Timeline / 1810 to 1910 / FINE and APPLIED ARTS
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Issues of Gender Representation in Modern Greek Art the Case of Thaleia Flora-Caravia’S Photographic Images and Self-Portraits
p Issues of Gender Representation in Modern Greek Art The Case of Thaleia Flora-Caravia’s Photographic Images and Self-Portraits Despoina Tsourgianni ABSTRACT There is a recent trend, mainly in the fi eld of historiography but also in art history, toward the exploration of female autobiographical discourse, whether it concerns writ- ten (autobiographies, correspondence), painted (self-portraits), or photographic data. On the basis of the highly fruitful gender perspective, this article seeks to present and interpret the numerous photographs of the well-known Greek painter Thaleia Flora- Caravia. These photographic recordings, taken almost exclusively from the painter’s unpublished personal archive, are inextricably linked to the artist’s self-portraits. This kind of cross-examination allows the reader to become familiar with the mosaic of roles and identities that constitutes the subjectivity of female artists in Greece in the late nineteenth and early twentieth centuries. KEYWORDS: autobiography, female artist, modern Greek art, photography, self-portrait p Introduction No opening words could be more appropriate to introduce a study on twentieth- century artist representation than the verses of Rainer Maria Rilke on the painter Paula Modersohn-Becker: So free of curiosity your gaze had become, so unpossessive, of such true poverty, it no longer desired even you yourself; it wanted nothing: holy.1 aspasia Volume 13, 2019: 31–64 doi:10.3167/asp.2019.130105 32 DESPOINA TSOURGIANNI It is of key importance to note the way in which this emblematic poet of modernity perceives the ideal depiction of oneself: as one being stripped of any vanity that leads to the beautifi cation of physical characteristics. -
(2019), the Vardar River As a Border of Semiosphere – Paradox Of
Geographia Polonica 2019, Volume 92, Issue 1, pp. 83-102 https://doi.org/10.7163/GPol.0138 INSTITUTE OF GEOGRAPHY AND SPATIAL ORGANIZATION POLISH ACADEMY OF SCIENCES www.igipz.pan.pl www.geographiapolonica.pl THE VARDAR RIVER AS A BORDER OF SEMIOSPHERE – PARADOX OF SKOPJE REGENERATION Armina Kapusta Urban Regeneration Laboratory Institute of Urban Geography and Tourism Studies Faculty of Geographical Sciences University of Łódź Kopcińskiego 31, 90-142 Łódź: Poland e-mail: [email protected] Abstract As suggested by its etymology, regeneration usually carries positive connotations while its negative aspects tend to be belittled. However, any renewal results in major morphological, physiognomic, functional or social changes, which imply changes in the meanings encoded in space. These transformations are not always welcome and they may lead to public discussions and conflicts. Skopje 2014 is a project within which such controversial transformations have been taking place. The area surrounding the Vardar River and its banks plays a major role here. On the river banks monumental buildings were erected, bridges over the river were modernised and new ones, decorated with monuments, were built for pedestrians. Bridges can be considered a valuable component of any urban infrastructure as they link different parts of a settlement unit (in the case of Skopje – left (northern) bank and the right (southern) bank; Albanian and Macedonian), improve transport, facilitate trade and cultural exchange. In this context, referring to Lotman’s semiosphere theory, they may become borders of semiotic space, which acts as a filter that facilitates the penetration of codes and cultural texts. Yet, in multicultural Skopje meanings attached to bridges seem to lead to social inequalities as they glorify what is Macedonian and degrade the Albanian element. -
Timeline / 1890 to Before 1800 / REPUBLIC of MACEDONIA (FYROM)
