Jazz – Pop – Rock Gesamtliste Stand März 2020
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Van Morrison Mit Eric Facon
Jazz Collection: Van Morrison mit Eric Facon Dienstag, 22. August 2017, 21.00 - 22.00 Uhr Samstag, 26. August 2017, 17.06 - 18.30 Uhr (Zweitsendung mit Bonustracks) Musik ist Musik ist Musik - Van Morrison bedient sich dort, wo es ihm passt für seinen eigenen Sound. Und schreibt dennoch starke Songs mit grossem Wiedererkennungswert. Schon als Teenager ist er durch die Kneipen von Belfast getourt, und auch durch Schottland und Deutschland. «Gloria», sein erster Hit als Frontman der Band Them, wurde zu einem Klassiker der Rockliteratur. Aber Van Morrison hatte damit noch lange nicht genug: Er wollte immer mehr als nur einen Stil spielen, und vor allem wollte er eine Solo-Karriere. Mit seinem jazzigen «Moondance» tanzt er auf die internationale Bühne. Sprengt 1980 mit «Summertime in England» sämtliche Pop-Konventionen. Und wird berühmt, obwohl er musikalisch ebenso schwer zu fassen ist wie als Privatperson. Musikredaktor Eric Facon ist zu Gast in der Jazz Collection bei Jodok Hess. Gast: Eric Facon Redaktion & Moderation: Jodok Hess Them: Baby, Please Don’t Go Label: Single Decca Track B: Gloria Van Morrison: Moondance Label: Warner Bros. Track 02: Moondance Van Morrison: Common One Label: Philips Track 08: Summertime in England Van Morrison: Beautiful Vision Label: Mercury Track 02: Cleaning Windows Van Morrison: My Irish Heartbeat Label: Mercury Track 02: She Moved Through The English Fair Van Morrison With Georgie Fame And Friends: How Long Has This Been Going On? Label: Verve Track 09: Your Mind is on Vacation Van Morrison: Duets. Re-Working The Catalogue Label: RCA Track Van Morrison: Keep Me Singing Label: Warner Bros. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Leggi La Recensione Del Buscadero
lente Keep Me Singing, e ta tra le migliori canzoni JOHN OATES R mantiene il suo status di del suo repertorio (non ARKANSAS O canzoni solida. Cleaning sapendo che è di Mor- THIRTY TIGERS RECORDS C Windows è un ultra clas- rison). Brown Eyed Girl wwww K sico che appariva su Be- con la sua melodia spen- atiful Vision (1982): in sierata viene riletta in un questa versione Van la ambito leggermente ja- mischia a Be Bop a Lula zzato, che alleggerisce di Gene Vincent, più per la melodia e la rende ul- divertirsi che per fare re- teriormente gradevole. almente dello scat. Puro Jackie Wilson Said, ben divertimento e grande fatta ed adeguatamen- mestiere. Let it Rhyme, te arrangiata ci porta al gradevole (ci manche- gran finale.Jackie Wilson rebbe) fa da apripista Said è una delle pochissi- per una spettacolare ver- me canzoni, se non l’uni- Davvero l’anno CONSIGLIATO sione di Whenever God ca, in cui Morrison suona nuovo comincia Shines His Light, uno dei il sax, al contrario di mol- bene se un artista brani cardine di Avalon ti altri concerti che le -ve come John Oates pubbli- Sunet. Ballata classica, dono quasi più saxopho- ca il suo primo scintillan- dotata di un ritornel- ne player che vocalist. te album di folk e blues. lo splendido, Whe- Una spettacolare versio- Si, sto proprio parlando nevr God Shines ne di In The Garden, con della metà (quella chitar- VAN MORRISON vero, coadiuva- CONSIGLIATO His Light tiene ban- un fenomenale lavoro ristica) del famosissimo IN CONCERT to da una band co alla grande, ben di piano di Paul Moran, duo Hall & Oates, una EAGLE/UNIVERSAL DVD di prim’ordine, ed servita da una esecu- confluisce in un medley coppia che non ha mai wwww esegue una serie di brani zione pressochè perfet- in cui il nostro mischia la fatto mistero di amare la classici, più qualche pic- ta. -
AUSTRALIAN SINGLES REPORT 19Th December, 2016 Compiled by the Music Network© FREE SIGN UP
