2013 Collaborative Middle School Tournament Round 3
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An Examination of the Role of Wealhtheow in Beowulf
Merge Volume 1 Article 2 2017 The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf Tera Pate Follow this and additional works at: https://athenacommons.muw.edu/merge Part of the Other Classics Commons Recommended Citation Pate, Tara. "The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf." Merge, vol. 1, 2017, pp. 1-17. This Article is brought to you for free and open access by ATHENA COMMONS. It has been accepted for inclusion in Merge by an authorized editor of ATHENA COMMONS. For more information, please contact [email protected]. Merge: The W’s Undergraduate Research Journal Image Source: “Converged” by Phil Whitehouse is licensed under CC BY 2.0 Volume 1 Spring 2017 Merge: The W’s Undergraduate Research Journal Volume 1 Spring, 2017 Managing Editor: Maddy Norgard Editors: Colin Damms Cassidy DeGreen Gabrielle Lestrade Faculty Advisor: Dr. Kim Whitehead Faculty Referees: Dr. Lisa Bailey Dr. April Coleman Dr. Nora Corrigan Dr. Jeffrey Courtright Dr. Sacha Dawkins Dr. Randell Foxworth Dr. Amber Handy Dr. Ghanshyam Heda Dr. Andrew Luccassan Dr. Bridget Pieschel Dr. Barry Smith Mr. Alex Stelioes – Wills Pate 1 Tera Katherine Pate The Pagan and the Christian Queen: An Examination of the Role of Wealhtheow in Beowulf Old English literature is the product of a country in religious flux. Beowulf and its women are creations of this religiously transformative time, and juxtapositions of this work’s women with the women of more Pagan and, alternatively, more Christian works reveals exactly how the roles of women were transforming alongside the shifting of religious belief. -
Bragging Rights: the Highest Peaks in Kendall County
Banner Graphic - Kristy Watson - Polonyx Graphic Design Bragging Rights: The Highest Peaks in Kendall County 2019 Winter By Mike Howle n my career as a geographic 451 N. Main St. I data coordinator I am occa- Boerne, TX 78006 sionally asked “What is the 830-249-3053 - highest point in Kendall Coun- 2020: December www.boernelibrary.org ty?” What is it in our DNA that wants to know what the high In this Issue: ground is? Attaining a lofty Bragging Rights position in order to gaze down Texas Treasures from a position of strength…a Magical History Tours King of the Hill? Planning for Joseph Graham refuge in the case of epic Ancient Trails, Part 3 flooding in our hills? Or just fun trivial facts? Elevations are certainly relative from sea The Pink Boll Weevil Peril - January Toepperwein Rifle level to the Rocky Mountains. For instance, the state that is sometimes known to be 1909 Boerne Incorporation “flat as a pancake,” Kansas, has a high elevation of 4,039 feet…compare that number to In Memorium: our Kendall County hills. Kate Skinner-Klee - In some cases the high ground is obvious and sometimes dramatic. In the Texas Hill February Country, after being here a while, it’s a bit less dramatic because everywhere you look you see the high ground. And that is why the question of “What’s the highest elevation in Kendall County” is so interesting. When you get on top of a hill and all the surrounding landscape is lower than where you stand, it begs the question, “Is this the highest point in the county?” Over the years I’ve heard many claims that this or that hill/mountain (what makes a hill a moun- tain is a topic for another time) is the highest point, or the second or third highest point Digital Media Lab in the county? Some realtors use the claim to help sell property. -
The Mead-Hall Community
Journal of Medieval History 37 (2011) 19–33 Contents lists available at ScienceDirect Journal of Medieval History journal homepage: www.elsevier.com/locate/ jmedhist The mead-hall community Stephen Pollington* 46 Beeleigh East, Fryerns, Basildon, Essex, SS14 2RR, UK abstract Keywords: Mead-hall The paper provides background context to the Anglo-Saxon concept Feasting of the ‘mead-hall’, the role of conspicuous consumption in early Gift giving medieval society and the use of commensality to strengthen hori- Ritual zontal and vertical social bonds. Taking as its primary starting point Anglo-Saxon England the evidence of the Old English verse tradition, supported by linguistic and archaeological evidence and contemporary compar- ative material, the paper draws together contemporaneous and modern insights into the nature of feasting as a social medium. The roles of the ‘lord’ and ‘lady’ as community leaders are examined, with particular regard to their position at the epicentre of radiating social