Timeline / 1890 to Before 1800 / REPUBLIC OF MACEDONIA (FYROM) Date Country Theme 1901 Republic of Macedonia Fine And Applied Arts (FYROM) One of the founders of Macedonian modern art, Lazar Lichenoski (d. 1964) is born in Galichnik. After graduating from Belgrade Art School he attended prestigeous art schools in Paris. He is best known for his landscapes, which reveal the harmonious beauty of nature through endless views from the peak of Bistra Mountain. Lichenoski introduced expressionism in Macedonian art. 1902 Republic of Macedonia Music, Literature, Dance And Fashion (FYROM) Birth of writer Stale Popov in Melnca, Mariovo Region. He began writing early immortalising tales from Macedonian folk tradition about Itar Pejo (Smart Pejo). He achieved eminence after publication of his first novel Patchwork Life. His talent lay in introducing themes from social life. His other well-known novels are Kalesh Angja and Tole Pasha. 1903 Republic of Macedonia Fine And Applied Arts (FYROM) A founder of contemporary Macedonian art, Nikola Martinoski is born in Krushevo (d. 1973). He learned painting in the Skopje workshop of the icon painter Dimitar Andonov, and in Bucharest and Paris. His distinctive expressionist style depicts social themes and portraits, influenced by Macedonian frescos and the modern Parisian school. His outstanding work is the painting "Mother and Child". 1903 Republic of Macedonia Migrations (FYROM) The Slav-Macedonian Scientific Literary Society, also known as the St Petersburg Colony, is established. It plays an important role in the national awakening of Macedonians and raising the issue of the independence of Macedonia within the international community. 1903 Republic of Macedonia Migrations (FYROM) Publication in Sofia of On Macedonian Matters by Krste Petkov Misirkov (1874– 1926). -
The Greek Sale
athens nicosia The Greek Sale thursday 8 november 2018 The Greek Sale nicosia thursday 8 november, 2018 athens nicosia AUCTION Thursday 8 November 2018, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 monday 22 to wednesday 24 october 2018, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens tuesday 6 to wednesday 7 november 2018, 10 am to 9 pm Christos Panayides, Nicosia thursday 8 november 2018, 10 am to 6 pm exhibition instalation / art transportation Move Art insurance Lloyds, Karavias Art Insurance printing Cassoulides MasterPrinters ISBN 978-9963-2497-2-5 01 Yiannis TSAROUCHIS Greek, 1910-1989 The young butcher signed and dated ‘68 lower right gouache on paper 16.5 x 8.5 cm PROVENANCE private collection, Athens 1 800 / 3 000 € Yiannis Tsarouchis was born in 1910 in Piraeus, Athens. In 1928 he enrolled at the School of Fine Art, Athens to study painting under Constantinos Parthenis, Spyros Vikatos, Georgios Iakovides and Dimitris Biskinis, graduating in 1933. Between 1930 and 1934, he also studied with Fotis Kondoglou who introduced him to Byzantine painting. In 1935, Tsarouchis spend a year in Paris, where he studied etching at Hayterre studio; his fellow students included Max Ernest and Giacometti. -
The Greek Sale Nicosia Tuesday 24 May 2016
The Greek Sale nicosia tuesday 24 may 2016 The Greek Sale nicosia tuesday 24 may 2016 athens london nicosia The Greek Sale nicosia tuesday 24 may 2016 2 managing director Ritsa Kyriacou AUCTION marketing & sales director Marinos Vrachimis Tuesday 24 May 2016, at 8 pm auctioneer John Souglides 14 Evrou Street, Strovolos Nicosia, 2003 london representative Maro Limnios athens representative Michalis Michael viewing - NICOSIA CYPRIA , 14 Evrou Street, Strovolos, Nicosia, 2003 for bids and enquiries Tel. +357 22341122/23 Mob. +357 99582770 wednesday 18 to monday 23 may 2016, 10 am to 9 pm Fax +357 22341124 tuesday 24 may 2016, 10 am to1 pm Email: [email protected] to register and leave an on-line bid www.cypriaauctions.com catalogue design Miranda Violari english text Marinos Vrachimis Eleni Kyriacou photography Christos Panayides printing Cassoulides MasterPrinters ISBN 978-1-907983-11-5 6 01 Alexandros ALEXANDRAKIS Greek, 1913-1968 Maternity I signed and dated 24.VIII.53 lower right pencil on paper 35 x 49 cm PROVENANCE estate of the artist, Athens private collection, London LITERATURE Alexandrakis, The Nude, Gallery K, London, 1998, p. 70, illustrated 1 500 / 2 000 € Alexandrakis graduated from The School of Fine Art, Athens in 1937, having won all the major art awards; those of Portrait, Nude, Semi-nude and Composition. His achievements are considered unique in the history of the annual prize of the school. Alexandrakis is an artist of international repute, having forged a strong reputation in the USA where he regularly submitted work to The Guggenheim in New York for its annual exhibition. -
