Moscow Visitors Guide 莫斯科游览指南
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Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Places in Moscow That Have to Be Visited
Places in Moscow which have to be visited Оглавление SHOPPING CENTERS 3 GUM 3 TSUM 3 AVIAPARK 4 EVROPEISKY 4 AFIMALL CITY 4 MOSCOW PARKS. 5 GORKY CENTRAL PARK OF CULTURE AND LEISURE 5 TSARITSYNO MUSEUM-RESERVE 5 SOKOLNIKI PARK 6 MUZEON PARK OF ARTS 6 MUSEUMS 7 THE STATE DARWIN MUSEUM 7 THE STATE HISTORICAL MUSEUM 9 THE BASEL’S CATHERDRAL 10 MUSEUM OF THE PATRIOTIC WAR OF 1812 11 MUSEUM OF THE GREAT PATRIOTIC WAR, MOSCOW 12 THE STATE TRETYAKOV GALLERY 12 THE TRETYAKOV GALLERY ON KRYMSKY VAL 13 PRIVATE PHOTOGRAPHING IN THE GALLERY 14 ENGINEERING BUILDING AT LAVRUSHINSKY LANE, 12 15 PUSHKINS STATE MESEUM OF FINE ARTS 16 THE MUSEUM OF COSMONAUTICS 17 TOUR GROUPS 17 TOLSTOY HOUSE MUSEUM MOSCOW 18 Shopping centers GUM (pronounced [ˈɡum], an abbreviation of Russian: Глáвный универсáльный магазин, tr. Glávnyj Universáĺnyj Magazín literally "main universal store") With the façade extending for 242 m. along the eastern side of Red Square, the Upper Trading Rows (GUM) were built between 1890 and 1893 by Alexander Pomerantsev (responsible for architecture) and Vladimir Shukhov (responsible for engineering). The trapezoidal building features a combination of elements of Russian medieval architecture and a steel framework and glass roof, a similar style to the great 19th-century railway stations of London. William Craft Brumfield described the GUM building as "a tribute both to Shukhov's design and to the technical proficiency of Russian architecture toward the end of the 19th century”. The glass-roofed design made the building unique at the time of construction. The roof, the diameter of which is 14 m., looks light, but it is a firm construction made of more than 50,000 metal pods (about 819 short tons (743 t), capable of supporting snowfall accumulation. -
Reform Or Consensus? Choral Synagogues in the Russian Empire
arts Article Reform or Consensus? Choral Synagogues in the Russian Empire Vladimir Levin The Center for Jewish Art, the Hebrew University of Jerusalem, Jerusalem 9190501, Israel; [email protected] Received: 5 May 2020; Accepted: 15 June 2020; Published: 23 June 2020 Abstract: Many scholars view the choral synagogues in the Russian Empire as Reform synagogues, influenced by the German Reform movement. This article analyzes the features characteristic of Reform synagogues in central and Western Europe, and demonstrates that only a small number of these features were implemented in the choral synagogues of Russia. The article describes the history, architecture, and reception of choral synagogues in different geographical areas of the Russian Empire, from the first maskilic synagogues of the 1820s–1840s to the revolution of 1917. The majority of changes, this article argues, introduced in choral synagogues were of an aesthetic nature. The changes concerned decorum, not the religious meaning or essence of the prayer service. The initial wave of choral synagogues were established by maskilim, and modernized Jews became a catalyst for the adoption of the choral rite by other groups. Eventually, the choral synagogue became the “sectorial” synagogue of the modernized elite. It did not have special religious significance, but it did offer social prestige and architectural prominence. Keywords: synagogue; Jewish history in Russia; reform movement; Haskalah; synagogue architecture; Jewish cultural studies; Jewish architecture 1. Introduction The synagogue was the most important Jewish public space until the emergence of secular institutions in the late nineteenth century. As such, it was a powerful means of representation of the Jewish community in its own eyes and in the eyes of the non-Jewish population. -
Landmarks of Russian Architecture Landmarks of Russian Architecture a Photographic Survey
Landmarks of Russian Architecture Landmarks of Russian Architecture A Photographic Survey Text and photographs by William Craft Brumfield Tulane University New Orleans, Louisiana and RoutledgeBreach • GermanyTaylor & Francis• India Croup R• SingaporeLONDON AND• Switzerland NEW YORK 254x178 paperback This edition published by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017 Routledge in an imprint of the Taylor & Francis Group, an informa business Copyright © 1997 OPA (Overseas Publishers Association) Amsterdam B.V. Published in The Netherlands under license by Gordon and Breach Science Publishers. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from the publisher. Cover: Viazma. Church of the Hodigitria Icon, Monastery of John the Baptist. 