DOCSLIB.ORG

Microfilms International 300 N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Microfilms International 300 N THE LYONS TERENCE WOODCUTS Item Type text; Dissertation-Reproduction (electronic) Authors Carrick, Nancy Ellen Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 03:51:41 Link to Item http://hdl.handle.net/10150/282514 INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. Requests can be made to our Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In all cases we have filmed the best available copy. University Microfilms International 300 N. ZEEB ROAD, ANN ARBOR. Ml 48106 18 BEDFORD ROW, LONDON WC1R 4EJ, ENGLAND 8027742 CARRICK, NANCY ELLEN THE LYONS TERENCE WOODCUTS The University of Arizona PH.D. 1980 University Microfilms International 300 N. Zeeb Road, Ann Arbor, Ml 48106 18 Bedford Row, London WCIR 4EJ, England Copyright 1980 by Carrick, Nancy Ellen All Rights Reserved PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark . 1. Glossy photographs 2. Colored illustrations 3. Photographs with dark background s/' '4. Illustrations are poor copy 5. °rint shows through as there is text on both sides of page 6. Indistinct, broken or small print on several pages throughout 7. Tightly bound copy with print lost in spine 8. Computer printout pages with indistinct print 9. Page(s) lacking when material received, and not available from school or author 10. Page(s) _____ seem to be missing in numbering only as text follows 11. Poor carbon copy 12. Not original copy, several pages with blurred type 13. Appendix pages are poor copy 14. Original copy with light type 15. Curling and wrinkled pages 16. Other Jniversitv Microfilms nternarional 00 \ ;= = = =0. ANN A330S Ml JS'06 '313! 761-1700 THE LYONS TERENCE WOODCUTS by Nancy Ellen Carrick A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 19 8 0 0 Copyright 1980 Nancy Ellen Carrick THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by Nancy Ellen Carrick entitled The Lyons Terence Woodcuts and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy . n Date ^ ^ V— ^4^Date u ckfcr. Date l<Wy jrhl%. * Date Date Pinal approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. t l/ll?« Dissertation Director Date STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to bor­ rowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: ACKNOWLEDGMENTS I am grateful to many people for their help in the preparation of this dissertation. I wish to thank especially Dr. Richard Hosley, who directed this study, for his enthusiasm for the project, his high expectations, and his stimulating criticism. I also want to thank Dr. R. M. Quinn for his indispensable assistance with the art history section of the study and Drs. Richard Jensen and John Mills for reading and commenting on the text. I also appreciate the support and assistance of my family and friends. Joan Stottlemyer kindly translated a crucial article. My mother and father generously offered their time to type and proof the various drafts of this text. And Dwight Yates listened to my discover­ ies and gave me constant encouragements. TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS v ABSTRACT viii 1. INTRODUCTION 1 The Woodcuts as Illustrations of a Latin Classic .... 1 The Woodcuts as Illustrations of Characters on Stages 10 2. THE WOODCUTS AND THE SCENE DIVISION OF THE LYONS TERENCE . 33 Principles of Scene Division 33 Characters Represented in the Woodcuts 44 Character Labels 63 Characters Duplicated in the Woodcuts 68 Conclusions 82 3. THE WOODCUTS AND MEDIEVAL NARRATIVE ART 84 Terence Manuscript Illustration 85 Medieval Narrative Art 109 Conclusions 153 4. THE WOODCUTS AND THE BOOTH STAGE 157 The Booth Stage 157 Compartment Labels 165 Conclusions 172 5. CONCLUSIONS 174 APPENDIX A 180 SELECTED BIBLIOGRAPHY 194 ty LIST OF ILLUSTRATIONS Figure Page 1. Andria 1.1, The Lyons Terence, a8 11 2. Andria 3.1, The Lyons Terence, d4 12 3. Eunuchus 5.1, The Lyons Terence, m7v 13 4. Heauton-Timorumenos 2.4, The Lyons Terence, q8v .14 5. Adelphoe 3.3b, The Lyons Terence, &2 15 6. Adel phoe 5.3, The Lyons Terence, CI 16 7. Phormio 1.2, The Lyons Terence, El 17 8. Hecyra 4.4, The Lyons Terence, PI 18 9. Theatrum, The Lyons Terence, a4v 20 10. Descent of the Illustrated Manuscripts of Terence .... 91 11. Frontispiece to Genesis, Moutiers-Grandval Bible, Tours, 9th Century 113 12. The Expulsion from Paradise, Atrium Mosaics, San Marco, Venice, 13th Century 115 13. The Fall of Man and Expulsion from Paradise, by Pol de Limbourg, Les Tres Riches Heures, 15th Century ... 