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Chieftains Into Ancestors: Imperial Expansion and Indigenous Society in Southwest China
1 Chieftains into Ancestors: Imperial Expansion and Indigenous Society in Southwest China. David Faure and Ho Ts’ui-p’ing, editors. Vancouver and Toronto: University of British Columbia Press, 2013. ISBN: 9780774823692 The scholars whose essays appear in this volume all attempt, in one way or another, to provide a history of southern and southwestern China from the perspective of the people who lived and still live there. One of the driving forces behind the impressive span of research across several cultural and geographical areas is to produce or recover the history(ies) of indigenous conquered people as they saw and experienced it, rather than from the perspective of the Chinese imperial state. It is a bold and fresh look at a part of China that has had a long-contested relationship with the imperial center. The essays in this volume are all based on extensive fieldwork in places ranging from western Yunnan to western Hunan to Hainan Island. Adding to the level of interest in these pieces is the fact that these scholars also engage with imperial-era written texts, as they interrogate the different narratives found in oral (described as “ephemeral”) rituals and texts written in Chinese. In fact, it is precisely the nexus or difference between these two modes of communicating the past and the relationship between the local and the central state that energizes all of the scholarship presented in this collection of essays. They bring a very different understanding of how the Chinese state expanded its reach over this wide swath of territory, sometimes with the cooperation of indigenous groups, sometimes in stark opposition, and how indigenous local traditions were, and continue to be, reified and constructed in ways that make sense of the process of state building from local perspectives. -
This Is a Sample Copy, Not to Be Reproduced Or Sold
Startup Business Chinese: An Introductory Course for Professionals Textbook By Jane C. M. Kuo Cheng & Tsui Company, 2006 8.5 x 11, 390 pp. Paperback ISBN: 0887274749 Price: TBA THIS IS A SAMPLE COPY, NOT TO BE REPRODUCED OR SOLD This sample includes: Table of Contents; Preface; Introduction; Chapters 2 and 7 Please see Table of Contents for a listing of this book’s complete content. Please note that these pages are, as given, still in draft form, and are not meant to exactly reflect the final product. PUBLICATION DATE: September 2006 Workbook and audio CDs will also be available for this series. Samples of the Workbook will be available in August 2006. To purchase a copy of this book, please visit www.cheng-tsui.com. To request an exam copy of this book, please write [email protected]. Contents Tables and Figures xi Preface xiii Acknowledgments xv Introduction to the Chinese Language xvi Introduction to Numbers in Chinese xl Useful Expressions xlii List of Abbreviations xliv Unit 1 问好 Wènhǎo Greetings 1 Unit 1.1 Exchanging Names 2 Unit 1.2 Exchanging Greetings 11 Unit 2 介绍 Jièshào Introductions 23 Unit 2.1 Meeting the Company Manager 24 Unit 2.2 Getting to Know the Company Staff 34 Unit 3 家庭 Jiātíng Family 49 Unit 3.1 Marital Status and Family 50 Unit 3.2 Family Members and Relatives 64 Unit 4 公司 Gōngsī The Company 71 Unit 4.1 Company Type 72 Unit 4.2 Company Size 79 Unit 5 询问 Xúnwèn Inquiries 89 Unit 5.1 Inquiring about Someone’s Whereabouts 90 Unit 5.2 Inquiring after Someone’s Profession 101 Startup Business Chinese vii Unit -
Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
SSA1208 / GES1005 – Everyday Life of Chinese Singaporeans: Past and Present
SSA1208 / GES1005 – Everyday Life of Chinese Singaporeans: Past and Present Group Essay Ho Lim Keng Temple Prepared By: Tutorial [D5] Chew Si Hui (A0130382R) Kwek Yee Ying (A0130679Y) Lye Pei Xuan (A0146673X) Soh Rolynn (A0130650W) Submission Date: 31th March 2017 1 Content Page 1. Introduction to Ho Lim Keng Temple 3 2. Exterior & Courtyard 3 3. Second Level 3 4. Interior & Main Hall 4 5. Main Gods 4 6. Secondary Gods 5 7. Our Views 6 8. Experiences Encountered during our Temple Visit 7 9. References 8 10. Appendix 8 2 1. Introduction to Ho Lim Keng Temple Ho Lim Keng Temple is a Taoist temple and is managed by common surname association, Xu (许) Clan. Chinese clan associations are benevolent organizations of popular origin found among overseas Chinese communities for individuals with the same surname. This social practice arose several centuries ago in China. As its old location was acquisited by the government for redevelopment plans, they had moved to a new location on Outram Hill. Under the leadership of 许木泰宗长 and other leaders, along with the clan's enthusiastic response, the clan managed to raise a total of more than $124,000, and attained their fundraising goal for the reconstruction of the temple. Reconstruction works commenced in 1973 and was completed in 1975. Ho Lim Keng Temple was advocated by the Xu Clan in 1961, with a board of directors to manage internal affairs. In 1966, Ho Lim Keng Temple applied to the Registrar of Societies and was approved on February 28, 1967 and then was published in the Government Gazette on March 3. -
