We Aim Above the Mark to Hit the Mark Ralph Emerson
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Volker 2010 Phd Deciding ... Uality.Pdf
Leentje Volker In the past few years the image of tender procedures in Deciding which Dutch public clients selected an architect has been dominated by distressing newspaper headlines. Architects fear that the current tender culture will harm the quality of about Design Quality our built environment due to a potential lack of diversity, Value judgements and decision making in the creativity and innovation in architectural design. Due to potential risks clients often allow legal requirements to selection of architects by public clients under overrule their actual wishes. This PhD research addresses the origin of the problems as currently experienced by public European tendering regulations commissioning clients in architect selection and proposes Deciding about Design Quality pragmatic implications for future practice. It is therefore of interest for commissioning clients, management consultants, policy makers and legal advisors but also for designers and researchers in the field of architecture and decision making. Based on four empirical cases the author shows that during architect selection the rational legal requirements clash with the psychological process of decision making. Decision makers only start to make sense of the proposed designs once they are confronted with the alternatives. It is therefore about Design Quality almost impossible for clients to design a selection procedure and announce the criteria and weighting factors up front, as required by procurement law. The scientific underpinning of the findings is found in four theoretical perspectives on value judgements in design and the latest decision theories in which sensemaking, emotion, intuition, and expertise play prominent roles. The thesis proposes fifteen factors for a successful design of a tender procedure to select an architect. -
Business Reportwednesday APRIL 16, 2014 RUSSIA&INDIA the ECONOMIC TIMES in ASSOCIATION with ROSSIYSKAYA GAZETA, RUSSIA
in.rbth.com Business ReportWEDNESDAY APRIL 16, 2014 RUSSIA&INDIA THE ECONOMIC TIMES IN ASSOCIATION WITH ROSSIYSKAYA GAZETA, RUSSIA DIPLOMACY: Economic rapprochement with the West will continue, but there won’t be blank cheques anymore STATISTICS After Crimea gamble, is Russian Ruble/Rupee dollar rates diplomacy heading for a new era? The Crimea standoff has underlined Moscow’s resolve to draw a line with the West over its vital security interests. Moscow will now be increasingly looking East to protect and promote its economic and geopolitical interests. DMITRY BABICH RIBR Stock Market Index oes Russia have a new diplomacy after its unilateral action in Crimea, Dwhich is seen as “occupation” by the Western powers and as “reunification” by a majority of the Russians and their allies abroad? There are two extremes in answering this question. One is to say that Moscow is trying to recover its old Soviet might, probably even beyond the borders of the former Soviet Union. The other extreme is to say that what happened in Crimea was an “unsuccessful improvisation” and things will soon be back to business as usual – with Russia grudgingly accepting the inclusion into the Western sphere of influence of ever new territories of Putin’s approval rating the former Soviet Union to the tune of talks about “expanding the zone of security and prosperity.” The truth, as always, is between the two extremes. Russia does not want isolation and exclu- sion from the international exchange of la- bour, capitals and knowledge, even though its foes in Euro-Atlantic and EU structures are AP happily tr ying to impose on it just this kind Bold Gamble: Russia’s President Vladimir Putin is poised for a tough diplomatic battle after the controversial Crimea reunification. -
Russia's Identity Relations with Europe, the EU, and the United States: 1991-2007 Ted Hopf, Ohio State University August 2007 [email protected]
Russia's Identity Relations with Europe, the EU, and the United States: 1991-2007 Ted Hopf, Ohio State University August 2007 [email protected] One can identify several waves of Russian identity relations with the world since 1991. These periods are 1992, 1993-2001 2001-5, and 2005-present. In the first period, there was, simply speaking, a Liberal identification with the West, in particular the United States. This was rapidly supplanted by a Centrist identification with the West, in particular with Europe, but also with an idealized Soviet past and an emerging Russian uniqueness. 