DOCSLIB.ORG

Introduction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Introduction Notes Introduction 1. Alexander Wendt, Social Theory of International Politics (Cambridge: Cambridge University Press, 1999), p. 90. 2. Ekkehart Krippendorff, Die Kunst, nicht regiert zu werden: Ethische Politik von Sokrates bis Mozart (Frankfurt: Suhrkamp, 1999), p. 8. 3. See Hans-Georg Gadamer, Truth and Method, second revised version, trans. J. Weinsheimer and D. G. Marshall (New York: Continuum, 1999), p. 52; Terry Eagleton, The Ideology of the Aesthetic (Oxford: Basil Blackwell, 1990), p. 102; Wolfgang Welsch, Ästhetisches Denken (Stuttgart: Reclam, 1993), p. 7. 4. Orhan Pamuk, Other Colors: Essays and a Story, trans. Maureen Freely (New York: Alfred Knopf, 2007), p. 357. 5. Gao Xingjian, The Case for Literature, trans. Mabel Lee (New Haven: Yale University Press, 2007), pp. 38, 78. 6. Ibid., p. 46. 7. Ibid., pp. 54–5. 8. Hans Magnus Enzensberger, Poesie und Politik (Frankfurt: Suhrkamp, 1987/1962), p. 135. 9. Debbie Lisle and Alex Danchev, ‘Art, Politics, Purpose’, forthcoming in Review of International Studies. 10. See, for instance, Chris Brown, “‘Special Circumstances”: Intervention by a Lib- eral Utopia’, Millennium: Journal of International Studies, Vol. 30, No. 3, 2001, pp. 625–33; Fred Halliday, “‘High and Just Proceedings”: Notes Towards an Anthology of the Cold War’, Millennium: Journal of International Studies, Vol. 30, No. 3, 2001, pp. 691–707; Richard Ned Lebow, The Tragic Vision of Poli- tics: Ethics, Interests and Orders (Cambridge: Cambridge University Press, 2003); Steve Smith, ‘Singing our World into Existence: International Relations The- ory and September 11’, International Studies Quarterly, Vol. 48, No. 3, 2004, pp. 499–515. 11. Or so claims one (otherwise very insightful and far-sighted) policy review of the United States’ engagement with North Korea. See William J. Perry, Review of United States Policy Towards North Korea (Washington: US Department of State, 1999), http://usinfo.state.gov/regional/ea/easec/nkreview.html, pp. 5, 12. 12. Friedrich Nietzsche, ‘Über Warheit und Lüge im aussermoralischen Sinn’, in Erkenntnistheoretische Schriften (Frankfurt: Suhrkamp, 1968), p. 103. 13. The sophistication of realism is perhaps best captured in two classical international relations texts: E. H. Carr, The Twenty Years Crisis, 1919–1939 (London: Macmil- lan, 1946); and Hans Morgenthau, Politics Among Nations (New York: Alfred Knopf, 1948/1973). For recent attempts to revive the critical dimensions of these works see Michael Williams, Realism Reconsidered: the Legacy of Hans Morgenthau in Inter- national Relations (Oxford: Oxford University Press, 2007) and Murielle Cozette, ‘Reclaiming the Critical Dimension of Realism: Hans J. Morgenthau on the Ethics of Scholarship’, Review of International Studies, Vol. 34, 2008, pp. 5–27. For general surveys of realism see Jack Donnelly, Realism and International Relations (Cam- bridge: Cambridge University Press, 2000); Michael Joseph Smith, Realist Thought 189 190 Notes from Weber to Kissinger (Baton Rouge: Louisiana State University, 1986); Stefano Guzzini, Realism in International Relations and International Political Economy: the Continuing Story of a Death Foretold (London and New York: Routledge, 1998); Dun- can Bell (ed.), Political Thought and International Relations: Variations on a Realist Theme (Oxford: Oxford University Press, 2008). 