Timeline / 1860 to After 1930 / FINE and APPLIED ARTS
Timeline / 1860 to After 1930 / FINE AND APPLIED ARTS Date Country Theme 1860 - 1910 Germany Fine And Applied Arts Realism (a backlash to both Classicism and Romanticism) is exemplified by French artist Gustave Courbet’s Die Steinklopfer (1849), although long before then Albrecht Dürer had painted his highly realistic Junger Feldhase (1502). 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1860 Republic of Macedonia Fine And Applied Arts (FYROM) The icon “Seven Holy Teachers” (Sedmochislenitzi) is painted by the most significant representative of Christian religious art in Macedonia, Dicho Krstevic Zograph, at the peak of his creativity. It represents the Slav missionaries Sts Cyril and Methodius and their disciples Clement, Nahum, Gorazd, Sabbas and Angelarij in a solo composition. His icons are distinguished by bright colour and baroque features. 1860 Spain Fine And Applied Arts The Manises pottery begins to produce objects in lustreware. 1860 - 1918 Jordan Fine And Applied Arts Newcomers to Transjordan, whether from neighbouring Arab countries such as Syria, Palestine and Hijaz or from further afield such as Caucasus, bring with them not only artefacts of their home culture, including personal ornaments, weapons, costumes and treasured items, but also the necessary skills and social habits that help them to adapt in their new homeland. 1860 - 1870 Italy Fine And Applied Arts In opposition to academic painting, the Macchiaioli movement (Telemaco Signorini, Vincenzo Cabianca and Silvestro Lega) experiments with “spot painting”, based on the strong contrast between light and shadow. -
Book of Abstracts
7th Balkan Symposium on Archaeometry University of Hellenic Society Non-Profit Organization West Attica of Archaeometry Perrevia Network Book of Abstracts Athens, 22-25 September 2020 7th Balkan Symposium on Archaeometry University of Hellenic Society Non-Profit Organization West Attica of Archaeometry Perrevia Network Organizing Committee Prof. Theodore Ganetsos, University of West Attica, [email protected] Dr. Yorgos Facorellis, Associate Professor, University of West Attica, President of Hellenic Society of Archaeometry, [email protected] Dr. Nikolaos Laskaris, Post-Doctoral Fellow, University of West Attica, [email protected] Dr. Artemios Oikonomou, Post-Doctoral Researcher, Science and Technology in Archaeology and Culture Research Center, STARC, The Cyprus Institute, [email protected] Dr. Georgios Mastrotheodoros, Post-Doctoral Fellow, University of West Attica, [email protected] International Advisory Committee Biljana Minčeva Šukarova (FY Republic of Macedonia) Orhideja Gruče (FY Republic of Macedonia) Sevirn Akyűz (Turkey) Roxana Radvan (Romania) Ivelin Kuleff (Bulgaria) Costas Fotakis (Greece) Emmanuel (Manolis) Pantos (United Kingdom) Howell Edwards (United Kingdom) Ivanka Holciajtner-Antunović (Serbia) Nikolla Civici (Albania) Philippe Colomban (France) Margarita Grozeva (Bulgaria) Petya Penkova (Bulgaria) Scientific Committee Prof. Sevim Akyuz (Instabul University, Turkey) Ass. Prof. Dimitris Anagnostopoulos (University of Ioannina, Greece) Dr. Yannis Bassiakos (NSCR Demokritos, Greece) Ass. Prof. Stamatis Boyatzis (University of West Attica, Greece) Prof. Nikolla Civici (University of Tirana, Albania) Dr. Philippe Colomban (CNRS, France) Ass. Prof. Yorgos Facorellis (University of West Attica, Greece) Dr. Eleni Filippaki (NSCR Demokritos, Greece) Prof. Theodore Ganetsos (University of West Attica, Greece) Dr. Margarita Grozeva (Academy of Sciences, Bulgaria) Athens, 22-25 September 2020 7th Balkan Symposium on Archaeometry University of Hellenic Society Non-Profit Organization West Attica of Archaeometry Perrevia Network Prof. -
Timeline / Before 1800 to 1890 / FINE and APPLIED ARTS