Is Shuma the Chinese Analog of Soma/Haoma? a Study of Early Contacts Between Indo-Iranians and Chinese
SINO-PLATONIC PAPERS Number 216 October, 2011 Is Shuma the Chinese Analog of Soma/Haoma? A Study of Early Contacts between Indo-Iranians and Chinese by ZHANG He Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
I Want to Be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition
Volume 6 Issue 1 2020 “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i1.2020.4398 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan The years leading up to the political handover of Hong Kong to Mainland China surfaced issues regarding national identification and intergroup relations. These issues manifested in Hong Kong films of the time in the form of film characters’ language ideologies. An analysis of six films reveals three themes: (1) the assumption of mutual intelligibility between Cantonese and Putonghua, (2) the importance of English towards one’s Hong Kong identity, and (3) the expectation that Mainland immigrants use Cantonese as their primary language of communication in Hong Kong. The recurrence of these findings indicates their prevalence amongst native Hongkongers, even in a post-handover context. 1 Introduction The handover of Hong Kong to the People’s Republic of China (PRC) in 1997 marked the end of 155 years of British colonial rule. Within this socio-political landscape came questions of identification and intergroup relations, both amongst native Hongkongers and Mainland Chinese (Tong et al. 1999, Brewer 1999). These manifest in the attitudes and ideologies that native Hongkongers have towards the three most widely used languages in Hong Kong: Cantonese, English, and Putonghua (a standard variety of Mandarin promoted in Mainland China by the Government). -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
中国人的姓名 王海敏 Wang Hai Min
中国人的姓名 王海敏 Wang Hai min last name first name Haimin Wang 王海敏 Chinese People’s Names Two parts Last name First name 姚明 Yao Ming Last First name name Jackie Chan 成龙 cheng long Last First name name Bruce Lee 李小龙 li xiao long Last First name name The surname has roughly several origins as follows: 1. the creatures worshipped in remote antiquity . 龙long, 马ma, 牛niu, 羊yang, 2. ancient states’ names 赵zhao, 宋song, 秦qin, 吴wu, 周zhou 韩han,郑zheng, 陈chen 3. an ancient official titles 司马sima, 司徒situ 4. the profession. 陶tao,钱qian, 张zhang 5. the location and scene in residential places 江jiang,柳 liu 6.the rank or title of nobility 王wang,李li • Most are one-character surnames, but some are compound surname made up of two of more characters. • 3500Chinese surnames • 100 commonly used surnames • The three most common are 张zhang, 王wang and 李li What does my name mean? first name strong beautiful lively courageous pure gentle intelligent 1.A person has an infant name and an official one. 2.In the past,the given names were arranged in the order of the seniority in the family hierarchy. 3.It’s the Chinese people’s wish to give their children a name which sounds good and meaningful. Project:Search on-Line www.Mandarinintools.com/chinesename.html Find Chinese Names for yourself, your brother, sisters, mom and dad, or even your grandparents. Find meanings of these names. ----What is your name? 你叫什么名字? ni jiao shen me ming zi? ------ 我叫王海敏 wo jiao Wang Hai min ------ What is your last name? 你姓什么? ni xing shen me? (你贵姓?)ni gui xing? ------ 我姓 王,王海敏。 wo xing wang, Wang Hai min ----- What is your nationality? 你是哪国人? ni shi na guo ren? ----- I am chinese/American 我是中国人/美国人 Wo shi zhong guo ren/mei guo ren 百家 姓 bai jia xing 赵(zhào) 钱(qián) 孙(sūn) 李(lǐ) 周(zhōu) 吴(wú) 郑(zhèng) 王(wán 冯(féng) 陈(chén) 褚(chǔ) 卫(wèi) 蒋(jiǎng) 沈(shěn) 韩(hán) 杨(yáng) 朱(zhū) 秦(qín) 尤(yóu) 许(xǔ) 何(hé) 吕(lǚ) 施(shī) 张(zhāng). -
Lǎoshī Hé Xuéshēng (Teacher and Students)