14. Oliver P. Richmond, The Transformation of Peace (Basingstoke: Palgrave Macmillan, 2005) and Peace in International Relations (London: Routledge, 2008). 15. Friedrich Nietzsche, Daybreak: Thoughts on the Prejudices of Morality, trans. R. J. Hollingdale (Cambridge: Cambridge University Press, 1982), p. 39. 16. Roland Barthes, Image, Music, Text, trans. Stephen Heath (London: Fontana Press, 1977), p. 17. 17. See David Levi Strauss, Between the Eyes: Essays on Photography and Politics (New York: Aperture, 2003), p. 45. 18. François Debrix, ‘Rituals of Mediation’, in François Debrix and Cynthia Weber (eds), Rituals of Mediation: International Politics and Social Meaning (Minneapolis: University of Minnesota Press, 2003), pp. xxiv, xxvii–xxx. 19. See Jonathan Friday, ‘Demonic Curiosity and the Aesthetics of Documentary Photography’, British Journal of Aesthetics, Vol. 40, No. 5, 2000, pp. 356–75. 20. See, for instance, Barthes, Image, Music, Text, p. 19; Susan Sontag, Regarding the Pain of Others (New York: Farrar, Strauss & Giroux, 2003), p. 46. 21. Barthes, Image, Music, Text, pp. 17–19. 22. John Berger, ‘Uses of Photography’, in About Looking (New York: Vintage, 1980), p. 55. 23. John Berger, Ways of Seeing (London: Penguin, 1977), p. 9. See also Gordon Graham, Philosophy of the Arts: an Introduction to Aesthetics (London: Routledge, 1997), p. 88. 24. Guy Debord, La Société du Spectacle (Paris: Gallimard, 1992), p. 4. 25. Strauss, Between the Eyes,p.45. 26. Gao, The Case for Literature, pp. 32–3. 27. James Scully, Line Break: Poetry as Social Practice (Seattle: Bay Press, 1988), p. 4. 28. George Goodin, The Poetics of Protest: Literary Form and Political Implication in the Victim-of-Society Novel (Carbondale: Southern Illinois University Press, 1985), p. 194. 29. See, for instance, Barbara Harlow, Resistance Literature (London: Routledge, 1987). 30. Scully, Line Break,p.5. 31. Graham, Philosophy of the Arts,p.42. 32. Jacques Rancière, The Politics of Aesthetics: the Distribution of the Sensible, trans. Gabriel Rockhill (London: Continuum, 2004), p. 13. 33. Ibid., p. 63. 34. Maureen Whitebrook, ‘Introduction’, to Whitebrook (ed.), Reading Political Stories: Representations of Politics in Novels and Pictures (Lanham, MD: Rowman & Littlefield, 1992), pp. 5, 7. 35. Maureen Whitebrook, ‘Taking the Narrative Turn: What the Novel Has to Offer Political Theory’, in John Horton and Andrea T. Baumeister (eds), Literature and the Political Imagination (London: Routledge, 1996), p. 32. 36. Richard Rorty, Contingency, Irony and Solidarity (Cambridge: Cambridge University Press, 1989), p. xvi; Martha Nussbaum, Poetic Justice: the Literary Imagination and Public Life (Boston: Beacon Press, 1995), p. 5; Philip Darby, The Fiction of Imperi- alism: Reading Between International Relations and Postcolonialism (London: Cassell, 1998), p. 47. Notes 191 37. Ernest Hemingway, A Moveable Feast (New York: Touchstone, 1996), p. 1. 38. John Updike, ‘Mind/Body Problems’, New Yorker, 26 January 2004, p. 90. 39. Michael Wood, Literature and the Taste of Knowledge (Cambridge: Cambridge University Press, 2005), p. 190. 