Reading Horace in 1490S Padua: Willibald Pirckheimer, Joannes Calphurnius and Raphael Regius
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Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Edinburgh Research Explorer
Edinburgh Research Explorer Apprenticeship in the Renaissance university Citation for published version: Oosterhoff, R 2019, 'Apprenticeship in the Renaissance university: Student authorship and craft knowledge', Science in Context, vol. 32, no. 2, pp. 119-136. https://doi.org/10.1017/S0269889719000140 Digital Object Identifier (DOI): 10.1017/S0269889719000140 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Science in Context General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Apprenticeship in the Renaissance University: Student Authorship and Craft Knowledge1 Richard J. Oosterhoff, University of Edinburgh, [email protected] Argument: Students entered Renaissance universities as apprentices in the craft of books. In the decades around 1500, such university training began to involve not only manuscript circulation, but also the production and the use of books in the new medium of print. Through their role in the crafting of books, I show how a circle of students around Jacques Lefèvre d’Étaples gained the experience needed to become bookmen. -
228 Notes to Page 3 Representation: Kathryn Gravdal, Ravishing
228 Notes to page 3 representation: Kathryn Gravdal, Ravishing Maidens: Writing Rape in Medieval French Literature and Law (Philadelphia: University of Penn- sylvania Press, 1991); Karen Greenberg, ``Reading Reading: Echo's Abduc- tion of Language'' in Women and Language in Literature and Society, ed. Sally McConnell-Ginet, Ruth Borker, and Nelly Furman (New York: Praeger, 1980); Mary Jacobus, ``Freud's Mnemonic: Women, Screen Mem- ories, and Feminist Nostalgia,'' Michigan Quarterly Review 26 (Winter 1987): 117±139; Ann Rosalind Jones, ``New Songs for the Swallow: Ovid's Philomela in Tullia d'Aragona and Gaspara Stampa,'' in Re®guring Woman: Perspectives on Gender and the Italian Renaissance, eds. Juliana Schiesari and Marilyn Migiel (Ithaca, NY: Cornell University Press, 1991) and ``Demater- ializations: Textile and Textual Properties in Ovid, Sandys, and Spenser'' in Subject and Object in Renaissance Culture, ed. Margreta de Grazia, Maureen Quilligan and Peter Stallybrass (Cambridge: Cambridge University Press, 1996), pp. 189±212; Patricia Klindienst Joplin, ``The Voice of the Shuttle is Ours,'' Stanford Literature Review 1, 1 (Spring 1984): 25±53; Amy Lawrence, Echo and Narcissus: Women's Voices in Classical Hollywood Cinema (Berk- eley: University of California Press, 1991); Elissa Marder, ``Disarticulated Voices: Feminism and Philomela,'' Hypatia: A Journal of Feminist Phil- osophy, 7, 2 (Spring 1992): 148±66; Nancy K. Miller, ``Arachnologies: The Woman, the Text, and the Critic,'' in The Poetics of Gender, ed. Nancy K. Miller (New York: Columbia University Press, 1986); Tanya Modleski, ``Feminism and the Power of Interpretation: Some Critical Readings,'' in Feminist Studies/Critical Studies, ed. Teresa De Lauretis (Bloomington: Indiana University Press, 1986); Claire Nouvet, ``An Impossible Response: the Disaster of Narcissus,'' Yale French Studies 79 (1991): 95±109; Amy Richlin, ``Reading Ovid's Rapes,'' in Pornography and Representation in Greece and Rome, ed. -
Blair Article Final Version
Reflections on Technological Continuities: Manuscripts Copied from Printed Books The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Blair, Ann. 2015. “Reflections on Technological Continuities: Manuscripts Copied from Printed Books.” Bull John Rylands Lib 91 (1) (April 1): 7–33. doi:10.7227/bjrl.91.1.2. Published Version doi:10.7227/BJRL.91.1.2 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:27715961 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Reflections on technological continuities: Manuscripts copied from printed books Ann Blair, Harvard University Abstract: In our time of increasing reliance on digital media the history of the book has a special role to play in studying the codex form and the persistence of old media alongside the growth of new ones. As a contribution to recent work on the continued use of manuscript in the handpress era, I focus on some examples of manuscripts copied from printed books in the Rylands Library and discuss the motivations for making them. Some of these manuscripts were luxury items signaling wealth and prestige, others were made for practical reasons, to own a copy of a book that was hard to buy, or a copy that could be customised in the process of copying. The act of copying itself was also considered to have devotional and/or pedagogical value. -
