The Transmission of Chretien De Troyes' Arthurian
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Ordbog Over Det Norrøne Prosasprog
Ordbog over det norrøne prosasprog © 2004 Den arnamagnæanske kommission Sats: ONP & UNI·C Skrift: Monotype Plantin Tryk: Grafisk Data Center A/S, Odense ISBN: 87-7001-285-7 Ordbog over det norrøne prosasprog ONP 1-3 : Nøgle // Key Redigeret af Helle Degnbol, Bent Chr. Jacobsen, James E. Knirk, Eva Rode, Christopher Sanders, Þorbjörg Helgadóttir Udgivet af Den arnamagnæanske kommission København 2004 Foreword The principal aid to Ordbog over det norrøne prosasprog // A Dictionary of Old Norse Prose (ONP 1 : a-bam, ONP 2 : ban-da, ONP 3 : de-em) is the volume of indices (ONP : Registre // Indices,1989). In the present booklet (ONP 1-3:Nøgle//Key) there is a short user’s guide in Danish and English, corrections and additions to the volume of indices (Sigla, Medieval Manuscripts), the most important corrections to ONP 1-3,acompletebibliographytoalltheONPvolumes,and a revised list of abbreviations and symbols. This booklet is therefore a complete replacement of the previous booklets, which can be discarded. ONP’s website (www.onp.hum.ku.dk) gives access to an electronic version of parts of the present booklet (Vejledning // User’s Guide, Bibliografi // Bibliography and Forkortelser & symboler // Abbreviations & Symbols). ONP’s indices (Sigla and Medieval Manuscripts) are also available on the website, and these are regularly updated. ONP’s postal address is: Ordbog over det norrøne prosasprog Københavns universitet Amager Njalsgade 136 DK-2300 København S Denmark e-mail: [email protected] website: http://www.onp.hum.ku.dk ONP’s publications can be -
Of Magical Beings and Where to Find Them. Scripta Islandica 72/2021
Of Magical Beings and Where to Find Them On the Concept of álfar in the Translated riddarasǫgur FELIX LUMMER 1. Introduction The process of translation attempts to enable the understanding of for eign concepts and ideas, something which naturally involves the use of both words and concepts that are already extant in the receiving culture. This natu rally involves linguistic problems, but more interestingly often results in the overlapping, alteration and merging of concepts, something that can have longterm consequences on language and cultural under standing. This article aims to explore how the Old Norse mythological concept of the álfar in the Nordic countries (especially Iceland due to its preservedmanuscripts)mayhavebeenalteredthroughtheinfluenceofthe trans lation of Old French romances into Norwegian and Icelandic during the Middle Ages. As will be shown below, the mythological concept that lies behind the introduction and use of the female variant of álfar (sg. álfr) known as álfkonur (sg. álfkona) in Old Norse literature (and culture) appears to have been that of the Old French fée (pl. fées). Indeed, prior to the translation of foreign (especially Continental) works, some of which appear to have been initiated by the Norwegian King Hákon Hákonar son (1204–1263) in the early thirteenth century, the álfkona (and motifs associated with her) seem to have been mostly absent in Old Norse Lummer, Felix. 2021. Of Magical Beings and Where to Find Them: On the Concept of álfar in the Translated riddarasǫgur. Scripta Islandica 72: 5–42. © Felix Lummer (CC BY) DOI: 10.33063/diva439400 6 Felix Lummer literature and folk belief (one minor exception is, for example, Fáfnis mál st. -
The Karlamagnús Compendium
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies The Karlamagnús Compendium Genre and Meaning in AM 180a-b fol. Ritgerð til M.A.-prófs Harry Williams Kt.: 151183-4419 Leiðbeinandi: Svanhildur Óskarsdóttir September 2017 Abstract This thesis is an examination of the fifteenth century manuscript AM 180a-b fol.; made up of a copy of the A version of Karlamagnús saga (180a) and seven further sagas - Konráðs saga keisarasonar, Dunstanus saga, Katrínar saga, Bærings saga, Knýtlinga saga, Vitus saga and Laurentius saga (180b), it originally formed one codex. The thesis has two main aims: to consider the generic position of Karlamagnús saga as it existed for the compilers of the manuscript and to speculate on the producers, purpose and use of the manuscript by means of a holistic consideration of its parts. The first aim is prompted by viewing the sagas of 180b as a reflection of the generic ambiguity of Karlamagnús saga. While patently belonging to the riddarasögur, Karlamagnús saga has affinities with hagiography and the konungasögur; representatives of these three generic classes are to be found in 180b. Structured by the theme of saintliness, in which a chronological line of saintly figures is presented, as well as shared geographical referents, the codex is marked by a wide-ranging intellectual curiosity. This is attributed to the concerns of the North Icelandic Benedictine School, the presence of which is marked in the manuscript, and to the wider intellectual atmosphere of fourteenth century Iceland in which saints' lives and romances were possibly written by the same people. 2 Ágrip Þessi ritgerð skoðar fimmtándu aldar handritið AM 180a-b fol.; sem samanstendur af A gerð Karlamagnúsar sögu (180a) ásamt sjö öðrum sögum- Konráðs sögu keisarasonar, Dunstanusar sögu, Katrínar sögu, Bærings sögu, Knýtlinga sögu, Vitus sögu og Laurentiusar sögu (180b), sem upphaflega mynduðu saman eitt handrit. -