40. Ibid., pp. 38, 41. 41. Ibid., p. 190. 42. Milan Kundera, The Art of the Novel, trans. Linda Asher (New York: Perennial Classic, 2000), p. 122. 43. Darby, The Fiction of Imperialism, p. 192. 44. Susan Sontag, ‘Fascinating Fascism’, New York Review of Books, 6 February 1975. For a selection of more recent engagements with this theme see Steven Bach, Leni: the Life and Work of Leni Riefenstahl (New York: Alfred A. Knopf, 2007); Michiko Kakutani, ‘Triumph of Wilful Blindness to the Horror of History’, New York Times, 13 March 2007; Frederic Spotts, Hitler and the Power of Aesthetics (New York: Over- look Press, 2003). See also Tim Redman, Ezra Pound and Italian Fascism (Cambridge: Cambridge University Press, 1991). 45. Martin Heidegger, ‘Wozu Dichter’, in Holzwege (Frankfurt: Vittorio Klostermann, 1977), p. 272. 46. George Kateb, ‘Aestheticism and Morality: Their Cooperation and Hostility’, Political Theory, Vol. 28, No. 1, 2000, p. 6. 47. For various attempts to separate Heidegger’s political views from his philosophical insights see John D. Caputo, Against Ethics: Contribution to a Poetics of Obligation with Constant Reference to Deconstruction (Bloomington: Indiana University Press, 1993), p. 227; Leslie Paul Thiele, Timely Meditations: Martin Heidegger and Post- modern Politics (Princeton: Princeton University Press, 1995), p. 9; Fred Dallmayr, Between Freiburg and Frankfurt: Toward a Critical Ontology (Amherst: University of Massachusetts Press, 1991) and The Other Heidegger (Ithaca: Cornell University Press, 1993). 48. Jane Bennett, The Enchantment of Modern Life: Attachments, Crossings, and Ethics (Princeton: Princeton University Press, 2001), p. 152. For a similar argument see Goodin, The Poetics of Protest, p. 194. 49. See Murray Edelman, Art and Politics: How Artistic Creations Shape Political Concep- tions (Chicago: University of Chicago Press, 1995), pp. 58, 143–4. 50. Nicholas Higgins, ‘Image and Identity: Mexican Indians and Photographic Art’, in Social Alternatives, special issue on ‘Painting Politics’, Vol. 20, No. 4, October 2001, pp. 22–36. 51. Louise Amoore, ‘Vigilant Visualities: the Watchful Politics of the War on Ter- ror’, Security Dialogue, Vol. 38, No. 2, 2007, pp. 215–32. David Campbell’s work explores in detail how photography influences constructions of identity and the relationship between the West and the non-West. See, for instance, his ‘Geopoli- tics and Visuality: Sighting the Darfur Conflict’, Political Geography, Vol. 26, 2007, pp. 357–82. 52. Higgins, ‘Image and Identity’, p. 35. 53. Ibid., p. 26. See also Nicholas Higgins, Understanding the Chiapas Rebellion: Mod- ernist Visions and the Invisible Indian (Austin: University of Texas Press, 2004); and James R. Ryan, ‘Photographing the Natives’, in Picturing Empire: Photography and the Visualization of the British Empire (London: Reaktion Books, 1977). 54. Rancière, The Politics of Aesthetics,p.61. 55. Alberto Manguel, The City of Words (Toronto: Anasi Press, 2007), p. 22. 56. Gao, The Case for Literature, pp. 62–3. 192 Notes 57. Morton Schoolman, Reason
Load more

Recommended publications
  • Sur Ce Lien Pour Télécharger L'index Publié En Novembre 2020