relationships. Finally, the inverse importance of the mead- hall as a declining social institution and a developing literary construct is addressed. Ó 2010 Elsevier Ltd. All rights reserved. The term ‘mead-hall’ is no longer current among English-speakers; it is used here as a shorthand notation for the Germanic customs and observances surrounding the consumption and distribution of food and drink in a ceremonial setting, the giving and receiving of honorifics and rewards, and the establishment of a communal identity expressed through formal relationships to a pair of individuals whom we may call the ‘lord’ and ‘lady’. It further relates to a set of traditions concerning hospitality offered to strangers, informal entertainment and the maintenance of wider social relationships. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
There Better Be a Naked Cheerleader Under Your Bed‖
―THERE BETTER BE A NAKED CHEERLEADER UNDER YOUR BED‖: REPRESENTATIONS OF SOUTHERN, WORKING CLASS MASCULINITY IN KING OF THE HILL Presented to the Graduate Council of Texas State University–San Marcos in Partial Fulfillment of the Requirements For the Degree Master of ARTS by Joshua C. Shepherd, B.J. San Marcos, Texas May 2011 ―THERE BETTER BE A NAKED CHEERLEADER UNDER YOUR BED‖: REPRESENTATIONS OF SOUTHERN, WORKING CLASS MASCULINITY IN KING OF THE HILL Committee Members Approved: __________________________ Susan Weill, Chair __________________________ Kate Peirce __________________________ Cindy Royal Approved: __________________________ J. Michael Willoughby Dean of the Graduate College COPYRIGHT By Joshua Charles Shepherd 2011 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author‘s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Joshua Shepherd, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS This thesis would not have been possible without the support and assistance from some wonderful people in my life. My supervisor, Dr. Susan Weill, professor at Texas State University-San Marcos, who guided me throughout this process and pushed me to become a better writer; Dr. Kate Peirce, professor at Texas State University-San Marcos for all her help and spawning this idea with her course on Gender and Media; Dr. -
500M 57 29 11 9 39
29 2008 Warner Bros. 27 series for 10 networks 57 39 20th Century Fox TV 20 broadcast Universal Television 2013 7 basic cable 43 original series for 16 networks* 22 for broadcast 18 basic cable 11 19 ABC Studios 2 pay cable 1 digital Growth Sony Pictures *16 new series in 2013-14 Television Fox TV Studios 2013 Emmy 9 Nominations CBS Television Studios 20th Century Fox Television Fox 21 Studios Cable series: 2013-14 20 20th Century Fox TV 15 Warner Bros. Output ABC “Modern Family” 10 Universal Television CBS “How I Met Your Mother” 7 Sony Pictures Television USA “Burn Notice” USA “White Collar” 2 ABC Studios SHO “Homeland” 2 CBS Television Studios Third-Party Broadcast series: 2013-14 Network Hits 34 Warner Bros. 22 20th Century Fox TV 18 ABC Studios 18 Universal Television 17 CBS Television Studios 11 Sony Pictures Television “American Dad” “Bob’s Burgers” “Family Guy” “Futurama” The World of “How I Met Your Mother” “King of the Hill” Off-Network “Last Man Standing” Brian Grazer & Ron Howard Dana Walden & Pipeline (2015-16) (“24,” “Arrested Development”) “Modern Family” “New Girl” (2015-16) Gary Newman “Raising Hope” Howard Gordon (2014-15) (“The X-Files,” “24,” “The Simpsons” “Homeland,” Diverse in both content and “Legends,” “Tyrant”) outlets, 20th Century Fox TV has flourished under the leadership of its chairman-CEOs. Key Exec “Angel” Producers Key Library “Buffy the Vampire Slayer” Series “King of the Hill” “MASH” “Prison Break” “Reba” “24” Seth MacFarlane “The X-Files” (“Family Guy,” More than 50 current “American Dad,” “The and -
Bob's Burgers Live! Returns to Los Angeles on April 29 at the Wiltern
BOB’S BURGERS LIVE! RETURNS TO LOS ANGELES ON APRIL 29 AT THE WILTERN FOLLOWING SOLD-OUT 8-CITY TOUR IN 2015 - Tickets go on sale February 19 at 10:00 a.m. PST for First Show of 2016 Tour: Celebrating 100 Episodes of the Emmy® Award-Winning FOX Series - - Ultimate Fan Experience Brings Animated Series to Life with Stand-Up Performances and a Table Read by the Cast, Audience Q&A, an Exclusive Sneak-Peek at Upcoming Footage and a Surprise Celebrity Guest Appearance - LOS ANGELES (Feb. 18, 2016) – Bento Box Entertainment, in partnership with Loren Bouchard’s Wilo Productions, is bringing BOB’S BURGERS LIVE! back to Los Angeles, returning from a sold out tour, for an extra special event. Since this tour began in 2013, every show across the country has been a