Timeline / Before 1800 to 1890 / FINE AND APPLIED ARTS Date Country Theme 1700 - 1750s Germany Fine And Applied Arts "Palace Schwetzingen" is bulit and flourised under the Palatine Prince Elector Carl Theodor. The baroque castle complex includes more than 100 sculptures and a "Türkischer Garten" ("Turkish Garden") with a mosque, biult from 1779 to 1791, that makes it the earliest mosque- style in Germany and the largest structure of its kind in a german garden. It was designed by Nicolas de Pigage. However the oriental details are not for religious but for decorative purposes. 1770 - 1830 Germany Fine And Applied Arts The painting by Johann Heinrich Wilhelm Tischbein, Goethe in der Campagna (1786/87), exemplifies Classicism in art at this time. 1777 - 1810 Portugal Fine And Applied Arts Under Queen Maria I (1734–1816) and King João VI (1767–1826) a new neoclassical decorative grammar replaces the dominant rococo style. Besides French and English influences, the main features of the furniture are the carving of classical inspiration and the inlay work using various woods, creating both geometrical and floral compositions. About 1790 - About 1850 France Fine And Applied Arts As in literature, painting sees a similar confrontation between Neoclassicism (e.g. the work of Ingres) and Romanticism, the latter also influencing sculpture. Academicism endured throughout the 19th century (i.e. Bouguereau, Gérôme and Cabanel). 1790 - 1840 Germany Fine And Applied Arts The painting by Caspar David Friedrich, Der Wanderer über dem Nebelmeer (1818), exemplifies Romanticism in art at this time. 1810 - 1880 Tunisia Fine And Applied Arts Buildings present innovation in their architecture, decoration and positioning. -
“Heroes” in Neo-Hellenic Art (19Th – 20Th Centuries) the New National Models and Their Development Panagiota Papanikolaou International Hellenic University
Volume 2, Issue 5, May 2015, PP 249-256 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) www.arcjournals.org International Journal of Humanities Social Sciences and Education (IJHSSE) “Heroes” in Neo-Hellenic Art (19th – 20th Centuries) the New National Models and their Development Panagiota Papanikolaou International Hellenic University “Pity the country that needs heroes.” Bertolt Brecht Abstract The outbreak of the Greek Revolution in 1821 acted as a catalyst for the country and put in place the conditions for the occurrence of many new phenomena, such as the emergence of art, for example, which was influenced by Western mannerisms. This has been considered absolutely normal, because this is when the actual conditions for the development of art were met. The social, legal, moral and political conditions were completely overhauled and this enabled citizens to express themselves freely. (1) For Greeks, the Greek Revolution has been the great historical event out of which the new Greek state emerged. However, to achieve this, sacrifices and struggles have been necessary, which resulted in certain people standing out for their achievements, bringing back to the people’s memory the ancient myths about semi-gods and heroes as well as the saints of the Christian religion. The heroes and heroines of the new Hellenism leapt out of the Greek Revolution, lauded by poets and represented by artists. In general, there are many categories of “heroes”, as there are many definitions thereof. According to dictionaries, a “hero” is someone “who commits a valiant act, often to the point of sacrificing themselves”, a person who achieves something particularly difficult and who is admired by others. -
The Greek Sale
