Aspects of Social Life Revealed in Beowulf. a Thesis Submitted to the Faculty Ments for T of Arte

Total Page:16

File Type:pdf, Size:1020Kb

Aspects of Social Life Revealed in Beowulf. a Thesis Submitted to the Faculty Ments for T of Arte Aspects of Social Life Revealed in Beowulf. A thesis submitted to the faculty of o:f' ments for t of Arte. May 1910. Bibliography. An English Kiacellany. - Article by F. B. Gummere on The Sister's Son. Anglia. v. 29 p. 417 ff. Die Vergnuegungen der Angelea.chaen. Moritz Heyne:- (1) Ueber Lage und Construction der Halle Heorot. (2) Edition of Beowulf. Stopford A. Brooke:- The History of Early English 0 Li tera"ture. -~ Manners and during the Walter Morrie Epic. and Romance. Francie B. GuTimlere:- (lt Germanic Origins. (2) The Oldest English Epic. Transactions of American Philological Association. v. 13. Appendix pp. XXI ff. Article by F. A. March on The World of Beowulf. Ada Broch: - Die Stellung der Frau in der Angel­ saechsischen Poesie. Contents. Introduction. Claes of people portrayed. Prominence of social life. The hall. Description. Feasting. Gift-giving. Flyting. Songs of ecop. Formality. Duration of festivities. Out-of-door arr.uRements. Horses - Racing. HEiwking. Swimming. Dress. Fondness for treasure. Ornamentation of dwellings. ft ft drinking cups • ..... - - - Ornamentation of armor • .. " person. Gift-giving. Treasure valuedfor age. Family relations. Husband and wife. Uncle and nephew. Father and son. Mother and son. Father and daughter. Mother and daughter. Sister and brothers. Brothers. Claims of kinship. Friendship. Individual. Communal. Comitatus. Leader and followers. King and subjects. Reception of strangers. Summary. -1- Aspects of Social Life Revealed in Beowulf. The men portrayed in the poem Beowulf were primarily warriors. The terms for man and warrior are inter-changeable and very numerous: secg, wiga, haeled-, ~' etc. But the interbellum life was distinctly social, as it well might be in the case of the claee here­ in presented to the notice. lone of theee men seem to have been troubled with questions as to the source of their livelihood. Indeed, how could they be? The king had property in abundance and he bestowed it liberally upon hia retainers. The only two households which we enter are royal, and no one beneath a thane ie consider­ ed worthy of epic mention. There is not even a whisper of common people, unless we infer what we can from the title,S' applied sparingly to the king: folcea hyrde, (1), four times; rrcee hyrde (2), twice; hringa hyrda (3) and f'raetvm hyrde, (4) each once. God is once called wuldree hyrde (r); Grendel ie fyrena hyrde (*) only once. But merely the title, not the shepherd himself, appears (1). 611, 1833, 1850, 2982. (2). 2028, 3081. (3). 2246. (4). 3134. (T-). 932. ($). 751. -2- and we are likely to feel that he was as non-existent as "The ~ate Mr. Null" or •Marjorie Daw.• For all we know, these common people, eo entirely beneath the notice of the gleeman and hie audience, may have led a life very different from that which this paper will con­ sider. But there is so much to be said of the life which we oa.n see that it seems :futile to conjecture on the unseen. Thie social life centered in the festivity in the hall, a daily occurrence. (3).Wlt.i/e. we see only king's households, yet we know that much the same manner of life was observed in the homes of the earls, tho naturally on a less pretentious scale. Aside from the fine old sword of Hrethel, Hygelac presents Beowulf seven thousand pieces, a house, and a prince's seat, - bold ond brego - stol. (1). Bold ia also used of Heorot (2); of Hygelac'a hall (3~, the very scene of the presentation to Beowulf; and of Beo\vulf's home, the gift-seat of the Geats, when he has become king (4). All this implies that Beowulf was expected while he was still pr~"ce, not king, to give gifts and use a hall in a way similar to the ruler. (3). 88. (1) 2197. (2) 998. (3, 1926 (4) 2327. -3- And it is fair to assume that the other nobles did the same. It would seem that much time was spent in the hall, for it is variously named the meeting plaoe of the people, f2!.2.