sell- out and, in 2015 alone, BOB’S BURGERS LIVE! averaged nearly 3,000 fans at eight events in Minneapolis; Chicago; Madison; Detroit; Washington; Philadelphia; New York City and Boston. The first BOB’S BURGERS LIVE! date of 2016 will take place April 29 at 8:00 p.m. at The Wiltern in Los Angeles. It will bring together the cast and creator of the Emmy® award-winning FOX hit BOB’S BURGERS for an exclusive comedy and musical extravaganza, celebrating 100 episodes of the series, with the 100th scheduled to air May 22, 2016 on FOX. The night will include a live table reading of a classic episode script by the cast, standup-comedy performances, a sneak-peek of clips from future episodes, musical performances and more that will bring the fans an unforgettable and unique experience. -
Beowulf: God, Men, and Monster
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 10 Article 1 2010 Beowulf: God, Men, and Monster Emily Bartz Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the Literature in English, British Isles Commons Recommended Citation Bartz, Emily (2010) "Beowulf: God, Men, and Monster," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 10 , Article 1. Available at: https://cornerstone.lib.mnsu.edu/jur/vol10/iss1/1 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Bartz: Beowulf: God, Men, and Monster Emily Bartz Beowulf: God, Men, and Monsters The central conflict of the Anglo-Saxon epic poem Beowulf is the struggle between the decentralising and supernatural ways of the ancients (Shield Sheafson, Grendel, and Grendel‟s Mother) and the centralising and corporeal values of the modern heroes (Hrothgar, Beowulf, and Wiglaf.) The poet traces a definitive move away from the ancient‟s pagan heroic values to his own Christian heroic values. However, as in the poet‟s contemporary culture, certain pagan traditions, such as familial fidelity, persist in Beowulf due to their compatibility with Christian culture. The poet‟s audience, the Anglo-Saxons, honoured their pagan ancestors through story telling. The Christian leadership discouraged story telling since the Anglo-Saxons‟ ancestors were pagans and thus beyond salvation. -
Gender Roles & Occupations
1 Gender Roles & Occupations: A Look at Character Attributes and Job-Related Aspirations in Film and Television Stacy L. Smith, PhD Marc Choueiti Ashley Prescott & Katherine Pieper, PhD Annenberg School for Communication & Journalism University of Southern California An Executive Report Geena Davis Institute on Gender in Media Our earlier research shows that gender roles are still stereotyped in entertainment popular with children.1 For example, female characters in feature films populate less than 30% of all speaking roles. A slightly better percentage emerges across our research on gender roles in children’s television programming. Not only are on screen females present less frequently than on screen males, they are often sexualized, domesticated, and sometimes lack gainful employment. To illustrate this last point, our recent analysis2 of every first run general audience film (n=21) theatrically released between September 2006 and September 2009 reveals that a higher percentage of males (57.8%) than females (31.6%) are depicted with an occupation. While females hold marginally more professional jobs than their male counterparts (24.6% vs. 20.9%), women are noticeably absent in some of the most prestigious occupational posts. Across more than 300 speaking characters, not one female is depicted in the medical sciences (e.g., doctor, veterinarian), executive business suites (e.g., CEO, CFO), legal world (e.g., attorney, judge), or political arena. More optimistically, 6 of the 65 working females (9%) are shown with a job in the hard sciences or as pilots/astronauts. These findings suggest that females have not shattered as many glass ceilings in the “reel” world as one might suspect. -
Masculinity in King of the Hill Valerie Palmer-Mehta