The Art of Memory
FRANCES YATES Selected Works Volume III The Art of Memory London and New York FRANCES YATES Selected Works VOLUME I The Valois Tapestries VOLUME II Giordano Bruno and the Hermetic Tradition VOLUME III The Art of Memory VOLUME IV The Rosicrucian Enlightenment VOLUME V Astraea VOLUME VI Shakespeare's Last Plays VOLUME VII The Occult Philosophy in the Elizabethan Age VOLUME VIII Lull and Bruno VOLUME IX Renaissance and Reform: The Italian Contribution VOLUME X Ideas and Ideals in the North European Renaissance First published 1966 by Routledge & Kcgan Paul Reprinted by Routledge 1999 11 New Fetter Lane London EC4I' 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Croup © 1966 Frances A. Yates Printed and bound in Great Britain by Antony Rowe Ltd, Chippenham, Wiltshire Publisher's note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original book may be apparent. British Library Cataloguing in Publication Data A CIP record of this set is available from the British Library Library of Congress Cataloging in Publication Data A catalogue record for this book has been requested ISBN 0-415-22046-7 (Volume 3) 10 Volumes: ISBN 0-415-22043-2 (Set) Hermetic Silence. From Achilles Bocchius, Symbolicarum quaestionum . libri quinque, Bologna, 1555. Engraved by G. Bonasone (p. 170) FRANCES A.YATES THE ART OF MEMORY ARK PAPERBACKS London, Melbourne and Henley First published in 1966 ARK Edition 1984 ARK PAPERBACKS is an imprint of Routledgc & Kcgan Paul plc 14 Leicester Square, London WC2II 7PH, Kngland. -
Printing and Reading Italian Latin Humanism in Renaissance Europe (Ca
Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540) Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540) By Alejandro Coroleu Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540), by Alejandro Coroleu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Alejandro Coroleu All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5894-3, ISBN (13): 978-1-4438-5894-6 CONTENTS List of Illustrations ..................................................................................... vi Preface ....................................................................................................... vii List of Abbreviations ................................................................................ viii Introduction ................................................................................................. 1 Chapter One ............................................................................................... 10 Social Networks Chapter Two ............................................................................................. -
State Barges, Embroideries and Power in Renaissance Ferrara
Splendour displayed: state barges, embroideries and power in Renaissance Ferrara A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 Beatrice Mezzogori School of Arts, Languages and Cultures Vol I of II Table of Contents Volume I List of Manuscript Sources (Appendix A) 4 List of Primary Printed Sources (Appendix B) 5 List of Charts and Tables 6 List of Illustrations 7 Abstract 16 Declaration 17 Copyright statement 17 Transcription, Currency and Presentation Norms 18 Acknowledgements 20 Foreword 22 1. Introduction 25 2. The cultural importance of having a bucintoro 40 Introduction 40 The Venetian Bucintoro, a model to outclass 42 Like a modern emperor: the discovery of Nemi ships 47 Courtly bucintori and Estense ambitions 53 Commissioning, maintaining and exploiting the Bucintoro 60 Dressed for the bucintori 65 3. Inside the Estense Bucintoro: the Hall of State 70 Introduction 70 The politics of bucintori 71 The coats of arms and devices of the Estense private stateroom 79 Brothers and rulers: Estense devices between Leonello, Borso and Ercole85 The embroidered stateroom of Borso: an interpretation 90 Colours for the duchy 104 4. The organizational structure for a splendid work: embroidering and painting Borso’s Bucintoro 110 Introduction 110 The painters of Borso’s Bucintoro and their activities 112 The patterns for the embroideries: pounced or etched? 