911 cemented this Centrist identity, while simultaneously reinforcing a proto-Soviet identification with the US as the other superpower in the Global War On Terror (GWOT). Finally, since about 2005, a Russian dis-identification has occurred with both Europe and the US, and a growing stress on Russia as Russia has emerged. Russia’s Identities from 1991-911 There were three main discourses on Russian identity in the 1990s in Moscow: liberal, conservative, and centrist. The categorizations in Table One compare each discourse and its elements of identification. Each understood Russia with respect to internal, external, and historical Others.1 Liberals identified Russia’s future, at first with the American, and then with the European, present. They identified against the Soviet past and against the internal representation of that Other: the conservative discourse of communists and far right national patriots. They recognized the weakness of the Moscow federal centre vis-à-vis its 89 federal subjects, but felt economic prosperity within a democratic market economy would secure Russia from threats. -
Gideon Maasland
Gideon Maasland Director, and Architect, Gideon Maasland (NL), joined MVRDV in 2016. With extensive experience acquired at several high profile Dutch offices, Maasland leads MVRDV’s Studio 8, which is responsible for large-scale, complex buildings in the Netherlands and abroad. He leads the development, and construction of Valley, a 75,000 m2 mixed-use building in Amsterdam, as well as the construction of a 61.800 m2 residential tower project in the Hague, and the transformation of Jaarbeurs in Utrecht, a trade fair of 170.000m2. Besides this, Maasland is working on several projects in Poland, and the UK. Other exceptional projects include the Glass Farm in Schijndel, The Crystal Houses in Amsterdam, and the Balancing Barn in Suffolk, England. “I love to work on buildings that make a difference to the people using them or living close to them. At first glance, you might think these projects will never happen, because they are too difficult, too expensive, or not technically possible, but with the help of a large team of experts, and dedication to relationship management, anything is possible. There are no good projects without good clients.” - Maasland Profession Education 2001-2004 Technical University, Delft, Netherlands Director Architecture and Urbanism Architect 1998-2001 Technical School, Amsterdam, Netherlands Years of experience Bachelor in architecture 16 Professional 2016 / - MVRDV, Rotterdam, NL. Experience Director Nationality experience Dutch 2011/ 2016 Designed by Erick van Egeraat, Rotterdam, NL Qualifications Senior Project -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
IIHF 100 Year Review Brochure Cover
TABLE OF CONTENTS SPORT ACTIVITIES 3 IIHF SKILLS CHALLENGE 3 FIRST WORLD WOMEN ‘S U18 CHAMPIONSHIP 5 IIHF WORLD YOUTH HOCKEY TOURNAMENT 5 IIHF WORLD OLDTIMER ’S TOURNAMENT 6 FIRST VICTORIA CUP 8 OFFICIAL IIHF 100 YEAR LOOK AND FEEL 10 IIHF CENTENNIAL ICE RINK 11 PR ACTIVITIES 14 CENTENNIAL ALL -STAR TEAM 14 100 TOP STORIES – THE FINAL COUNTDOWN 15 COMMEMORATION OF THE VICTORIA SKATING RINK 16 IIHF FOUNDATION GALA 17 PUBLICATIONS 18 IIHF CENTENNIAL BOOK 18 IIHF TOP 100 HOCKEY STORIES OF ALL -TIME 19 RE-LAUNCH WWW.IIHF.COM 20 SPECIAL ACTIVITIES 21 IIHF 100 YEAR EXHIBITIONS 21 ARTS & CULTURE 23 IMPLEMENTATION TIMELINE 24 PROJECT MANAGEMENT 25 - Page 2 - SPORT ACTIVITIES IIHF Skills Challenge Season 2007/08 – Worldwide To involve children all over the world in the IIHF 100 th Anniversary, the International Ice Hockey Federation developed a concept of a world wide skills challenge for young male and female ice hockey players up to the age of 15 (1993 born). A global database and website for all test results was supported by video-based test instructions. More than 500 tool kits with shooter tutors had been shipped to the IIHF Member National Associations and the initiative counted more than 4000 participants globally. The IIHF Skills Challenge in Korea 30 IIHF member national associations organized the Skills Challenge tests to determine their most skilled male and female youth ice hockey player. The best players of each participating IIHF member national association were invited to the 2008 IIHF Skills Challenge on the weekend from 2 to 4 May 2008 in Quebec City. -
Slava Polunin, Russian Master Clown Legend, Founder of the Academy Of