-stede (5); reception room, 1 eB't-~ (6); place of gifts, gif-heall (7); drinking hall , win-~ (8), etc. Hrothgar's hall, Heorot, tho said to be greater than the children of men had ever heard of {9), can pro­ bably serve as a fair example of the ~-raced. The respects wherein it differed from the usual hall were doubtless size and richness, not general arrangement or purpose. Heyne seems to have said the last word on the subjec~ (1), so that a partial transcript of his des­ cription will suffice here. The hall, built of wood, was one large room, oblong in shape, with glassless windows in or near the roof, and a door at each end. In the center rose a single supporting column nea.r which­ at least in Heorot - was the .sif_-etol. Thie had room for the king, the queen, and the king's nephew. At the king's feet sat the thyle, "a combination of master of ( 5) 76. (8) 994 I( (7) 838 (8) 698 (9) 69 f. (1) ~eber Lage und Construction der Halle Heorot. -- -4- the revele, orator, poet laureate and jeeter" (2). Opposite the throne was a bench of honor, to be occupied by the king's sons and royal guests (3). Around three walls (4) were benches where the retainers sat during the feasting and merrymaking. No mention is made of tables in connection with Heorot, but Hygelac•s and Heremod'e retainers are referred to ae table-companions, beod­ geneatas (1). Tables would not have been especially use­ 1 ful during the drinking if', as Wright says (2 ), the cups were so formed as not to stand upright. And drinking seems to have had the chief place in the banquet; there is not one reference to any sort of food, tho several liquors are in constant evidence. Nor is any mention made of a hearth in Heorot. Hrothgar's retainers are not even called hearth-companions, heorct~gen~atas, as are BygelafA­ (t) and Beowulf's (4°). We can hardly conclude from this fact, however, that the Danes were without fire in their halls, while the Geate made themselves comfortable! The decorations of the room will be mentioned later (5). Outside the hall were benches where strangers could sit While they awaited audience with the King. The thot (2) Gummere: Germanic Origins. P• 107. (3). See 11.1189 ff. (4) Heyne. p. 49. (1) 343, 1714. (2') Domestic Manners. p.6. (3') 261, 1581 (4') 2181,2419,3181. (5) See pp. l'f herein. • -5- comes irresistibly that these ea.me benches would have afforded excellent viewpoints for spectators of wrest­ ling matches or discus-throwing or other forms of amuse­ ment which we expect to find-but do not - as in the Odyssey (1 ). Of the royal abode aside from Reorot we see but little. There ie the bryd-!?.!!!:, which was the queen's bower and perhaps also contained the king's sleeping apartment (2). Mention is made, too, of a separate house where Beowulf and his men were lodged their second night in Daneland (3). Thie may have been the usual quarters for guests. If the treasure was not kept in the hall, it was probably in a separate building under special guard (4). The other domestic buildings for provisions, for preparation of food, for shelter of animals (I), with the watch tower on the shore (I), complete the royal burg. But we .return to the hall, the center of the daily social life. Aside from the distribution of treasure, discussed elsewhere (2), there was much feast­ ing and drinking. So prominent a place did this latter feature occupy that the path to the hall was ~-stig (3~ (1) Odyssey IV. 626 f; VIII, 104 ff. 1 I{) ( 2) 66.S-!lf. (3) 1300 ff. ( 4 ) Heyne p. 53 • ( l') Heyne pp. 47, 43 (2~ See pp. 2/ ff. herein. {3') 925. - -6- t I the plain on which it stood wae medo-wang ( 4), and the hall itself was --medo-heal (5), --medo-a"i~ (8), medu-eeld---- (7), beor-~ (8); win-a8h (9), win-reced (10), !!!!!.