Bragging Rights: the Highest Peaks in Kendall County
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Texas Alsatian
2017 Texas Alsatian Karen A. Roesch, Ph.D. Indiana University-Purdue University Indianapolis Indianapolis, Indiana, USA IUPUI ScholarWorks This is the author’s manuscript: This is a draft of a chapter that has been accepted for publication by Oxford University Press in the forthcoming book Varieties of German Worldwide edited by Hans Boas, Anna Deumert, Mark L. Louden, & Péter Maitz (with Hyoun-A Joo, B. Richard Page, Lara Schwarz, & Nora Hellmold Vosburg) due for publication in 2016. https://scholarworks.iupui.edu Texas Alsatian, Medina County, Texas 1 Introduction: Historical background The Alsatian dialect was transported to Texas in the early 1800s, when entrepreneur Henri Castro recruited colonists from the French Alsace to comply with the Republic of Texas’ stipulations for populating one of his land grants located just west of San Antonio. Castro’s colonization efforts succeeded in bringing 2,134 German-speaking colonists from 1843 – 1847 (Jordan 2004: 45-7; Weaver 1985:109) to his land grants in Texas, which resulted in the establishment of four colonies: Castroville (1844); Quihi (1845); Vandenburg (1846); D’Hanis (1847). Castroville was the first and most successful settlement and serves as the focus of this chapter, as it constitutes the largest concentration of Alsatian speakers. This chapter provides both a descriptive account of the ancestral language, Alsatian, and more specifically as spoken today, as well as a discussion of sociolinguistic and linguistic processes (e.g., use, shift, variation, regularization, etc.) observed and documented since 2007. The casual observer might conclude that the colonists Castro brought to Texas were not German-speaking at all, but French. -
Info Fair Resources
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There Better Be a Naked Cheerleader Under Your Bed‖
―THERE BETTER BE A NAKED CHEERLEADER UNDER YOUR BED‖: REPRESENTATIONS OF SOUTHERN, WORKING CLASS MASCULINITY IN KING OF THE HILL Presented to the Graduate Council of Texas State University–San Marcos in Partial Fulfillment of the Requirements For the Degree Master of ARTS by Joshua C. Shepherd, B.J. San Marcos, Texas May 2011 ―THERE BETTER BE A NAKED CHEERLEADER UNDER YOUR BED‖: REPRESENTATIONS OF SOUTHERN, WORKING CLASS MASCULINITY IN KING OF THE HILL Committee Members Approved: __________________________ Susan Weill, Chair __________________________ Kate Peirce __________________________ Cindy Royal Approved: __________________________ J. Michael Willoughby Dean of the Graduate College COPYRIGHT By Joshua Charles Shepherd 2011 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author‘s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Joshua Shepherd, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS This thesis would not have been possible without the support and assistance from some wonderful people in my life. My supervisor, Dr. Susan Weill, professor at Texas State University-San Marcos, who guided me throughout this process and pushed me to become a better writer; Dr. Kate Peirce, professor at Texas State University-San Marcos for all her help and spawning this idea with her course on Gender and Media; Dr. -
500M 57 29 11 9 39
29 2008 Warner Bros. 27 series for 10 networks 57 39 20th Century Fox TV 20 broadcast Universal Television 2013 7 basic cable 43 original series for 16 networks* 22 for broadcast 18 basic cable 11 19 ABC Studios 2 pay cable 1 digital Growth Sony Pictures *16 new series in 2013-14 Television Fox TV Studios 2013 Emmy 9 Nominations CBS Television Studios 20th Century Fox Television Fox 21 Studios Cable series: 2013-14 20 20th Century Fox TV 15 Warner Bros. Output ABC “Modern Family” 10 Universal Television CBS “How I Met Your Mother” 7 Sony Pictures Television USA “Burn Notice” USA “White Collar” 2 ABC Studios SHO “Homeland” 2 CBS Television Studios Third-Party Broadcast series: 2013-14 Network Hits 34 Warner Bros. 22 20th Century Fox TV 18 ABC Studios 18 Universal Television 17 CBS Television Studios 11 Sony Pictures Television “American Dad” “Bob’s Burgers” “Family Guy” “Futurama” The World of “How I Met Your Mother” “King of the Hill” Off-Network “Last Man Standing” Brian Grazer & Ron Howard Dana Walden & Pipeline (2015-16) (“24,” “Arrested Development”) “Modern Family” “New Girl” (2015-16) Gary Newman “Raising Hope” Howard Gordon (2014-15) (“The X-Files,” “24,” “The Simpsons” “Homeland,” Diverse in both content and “Legends,” “Tyrant”) outlets, 20th Century Fox TV has flourished under the leadership of its chairman-CEOs. Key Exec “Angel” Producers Key Library “Buffy the Vampire Slayer” Series “King of the Hill” “MASH” “Prison Break” “Reba” “24” Seth MacFarlane “The X-Files” (“Family Guy,” More than 50 current “American Dad,” “The and -