AUSTRALIAN SINGLES REPORT 19th December, 2016 Compiled by The Music Network© FREE SIGN UP ARTIST TOP 50 Combines airplay, downloads & streams #1 SINGLE ACROSS AUSTRALIA Starboy 1 The Weeknd | UMA starboy Rockabye The Weeknd ft. Daft Punk | UMA 2 Clean Bandit | WMA Say You Won't Let Go 3 James Arthur | SME Riding the year out at #1 on the Artist Top 50 is The Weeknd’s undeniable hit Starboy ft. Daft Punk. Black Beatles Overtaking Clean Bandit’s Rockabye ft. Sean Paul & Anne-Marie which now sits at #2, Starboy has 4 Rae Sremmurd | UMA stuck it out and finally taken the crown. Vying for #1 since the very first issue of the Australian Singles Scars to your beautiful Report and published Artist Top 50, Starboy’s peak at #1 isn’t as clear cut as previous chart toppers. 5 Alessia Cara | UMA Capsize The biggest push for Starboy has always come from Spotify. Now on its eighth week topping the 6 Frenship | SME streaming service’s Australian chart, the rest of the music platforms have finally followed suit.Starboy Don't Wanna Know 7 Maroon 5 | UMA holds its peak at #2 on the iTunes chart as well as the Hot 100. With no shared #1 across either Starvi n g platforms, it’s been given a rare opportunity to rise. 8 Hailee Steinfeld | UMA Last week’s #1, Rockabye, is still #1 on the iTunes chart and #2 on Spotify, but has dropped to #5 on after the afterparty 9 Charli XCX | WMA the Hot 100. It’s still unclear whether there will be one definitive ‘summer anthem’ that makes itself Catch 22 known over the Christmas break. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Klik Hier & Luister
5T/M16SEPTEMBER2016 NR ARTIEST ALBUM NR ARTIEST ALBUM 1 MICHAEL JACKSON THRILLER 76 RACOON LIVERPOOL RAIN 2 PEARL JAM TEN 77 QUEEN A DAY AT THE RACES 3 ADELE 21 78 BON JOVI KEEP THE FAITH 4 U2 THE JOSHUA TREE 79 ROBBIE WILLIAMS LIFE THRU A LENSE 5 PINK FLOYD THE DARK SIDE OF THE MOON 80 AC/DC HIGHWAY TO HELL 6 PRINCE & THE REVOLUTION PURPLE RAIN 81 ACDA & DE MUNNIK NAAR HUIS 7 COLDPLAY A RUSH OF BLOOD TO THE HEAD 82 DIRE STRAITS MONEY FOR NOTHING 8 NIRVANA NEVERMIND 83 PINK FLOYD WISH YOU WERE HERE 9 DIRE STRAITS BROTHERS IN ARMS 84 GUNS N’ ROSES USE YOUR ILLUSION 2 10 QUEEN A NIGHT AT THE OPERA 85 MADONNA MADONNA – THE FIRST ALBUM 11 RED HOT CHILI PEPPERS CALIFORNICATION 86 COLDPLAY VIVA LA VIDA OR DEATH AND ALL HIS FRIENDS 12 EAGLES HOTEL CALIFORNIA 87 LED ZEPPELIN REMASTERS 13 PHIL COLLINS ...BUT SERIOUSLY 88 GEORGE MICHAEL FAITH 14 KENSINGTON RIVALS 89 LIVE THE DISTANCE TO HERE 15 BRUCE SPRINGSTEEN BORN IN THE USA 90 BRUCE SPRINGSTEEN BORN TO RUN 16 FLEETWOOD MAC RUMOURS 91 ERIC CLAPTON UNPLUGGED 17 PAUL SIMON GRACELAND 92 U2 ALL THAT YOU CAN’T LEAVE BEHIND 18 METALLICA METALLICA 93 ROLLING STONES FORTY LICKS 19 THE BEATLES SGT. PEPPER’S LONELY HEARTS CLUB BAND 94 SIMPLE MINDS ONCE UPON A TIME 20 REM AUTOMATIC FOR THE PEOPLE 95 GREEN DAY AMERICAN IDIOT 21 GUNS N’ ROSES APPETITE FOR DESTRUCTION 96 PRINCE LOVESEXY 22 COLDPLAY X & Y 97 REM OUT OF TIME 23 MEAT LOAF BAT OUT OF HELL 98 GOLDEN EARRING MOONTAN 24 ALANIS MORISSETTE JAGGED LITTLE PILL 99 MAROON 5 SONGS ABOUT JANE 25 QUEEN INNUENDO 100 RED HOT CHILI PEPPERS BLOOD SUGAR SEX MAGIK -
Coldplay's New Album, a Head Full of Dreams, Is Out
2015-12-04 09:42 CET COLDPLAY’S NEW ALBUM, A HEAD FULL OF DREAMS, IS OUT TODAY. BAND ALSO TO HEADLINE PEPSI SUPER BOWL 50 HALFTIME SHOW Coldplay’s critically-acclaimed new album, A Head Full Of Dreams, is released today by Parlophone/Atlantic Records. The album - which reached Number One on iTunes in more than 50 countries before it was even released - was produced by Norwegian duo Stargate together with the band’s long-time collaborator Rik Simpson. It features more guests than any previous Coldplay album, with Beyoncé, Noel Gallagher, ToveLo and MerryClayton among those appearing. Last night, the band performed songs from the album at a special live show at St John’s Hackney Church, London for BBC Radio 1. The entire concert is available on-demand worldwide at bbc.co.uk/radio1 now. It was also announced last night that Coldplay will