118 The professional embroiderers of Borso’s Bucintoro 127 Embroiderers’ companions and workrooms 135 The circulation of embroideries in northern Italian courts 140 Talented amateurs: the embroideress 144 Female teams’ works for Borso 150 5. -
Illinois Classical Studies
UMVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN CLASSICS The person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN JUL i G !S:ig OCT 1 1 ?(05 L161—O-1096 L<(TL--VJA-<.\J^ ILLINOIS CLASSICAL STUDIES VOLUME IX. 1 SPRING 1984 J. K. Newman, Editor ISSN 0363-1923 1 1 ILLINOIS CLASSICAL STUDIES VOLUME IX. Spring 1 984 J. K. Newman, Editor Patet omnibus Veritas; nondum est occupata; multum ex ilia etiam futuris relictum est. Sen. Epp. 33. 1 SCHOLARS PRESS ^^-^ ISSN 0363-1923 ^9^^ 1 ILLINOIS CLASSICAL STUDIES VOLUME IX. ©1984 Scholars Press 101 Salem Street P.O. Box 2268 Chico, California 95927 Printed in the U.S.A. ADVISORY EDITORIAL COMMITTEE John J. Bateman Howard Jacobson Harold C. GotofF David Sansone Responsible Editor: J. K. Newman The Editor welcomes contributions, which should not normally exceed twenty double-spaced typed pages, on any topic relevant to the elucidation of classical antiquity, its transmission or influence. Con- sistent with the maintenance of scholarly rigor, contributions are especially appropriate which deal with major questions of interpre- tation, or which are likely to interest a wider academic audience. Care should be taken in presentation to avoid technical jargon, and the trans-rational use of acronyms. Homines cum hominibus loquimur. Contributions should be addressed to: The Editor, Illinois Classical Studies, Department of the Classics, 4072 Foreign Languages Building, 707 South Mathews Avenue, Urbana, Illinois 61801 Each contributor receives twenty-five offprints. -
Quintilian-Bibliographie
QUINTILIAN-BIBLIOGRAPHIE Für diese Bibliographie wurden folgende bibliographische Hilfsmittel ausgewertet: KLUSSMANN (für 1878-1896); LAMBRINO (für 1896-1914); MAROUZEAU (1914-1924); Année Philologique für die Jahre 1924-1934 und 1960ff.; COUSIN, 1962 [Nr. 218] (für 1935-1959); ADAMIETZ, 1986 [Nr. 217]; Literaturverzeichnisse in Monographien. Grundsätzlich sei auf die einschlägigen Artikel im Historischen Wörterbuch der Rhetorik [Nr. 27] verwiesen, in denen sich auch weitere Literaturangaben finden. Bei der notwendigen (wenn auch behutsamen) Auswahl aus der Masse der Sekundärliteratur wurden Miszellen und Aufsätze zu entlegenen Themen nicht berücksichtigt. Verweise innerhalb der Bibliographie erfolgen mittels Kurztitel und laufender Nummer (z. B. LANA, 1974 [Nr. 681]). Die Gliederung von Kapitel 7 (Das antike System der Rhetorik) folgt im Großen und Ganzen Quintilians Institutio oratoria. Abkürzungen von Zeitschriften folgen dem System der Année Philologique. Bei den mit einem Sternchen gekennzeichneten Titeln handelt es sich um grundlegende oder zur Einführung geeignete Werke. Mit zwei Sternchen versehene Bücher seien zur Anschaffung empfohlen. INHALT 1. Rhetorik S. 4 (a) Allgemein S. 4 (b) Die antike Rhetorik S. 5 2. Quintilian S. 9 (a) Gesamtdarstellungen und Sammelbände S. 9 (b) Leben S. 1 0 (c) Quintilian und Domitian S. 10 (d) Theoretiker vor Quintilian S. 11 3. Ausgaben, Übersetzungen und Kommentare S. 13 2 (a) Zur ganzen Institutio oratoria S. 13 (b) Zu einzelnen Büchern S. 14 (c) Zu den Declamationes S. 15 4. Indices und Lexika S. 15 5. Forschungsberichte nach 1936 S. 15 6. Die Institutio oratoria S. 16 (a) Allgemeines S. 16 (b) Datierung S. 16 (c) Sprache, Stil, Terminologie S. 16 7. Das antike System der Rhetorik S. -