1635-38. Southeast view. William Craft Brumfield. British Library Cataloguing in Publication Data Brumfield, William C. (William Craft), 1944- Landmarks of Russian architecture : a photographic survey. - (Documenting the image ; v. 5) 1. Architecture, Russian - History 2. Architecture, Russian - Pictorial works I. Title 720.9'47 ISBN 9789056995379 Docum.enting the Im.age A series edited by Helene E. Roberts, Visual Resources, Dartmouth College, Hanover, New Hampshire, and Brent Maddox, J. Paul Getty Center for the History of Art and the Humanities, Santa Monica, California Documenting the Image describes the history, influences, and implications of visual artifacts. Its goals include publishing monographs and reference books that pro mote visual collections around the world. Volume 1 An Introduction to Iconography: Symbols, Allusions and Meaning in the Visual Arts Roelof van Straten Translated by Patricia de Man Volume 2 Art History through the Camera's Lens Edited by Helene E. -
Museum Architecture As Spatial-Storytelling - a Case Study of the Ionic Frieze in Two Parthenon Galleries
Medium, Mediation and Interpretation: Museum Architecture as Spatial-Storytelling - A Case Study of the Ionic Frieze in Two Parthenon Galleries Fangqing Lu, BArch, MArch, Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy August 2012 Abstract In order to convey the meanings contained within artefacts, museums commonly communicate with the general public primarily through the mediation of an audiovisual interpretative framework. In addition to audiovisual mediation, this thesis demonstrates the idea that museum architecture itself can make a significant contribution to various meanings communicated by artefacts. Drawn from a comparative case-study of the detailed interpretive frameworks of two museums, the thesis investigates the extent to which museum architecture itself should be considered as a medium of spatial-storytelling, providing a rich sensory context for the process of mediation and interpretation. This idea contributes towards a more meaningful embodied experience to the general public in order to support the process of ‘self-learning’, as well as passing on intangible culture through both tangible and intangible media. Through an initial survey and conceptual mapping of 130 museums around the world, two examples were selected effectively that offered a unique opportunity for comparative study as they are effectively exhibiting the ‘same’ material in different ways - the Ionic Frieze at the Parthenon Galleries in the British Museum and the recently opened New Acropolis Museum in Athens. Besides this survey of museums, other research methods included a literature review, interviews architectural analysis and observation of visitor behaviour, as the key data collection tools employed in this research, in order to evaluate the effectiveness of museum architecture as a medium. -
Main Building
THE PUSHKIN STATE MUSEUM OF FINE ARTS The Pushkin State Museum of Fine Arts is one of the largest museums in Russia. It was founded in 1898 by Professor Ivan Tsvetaev and opened to the public on the 31st of May 1912 as 1 Statue of 2 Cuneiform tablet 2 Seal of the 3 Large Diadem with 4 Red-figured krater 5 Statue of the Ruler the Emperor Alexander III Museum of Fine Arts of Moscow the reighn of Amenemhat III with the text of two Pendants with Hermes and the of Gorgippia University. Nowadays the museum shows to the visitors Ancient Egypt elegies Artaxerxes III Troy. Priam’s Treasure Infant Dionysus Bosporus Civilization Middle – second half Mesopotamia, Nippur. (358–338 BC) 2400–2200 BC Attica 80s of the 2nd century AD and keeps paintings, sculptures, graphics, arts and crafts, of the 19th century BC Circa 1700 BC 460–450 BC archaeological and numismatic artefacts, art photography. The richest collection of the museum comprises more than 670 000 works from the ancient to contemporary art. Museum complex 6 Portrait of an 7 Giovanni Antonio 7 Agnolo Bronzino 7 Sandro Botticelli 7 Sandro Botticelli 8 Lucas Cranach the М KREMLIN Elderly Man Boltraffio The Holy Family with Archangel Gabriel Virgin Mary Elder Borovitskaya Aleksandrovsky М sad Egypt, Faiyum Portrait of a Boy the Infant Saint John 1495–1498 (Annunciation) Madonna with Child Biblioteka Second half of the 1st as Saint Sebastian the Baptist 1495–1498 (Madonna in a Grape im. Lenina ZNAMENKA ST. century AD Late 1490s (Madonna Stroganoff) Arbor) MOKHOVAYA ST. -
Events Dedicated to Celebrating the 65Th Anniversary of Victory in The