    1 Index publié en novembre 2020 index mis à jour jusqu’au samedi 24 octobre 2020 Toutes les indications en bleu sont des liens cliquables qui permettent d’ouvrir directement la page souhaitée dans Poezibao Pour circuler plus aisément dans l'index, cliquez sur les lettres ci-dessous A ak, ap, ar |B be, bl, bo, br |C|D|E|F|G|H|I|J|K|L| M|N|O|P|Q|R|S|T|U|V|W|X|Y|Z| A retour haut de page • Constantin Abaluta : bio-bibliographie, extrait 1 • Jacques Abeille, (Note de lecture), Jacques Abeille, "Tombeau pour un amour dans la lumière de sa perte", par Jean-Pascal Dubost • Henri Abril: bio-bibliographie, ext. 1, (Note de lecture), Intime étymon, de Henri Abril, par René Noël, • Abu Nuwas, (Anthologie permanente), Abû Nuwâs • Elliot Ackerman, (Note de lecture) Places and names, d'Elliot Ackerman, par Claude Minière (livre en anglais, USA) • (revue) Action poétique: n° 181, n° 182, n° 183, n° 185, n° 186, n° 188, n° 191/192, rencontre à la BNF pour ses soixante ans • Action Restreinte : n° 9, n° 10 • Serge Adam : le Bistouri mystique (parution) • Fleur Adcock : bio-bibliographie, extrait 1 • Claude Adelen: bio-bibliographie, extraits 1, ext. 2, ext. 3, • Joan Elies Adell: bio-bibliographie, extrait 1 • Adonis : bio-bibliographie, extrait 1, • Etel: Adnan bio-bibliographie, Adnan Etel, (A Paris), extrait 1, (Anthologie permanente) Etel Adnan, "Nuit", (Anthologie permanente) Etel Adnan, Surgir, (Anthologie permanente) Etel Adnan, traductions inédites de Jean-René Lassalle, • Aencrages & co : appel après incendie • Affaire Brice Petit/Jean-Michel Maulpoix : Les faits, deux écrivains face à la justice, une lettre de Jean-Michel Maulpoix, une lettre de Brice Petit, lettre de JM Maulpoix (fin octobre 2005), une lettre de JM Maulpoix (dec.
    [Show full text]
  • Achievements and Prospects of Korean Studies in France Isabelle Sancho
    Achievements and Prospects of Korean Studies in France Isabelle Sancho To cite this version: Isabelle Sancho. Achievements and Prospects of Korean Studies in France: . Korean Studies Achievements and Prospects in the East and the West, Kyemyong University, International Korean Studies Forum, Nov 2017, Daegu, South Korea. hal-02905279 HAL Id: hal-02905279 https://hal.archives-ouvertes.fr/hal-02905279 Submitted on 23 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 23-24 November 2017 Kyemyong University, Daegu International Korean Studies Forum “Korean Studies Achievements and Prospects in the East and the West” Achievements and Prospects of Korean Studies in France 프랑스의 한국학 교류와 성과 Isabelle SANCHO1 Abstract : Korean studies in France have a long history that reflects the specificities of the French interest for East Asia from the 18th century. The relationships between the two countries were marked at the 19th century by tumultuous episodes due to French catholic proselytism and expansionist policy in East Asia but also by remarkable and unexpected scholarly achievements. At the 20th century, the isolated initiatives to promote and study Korea in France randomly taken by missionaries, diplomats, collectors and orientalists have been progressively replaced by institutionalized Korean studies that started to be structured within French universities and other higher education institutions with the help of specialists of other areas (China and Japan).