Bob's Burgers Live! Returns to Los Angeles on April 29 at the Wiltern
BOB’S BURGERS LIVE! RETURNS TO LOS ANGELES ON APRIL 29 AT THE WILTERN FOLLOWING SOLD-OUT 8-CITY TOUR IN 2015 - Tickets go on sale February 19 at 10:00 a.m. PST for First Show of 2016 Tour: Celebrating 100 Episodes of the Emmy® Award-Winning FOX Series - - Ultimate Fan Experience Brings Animated Series to Life with Stand-Up Performances and a Table Read by the Cast, Audience Q&A, an Exclusive Sneak-Peek at Upcoming Footage and a Surprise Celebrity Guest Appearance - LOS ANGELES (Feb. 18, 2016) – Bento Box Entertainment, in partnership with Loren Bouchard’s Wilo Productions, is bringing BOB’S BURGERS LIVE! back to Los Angeles, returning from a sold out tour, for an extra special event. Since this tour began in 2013, every show across the country has been a sell- out and, in 2015 alone, BOB’S BURGERS LIVE! averaged nearly 3,000 fans at eight events in Minneapolis; Chicago; Madison; Detroit; Washington; Philadelphia; New York City and Boston. The first BOB’S BURGERS LIVE! date of 2016 will take place April 29 at 8:00 p.m. at The Wiltern in Los Angeles. It will bring together the cast and creator of the Emmy® award-winning FOX hit BOB’S BURGERS for an exclusive comedy and musical extravaganza, celebrating 100 episodes of the series, with the 100th scheduled to air May 22, 2016 on FOX. The night will include a live table reading of a classic episode script by the cast, standup-comedy performances, a sneak-peek of clips from future episodes, musical performances and more that will bring the fans an unforgettable and unique experience. -
Gender Roles & Occupations
1 Gender Roles & Occupations: A Look at Character Attributes and Job-Related Aspirations in Film and Television Stacy L. Smith, PhD Marc Choueiti Ashley Prescott & Katherine Pieper, PhD Annenberg School for Communication & Journalism University of Southern California An Executive Report Geena Davis Institute on Gender in Media Our earlier research shows that gender roles are still stereotyped in entertainment popular with children.1 For example, female characters in feature films populate less than 30% of all speaking roles. A slightly better percentage emerges across our research on gender roles in children’s television programming. Not only are on screen females present less frequently than on screen males, they are often sexualized, domesticated, and sometimes lack gainful employment. To illustrate this last point, our recent analysis2 of every first run general audience film (n=21) theatrically released between September 2006 and September 2009 reveals that a higher percentage of males (57.8%) than females (31.6%) are depicted with an occupation. While females hold marginally more professional jobs than their male counterparts (24.6% vs. 20.9%), women are noticeably absent in some of the most prestigious occupational posts. Across more than 300 speaking characters, not one female is depicted in the medical sciences (e.g., doctor, veterinarian), executive business suites (e.g., CEO, CFO), legal world (e.g., attorney, judge), or political arena. More optimistically, 6 of the 65 working females (9%) are shown with a job in the hard sciences or as pilots/astronauts. These findings suggest that females have not shattered as many glass ceilings in the “reel” world as one might suspect. -
Masculinity in King of the Hill Valerie Palmer-Mehta
Text and Performance Quarterly Vol. 26, No. 2, April 2006, pp. 181Á/198 The Wisdom of Folly: Disrupting Masculinity in King of the Hill Valerie Palmer-Mehta This essay examines the recurring themes of masculinity and sports that emerge in the first three seasons of King of the Hill and the ways in which the character Bobby Hill negotiates masculine performativity within a comic frame as the figure of the wise fool. Bobby’s folly within the context of sports functions to highlight the slippage in masculinity, opening up a space of ambivalence where subversive performativity is realized. The utility of folly in disrupting gender normativity and underscoring the instability of gender norms is illuminated. Keywords: Wise Fool; Folly; Masculinity; Performativity; King of the Hill The construction of masculinity and its representation in the media have been areas of bourgeoning