Text and Performance Quarterly Vol. 26, No. 2, April 2006, pp. 181Á/198 The Wisdom of Folly: Disrupting Masculinity in King of the Hill Valerie Palmer-Mehta This essay examines the recurring themes of masculinity and sports that emerge in the first three seasons of King of the Hill and the ways in which the character Bobby Hill negotiates masculine performativity within a comic frame as the figure of the wise fool. Bobby’s folly within the context of sports functions to highlight the slippage in masculinity, opening up a space of ambivalence where subversive performativity is realized. The utility of folly in disrupting gender normativity and underscoring the instability of gender norms is illuminated. Keywords: Wise Fool; Folly; Masculinity; Performativity; King of the Hill The construction of masculinity and its representation in the media have been areas of bourgeoning interest in the past decade, as Ashcraft and Flores, and Vavrus, have demonstrated, and it is a topic that Hanke presaged (‘‘Hegemonic,’’ ‘‘Redesigning,’’ ‘‘Theorizing,’’ ‘‘Mock-macho’’). Performative and performance analyses of masculi- nity, while virtually absent prior to the 1990s, have begun to illuminate the myriad forces that influence the iteration and constitution of masculinity in a variety of cultural forms, such as the classical ballet company (Hamera), the Mythopoetic men’s movement (Gingrich-Philbrook ‘‘Good Vibration’’), the 1936Á/37 Federal Theater Project production of The CCC Murder Mystery (Chansky), and the military (Knight). Gingrich-Philbrook has examined the intersection of masculinity, homo- phobia, and performance studies in his analysis of the masculinist research economy that informed some scholars’ reception of Corey and Nakayama’s ‘‘Sextext,’’ a critical exploration of gay male culture, underscoring the importance of examining cultural Valerie Palmer-Mehta is an Assistant Professor in the Department of Rhetoric, Communication, and Journalism at Oakland University. -
Animating Experiences of Girlhood in Bob's Burgers Katie
I’m (Not) A Girl: Animating Experiences of Girlhood in Bob’s Burgers Item Type Article Authors Barnett, Katie Citation Barnett, K. (2019). "I’m (Not) A Girl: Animating Experiences of Girlhood in Bob’s Burgers." Journal of Popular Television, 7(1), 3-23. DOI 10.1386/jptv.7.1.3_1 Publisher Intellect Journal Journal of Popular Television Download date 27/09/2021 00:37:22 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/621344 I’m (Not) A Girl: Animating Experiences of Girlhood in Bob’s Burgers Katie Barnett, University of Chester Abstract Discourses of girlhood increasingly acknowledge its mutability, with the ‘girl’ as a complex image that cannot adequately be conceptualized by age or biology alone. Likewise, theories of animation often foreground its disruptive potential. Taking an interdisciplinary approach that encompasses girlhood studies, animation studies, and screen studies, this article analyses the representation of the two main girl characters, Tina and Louise Belcher, in the animated sitcom Bob’s Burgers (2011–present). Taking this concept of mutability as its central focus, it argues that animation is an ideal medium for representing girlhood, given its disruptive potential and non-linear capacities, whereby characters are often frozen in time. With no commitment to aging its young female characters, Bob’s Burgers is instead able to construct a landscape of girlhood that allows for endless reversal, contradiction and overlap in the experiences of Tina and Louise, whose existence as animations reveals girlhood as a liminal space in which girls can be one thing and the other – gullible and intelligent, vulnerable and strong, sexual and innocent – without negating their multifarious experiences. -
Old English Ecologies: Environmental Readings of Anglo-Saxon Texts and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2013 Old English Ecologies: Environmental Readings of Anglo-Saxon Texts and Culture Ilse Schweitzer VanDonkelaar Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Literature in English, British Isles Commons, and the Medieval Studies Commons Recommended Citation VanDonkelaar, Ilse Schweitzer, "Old English Ecologies: Environmental Readings of Anglo-Saxon Texts and Culture" (2013). Dissertations. 216. https://scholarworks.wmich.edu/dissertations/216 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. OLD ENGLISH ECOLOGIES: ENVIRONMENTAL READINGS OF ANGLO-SAXON TEXTS AND CULTURE by Ilse Schweitzer VanDonkelaar A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English Western Michigan University December 2013 Doctoral Committee: Jana K. Schulman, Ph.D., Chair Eve Salisbury, Ph.D. Richard Utz, Ph.D. Sarah Hill, Ph.D. OLD ENGLISH ECOLOGIES: ENVIRONMENTAL READINGS OF ANGLO-SAXON TEXTS AND CULTURE Ilse Schweitzer VanDonkelaar, Ph.D. Western Michigan University, 2013 Conventionally, scholars have viewed representations of the natural world in Anglo-Saxon (Old English) literature as peripheral, static, or largely symbolic: a “backdrop” before which the events of human and divine history unfold. In “Old English Ecologies,” I apply the relatively new critical perspectives of ecocriticism and place- based study to the Anglo-Saxon canon to reveal the depth and changeability in these literary landscapes.