Árni Magnússon's Rearrangement of Paper Manuscripts
Árni Magnússon’s rearrangement of paper manuscripts Beeke Stegmann PhD Thesis Faculty of Humanities University of Copenhagen 2 Acknowledgements This work would not have been possible without the help of numerous people. First of all, I would like to thank my supervisors Anne Mette Hansen and Matthew Driscoll for their great support which began before I officially started my PhD project and continued throughout the process. Their encouragement as well as critical feedback has provided extremely valuable help and guidance. Thanks are due to all my colleagues at the Arnamangæan Institute in Copen- hagen, including former colleagues, guests and otherwise associated people. They al- ways had an open door and time for my questions, and the warm and welcoming atmos- phere at both work-related events and more social gatherings quickly made me feel at home. The conservators Natasha Fazlic and Mette Jakobsen deserve special mention for sharing their expertise on the history of manuscripts and their bindings with me, and Suzanne Reitz for processing my orders so promptly. Furthermore, I would like to thank my colleagues from the other sections of the Department of Nordic Research for fruitful collaboration as well as the administrative and technical employees for providing exceptional research conditions. I am grateful to the staff and affiliates at our sister institute, the Árni Magnússon Institute for Icelandic Studies in Reykjavík. During my repeated stays in Iceland I en- joyed their great hospitality and support in both practical and academic matters. Par- ticular thanks go Haukur Þorgeirsson and Jóhanna Ólafsdóttir for supplying me with manuscript images. I am further indebted to Peter Springborg for sharing his unpublished notes and wide knowledge with me, to Florian Grammel for LaTeX-help and to Philip Lavender for being witty and wise. -
Three Old French Narrative Lays
THREE OLD FRENCH NARRATIVE LAYS TROT, LECHEOR, NABARET Edited and translated by Glyn S. Burgess and Leslie C. Brook Liverpool Online Series Critical Editions of French Texts 1 Liverpool Online Series Critical Editions of French Texts Series Editor Timothy Unwin Editorial Board Peter Ainsworth Glyn Burgess Alan Howe Richard Waller Advisory Board David Bellos Rosemary Lloyd Beverley Ormerod Henry Phillips Gerald Prince Deirdre Reynolds Jean-Marie Volet Jane Winston Published by The University of Liverpool, Department of French Modern Languages Building Liverpool L69 3BX © Glyn Burgess and Leslie Brook All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed by Alphagraphics® Tel: 0151 236 0559 First published 1999 ISBN 0 9533816 0 9 Three Old French Narrative Lays Trot, Lecheor, Nabaret Liverpool Online Series Critical Editions of French Texts The aim of this series is to establish a resource bank of critical editions and translations of French texts. These are to be made available in electronic form, with parallel paper publication of a small number of copies of each item. Online versions of items in the series are designed to be viewed as an exact replica of the printed copies, with identical pagination and formatting. They are stored on the University of Liverpool server at the following URL: http://www.liv.ac.uk/www/french/LOS/ The texts are available in PDF (Portable Document Format) form, requiring the use of Adobe Acrobat Reader. -
On Gender, Status, and Violence in Old Norse Literature
AÐALHEIÐUR GUÐMUNDSDÓTTIR “How Do You Know if it is Love or Lust?” On Gender, Status, and Violence in Old Norse Literature Abstract This article examines attitudes towards behaviour relating to women within Old Norse literature, focusing both on chivalric romances (translated and original, the riddarasögur) and the legendary sagas (fornaldarsögur), texts that were mostly written in the thirteenth and fourteenth centuries. The written chivalric romances arrived in Iceland from Norway and southern Europe, and thus they often exhib- it different values from those found in thefornaldarsögur , which tend to reflect in- digenous Nordic and heroic storytelling traditions. The article explores differenc- es between the two traditions regarding male emotions and attitudes towards women, with an emphasis on texts in which women are abused. In particular, the article seeks to investigate the relationship between social status and gender roles in these texts, and whether a woman’s rank affects her role and status according to gender. It focuses particularly on romances (especially those featuring courtly love) and fornaldarsögur in which women are either idealised as goddesses, or mistreated and even sexually abused because of their gender. The article con- cludes by asking how far the contrasts within the texts reflect a Norse ‘emotional community,’ as compared with continental European values, and whether these textual differences reflect actual difference in the social expressions of emotion- al behaviour. Ketils saga hængs is an Icelandic legendary saga which is usually dat- ed to the fourteenth century. In one episode the protagonist, Ketill, comes to a farm and asks for hospitality for the night from the mas- ter of the house, Brúni. -