­ sale (11), It is probably only by accident that it was not spoken of also as ealo~reced, as ale was one of the usual drinks. The seats are ~-~ (12), as well as medu-benc {13). These different liquors seem to have been served indiscriminately, for in the beor-eele (14), ecir ~d (15), (a sort of beer) is poured into ealo­ waege (1). Ale-terror, ealu-scerwen (2) seizes the Danes outside the hall when they hear the noise of mead-benches (3) falling in the wine-hall (4). The warriors of Hrothgar have often, drunken with beer - beore druncne(5) boasted over their ale cups (6) that they would await Grendel in the beer hall (7), only to find the meai hall (8) stained with blood the next morning. Wiglaf remembers the pledges made in the beer hall (9) by drinkers of mead (10). Wea~htheow passes the mead cup (11) at the beer drinking (12). Mead is mentioned eighteen times; beer, ten; wine, nine; ala, seven; and wared and lict" each once. The particular beverage mentioned in any (14) 492 (&) 484 (4) 1644 (15) 495 (~) 2636 (5) 484,639 ( 1) 494 ( 10') 2634 (6) 69 ( 2 )· 770 ( ll!) 625 (7) 3066 (3) 777 (121 618. (8) 482,492,1095,2636. (9) 655 (4') 772 (10) 715,994 (B') 480 (11) 696,772,2457.
Recommended publications
  • An Examination of the Role of Wealhtheow in Beowulf
    Merge Volume 1 Article 2 2017 The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf Tera Pate Follow this and additional works at: https://athenacommons.muw.edu/merge Part of the Other Classics Commons Recommended Citation Pate, Tara. "The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf." Merge, vol. 1, 2017, pp. 1-17. This Article is brought to you for free and open access by ATHENA COMMONS. It has been accepted for inclusion in Merge by an authorized editor of ATHENA COMMONS. For more information, please contact [email protected]. Merge: The W’s Undergraduate Research Journal Image Source: “Converged” by Phil Whitehouse is licensed under CC BY 2.0 Volume 1 Spring 2017 Merge: The W’s Undergraduate Research Journal Volume 1 Spring, 2017 Managing Editor: Maddy Norgard Editors: Colin Damms Cassidy DeGreen Gabrielle Lestrade Faculty Advisor: Dr. Kim Whitehead Faculty Referees: Dr. Lisa Bailey Dr. April Coleman Dr. Nora Corrigan Dr. Jeffrey Courtright Dr. Sacha Dawkins Dr. Randell Foxworth Dr. Amber Handy Dr. Ghanshyam Heda Dr. Andrew Luccassan Dr. Bridget Pieschel Dr. Barry Smith Mr. Alex Stelioes – Wills Pate 1 Tera Katherine Pate The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf Old English literature is the product of a country in religious flux. Beowulf and its women are creations of this religiously transformative time, and juxtapositions of this work’s women with the women of more Pagan and, alternatively, more Christian works reveals exactly how the roles of women were transforming alongside the shifting of religious belief.
    [Show full text]
  • Beowulf to Ancient Greece: It Is T^E First Great Work of a Nationai Literature
    \eowulf is to England what Hcmer's ///ac/ and Odyssey are Beowulf to ancient Greece: it is t^e first great work of a nationai literature. Becwulf is the mythical and literary record of a formative stage of English civilization; it is also an epic of the heroic sources of English cuitu-e. As such, it uses a host of tra- ditional motifs associated with heroic literature all over the world. Liks most early heroic literature. Beowulf is oral art. it was hanaes down, with changes, and embe'lishrnents. from one min- strel to another. The stories of Beowulf, like those of all oral epics, are traditional ones, familiar to tne audiences who crowded around the harp:st-bards in the communal halls at night. The tales in the Beowulf epic are the stories of dream and legend, of monsters and of god-fashioned weapons, of descents to the underworld and of fights with dragons, of the hero's quest and of a community threat- ened by the powers of evil. Beowulf was composed in Old English, probably in Northumbria in northeast England, sometime between the years 700 and 750. The world it depicts, however, is much older, that of the early sixth century. Much of the material of the poem is based on early folk legends—some Celtic, some Scandinavian. Since the scenery de- scribes tne coast of Northumbna. not of Scandinavia, it has been A Celtic caldron. MKer-plateci assumed that the poet who wrote the version that has come down i Nl ccnlun, B.C.). to us was Northumbrian.