interest in the past decade, as Ashcraft and Flores, and Vavrus, have demonstrated, and it is a topic that Hanke presaged (‘‘Hegemonic,’’ ‘‘Redesigning,’’ ‘‘Theorizing,’’ ‘‘Mock-macho’’). Performative and performance analyses of masculi- nity, while virtually absent prior to the 1990s, have begun to illuminate the myriad forces that influence the iteration and constitution of masculinity in a variety of cultural forms, such as the classical ballet company (Hamera), the Mythopoetic men’s movement (Gingrich-Philbrook ‘‘Good Vibration’’), the 1936Á/37 Federal Theater Project production of The CCC Murder Mystery (Chansky), and the military (Knight). Gingrich-Philbrook has examined the intersection of masculinity, homo- phobia, and performance studies in his analysis of the masculinist research economy that informed some scholars’ reception of Corey and Nakayama’s ‘‘Sextext,’’ a critical exploration of gay male culture, underscoring the importance of examining cultural Valerie Palmer-Mehta is an Assistant Professor in the Department of Rhetoric, Communication, and Journalism at Oakland University. -
Animating Experiences of Girlhood in Bob's Burgers Katie
I’m (Not) A Girl: Animating Experiences of Girlhood in Bob’s Burgers Item Type Article Authors Barnett, Katie Citation Barnett, K. (2019). "I’m (Not) A Girl: Animating Experiences of Girlhood in Bob’s Burgers." Journal of Popular Television, 7(1), 3-23. DOI 10.1386/jptv.7.1.3_1 Publisher Intellect Journal Journal of Popular Television Download date 27/09/2021 00:37:22 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/621344 I’m (Not) A Girl: Animating Experiences of Girlhood in Bob’s Burgers Katie Barnett, University of Chester Abstract Discourses of girlhood increasingly acknowledge its mutability, with the ‘girl’ as a complex image that cannot adequately be conceptualized by age or biology alone. Likewise, theories of animation often foreground its disruptive potential. Taking an interdisciplinary approach that encompasses girlhood studies, animation studies, and screen studies, this article analyses the representation of the two main girl characters, Tina and Louise Belcher, in the animated sitcom Bob’s Burgers (2011–present). Taking this concept of mutability as its central focus, it argues that animation is an ideal medium for representing girlhood, given its disruptive potential and non-linear capacities, whereby characters are often frozen in time. With no commitment to aging its young female characters, Bob’s Burgers is instead able to construct a landscape of girlhood that allows for endless reversal, contradiction and overlap in the experiences of Tina and Louise, whose existence as animations reveals girlhood as a liminal space in which girls can be one thing and the other – gullible and intelligent, vulnerable and strong, sexual and innocent – without negating their multifarious experiences. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
History of Lindheimer Plaza
History of Lindheimer Plaza Park’s Origins Lindheimer Plaza appears as a small “island” in the 500 block of Comal Street, New Braunfels, Texas. Busy city streets surround the park’s .28 acres and hundreds of people pass it each day. The Plaza is located in a residential area, just 1/10 mile from the Ferdinand Lindheimer Haus and within walking distance of New Braunfels’s Historic Main Street District. Although it is a small park, Lindheimer Plaza is rich in history and cultural charm. In 1845, Ferdinand J. Lindheimer, “Father of Texas Botany”, was given a parcel of land on the Comal River by the Adelsverein. Lindheimer had met the first group of German emigrants at the Texas coast in 1844 and served as a guide for their journey to New Braunfels. Prince Carl, Commissioner-General of the Society for the Protection of German Immigrants in Texas, more commonly known as the Adelsverein, awarded Lindheimer the property for his services to the early settlers. Prince Carl also encouraged Lindheimer to establish a botanical garden in the new German community. Before 1850, however, the Adelsverein sought to extend Comal Street and, to do this, needed to traverse Lindheimer’s Botanical Garden. Lindheimer granted permission for the street’s extension and received two additional town lots in exchange. By 1852, Lindheimer had built a Fachwerk home overlooking the banks of the Comal River. He lived there until he died in 1879, just a short distance from the park land that would bear his name. What we now know as Lindheimer Plaza originally served as a junction point on the busy, early streets.