Punishments and the Conclusion of Herodotus' Histories
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library Punishments and the Conclusion of Herodotus’ Histories William Desmond NE MUST CONSIDER the end of every affair, how it will turn out.”1 Solon’s advice to Croesus has often been Oapplied to Herodotus’ Histories themselves: Is the con- clusion of Herodotus’ work a fitting and satisfying one? Older interpretations tended to criticize the final stories about Ar- tayctes and Artembares as anticlimactic or inappropriate: Did Herodotus forget himself here, or were the stories intended as interludes, preludes to further narrative?2 Entirely opposite is the praise accorded Herodotus in a recent commentary on Book 9: “The brilliance of Herodotus as a writer and thinker is mani- fest here, as the conclusion of the Histories both brings together those themes which have permeated the entire work and, at the same time, alludes to the new themes of the post-war world.” 3 More recent appreciation for Herodotus’ “brilliance,” then, is often inspired by the tightly-woven texture of Herodotus’ narrative. Touching upon passion, revenge, noble primitivism, 1 Hdt. 1.32: skop°ein d¢ xrØ pantÚw xrÆmatow tØn teleutÆn, kª épobÆsetai (text C. Hude, OCT). 2 For summaries of earlier assessments (Wilamowitz, Jacoby, Pohlenz, et al.) see H. R. Immerwahr, Form and Thought in Herodotus (Cleveland 1966) 146 n.19; D. Boedeker, “Protesilaos and the End of Herodotus’ Histories,” ClAnt 7 (1988) 30–48, at 30–31; C. Dewald, “Wanton Kings, Picked Heroes, and Gnomic Founding Fathers: Strategies of Meaning at the End of Herodotus’ Histories,” in D.
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