    [Show full text]
  • Vatra Veche 8, 2019
    8 Români din toate ţă rile, uni ţi-vă! Lunar de cultur ă * Serie veche nou ă* Anul XI, nr. 8 (128) august 2019 *ISSN 2066-0952 VATRA, Foaie ilustrat ă pentru familie (1894) *Fondatori I. Slavici, I. L. Caragiale, G. Co şbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga* VATRA VECHE, 2009, Redactor-şef Nicolae B ăciu ţ _____________________________________________________________________________________________ _______________________________________________________________________________ INSCRIP ȚIE Tot ce se poate-nțelege E f ără speran ță și lege Și cre ște dospind din eres Tot ce e f ără-nțeles. ANA BLANDIANA Marcel Lup șe, Buzduganul florilor de in _____________________________________________________________________________________________________________________ Inscrip ție, de Ana Blandiana/1 Vatra veche dialog cu Ana Blandiana, de Nicolae B ăciu ț/3 Cununa de Aur a Serilor de Poezie de la Struga, de Nicolae Băciu ț/4 Cuvântul de acceptare al laureatului, de Ana Blandiana,/5 Cununa de Aur, 2019, de Nicolae Băciu ț/5 Eseu. Staulul Miori ței, de A.I. Brumaru/6 Mai altfel, despre Veronica Micle, de Dumitru Hurubă/ 9 Eminescum, de Răzvan Ducan/10 Remember -30. N. Steinhardt, de Veronica Pavel Lerner/11 Poeme de Dumitru Ichim/12 Ognean Stamboliev, Premiul pentru traducerea lui Eminescu/12 Elisabeta Bo țan, Premiul European Clemente Rebora 2018- 2019/12 Să ne reamintim de… Valentin Silvestru, de Dumitru Hurub ă/13 Coresponden ţa lui Dimitrie Stelaru, de Gheorghe Sar ău/14 Inedit. Blestemul chinezesc, de Francisc P ăcurariu/15 Vremea întreb ărilor (Octavian Paler), de Nicolae Postolache/17 Text și context în diarismul românesc (Eugen Simion), de Florian Copcea/20 Poeme de Tania Nicolescu/23 Scrisori deschise, de Constantin Stancu/24 Ochean întors.
    [Show full text]
  • Introducing Ko Un It Seems Impossible to Separate the Dramatic Story of Ko
    Introducing Ko Un It seems impossible to separate the dramatic story of Ko Un’s life from the dramatic history of modern Korea. Ko Un was born in 1933 in a village on the edge of Gunsan, a port on the west coast of Korea used by the Japanese to export to Japan vast quantities of Korean rice, which left the Koreans without enough to eat. His early schooling, in the years when Japan was engaged in merciless warfare in Manchuria, China and, from late 1941, across the Pacific, saw him forced to study entirely in Japanese, and to take a Japanese name. The surrender of Japan in 1945 and the departure of the Japanese did not bring much joy to Korea, which found itself divided into two parts under foreign control, the USSR in the North, the US in the South. This was the beginning of tragic civil strife and division. In 1949, on his way home from school, Ko Un picked up a book lying by the wayside. It was the leper-poet Han Ha-Un's first published volume. He stayed up all night reading it. He wrote later: “My breast seemed torn apart by the force of the shock those lyrics produced on me”. He too wanted to become a leper-poet. He stresses that he never had a chance to study Korean literature in school, and he never attended a university. Poetry came to him from within, in the present moment, not from the past and from books. Instead, still in his teens, he was caught up in the War.
    [Show full text]
  • Action Poétique
    1 Index publié le samedi 7 juillet 2018 P oe z ib a o a publié à cette date 10 28 9 ar t ic le s . Toutes les indications en bleu sont des liens cliquables qui permettent d’ouvrir directement la page souhaitée dans P oez i b a o Pour circuler plus aisément dans l'index, cliquez sur les lettres ci - de ssou s A | B |C | D | E|F | G| H | I| J| K| L | M | N | O | P| Q | R| S| T |U | V | W| X | Y| Z| A retour haut de page • Constantin Ab a l u t a : bi o - bibliographie , e x tr ai t 1 • H e nr i Ab r il : bi o - bibliographie , e x t. 1 • (r e v ue ) Action poétique : n° 1 8 1 , n° 1 8 2 , n° 1 8 3 , n° 1 8 5 , n° 1 8 6 , n° 1 8 8 , n° 1 9 1/ 1 9 2 , rencontre à la BNF pour ses soixante ans • Action Restreinte : n° 9 , n° 1 0 • S e r ge Ad a m : le Bistouri mystique (pa r u ti on) • F l e ur Ad c oc k : bi o - bibliographie , e x tr a i t 1 • C l a u de Ad e le n : bi o - bibliographie , e x tr a i ts 1 , e x t. 2 , e x t. 3 , • Joan Elies Ad e l l : bi o -bibliographie , e x tr a i t 1 • Ad on is : bi o - bi bl i ogr a phi e , e x tr a i t 1 , • Ete l : Ad n a n bi o - bibliographie , Adnan Etel, (A Paris), e x tr a i t 1 , (Anthologie permanente) Etel Adnan, "Nuit" , • Aencrages & co : appel après incendie • Af f a i r e Brice Petit/Jean - Michel Maulpoix : Les faits, deux écrivains face à la j u sti c e , une lettre de Jean - Michel Maulpoix, une lettre de Brice Petit , lettre de JM Maulpoix (fin octobre 2005), une lettre de JM Maulpoix (dec.