    [Show full text]
  • The Mead-Hall Community
    Journal of Medieval History 37 (2011) 19–33 Contents lists available at ScienceDirect Journal of Medieval History journal homepage: www.elsevier.com/locate/ jmedhist The mead-hall community Stephen Pollington* 46 Beeleigh East, Fryerns, Basildon, Essex, SS14 2RR, UK abstract Keywords: Mead-hall The paper provides background context to the Anglo-Saxon concept Feasting of the ‘mead-hall’, the role of conspicuous consumption in early Gift giving medieval society and the use of commensality to strengthen hori- Ritual zontal and vertical social bonds. Taking as its primary starting point Anglo-Saxon England the evidence of the Old English verse tradition, supported by linguistic and archaeological evidence and contemporary compar- ative material, the paper draws together contemporaneous and modern insights into the nature of feasting as a social medium. The roles of the ‘lord’ and ‘lady’ as community leaders are examined, with particular regard to their position at the epicentre of radiating social relationships. Finally, the inverse importance of the mead- hall as a declining social institution and a developing literary construct is addressed. Ó 2010 Elsevier Ltd. All rights reserved. The term ‘mead-hall’ is no longer current among English-speakers; it is used here as a shorthand notation for the Germanic customs and observances surrounding the consumption and distribution of food and drink in a ceremonial setting, the giving and receiving of honorifics and rewards, and the establishment of a communal identity expressed through formal relationships to a pair of individuals whom we may call the ‘lord’ and ‘lady’. It further relates to a set of traditions concerning hospitality offered to strangers, informal entertainment and the maintenance of wider social relationships.
    [Show full text]
  • The Father's Lament
    The Father’s Lament: The Representation of Male Grief in Beowulf In Beowulf, the passage known as The Father’s Lament is renowned as a paragon of the Old English poetic style. In the ominous style of battle verse, it works through major Beowulfian themes and considers the complicated traditions of Anglo Saxon kinship. Some scholars have argued this passage behaves primarily as a way for Beowulf to contemplate his indecision and pressure to lead (De Looze.) I will focus less on how memory serves Beowulf, as the importance of heritage serves an important but unrelated purpose, and instead consider how The Father’s Lament demonstrates loss in the abstract. With no explicit grammatical relationship to the preceding lines, the passage behaves appositionally to the King Hrethel’s circumstance. Considering Frederic Robinson’s Beowulf in the Appositive Style, and his argument for the poet’s cultivated use of narrative dualism, it becomes necessary to investigate the poet’s intention for The Father’s Lament. I argue that the poet chose to employ an appositional approach to Hrethel’s grief out of respect for lordship, founded in the kinship of the comitatus. This touches on Beowulfian elements of moderation and loyalty, while working inside the larger theme of religious apposition. Once I have established a logic for the poet’s style in The Father’s Lament, I will question the poet’s seemingly adverse handling of King Hrothgar’s grief. In Strategies of Distinction, Walter Pohl defines the role of language and the changing utility of specific vocabularies to further layer Old English narratives.