headline the prestigious Pepsi Super Bowl 50 Halftime Show on February 7, 2016 in Santa Clara, California. This afternoon at 3.30pm GMT, the band will celebrate A Head Full Of Dreams’ release with a live stream direct from their studio/HQ in London, at facebook.com/coldplay. The stream will also be available on-demand afterwards. Coldplay will tour extensively in 2016 in support of A Head Full Of Dreams, beginning with a run of stadium shows in Latin America and Europe (including three nights at London’s Wembley Stadium). News of North American dates will follow soon. The groundbreaking animated video for A Head Full Of Dreams’ first single, Adventure Of A Lifetime, is now available on YouTube, following its exclusive premiere on Facebook, where it was viewed more than 6 million times in 48 hours. -
Textual Spectacle: the Transmedial Storyworld of Coldplay's Mylo Xyloto
The Concept Album as Visual-Sonic- Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto Lori Burns University of Ottawa [email protected] Abstract This paper studies the elaboration of the concept album by means of multimodal promotional strategies that include the concert tour, music videos, books, as well as other digital and print materials. Adopting the perspective that the meaning of a concept album emerges in and through a potentially complex network of materials, we can receive and understand concept album storytelling to operate according to multimedial, intermedial and transmedial contexts. This study examines the transmedial storyworld of Coldplay’s Mylo Xyloto concept spectacle as it is developed in and through the material content of the original album, the Coldplay: Live 2012 (Coldplay 2012c) concert film, as well as the paraphonographic materials that extend Mylo Xyloto into a variety of media. KEYWORDS: Concept album, spectacle, multimodality, intermediality, transmediality Introduction In the context of the new millennial industry of popular music, artists from a variety of genres rely heavily upon current technologies and social media platforms to develop elaborate promotional strategies, thus expanding the idea of the concept album to the concert tour, music videos, books, and a range of supplementary materials. With such an approach, the concept album can be seen to extend across multiple media formats in supplementary materials and live IASPM@Journal vol.6 no.2 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i2.6en | www.iaspmjournal.net 92 Lori Burns performances. -
Pérgola 09 Octubre 16
Bilbao 9 El León de Belfast ruge de nuevo l 31 de agosto del año pa- Van Morrison publica ‘Keep Me Singing’, su primera sado, Van Morrison cele- E bró su setenta cumplea- colección de canciones originales en cuatro años ños con un concierto que tuvo lugar en un escenario con una profunda carga simbólica: Cyprus Avenue, la calle de su Belfast natal en la que creció y que dio título a una de sus com- posiciones más célebres. En aquella canción, incluida en su obra maestra Astral Weeks (1968), regresaba a su adoles- cencia para contarnos cómo mi- raba embelesado a las chicas al salir de la escuela, mientras ca- minaba con su bebida de cerezas en la mano por una avenida don- de las hojas de los árboles caen una a una y los rayos del sol se fil- tran a través de las ramas. Ay, la inocencia perdida… El cineasta Marcus Robinson estuvo allí y fil- mó un emocionante cortome- traje titulado Always Now. Curio- samente, la cámara apenas enfo- ca a Van Morrison. El protago- nista es el público. Un centenar de aficionados veteranos en cu- yos rostros curtidos se percibe lo mucho que ha significado para ellos la música de este gordin- flón con gafas oscuras y sombre- ro calado. Hay sonrisas de com- plicidad. Algunas parejas bailan abrazadas bajo la lluvia. Otros cierran los ojos y no pueden sino imaginar que, en ese preciso instante, están reviviendo epi- sodios de su pasado, asociados para siempre a las canciones del genial cantante irlandés. La “No quiero que nadie sepa nada de mi vida, porque es mía y hago con ella lo que quiero, como cualquier persona”. -