    [Show full text]
  • Ko Un.Qxd 12/8/05 3:11 PM Page Xvii
    Ko Un.qxd 12/8/05 3:11 PM Page xvii Introduction Ko Un, poet, novelist, literary critic, political dissident, and ex-Buddhist monk, among many other things, is often called keobong (a great moun- tain peak) by his peers. It seems a fair metaphor, not only because of the enormous volume of work he has produced, but also for its content. It resonates with the same awe-invoking mythic power that a great moun- tain has, a great mountain with its deep valleys and peaks and varied and abundant wildlife, ranging from ancient towering trees to tiny delicate flowers and from the beast of prey to the minute insect. Ko Un is unquestionably a giant among contemporary Korean poets. His poetry is filled with memories and experiences, ranging from those of his childhood to those of the senior man he now is, having passed that important milestone of life, the ch’ilsoon (seventieth birthday); he has lived as a precocious boy, a soul-searching monk, a tormented, nihilistic vagabond, a vitriolic dissident, and, finally, a family man. Although he is not yet widely known in the United States, he has been succinctly described by Allen Ginsberg (in his foreword to Ko Un’s Beyond Self ): “Ko Un is a magnificent poet, a combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian.”1 HIS LIFE Born Ko Un-Tae in 1933 in a small village near Kunsan in North Chulla Province, Ko Un early served notice that he was not going to be an obe- dient son. Although he excelled in his schoolwork, he was a pale, sickly child who brashly claimed that he wished to be emperor, an aspiration for which he was quickly and severely reprimanded by his Japanese school- xvii Ko Un.qxd 12/8/05 3:11 PM Page xviii master.
    [Show full text]
  • The Writings of Henry Cu
    P~per No. 13 The Writings of Henry Cu Kim The Center for Korean Studies was established in 1972 to coordinate and develop the resources for the study of Korea at the University of Hawaii. Its goals are to enhance the quality and performance of Uni­ versity faculty with interests in Korean studies; develop compre­ hensive and balanced academic programs relating to Korea; stimulate research and pub­ lications on Korea; and coordinate the resources of the University with those of the Hawaii community and other institutions, organizations, and individual scholars engaged in the study of Korea. Reflecting the diversity of academic disciplines represented by its affiliated faculty and staff, the Center especially seeks to further interdisciplinary and intercultural studies. The Writings of Henry Cu Killl: Autobiography with Commentaries on Syngman Rhee, Pak Yong-man, and Chong Sun-man Edited and Translated, with an Introduction, by Dae-Sook Suh Paper No. 13 University of Hawaii Press Center for Korean Studies University of Hawaii ©Copyright 1987 by the University of Hawaii Press All rights reserved. Printed in the United States of America Honolulu, Hawaii 96822 Library of Congress Cataloging-in-Publication Data Kim, Henry Cu, 1889-1967. The Writings of Henry Cu Kim. (Paper; no. 13) Translated from holographs written in Korean. Includes index. 1. Kim, Henry Cu, 1889-1967. 2. Kim, Henry Cu, 1889-1967-Friends and associates. 3. Rhee, Syngman, 1875-1965. 4. Pak, Yong-man, 1881-1928. 5. Chong, Sun-man. 6. Koreans-Hawaii-Biography. 7. Nationalists -Korea-Biography. I. Suh, Dae-Sook, 1931- . II. Title. III. Series: Paper (University of Hawaii at Manoa.