Slava Polunin, Russian Master Clown legend, founder of the Academy of Fools and creator of the famed Slava’s Snowshow - the world’s most inspired and inspiring spectacle – is now celebrating 15 years along with Slava’s 60th anniversary of foolishness. For the past 40 years, Slava has been crossing all frontiers with his ever growing flock of “authentic fools”. He and his family have dedicated their life to nurturing and expanding the art of foolishness - through never ending playful practice. As a result, with his tribe of very busy fools - Slava has successfully reached out and touched the heart of millions of spectators around the globe, and there is no end in sight. As part of the celebrations around Slava’s 60th birthday, the Fool’s art was glorified in books, films and exhibitions and the recent public opening of the Moulin Jaune, Slava’s creative laboratory and playhouse in France. These will actively contribute to spreading Slava’s poetry beyond the stage, greatly expanding public awareness as part of a new chapter in the story of Slava’s Academy of Fools. en.wikipedia.org/wiki/Slava_Polunin SLAVA’S SNOWSHOW 15th ANNIVERSARY A universal and timeless theatrical classic with more than 4000 performances seen by over 3 million spectators in more than 30 countries and 120 cities. The Slava’s Snowshow, is a poetic spectacle which has unanimously enchanted and empowered the imagination of people from all nationalities, gender, beliefs, types and ages like no other show. It is a genre of it’s own and remains as spontaneous and magical as the first day, systematically catapulting all adults back in childhood. -
Places in Moscow That Have to Be Visited
Places in Moscow which have to be visited Оглавление SHOPPING CENTERS 3 GUM 3 TSUM 3 AVIAPARK 4 EVROPEISKY 4 AFIMALL CITY 4 MOSCOW PARKS. 5 GORKY CENTRAL PARK OF CULTURE AND LEISURE 5 TSARITSYNO MUSEUM-RESERVE 5 SOKOLNIKI PARK 6 MUZEON PARK OF ARTS 6 MUSEUMS 7 THE STATE DARWIN MUSEUM 7 THE STATE HISTORICAL MUSEUM 9 THE BASEL’S CATHERDRAL 10 MUSEUM OF THE PATRIOTIC WAR OF 1812 11 MUSEUM OF THE GREAT PATRIOTIC WAR, MOSCOW 12 THE STATE TRETYAKOV GALLERY 12 THE TRETYAKOV GALLERY ON KRYMSKY VAL 13 PRIVATE PHOTOGRAPHING IN THE GALLERY 14 ENGINEERING BUILDING AT LAVRUSHINSKY LANE, 12 15 PUSHKINS STATE MESEUM OF FINE ARTS 16 THE MUSEUM OF COSMONAUTICS 17 TOUR GROUPS 17 TOLSTOY HOUSE MUSEUM MOSCOW 18 Shopping centers GUM (pronounced [ˈɡum], an abbreviation of Russian: Глáвный универсáльный магазин, tr. Glávnyj Universáĺnyj Magazín literally "main universal store") With the façade extending for 242 m. along the eastern side of Red Square, the Upper Trading Rows (GUM) were built between 1890 and 1893 by Alexander Pomerantsev (responsible for architecture) and Vladimir Shukhov (responsible for engineering). The trapezoidal building features a combination of elements of Russian medieval architecture and a steel framework and glass roof, a similar style to the great 19th-century railway stations of London. William Craft Brumfield described the GUM building as "a tribute both to Shukhov's design and to the technical proficiency of Russian architecture toward the end of the 19th century”. The glass-roofed design made the building unique at the time of construction. The roof, the diameter of which is 14 m., looks light, but it is a firm construction made of more than 50,000 metal pods (about 819 short tons (743 t), capable of supporting snowfall accumulation. -
Marina Davydova: Some Thoughts on Russian Theatre at the Turn of the Century
rtlb.ru russian theatre life in brief Marina DavyDova: Some ThoughTS on RuSSian Theatre aT The TuRn of The CenTuRy January 2008 White Dresses. “ouR pRoduCTionS aRe abSoluTely Safe.” The Russian theatre of the past decade has Throughout the nineties the Russian theatre been largely drawn into the orbit of the theatre existed in a distinctive kind of ghetto, making of Europe. Or it is rather the other way around – no attempts to digest aesthetically the rapidly European drama has turned out of the blue to changing reality: we are here all by ourselves, occupy the Russian theatre space to the effect all dressed in white, while the reality stinks of considerably changing the local theatrical and has nothing to do with us. Paradoxical as landscape. In terms of major theatrical forums it may sound, in the post-perestroika period Moscow has lately left far behind all the capi- we could claim to have Europe’s most asocial tals and mega cities of the world: the Chekhov public and theatre. In the Soviet times theatre Festival, the Territory, the NET, the Stanislavsky managed to substitute, no matter how clum- Season to mention just a few. In the context sily, for the civil society. But it clearly failed to of the current guest tour hullabaloo even the become an integral component of this spring- Golden Mask that is by definition (“national the- ing up new society that was offering a wider atre award and festival”) prescribed to cultivate range of freedoms. predominantly the national stage has scaled up The social and political affectation somehow to acquire the European dimension by bringing ran dry as the long-standing rules of play- along the productions of overseas dignitaries. -
This Is the Published Version of a Chapter Published in Russische Und Sowjetische Geschichte Im Film