    [Show full text]
  • Beowulf Old English Text
    Beowulf Old English Text Factorable Sherwynd never channelized so reprovingly or contain any bummers schematically. Recrudescent Stanwood dam that vlei edulcorates didactically and purvey grimly. Garrot turpentine twentyfold. Beowulf many battles, and heath monster grendel was too lived among the english text was a widow, as we know my translation It is hoped that every present edition of loss most time of Old English poems. Beowulf Prologue. With all men hoist the dire distress, aged guardian of. He comes to immediately aid just the beleaguered Danes, saving them freeze the ravages of marine monster Grendel and infant mother. Beowulf by name is present in english texts, but as an. No one faulted him by this decision. Geatish people damned for the fourth edition of thy strength. Hidley then beowulf. Following is mentioned several times in his sister, or less old english, as literally as dual qualities present and. Old English Pages Cathy Ball links to websites on all aspects of. The stories that matter. Here the reader is confronted with the words themselves running both, as sloppy in panic, in spike the same way avoid the time passage seems in coal a rush to tell your story of the cream that bodies become confused. Beowulf Old English version By Anonymous Hwt We Gardena in geardagum eodcyninga rym gefrunon hu a elingas ellen fremedon Oft Scyld. But alas water-goblin who covers the doctor from Old Nick. As the bend goes slowly, we see Beowulf as earth King who accepts his guest, but yourself in peace knowing he has from his duty to eye people.
    [Show full text]
  • Beowulf: God, Men, and Monster
    Journal of Undergraduate Research at Minnesota State University, Mankato Volume 10 Article 1 2010 Beowulf: God, Men, and Monster Emily Bartz Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the Literature in English, British Isles Commons Recommended Citation Bartz, Emily (2010) "Beowulf: God, Men, and Monster," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 10 , Article 1. Available at: https://cornerstone.lib.mnsu.edu/jur/vol10/iss1/1 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Bartz: Beowulf: God, Men, and Monster Emily Bartz Beowulf: God, Men, and Monsters The central conflict of the Anglo-Saxon epic poem Beowulf is the struggle between the decentralising and supernatural ways of the ancients (Shield Sheafson, Grendel, and Grendel‟s Mother) and the centralising and corporeal values of the modern heroes (Hrothgar, Beowulf, and Wiglaf.) The poet traces a definitive move away from the ancient‟s pagan heroic values to his own Christian heroic values. However, as in the poet‟s contemporary culture, certain pagan traditions, such as familial fidelity, persist in Beowulf due to their compatibility with Christian culture. The poet‟s audience, the Anglo-Saxons, honoured their pagan ancestors through story telling. The Christian leadership discouraged story telling since the Anglo-Saxons‟ ancestors were pagans and thus beyond salvation.
    [Show full text]
  • Mytil Nndhlstory
    212 / Robert E. Bjork I chayter tt and Herebeald, the earlier swedish wars, and Daeghrefn, 242g-250ga; (26) weohstan,s slaying Eanmund in the second Swedish-wars-,2611-25a; of (27-29)Hygelac's fall, and the battle at Ravenswood in the earlier Swedish war, 2910b-98. 8. For a full discussion, see chapter I l. 9. The emendation was first suggested by Max Rieger (lg7l,4l4). MytIL nndHlstory D. Niles W loh, SU*Uryt Nineteenth-century interpret ations of B eowutf , puticululy mythology that was then in vogue' in Germany, fell underthe influence of the nature or Indo- More recently, some critics have related the poem to ancient Germanic feature b*op"un rnyih -O cult or to archetypes that are thought to be a universal of nu-un clnsciousness. Alternatively, the poem has been used as a source of the poem' knowledge concerning history. The search for either myth or history in useful however,-is attended by severe and perhaps insurmountable difficulties' More may be attempts to identify the poem as a "mythistory" that confirmed a set of fabulous values amongthe Anglo-saxons by connecting their current world to a ancesfral past. /.1 Lhronology 1833: Iohn Mitchell Kemble, offering a historical preface to his edition of the poem' locates the Geats in Schleswig. 1837: Kemble corrects his preface to reflect the influence of Jakob Grimm; he identifies the first "Beowulf" who figures in the poem as "Beaw," the agricultural deity. Karl Miillenhoff (1849b), also inspired by Grimm, identifies the poem as a Germanic meteorological myth that became garbled into a hero tale on being transplanted to England.