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. CHAPTER Lǎoshī hé Xuéshēng 1 (Teacher and Students) Pinyin Text English Translation (A—Dīng Yī, B—Wáng Èr, C—Zhāng Sān) (A—Ding Yi, B—Wang Er, C—Zhang San) A: Nínhǎo, nín guìxìng? A: Hello, what is your honorable surname? B: Wǒ xìng Wáng, jiào Wáng Èr. Wǒ shì B: My surname is Wang. I am called Wang Er. lǎoshī. Nǐ xìng shénme? I am a teacher. What is your last name? A: Wǒ xìng Dīng, wǒde míngzi jiào Dīng Yī. A: My last name is Ding and my full name is Wǒ shì xuéshēng. Ding Yi. I am a student. 老师 老師 lǎoshī n. teacher 和 hé conj. and 学生 學生 xuéshēng n. student 您 nín pron. honorific form of singular you 好 hǎo adj. good 你(您)好 nǐ(nín)hǎo greeting hello 贵 貴 guì adj. honorable 贵姓 貴姓 guìxìng n./v. honorable surname (is) 我 wǒ pron. I; me 姓 xìng n./v. last name; have the last name of … 王 Wáng n. last name Wang 叫 jiào v. to be called 二 èr num. two (used when counting; here used as a name) 是 shì v. to be (any form of “to be”) 10 © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. -
Lesson 33: Complements of Result (Part 5) Sentences
Lesson 33: Complements of Result (Part 5) Sentences English Pinyin Chinese Characters 我做完功课了。 I finished doing my homework. wǒ zuò wán ɡōnɡ kè le. 我做完功課了。 我吃饱了。 I am full from eating. wǒ chī bǎo le. 我吃飽了。 nǐ zhǎo dào yào shi le 你找到钥匙了吗? Did you find the keys? mɑ ? 你找到鑰匙了嗎? 我没找到钥匙。 I didn’t find the keys. wǒ méi zhǎo dào yào shi. 我沒找到鑰匙。 我没看见你。 I didn’t see you. wǒ méi kàn jiàn nǐ. 我沒看見你。 我没做功课。 I didn’t do my homework. wǒ méi zuò ɡōnɡ kè. 我沒做功課。 Common Complements of Result (Resultative Suffix) Characters Pinyin Meaning Examples 做对 (zuò duì) – do right 对 duì to do correctly 猜对 (cāi duì) – guess right 说对 (shuō duì) – say right 做错 (zuò cuò) – do wrong 猜错 (cāi cuò) – guess wrong 错 cuò to do wrong, to be mistaken 说错 (shuō cuò) – say wrong 认错 (rèn cuò) – recognize wrong 买到 (mǎi dào) – obtain through buying 找到 (zhǎo dào) – find 借到 (jiè dào) – obtain through to obtain borrowing 活到老,学到老 (huó dào lǎo, xué to reach a place, time and dào lǎo) – learn as long as one lives 到 dào level, 看到 (kàn dào) – see 听到 (tīng dào) – hear to perceive (similar to 见) 闻到 (wén dào) – smell (to recognize a smell) 碰到 (pèng dào) – come across, run into 感觉到 (gǎn jué dào) – to feel 看见 (kàn jiàn) – see 见 jiàn to perceive through senses 听见 (tīng jiàn) – hear 闻见 (wén jiàn) – smell (recognize a smell) 碰见 (pèng jiàn) – run into / to come across 学会 (xué huì) – know how through learning know how to (do something) 看会 (kàn huì) – know how through 会 huì have the ability to do sth reading 听会 (tīng huì) – know how through listening 分成 (fēn chéng) – divide into 切成 (qiē chéng) – cut into 看成 (kàn chéng) –view (something) as 变成 (biàn chéng) – change to, to change or turn something 成 chéng convert to into something else 翻译成 (fān yì chéng) – translate to 说成 (shuō chéng) – describe as 当成 (dāng chéng ) – treat as 想像成 (xiǎng xiàng chéng) – imagine as 吃完 (chī wán) – finish eating 做完 (zuò wán) – finish doing 完 wán to finish 写完 (xiě wán) – finish writing 卖完 (mài wán) – finish selling (sold out) 准备好 (zhǔn bèi hǎo) – ready The action is finished. -
Opening Remarks Guo Changgang: Good Morning
Opening Remarks Guo Changgang: Good morning. Let’s start our workshop. First, I want to say many, many thanks to our dear guests and colleagues who took their time to participate in this event. And I should also firstly thank Professor Mark Juergensmeyer. Actually, he had this idea when we met last year in Chicago, where we talked about it. In recent years, my field and my interest is in religion and its’ globalizing force, the role of religion and its’ globalizing force in some specific religious countries; the role of religion and also the tension between religion and nation-states. So when we talked together, we came to this idea to make this joint event. So I should thank Mark Juergensmeyer actually for making this event possible. And also thanks to Dinah. Dinah, you actually give a big support to Mark Juergensmeyer’s project. Guo Changgang: Now I’d like to introduce our colleagues and every participant. Professor Tajima Tadaatsu. Oh, Tadaatsu Tajima. Can we just call you Tad? He is a professor from Tenshi College, Japan. Dr. Greg Auberry from Catholic Relief Services, Center in Cambodia. Professor Zhang Zhigang, he is still on the way he is a Professor from Peking University. He’s still on the way up here. Professor David A. Palmer from Hong Kong University. I think your field is Taoism. Chinese religion and Taoism, and director She Hongye from the Amity Foundation. Dr. Victor from UCSB center of Santa Barbara and colleague to Mark. Mark Juergensmeyer : More than a colleague. He is my right hand man. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.