    [Show full text]
  • Annotated Books Received
    Annotated Books Received A SUPPLEMENT TO Translation Review Volume 13, No. 1 – 2007 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Rainer Schulte Christopher Speck DESIGNER Michelle Long All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas Box 830688 (JO 51) Richardson TX 75083-0688 Telephone: 972-883-2092 or 2093 Fax: 972-883-6303 E-mail: [email protected] Annotated Books Received, published twice a year, is a supplement of Translation Review, a joint publication of the American Literary Translators Association and The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2007 by American Literary Translators Association and The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity/affirmative action employer. ANNOTATED BOOKS RECEIVED 13.1 TABLE OF CONTENTS Arabic .................................................................................................................... 1 Bulgarian................................................................................................................ 5 Chinese .................................................................................................................. 5 Czech ..................................................................................................................... 8 Danish.................................................................................................................... 9 Dutch ....................................................................................................................
    [Show full text]
  • The Poetic Work of Ko Un: Comparing the Incomparable
    The Poetic Work of Ko Un: Comparing the Incomparable An Sonjae (Sogang University, Dankook University) Published in Comparative Korean Studies (The International Association of Comparative Korean Studies) Vol. 20, No. 1, April 2012, pages 365-413. 1. Introduction 1 2. An Historical Survey of the Poetry Published by Ko Un 1 a. The Early Years 1 b. The Return to the World 2 c. Public Voice, Private Life 3 d. Creative Explosion 4 e. Into the New Century 6 Toward a Critical Appreciation of Ko Un’s Work 6 a. Criteria 6 b. Forms and Subjects 7 c. Revisions 8 d. Critical and Public Reception 10 e. Unity and Fragmentation 12 f. Definitions and Labels 15 g. Beyond Words 16 3. Towards an Adequate Characterization of Ko Un’s Work 17 a. Ko Un: A Political Poet? 17 b. Ko Un: A Playful Poet? 19 c. Ko Un: A Puzzling Poet? 20 d. Ko Un: An Intelligent Poet? 21 e. Ko Un: A Spiritual Poet? 22 4. Conclusion 24 1. Introduction In the summer of 2012, the Korean writer Ko Un will enter his eightieth year. Although he continues to publish a remarkable amount of new writing each year, it is time to begin to try to formulate a general overview of his work. No Korean poet offers a greater challenge to the critical community. Ko Un has published so much, more than 150 volumes, that it is impossible to talk of the “reception” of his work. Virtually nobody, probably, has read anything approaching everything he has published, and the variety of his published work is such that it defies attempts at overall description or evaluation.
    [Show full text]
  • « the Poetry Value for the Intercultural Communication in Europe »
    MINISTERO DELL’ISTRUZIONE, DELL’UNIVERSITÀ E DELLA RICERCA UFFICIO SCOLASTICO REGIONALE PER IL VENETO UFFICIO SCOLASTICO PROVINCIALE DI VERONA « The poetry value for the intercultural communication in Europe » The World Poetry Academy, in collaboration with by UNESCO World Heritage City as well as city of art ONG E.I.P Italy, School Instrument of Peace, and of and culture, welcomed about fifty poets coming from the Municipality of Verona, with the patronage of the the different geo-cultural areas of the world: Italian Ministry of Foreign Affairs, the Italian Ministry from Africa the Nobel Price for Literature 1986 Wole of Culture, the Province of Verona, the Veneto Soyinka (Nigeria), Jean Baptiste Tati Loutard (Congo) Region, announces for the school year 2008/2009 the and Babacar Sall (Senegal); 1st National and European Poetry Competition: from Latin America the President of PEN Club “The poetry value for the intercultural communication International Homero Aridjis (Mexico), Haroldo de in Europe” Campos (Brazil) and Luis Mizon (Chile); from Asia Ayyappa Paniker (India), Gozo Yoshimasu SUBJECT (Japan) and Ko Un (South Korea); from the Arabic world Adonis and Mahmoud Darwich; The aim of the competition is to promote poetry value from Europe Mario Luzi (Italy), Kenneth White (Great for intercultural communication among people, beyond Britain), André Velter (France), Andrei Voznesenski the different ethnic affiliations, in order to discover (Russia), Ana Blandiana (Romania), Jean Portante European common roots: cardinal points to educate (Luxembourg); young Europeans in school and in civil society, to from North America Nicole Brossard (Canada) and develop a deep and conscious feeling of civic Jerome Rothenberg (United States); just to name some awareness and European citizenship.