Guide for Mass Media MAIN EVENTS DEDICATED TO CeLEBRATING THE 65TH ANNIVERSARY OF VICTORY IN THE GREAT PATRIOTIC WAR OF 1941 – 1945 GUIDE FOR MASS MEDIA May 8 – 9, 2010 CONTACTS CONTENTS Guide for Mass Media Website www.may9.ru Introduction…………………………………………………………................................ 4 International Press Center 1, Manezh Square International Press Center……………………………………….........................….. 5 in Manezh Central Exhibition Hall (Manezhnaya Ploshad) Accreditation………………………………………………………...........................…… 8 Working group on providing [email protected] media coverage of events dedicated to the Coordination of Pool Work………………………………………......................……. 10 celebration of the 65th anniversary of the TV and Radio Broadcasting Operations……………………………..................... 11 Victory in the Great Patriotic War (World War II) (Organizing Committee) Press Writers…………………………..........................................................…….. 14 Coordinators for Official Press…………………………........................................................……….. 15 accreditation and pools [email protected] Website…………………………………………………...................................………... 16 Svetlana Mitroshenko +7-925-080-28-41 Elena Osipova +7-925-080-28-42 Transport for Media…………………………..............................................………. 17 television companies Security……………………………………………...................................………………. 19 Galina Korotetskaya +7-925-080-28-39 Hotel Accommodation………...………………………........................…………… 20 transport Moscow Metro Map.................................................................................... -
We Aim Above the Mark to Hit the Mark Ralph Emerson
STRATEGIES FOR BUSINESS IN MOSCOW We aim above the mark to hit the mark Ralph Emerson A PROPOS I will start with two quotes. Here is the first: “We had a with his band Hollywood Vampires. We will hope that this very successful trip to Russia. We made it back.” Here is the time he will have more time to enjoy the city. second: “The only problem that I have coming to Russia is Life in Moscow is becoming better not by waving a magic that there’s never enough time to see and visit everything.” wand. All of this is the result of the city’s authorities imple- The first line comes from the well-known American comic menting programs affecting all corners of life. Transport, Bob Hope, who visited Moscow at the start of the 1960’s. The residential buildings, education, health, safety, sport, tour- second quote came from the famous Hollywood actor Johnny ism, recreation… Even sceptics acknowledge today that Depp, who visited the Moscow capital twice, first in 2011, and these programs are being implemented with success. Not later in 2013. More than half a century had passed between surprisingly, the Moscow Mayor Sobyanin has been for some the two quotes, during which time Moscow changed radically. years now in the first place in national ratings among Rus- Changes today in the capital occur at a such a break-neck sian regional authorities. speed that even a Muscovite could not keep track of them. However, one does not need to look at ratings to understand Almost every day some positive development takes place how Moscow is getting better. -
The Pushkin State Museum of Fine Arts in Moscow
Bénédicte Savoy, Sabine Skott A European Museum-Cocktail around 1900 The Pushkin State Museum of Fine Arts in Moscow What connects the internationally known Pushkin State Museum of Fine Arts in Moscow with the museums in Berlin, Dresden, Vienna, and Paris? In Germany, the spontaneous answer would be: looted art. A major part of the art treasures trans- ported out of Germany under Soviet orders – including Heinrich Schliemann’s Trojan finds and the Treasure of Eberswalde – is now stored in the Pushkin Museum. At least since the 1990s, the Moscow museum has been a symbol of the most muddled chapter of Russo-German relations, the painful attempts to carry on a dialogue. The situation is paradoxical. In actuality, this renowned Russian institution, even just as a build- ing, is the fruit of a Russo/German dialogue that could hardly have been more intense. The museum, its galleries, and the architecture itself testify to this fact, as do a whole series of letters which the founder of the museum Ivan Tsvetaev wrote to colleagues both within Russia and abroad.1 Museum Building Boom As so often happens, the story begins in Rome – and on a trip. Ivan Tsvetaev, a young professor of classical philology in Moscow and the author (it would be hard to think up anything more appropriate!) of a dissertation on Tacitus’ Germania, was in Rome in the late 1880s and made the initially modest decision to expand his university’s laughably small collection of plaster casts. Inspired by the academic “plaster cast cab- inets”, like those in Munich, Bonn, and Prague, he began collecting. -
KREMLIN WATER MAINS by Natalia Frolova and Vera Shirokova