Nítíða Saga in Late Medieval and Early Modern Iceland Sheryl Elizabe
i Transforming Popular Romance on the Edge of the World: Nítíða saga in Late Medieval and Early Modern Iceland Sheryl Elizabeth McDonald Werronen Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English January 2013 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2013 The University of Leeds and Sheryl Elizabeth McDonald Werronen The right of Sheryl Elizabeth McDonald Werronen to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. iii Acknowledgements There are many people whose help and support has made it possible for me to see this PhD through to its end, and as many of these people will know, it has not been an easy project. I should first thank my family for their support and encouragement, and my two supervisors Alaric Hall and Catherine Batt, who have enthusiastically supported me through everything, from the devising of the research proposal to the final draft. Many thanks are also due to the Social Sciences and Humanities Research Council of Canada (SSHRC), for awarding me an invaluable Doctoral Fellowship from 2011 through 2013, and to the Viking Society for Northern Research for awarding me a grant to make a research trip to Iceland in August 2011. -
Table of Contents Part I. Introduction
TABLE OF CONTENTS PART I. INTRODUCTION ............................................................................... 5 CHAPTER 1. HISTORICAL AND THEMATIC CONTEXT OF THE THESIS .................... 5 Reasons for translations ................................................................................................. 6 CHAPTER 2. AIM OF THE THESIS ....................................................................................... 7 CHAPTER 3. THEORY ............................................................................................................ 9 Norbert Elias’ Theory on the Civilising Process............................................................ 9 Structuralist Gender Theory......................................................................................... 10 Christianity as a Civilising Factor................................................................................ 11 CHAPTER 4. METHOD.......................................................................................................... 13 Historiography.............................................................................................................. 15 CHAPTER 5. SOURCES......................................................................................................... 16 5.1. Sources relevant for 13th century Norway......................................................................... 16 5.1.1. Norwegian laws...................................................................................................... 16 5.1.2. -
The 15Th International Saga Conference Sagas and the Use of the Past 5Th –11Th August 2012, Aarhus University Preprint of Abstracts
The 15th International Saga Conference Sagas and the Use of the Past 5th –11th August 2012, Aarhus University Preprint of Abstracts Edited by A. Mathias Valentin Nordvig and Lisbeth H. Torfing with Pernille Hermann, Jens Peter Schjødt and Ulla Loumand Sponsored by: A.P. Møller og Hustru Chastine Mc-Kinney Møllers Fond til almene Formaal; 15. juni Fonden; Forskningsrådet for Kultur og Kommuni- kation (FKK); Kungl. Gustav Adolfs Akademien för svensk folkkultur; Letterstedtska Föreningen; Faculty of Arts, Aarhus University; The De- partment of Aesthetics and Communication, Aarhus University; The Department of Culture and Society, Aarhus University; Salling; Bryg- geriet Sct. Clemens. MB Published by Department of Aesthetics and Communication Department of Culture and Society Faculty of Arts SUN-Tryk Fællestrykkeriet for Sundhedsvidenskab og Humaniora, Aarhus Universitet All rights reserved. Copyright © 2012, the Contributors. ISBN: 978-87-995444-0-0 http://sagaconference.au.dk/fileadmin/sagaconference/Pre-print.pdf The cover image is the so-called “Aarhus Mask”, a depiction on a ru- nestone found in the district of Hasle in Aarhus. It has been dated to the period 970-1020. Design by Nichlas Tougaard, Det Nye Sort. Preface The theme of the 15th International Saga Conference, the 5th to the 11th of August, 2012, Aarhus University, is Sagas and the Use of the Past. Papers at the conference will be presented in one of the following categories: Memory and Fiction, Myth and Reality, Textuality and Manuscript Transmission, Genre and Concepts of History, Oral Tradi- tion, The Christianisation of Denmark and Eastern Scandinavia, The Use of Sagas and Eddas in the 21st Century and Open Session Apart from the keynote lectures, orally-presented papers are organized in up to 6 parallel sessions on each day of the conference, in addition to which there are poster presentations, which are presented on Thursday afternoon. -
