pyrexia revisiting its filthy, pulverizing, classic progressive death metal. Thematically, the ambitious historical themes that informed 2016’s Great is Our Sin, uncommon for a band who is not headlining to record King’s evocative declaration of a hard won victory. sound. Basile said of the album, “This album is definitely new album is an exploration of defeat, of the gods we vocalist/guitarist Dave Davidson has immersed himself a live album,” says Logan Mader, who metalheads “This album is far from happy. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
EBP-DA | Berkeley 1994: Paradise Lost Or Did the Drugs Just Finally Wear Off?
-----i EBP-DA | www.eastbaypunkda.com Berkeley 1994: Paradise Lost or Did The Drugs Just Finally Wear Off? And in fact he let me think, or rather ing another Berkeley that no longer exists, a tricked me into thinking that I was getting away Berkeley that perhaps no longer can exist. with it. Barely breathing and at that the same I wonder about such things when I see the time trying to appear so nonchalant that if he hangdog expressions of the beggars, the hol turned around it would look as though I just low-eyed longings of those who seek nothing Sometimes I wonder whatever became of happened to be walking by, I crept to within more elaborate than oblivion, the stooped Flam. He was the first good friend I made in two or three feet of him, until I could clearly shoulder despair of the dazed refugees whose Berkeley that summer of 1968, a veritable see the page he was perusing. home is a downtown doorway, the defiant, beanpole of a boy, with impossibly thick and I couldn't understand a word of it, howev forced exuberance of the career drunkards, the bushy hair that billowed out from his emaciated er. It was all in Latin. I let out a sigh of exas obliquely prying glances of the professional face in the shape of an enormous lightbulb. peration, simultaneously intending it to be a predators. Was it always like this? Did the He seldom if ever ventured out of his signal for Flam to turn around and greet me. -
Punk Rock History Project Update Punk Planet—The Collection Is Complete
This is MutantMutant PopPop free! Mailorder Catalog AH free! http://members.aol.com/mutantpop/ Hey, we rolled the odometer! Hooray for all of us! If I didn’t use the occasion to tweak the typography a little bit, i wouldn’t be doing my job. Thanks to Jeff Wison for the outstanding New Release Info dancing kids drawing, originally created for the the Pizzafest T-shirts. That cat can draw... As you can recall from MP Days of Yore, Pizzafest was gonna be a big show and pizzafeed with participants getting a free shirt, but the venue got paranoid about security, costs escalated, band avail- abilities got shaky, and the event was cancelled. Fortunately, it was replaced by not one but two “Mutant Fest” type of events: Cincinnati, OH in August (hosted by Dave Spodie of The Connie Dungs) and Columbus, OH in October (hosted by Eddie of The Proms). The bottom line is this: if you wanna have pop-punk events to attend this summer, people need to Do It Yourself. Get out there and independently organize your own Mutant Fest-type of deal! It would seem that there would be enough people and bands in the NY/NJ/PA area and possibly also in the Pacific Northwest—in addition to room for shows in the heartland of the pop-punk world, the midwest. There are rumors of a possible Connie Dungs/Dirt Bike Annie mini-tour this summer, how great would it be to tie into that? It’s something for you The 40th Mutant Pop 7”er is now on the street! people in pop-punk bands to think about—make your own fun! MP-39 THE BEAUTYS “A#1 Sex Shop Em- ployee” EP finally made it to my doorstep from Bill Smith Custom Records in LA on January 4. -
Music Censorship and the American Culture Wars
Parental Advisory, Explicit Content: Music Censorship and the American Culture Wars Gavin Ratcliffe Candidate for Senior Honors in History Oberlin College Thesis Advisor: Clayton Koppes Spring Semester 2016 Table of Contents Acknowledgments…………………………………………………………….…………….Page II Introduction……………………………………………………………………………….....Page 1 Chapter 1: Censorship and Morality……………………………………………………… Page 10 Chapter 2: Rockin’ and Rollin’ with the PMRC…………………………………………...Page 20 Chapter 3: Killing the Dead Kennedys…………………………………………………….Page 31 Chapter 4: As Legally Nasty as they Wanna Be…………………………………...............Page 40 Conclusion………………………………………………………………………………….Page 60 Bibliography……………………………………………………………………………..…Page 63 Ratcliffe I Acknowledgements To my grandmother, Jennifer Roff, for 22 years, and counting, of love and support Ratcliffe II Introduction In December, 1984 Tipper Gore bought her 11 year old daughter, Karenna, Prince’s Purple Rain album. Like many other young children, Karenna had heard Prince’s music on the radio and wanted to hear more. Upon listening to the full album Karenna alerted her mother to the provocative nature of some of Prince’s lyrics, such as the track “Darling Nikki,” which contained the lyrics “I knew a girl named Nikki/Guess you could say she was a sex fiend/I met her in a hotel lobby/Masturbating with a magazine.”1 Tipper and Karenna Gore were embarrassed and ashamed that they were listening to such vulgar music, that they were doing so in their home. Deviance and profanity, something that one would expect to find in the street or back alleys had gotten into their home, albeit unwittingly. Tipper Gore soon realized that similar content was being broadcast into their home through other mediums, such as the new, wildly popular Music Television (MTV).