    [Show full text]
  • 1 Poetry Selections For: Dawn Chorus, 2018 at the Rail Park 1300 Noble St
    Poetry Selections for: Dawn Chorus, 2018 at the Rail Park 1300 Noble St, Philadelphia, PA 19123 Introduction Dawn Chorus is a site-specific public artwork by Brent Wahl and Laynie Browne, commissioned by the City of Philadelphia’s Percent for Art Program of the Office of Arts, Culture and the Creative Economy. It consists of two parts: 1. A sculpture comprised of a repurposed utility pole and cast aluminum birds, and 2. Poetry excerpts engraved in paver stones. This document details more information for the poetry aspect of the project. The poetry excerpts in Dawn Chorus celebrate communication, rail lines, and the city as a meeting place. Thirteen languages are represented, reflecting the abundance of literary arts in our community. They connect ground to sky and include imagery of birds, threads, and transmission. Below are the poetry selections in their original languages, with translations where applicable, as well as bio notes of the poets. Dawn Chorus by Brent Wahl and Laynie Browne 1 A Public Art Commission by the City of Philadelphia’s Percent for Art Program SELECTIONS IN ORIGINAL LANGUAGES (with translations where applicable) And the distant starry highway You will know and travel often Richard Calmit Adams Constellations also have the power to understand— Etel Adnan А в небе заря стояла, Как ворота в ее страну. Анна Ахматова ________________________ And like gates into her country In the sky stood the dawn Anna Akhmatova Risalimmo le lettere del libro il mistero della luce a spirale nella stanza— a branchi, in fuga Maria Attanasio
    [Show full text]
  • The Biographic and Poetic Dimensions in Gary Synder's Green
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 8-2007 The Biographic and Poetic Dimensions in Gary Synder’s Green Buddhism Poetry: Cold Mountain, Mountains and Rivers Without End, and Danger on Peaks Byoungkook Park Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Buddhist Studies Commons, Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Park, Byoungkook, "The Biographic and Poetic Dimensions in Gary Synder’s Green Buddhism Poetry: Cold Mountain, Mountains and Rivers Without End, and Danger on Peaks" (2007). Dissertations. 903. https://scholarworks.wmich.edu/dissertations/903 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE BIOGRAPHIC AND POETIC DIMENSIONS IN GARY SYNDER’S GREEN BUDDHISM POETRY: COLD MOUNTAIN. MOUNTAINS AND RIVERS WITHOUT END. AND DANGER ON PEAKS by Byoungkook Park A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Dr. Daneen Wardrop, Advisor Western Michigan University Kalamazoo, Michigan August 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE BIOGRAPHIC AND POETIC DIMENSIONS IN GARY SNYDER’S GREEN BUDDHISM POETRY: COLD MOUNTAIN POEMS. MOUNTAINS AND RIVERS WITHOUT END. AND DANGER ON PEAKS Byoungkook Park, Ph.D. Western Michigan University, 2007 From the perspective of ecology, many scholars have examined works of Gary Synder, who is an environmental activist, a peasant-Buddhist, and one of the most beloved and significant poets in the East and West.
    [Show full text]