Leeds Studies in English
Leeds Studies in English New Series XLVI 2015 Edited by Alaric Hall Reviews editor N. Kıvılcım Yavuz Leeds Studies in English <www.leeds.ac.uk/lse> School of English University of Leeds 2015 Leeds Studies in English <www.leeds.ac.uk/lse> Leeds Studies in English is an international, refereed journal based in the School of English, University of Leeds. Leeds Studies in English publishes articles on Old and Middle English literature, Old Icelandic language and literature, and the historical study of the English language. After a two-year embargo, past copies are made available, free access; they can be accessed via <http://www.leeds.ac.uk/lse>. Editorial Board: Catherine Batt, Chair Venetia Bridges Marta Cobb Alaric Hall, Editor Paul Hammond Oliver Pickering Helen Price Slavica Ranković N. Kıvılcım Yavuz Reviews Editor Notes for Contributors Contributors are requested to follow the MHRA Style Guide: A Handbook for Authors, Editors, and Writers of Theses, 2nd edn (London: Modern Humanities Research Association, 2008), available at <http://www.mhra.org.uk/Publications/Books/StyleGuide/download.shtml>. Where possible, contributors are encouraged to include the digital object identifiers or, where a complete free access text is available, stable URLs of materials cited (see Style Guide §11.2.10.1). The language of publication is English and translations should normally be supplied for quotations in languages other than English. Each contributor will receive a free copy of the journal, and a PDF of their article for distribution. Please email all contributions to <[email protected]>. Reviews Copies of books for review should be sent to the Editor, Leeds Studies in English, School of English, University of Leeds, Leeds LS2 9JT, United Kingdom. -
Old French Lais and Icelandic Sagnakvæði
Francia ombrukket14_Layout 1 07.01.13 15:49 Side 265 Old French lais and Icelandic sagnakvæði Aðalheiður Guðmundsdóttir trengleikar is a collection of romantic tales that were translated from Sone or more collections of French narrative tales, the so-called lais (singular lai ), at the behest of Hákon the Old, who ruled over Norway from 1217 to 1263. The Strengleikar consist of twenty one lais and a prologue, and are now preserved in the Norwegian manuscript de la Gardie 4–7 at the University of Uppsala library alongside four leaves of the same manuscript, which are today found at the Arnamagnaean Institute in Copenhagen under the signum AM 666 b 4to. The manuscript is considered to be from about 1270 and as such is one of the oldest and most important compendiums of Old Norse translations of courtly literature. 1 The lais – as with other courtly literature – were compiled for the entertainment of the King and his court. They were composed in poetic form, and were on average 3–400 stanzas in length. They were sung or read with instrumental accompaniment, most likely stringed instruments, as the name Strengleikar would indicate. Their performance was therefore a combination of two art forms, the spoken and the musical, each supporting the other. It can thus be assumed that reading the tales does not have the same effect on listeners today as it did in the courts of the Middle Ages. Despite this, the content of the lais , which bears witness to the world of the audience who experienced them, is none the less entertaining. -
Sigrgarðs Saga Frækna: a Normalised Text, Translation, and Introduction
Sigrgarðs saga frækna: A normalised text, translation, and introduction ALARIC HALL STEVEN D. P. RICHARDSON HAUKUR ÞORGEIRSSON ABSTRACT: This article provides the first complete translation into English of the fifteenth-century Icelandic romance Sigrgarðs saga frækna [the saga of Sigrgarðr the Valiant], along with a normalised edition of the earliest manuscripts based on that of Agnete Loth. The introduction shows that the saga artfully combines material from both the learned tradition of romances and exempla, and from traditional wonder-tales, showing an unusual warmth towards low-status genres and characters. It argues that the setting of the story articulates Icelandic identity by associating it with the otherworldly setting of the heroes’ climactic quest, and studies the constructions of gender implicit in the saga. While clearly heteronormative and potentially patriarchal in its ideological commitments, the saga probes and arguably destabilises the patriarchal culture of late medieval Iceland. RÉSUMÉ: Cet article constitue la première traduction complète en anglais de Sigrgarðs saga frækna [la saga de Sigrgarðr le vaillant], un roman islandais du XVe siècle, avec une édition normalisée sur la base de l’édition par Agnete Loth des plus anciens manuscrits. Notre introduction indique que la saga combine adroitement la matière de la tradition savante des romans et celle des exempla, ainsi que des contes traditionnels; elle fait montre d’une chaleur inhabituelle envers les genres et les personnages de statut inférieur. L’introduction suggère aussi que le cadre de la quête finale des héros, qui se dérole dans un autre monde évoquant l’Islande, permet d’articuler une identité islandaise périphérique.