http://www.diva-portal.org This is the published version of a chapter published in Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n. Citation for the original published chapter: Kotljarchuk, A. (2016) Invisible Victims: The Cold War and Representation of the Roma Genocide in Soviet Feature Films, Teleplays and Theater Performances. In: Alexander Friedman ; Frank Jacob (ed.), Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n (pp. 129-150). New York: ALTIJA N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32100 Powered by TCPDF (www.tcpdf.org) RUSSISCHE UND SOWJETISCHE GESCHICHTE IM FILM Von bolschewistischen Revolutionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ Alexander FRIEDMAN und Frank JACOB (Hrsg.) New York Geschichte und Film, Bd. 1 Hrsg. Frank JACOB und Alexander FRIEDMAN Alexander Friedman und Frank Jacob: Russische und Sowjetische Geschichte im Film: Von bolschewistischen Revolu- tionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ © ALTIJA, Frank Jacob, New York 2016. Coverdesign: Judith Weber / Smakelig ISBN: 978-1541360853 Inhaltsverzeichnis 1. Kino als „wichtigste aller Künste“: Einleitung Alexander FRIEDMAN und Frank JACOB 5 2. „Das weite Land und die Reichtümer der Rus lockten die Eroberer an“ – Das bedrohte Russland im Film Alexander QUERENGÄSSER 15 3. The Images of Dying and New Jewish Worlds in the Soviet Ci- nema: “The Jews on the Land” versus “Jewish Luck (Menachem Mendel)” Andrei ZAMOISKI 33 4. „Kube, Hitlers Gauleiter in Minsk, war der leibhaftige Teufel“. -
Reform Or Consensus? Choral Synagogues in the Russian Empire
arts Article Reform or Consensus? Choral Synagogues in the Russian Empire Vladimir Levin The Center for Jewish Art, the Hebrew University of Jerusalem, Jerusalem 9190501, Israel; [email protected] Received: 5 May 2020; Accepted: 15 June 2020; Published: 23 June 2020 Abstract: Many scholars view the choral synagogues in the Russian Empire as Reform synagogues, influenced by the German Reform movement. This article analyzes the features characteristic of Reform synagogues in central and Western Europe, and demonstrates that only a small number of these features were implemented in the choral synagogues of Russia. The article describes the history, architecture, and reception of choral synagogues in different geographical areas of the Russian Empire, from the first maskilic synagogues of the 1820s–1840s to the revolution of 1917. The majority of changes, this article argues, introduced in choral synagogues were of an aesthetic nature. The changes concerned decorum, not the religious meaning or essence of the prayer service. The initial wave of choral synagogues were established by maskilim, and modernized Jews became a catalyst for the adoption of the choral rite by other groups. Eventually, the choral synagogue became the “sectorial” synagogue of the modernized elite. It did not have special religious significance, but it did offer social prestige and architectural prominence. Keywords: synagogue; Jewish history in Russia; reform movement; Haskalah; synagogue architecture; Jewish cultural studies; Jewish architecture 1. Introduction The synagogue was the most important Jewish public space until the emergence of secular institutions in the late nineteenth century. As such, it was a powerful means of representation of the Jewish community in its own eyes and in the eyes of the non-Jewish population. -
Wikivoyage Georgia.Pdf
WikiVoyage Georgia March 2016 Contents 1 Georgia (country) 1 1.1 Regions ................................................ 1 1.2 Cities ................................................. 1 1.3 Other destinations ........................................... 1 1.4 Understand .............................................. 2 1.4.1 People ............................................. 3 1.5 Get in ................................................. 3 1.5.1 Visas ............................................. 3 1.5.2 By plane ............................................ 4 1.5.3 By bus ............................................. 4 1.5.4 By minibus .......................................... 4 1.5.5 By car ............................................. 4 1.5.6 By train ............................................ 5 1.5.7 By boat ............................................ 5 1.6 Get around ............................................... 5 1.6.1 Taxi .............................................. 5 1.6.2 Minibus ............................................ 5 1.6.3 By train ............................................ 5 1.6.4 By bike ............................................ 5 1.6.5 City Bus ............................................ 5 1.6.6 Mountain Travel ....................................... 6 1.7 Talk .................................................. 6 1.8 See ................................................... 6 1.9 Do ................................................... 7 1.10 Buy .................................................. 7 1.10.1