    [Show full text]
  • Old English Ecologies: Environmental Readings of Anglo-Saxon Texts and Culture
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2013 Old English Ecologies: Environmental Readings of Anglo-Saxon Texts and Culture Ilse Schweitzer VanDonkelaar Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Literature in English, British Isles Commons, and the Medieval Studies Commons Recommended Citation VanDonkelaar, Ilse Schweitzer, "Old English Ecologies: Environmental Readings of Anglo-Saxon Texts and Culture" (2013). Dissertations. 216. https://scholarworks.wmich.edu/dissertations/216 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. OLD ENGLISH ECOLOGIES: ENVIRONMENTAL READINGS OF ANGLO-SAXON TEXTS AND CULTURE by Ilse Schweitzer VanDonkelaar A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English Western Michigan University December 2013 Doctoral Committee: Jana K. Schulman, Ph.D., Chair Eve Salisbury, Ph.D. Richard Utz, Ph.D. Sarah Hill, Ph.D. OLD ENGLISH ECOLOGIES: ENVIRONMENTAL READINGS OF ANGLO-SAXON TEXTS AND CULTURE Ilse Schweitzer VanDonkelaar, Ph.D. Western Michigan University, 2013 Conventionally, scholars have viewed representations of the natural world in Anglo-Saxon (Old English) literature as peripheral, static, or largely symbolic: a “backdrop” before which the events of human and divine history unfold. In “Old English Ecologies,” I apply the relatively new critical perspectives of ecocriticism and place- based study to the Anglo-Saxon canon to reveal the depth and changeability in these literary landscapes.
    [Show full text]
  • Hygelac's Only Daughter: a Present, a Potentate and a Peaceweaver In
    Studia Neophilologica 000: 1–7, 2006 0 Hygelac’s only daughter: a present, a potentate and a 0 peaceweaver in Beowulf 5 ALARIC HALL 5 The women of Beowulf have enjoyed extensive study in recent years, but one has 10 escaped the limelight: the only daughter of Hygelac, king of the Geats and Beowulf’s 10 lord. But though this daughter is mentioned only fleetingly, a close examination of the circumstances of her appearance and the words in which it is couched affords new perspectives on the role of women in Beowulf and on the nature of Hygelac’s kingship. Hygelac’s only daughter is given as part of a reward to Hygelac’s retainer 15 Eofor for the slaying of the Swedish king Ongentheow. Beowulf refers to this reward 15 with the unique noun ofermaðmas, traditionally understood to mean ‘‘great treasures’’. I argue, however, that ofermaðmas at least potentially means ‘‘excessive treasures’’. Developing this reading implies a less favourable assessment of Hygelac’s actions here than has previously been inferred. I argue further that the excess in 20 Hygelac’s treasure-giving derives specifically from his gift of his only daughter, and 20 the consequent loss to the Geats of the possibility of a diplomatic marriage through which they might end their feud with the Swedes. A reconsideration of Hygelac’s only daughter, then, offers new perspectives on the semantics of ofermaðum,on Hygelac’s kingship, and on women in Beowulf. 25 Hygelac’s daughter is mentioned in the speech which is delivered by the messenger 25 who announces Beowulf’s death to the Geats after Beowulf’s dragon-fight.