athens nicosia The Greek Sale tuesday 28 may 2019 The Greek Sale nicosia tuesday 28 may, 2019 athens nicosia AUCTION Tuesday 28 May 2019, at 7.30 pm HILTON CYPRUS, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 thursday 16 to saturday 18 may 2019, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari HILTON CYPRUS, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens sunday 26 to monday 27 may 2019, 10 am to 9 pm tuesday 28 may 2019, 10 am to 6 pm exhibition instalation / art transportation MoveArt insurance Lloyds, Karavias Art Insurance printing Printco Cassoulides Ltd ISBN 978-9963-2497-3-2 01 Nikolaos LYTRAS Greek, 1883 -1927 Horseback signed lower right pencil on paper 11.2 x 15.5 cm PROVENANCE private collection, Athens NOTE We are grateful to Aphroditi Kouria for her assistance in authenticating this lot. 1 500 / 2 000 € Nikolaos Lytras was born in 1883 in Athens and was the son of the famous artist Nikiforos Lytras. He had his first art lessons from his father and later studied at the School of Fine Art, Athens graduating with distinction. In 1907 on a scholarship from the Panagia Evangelistria of Tinos Foundation he continued his studies at the Royal Academy of Fine Art, Munich in the workshop of L. -
(Uumm))Ppoossssiibbiilliittyy Ffoorr Hhiissttoorriicciizziinngg
Irina Genova Modernism(UU andmm )Modernity)PPoossss -iibbiilliittyy (Im)Possibility for Historicizing ffoorr HHiissttoorriicciizziinngg Art in Bulgaria and Artistic Exchanges with Balkan Countries Ñîôèÿ / Sofia 2003 Êíèãàòà ñå èçäàâà ñúñ ñúäåéñòâèåòî íà Íàöèîíàëåí ôîíä êóëòóðà ÍÀÖÈÎÍÀËÅÍ This book has been published following a competition organized by The National Culture Fund ÔÎÍÄ ÊÓËÒÓÐÀ This book is the result of a project on modernisms on the Balkans, whose realization began in 1995 thanks to a fellowship from the Paul Getty Foundation, California. A stimulating continuation for me was the Summer Institute in Visual and Cultural Studies, 1998, organized by the Paul Getty Foundation in the University of Rochester, New York. A possibility for presenting some of my research as a text was the three-year project in the Institute of Art Studies, Bulgarian Academy of Sciences. The study about the women artists was accomplished in the frame of a collective research project, financed by the Research Support Scheme of the Open Society Institute (RSS / OSI / HESP), Prague. The courses in visual arts in the Summer School of the Central European University in Budapest, in 2002 and 2003, gave me a golden opportunity for professional contacts with foreign colleagues as well as the chance to use the rich information resources of the University. Last but not least, my work on the project was intellectually stimulated by courses on similar topics at the New Bulgarian University, Sofia and by dealing with motivated students. I thank all the organizations with whose support I realized the offered book. I am extremely grateful to the colleagues from the Central State Archives, Sofia, National Library “St. -
The Greek Sale
athens nicosia The Greek Sale tuesday 26 november 2019 The Greek Sale nicosia tuesday 26 november, 2019 2 athens nicosia AUCTION Tuesday 26 November 2019, at 7.30 pm THE LANDMARK NICOSIA, 98 Arch. Makarios III Avenue managing partner Marinos Vrachimis partner Dimitris Karakassis london representative Makis Peppas viewing - ATHENS athens representative Marinos Vrachimis KING GEORGE HOTEL, Syntagma Square for bids and enquiries mob. +357 99582770 mob. +30 6944382236 thursday 14 to saturday 16 november 2019, 10 am to 9 pm email: [email protected] to register and leave an on-line bid www.fineartblue.com viewing - NICOSIA catalogue design Miranda Violari THE LANDMARK NICOSIA, 98 Arch. Makarios III Avenue photography Vahanidis Studio, Athens sunday 24 to monday 25 november 2019, 10 am to 9 pm tuesday 26 november 2019, 10 am to 6 pm exhibition instalation / art transportation MoveArt insurance Lloyds, Karavias Art Insurance printing Printco Cassoulides Ltd ISBN 978-9963-2497-4-9 01 Nikos KESSANLIS Greek, 1930-2004 Untitled signed lower right mixed media on hardboard 25 x 20 cm PROVENANCE private collection, Athens 1 500 / 2 000 € Nikos Kessanlis was born in Thessaloniki. Between 1944 and 1948 he studied with Yannis Spyropoulos and later enrolled at the School of Fine Arts, Athens in the studio of Yannis Moralis where he graduated in 1955. He continued his studies in Rome, on a scholarship from the Italian government at the Istituto Centrale del Restauro while also taking lessons in mural painting and engraving at the Scuola delle Arti Ornamentali di San Giacomo. In the early 1960s, he moved to Paris and in 1981 returned permanently to Greece.