Octubre 2018 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 89 – octubre 2018 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido PORTADA Billy F Gibbons (1) …………………………………………..…….... 1 Directorio CONTENIDO - DIRECTORIO ..…………………………………..….…… 2 EDITORIAL Formar una Banda… ¿lo es todo? (1) ………………...…. 3 Cultura Blues. La Revista Electrónica BLUES A LA CARTA Billy F Gibbons: The Big Bad Blues (1) …... 5 www.culturablues.com PLANETA BLUES Anthony Geraci: las teclas del alma (2) ……... 7 HUELLA AZUL Frank Roszak: “Manteniendo Vivo el Número 89 – octubre de 2018 Blues” (3) …………………………………………………………………………………..… 16 SUPLEMENTO De Frank Roszak Promotions. Parte XII. Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR Un año de gozo (1) ……………………………………………………………………... 20 + COVERS Cross Road Blues (1) ………………………..………..………….. 22 Director general y editor: EN VIDEO Van Morrison In Concert (1) ……………………....……...... 24 José Luis García Fernández DE COLECCIÓN Tres + y contando: Fleetwood Mac, Subdirector general: Tail Dragger, The Doors (1) ….......................................................... 26 José Luis García Vázquez SESIONES DESDE LA CABINA ¿Blues racista? Diseño: Un poco de historia para combatirlo (4) …………………….…………...…. 29 Aida Castillo Arroyo DIVÁN EL TERRIBLE Espejito, espejito… Consejo Editorial: (primera parte) (5) ……………………………………………………………….…..... 31 María Luisa Méndez Mario Martínez Valdez LADO B Los Chess y su visión por el Blues y el Rock & Roll. Octavio Espinosa Cabrera Parte 1 (6) ……………………………………………………………………..………….... 33 BLOWIN’ LIKE HELL Tipos de armónica, tercera parte (7) .. 38 Colaboradores en este número: ESPECIAL DE MEDIANOCHE Medio siglo con 1. José Luis García Fernández Alejandro Lora (8) ……………………………………………………………………….. 42 2. Michael Limnios 3. María Luisa Méndez CULTURA BLUES DE VISITA 4. Yonathan Amador Gómez En noches de “El 61” con Soul Power 5. Octavio Espinosa Cabrera En noches de “El 61” con Lalo Méndez 6. -
Introduction Globalization Era Give Both Positive and Negative Effects To
“MORAL VALUES AND FIGURATIVE LANGUAGES IN COLDPLAY’S BAND” Ripki Pratama, Muhammad Fadjri English Department, Faculty of Teacher Training and Education, Mataram University [email protected] ABSTRACT This thesis entitled “Moral Values And Figurative Languages in Coldplay’s Band Songs. Formalis theory and Affective theory are used in analyzing the moral values and figurative languages. Theory that used to image moral values is Formalist theory and theory that used to analysis figurative is Affective thoery. Then, data analyzed by using descriptive analysis method. The result of this study is there are several moral values that found in coldplays song such as regiousity, love, humbleness, peace loving. Figurative languages found are methapor, similie, personification, irony, and symbol in lyrics. Key words: Moral Value, Figurative language, Formalist theory, Affective theory, Descriptive Analysis Method. Introduction Globalization era give both positive and negative effects to many aspect of human life. It make such great development in techonology, science, medical and arts. The development in arts musician can easily spread and sell their album or songs through internet in digital form. Music is one of the entertainment which people love beacuse everybody have heard music and they may like music and even have musician idol. Music also tell about story which can be influence the listener’s mood and feeling. Many people may not run their day without music beacuse music can be ways to accompany while they work, study, exercise which make more relaxed. Music can represent the feeling of the singer which can be bad feeling and good feeling. It all will be represent through the lyrics.