    [Show full text]
  • Mead-Halls of the Oiscingas: a New Kentish Perspective on the Anglo-Saxon Great Hall Complex Phenomenon
    Mead-halls of the Oiscingas: a new Kentish perspective on the Anglo-Saxon great hall complex phenomenon Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Thomas, G. (2018) Mead-halls of the Oiscingas: a new Kentish perspective on the Anglo-Saxon great hall complex phenomenon. Medieval Archaeology, 62 (2). pp. 262-303. ISSN 0076-6097 doi: https://doi.org/10.1080/00766097.2018.1535386 Available at http://centaur.reading.ac.uk/76215/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/00766097.2018.1535386 Publisher: Maney Publishing All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Medieval Archaeology ISSN: 0076-6097 (Print) 1745-817X (Online) Journal homepage: https://www.tandfonline.com/loi/ymed20 Mead-Halls of the Oiscingas: A New Kentish Perspective on the Anglo-Saxon Great Hall Complex Phenomenon GABOR THOMAS To cite this article: GABOR THOMAS (2018) Mead-Halls of the Oiscingas: A New Kentish Perspective on the Anglo-Saxon Great Hall Complex Phenomenon, Medieval Archaeology, 62:2, 262-303, DOI: 10.1080/00766097.2018.1535386 To link to this article: https://doi.org/10.1080/00766097.2018.1535386 © 2018 The Author(s).
    [Show full text]
  • Instances of Religious Roles of the Anglo-Saxon Warrior Class - 2 Persons Or Group
    Jessica McGillivray Instances of Religious Roles of the Anglo- Saxon Warrior Class Jessica McGillivray received three Bachelors of Arts in Anthropology, History, and Religious Studies in Spring of 2013 from University of Wisconsin-Milwaukee and served as former President of Pagan Student Fellowship and Faith'N'Queers student organizations at UWM. Her favorite area of interest is Northern European history and culture studies. She feels it is important for religion to be discussed. One cannot ignore the base reality of existence for so many people on our planet and then pretend to say they understand all of the complications in politics and social change. Understanding our historical and cultural past helps us understand who we are today. The motto for the Faith'N'Queers club applies to scholarship and social activism. "Put down the stones. Climb out of the trenches. Let's talk." Introduction Looking back into history to discover the roles of religious rituals and beliefs as practiced by a certain part of society can be arduous, particularly when there are not historical annals written about the precise rituals being practiced by those in power. However, in the case of Anglo-Saxon Britain, which would have lasted from the fall of Roman influence around AD 400 until the Norman Conquest in the 11 th Century, many texts of literature have survived. These include "Beowulf", "The Wanderer", "Judith" and "The Dream of the Rood". These were all written in Anglo-Saxon, and likely recorded by monks in the scriptoriums of the monasteries of Britain. Although the original manuscripts of these stories are lost, much can be learned from these copies that did survive.
    [Show full text]
  • The Mead-Hall
    HEOROT: THE MEAD-HALL 0. HEOROT: THE MEAD-HALL - Story Preface 1. ROME LEAVES A POWER VACUUM 2. WOLVES ENTER THE FOLD 3. INVADING ANGLO-SAXONS 4. DEFENDERS BECOME INVADERS 5. A CHANGING CULTURE 6. WHO WERE THE GEATS? 7. SOURCE of the STORY 8. THE STORY SETTING 9. HEOROT: THE MEAD-HALL 10. TROLLS 11. GRENDEL 12. BEOWULF 13. GRENDEL'S MOTHER 14. BATTLES and RUNE STONES Mead halls, like Heorot, were communal places where kings, like Hrothgar, met with their warriors (among other things). This image depicts a reconstructed mead hall—from the ring castle Fyrkat near Hobro, Denmark—as it appeared on September 14, 2002. Photo by Malene Thyssen; online via Wikimedia Commons. License: CC BY SA-3.0 Hrothgar, according to the Beowulf story, had a great hall which he called "Heorot." The king and his warriors would gather in the hall to eat, plan battles, hear entertainers and drink mead (an alcoholic beverage made from fermented honey and water). Sometimes they would also sleep there. Danish archaeologists have uncovered such long halls in the Lejre area of Zealand, the island on which the country's capital - Copenhagen - is located. Excavation layers at one site reveal two different long halls, built over each other, likely used between the years 660 to 890. Not far away is athird long hall - from about the time in which the Beowulf epic takes place. If we were able to step back in time, and could inspect a Danish long hall, what would we see? Reconstructions, based on archaeological findings, help us to visualize them.
    [Show full text]