PLASTIC PIPES 2013 INDUSTRY MILESTONES KREMLIN WATER MAINS by Natalia Frolova and Vera Shirokova he first Moskva River settlers did not suffer from a short- during a siege so it was easier to make a zigzag pathway Tage of water with the river itself, its enormous tributaries from the Borovitskie gates. It is likely there was also a sec- and ground water all available. Numerous written sources ret tunnel to the river. Other examples of secret tunnels are indicate that Russians were very experienced at sourcing the underground brick tunnel to Moskva River that was water from the ground which was important for domestic found in 1909 at the Novodevichy Monastery and the simi- use as well defending the city during a siege. Secret under- lar underground tunnel found at the Simonov Monastery ground tunnels were built from the city to the nearest water in 1911 (6). source which also provided communication with the outer During the blockade, water was taken from the water wells world in the event of a blockade. Sometimes ‘water gates’ at the Tainitskaya, Arsenalnaya and Vodovzvodnaya (Sviblova) were built. These were small pathways to the water source towers of the Kremlin. According to the Complete Collection of from the fortress wall foundation. The Moskvoretskie gates Russian Chronicles, the Sviblova tower was built in 1488. It of Kitay-Gorod and the Kosmodemyanskie gates of the was designed for military purposes and for water supply. The Kremlin were used as water gates (5). tower had a secret water well which was used in the event of Water was taken from the Moskva River through the lengthy blockades. -
A Semiotic Analysis of Russian Literature in Modern Russian Film Adaptations
A Semiotic Analysis of Russian Literature in Modern Russian Film Adaptations (Case Studies of Boris Godunov and The Captain’s Daughter) Dissertation Presented in Partial Fulfillment of the Requirements for the Degree doctor of philosophy in the Graduate School of The Ohio State University By Elena K. Myers, B.A., M.A. Graduate Program in Slavic and East European Languages and Cultures The Ohio State University 2015 Dissertation Committee: Dr. Brian Joseph, Advisor Dr. Alexander Burry, Advisor Dr. Yana Hashamova Copyright by Elena K. Myers 2015 Abstract The current study analyzes signs and signifiers that constitute the structural composition of Pushkin’s historical works Boris Godunov and Captain’s Daughter and compare them with their Soviet and post-Soviet screen adaptations. I argue that the popularity of these literary works with filmmakers is based on their inexhaustible topicality for Russian society of the Soviet and post-Soviet periods, and therefore reassessment of their film adaptations guides us towards developing a better understanding of the sociopolitical complexities in modern Russia. The analysis employs methods of semiotics of film, which is a relatively young science, but has already become one of the most promising fields in the theory of cinema. The research is based on the scholarship of such eminent theorists and semioticians as Metz, Bluestone, Barthes, Lotman, Bakhtin, and others. By performing semiotic analysis of Russian intermedial transpositions and Pushkin’s source texts, the study demonstrates the parallels between the historical periods and contemporary Russia. ii Dedication To my mother and my son iii Acknowledgments Many people contributed to whatever academic growth I have achieved. -
One Step Away
Die approbierte Originalversion dieser Diplom-/Masterarbeit ist an der Hauptbibliothek der Technischen Universität Wien aufgestellt (http://www.ub.tuwien.ac.at). The approved original version of this diploma or master thesis is available at the main library of the Vienna University of Technology (http://www.ub.tuwien.ac.at/englweb/). MASTERARBEIT one step away ausgeführt zum Zwecke der Erlangung des akademischen Grades eines Diplom-Ingenieurs /Diplom-Ingenieurin unter der Leitung O.Univ.Prof. Dipl.-Ing. William Alsop 253 Institut für Architektur und Entwerfen eingereicht an der Technischen Universität Wien Fakultät für Architektur und Raumplanung von Sanja Grujicic 0425943 | Zur Spinnerin 6/9 | 1100 Wien und Jovana Vukovic 0727977 | Kolingasse 13/1/21 | 1090 Wien Wien, am 28.09.2011 This work is dedicated to our families, as a thank for neverending understanding and support. One afternoon, while walking over the Red Square’s pavement, passing by the golden onion shaped domes, red bricked walls and facades, we stopped just beside the beautiful cathedral with its domes colored with a “touch of rainbow”. We looked on the right side. There we saw a part of Kremlin, above the red bricked wall. Down below was the Moskva river. Then we made a decision to walk further, to see them all from there. It was just... One Step away sanja grujicic & jovana vukovic 2011 CONTENTCONTENT INTRO.............................................INTRO.............................................9 1. RUSSIA...........................................10 HistoryHistory timeline...............................timeline...............................15 1 General info.....................................info.....................................16 2. MOSCOW HISTORY......................HISTORY......................18 2 2.1 Stalin Moscow...............................23 2.2 Moscow Master PlanPlan (1935).........(1935)......... 2626 3. MOSCOW NOW.............................30 3.1.3.