Terence Between Late Antiquity and the Age of Printing Metaforms Studies in the Reception of Classical Antiquity
Terence between Late Antiquity and the Age of Printing Metaforms Studies in the Reception of Classical Antiquity Editors-in-Chief Almut-Barbara Renger (Freie Universität Berlin) Jon Solomon (University of Illinois at Urbana-Champaign) John T. Hamilton (Harvard University) Editorial Board Kyriakos Demetriou (University of Cyprus) Constanze Güthenke (Princeton University) Miriam Leonard (University College London) Mira Seo (University of Michigan) VOLUME 4 The titles published in this series are listed at brill.com/srca Terence between Late Antiquity and the Age of Printing Illustration, Commentary and Performance Edited by Andrew J. Turner Giulia Torello-Hill LEIDEN | BOSTON Cover illustration: Artist unknown; illustration for Eunuchus 5.7 from the edition of Terence by Jodocus Badius and Johannes Trechsel (Lyon, 1493). Collection of Christchurch Art Gallery Te Puna o Waiwhetu. Woodcut 72/100. Presented by Gordon H. Brown, 30 October 1972. This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 2212-9405 isbn ���-��-0�-28880-5 (hardback) isbn ���-��-0�-28949-9 (e-book) Copyright 2015 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa. -
El Comentario De Domenico M. Negri a Los Amores De Ovidio: Exégesis Y Fijación Del Texto1
ARTÍCULOS Cuadernos de Filología Clásica. Estudios Latinos ISSN: 1131-9062 http://dx.doi.org/10.5209/CFCL.62525 El comentario de Domenico M. Negri a los Amores de Ovidio: exégesis y fijación del texto1 José C. Miralles Maldonado2 Recibido: 8 de marzo de 2018 / Aceptado: 21 de noviembre de 2018 Resumen. En este trabajo se analiza el comentario del humanista veneciano Domenico Mario Negri a los Amores de Ovidio (1518), prestando una especial atención a aquellas notas que inciden en cues- tiones textuales. Como es común entre los comentaristas del Renacimiento, Negri parte, por lo gene- ral, del textus receptus de Ovidio sin preocuparse demasiado por un estudio profundo de la tradición manuscrita. Sin embargo, en sus comentarios salen a colación y se discuten frecuentemente versiones discrepantes del texto ovidiano, dificultades que nuestro humanista intenta despejarope codicum u ope ingenii. Con su intuición anticipa a menudo algunas de las soluciones textuales que, más tarde, propo- nen los críticos. El objetivo de nuestro trabajo será el de cotejar el texto propuesto por Negri con el de las modernas ediciones ovidianas y el de dar a conocer sus principales aportaciones tanto en la fijación del texto como en su comentario. Palabras clave: Amores de Ovidio; Comentario renacentista; Dominicus Marius Niger. [en] The commentary on Ovid’s Amores (1518) by Domenico M. Negri: exegesis and establishment of the text Abstract. In this work we analyze the commentary on Ovid’s Amores (1518) composed by the Venetian humanist Domenico Mario Negri, paying special attention to those comments that deal with textual problems. As is common among Renaissance commentators, Negri usually transmits Ovid’s textus receptus without worrying about doing an in-depth study of the manuscript tradition. -
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Religion & devotion 15th & 16th century Antiquariaat Forum & Asher Rare Books 1 Exten- sive descriptions and images available on request. All offers are without engagement and sub- ject to prior sale. All items in this list are com- plete and in good condition unless stated otherwise. Any item not agreeing with the description may be re- turned within one week after receipt. Prices are in eur (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code. html> New customers are requested to pro- vide references when ordering. ANTIL UARIAAT FORUM Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com front cover: no. 20 v 1.1 · 07 Jul 2021 Dutch-language lives of the Apostles, first published during religious turmoil: most complete copy known of last edition, with 2 leaves in an early manuscript copy 1. ABDIAS of Babylon [misatribution].