116 14. Enoch's Ascension, The Caedmon MS., England, 11th Century 118 15. St. Benedict, Vita Benedicti, Monte Cassino, 11th Century 119 16. The Expulsion from Paradise, St. Albans Psalter, c. 1120-30 121 17. St. Cuthbert Prophesying of an Eagle, Bede, Life of St. Cuthbert, Durham, c. 1120-30 123 18. The Slaughter of the Innocents, St. Albans Psalter, c. 1120-30 124 v vi LIST OF ILLUSTRATIONS—Continued Figure Page 19. The Martyrdom of St. Alban, St. Alban's Psalter, c. 1120-30 125 20. Christ and the Doctors; Betrayal; Flagellation; Christ Bearing the Cross, Ramsey Psalter, c. 1290-1310 . 130 21. Adelphoe 3.3b, Terence Manuscript Illustration, 9th Century 132 22. St. Matthew, Lindisfarne Gospels, Lindisfarne, England, c. 700 137 23. Frontispiece to Exodus, Modtiers-Grandval Bible, Tours, 9th Century 140 24. Paris Street, Detail of a Miniature from La Vie de St. Denis, France, 1317 141 25. Acolytes Drawing Aside Curtains of Sepulcher, by Arnolfo di Cambio, Tomb for Cardinal Guillaume de Braye, 13th Century 142 26. Tomb of Robert il Savio, Naples, c. 1343-45 143 27. The Visitation, Ivory-panel from Genoels-Elderen, pre- Carolingian 146 28. The Annunciation and Visitation, Doors of Alatri .... 147 29. The Visitation, Leningrad Ivory, South Italy, 11th Century 148 30. The Visitation, St. Albans Psalter, c. 1120-30 149 31. The Dream of the Magi, St. Albans Psalter, c. 1120-30 . 150 32. Presentation in the Temple, by Melchior Broederlam, Right-hand Wing of the Champmol Altarpiece (Closed), Dijon, c. 1391-99 154 33. The Annunciation, Hastings Hours, Flanders, c. 1480 . 155 34. A Booth Stage in France, Drawing by Louis de Caullery, c. 1540 159 vii LIST OF ILLUSTRATIONS—Continued^ Figure Page 35. A Flemish Booth Stage, Detail from The Kermess of St. George by Peter Breughel the Elder, c. 1560 . 160 36. A Booth Stage in Louvain, Copy of a Lost Drawing by G. Boonen, 1594 161 37. A Booth Stage in Holland, Detail from an Engraving by R. Booms, 1618 162 vi i i ABSTRACT In 1493 Johann Trechsel published in Lyons a Latin edition of Terence's six comedies, generally known today as the "Lyons Terence." The volume is illustrated with 160 woodcuts.
Load more

Recommended publications
  • Edinburgh Research Explorer
    Edinburgh Research Explorer Apprenticeship in the Renaissance university Citation for published version: Oosterhoff, R 2019, 'Apprenticeship in the Renaissance university: Student authorship and craft knowledge', Science in Context, vol. 32, no. 2, pp. 119-136. https://doi.org/10.1017/S0269889719000140 Digital Object Identifier (DOI): 10.1017/S0269889719000140 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Science in Context General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Apprenticeship in the Renaissance University: Student Authorship and Craft Knowledge1 Richard J. Oosterhoff, University of Edinburgh, [email protected] Argument: Students entered Renaissance universities as apprentices in the craft of books. In the decades around 1500, such university training began to involve not only manuscript circulation, but also the production and the use of books in the new medium of print. Through their role in the crafting of books, I show how a circle of students around Jacques Lefèvre d’Étaples gained the experience needed to become bookmen.
    [Show full text]
  • Printing and Reading Italian Latin Humanism in Renaissance Europe (Ca
    Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540) Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540) By Alejandro Coroleu Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540), by Alejandro Coroleu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Alejandro Coroleu All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5894-3, ISBN (13): 978-1-4438-5894-6 CONTENTS List of Illustrations ..................................................................................... vi Preface ....................................................................................................... vii List of Abbreviations ................................................................................ viii Introduction ................................................................................................. 1 Chapter One ............................................................................................... 10 Social Networks Chapter Two .............................................................................................
    [Show full text]
  • State Barges, Embroideries and Power in Renaissance Ferrara
    Splendour displayed: state barges, embroideries and power in Renaissance Ferrara A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 Beatrice Mezzogori School of Arts, Languages and Cultures Vol I of II Table of Contents Volume I List of Manuscript Sources (Appendix A) 4 List of Primary Printed Sources (Appendix B) 5 List of Charts and Tables 6 List of Illustrations 7 Abstract 16 Declaration 17 Copyright statement 17 Transcription, Currency and Presentation Norms 18 Acknowledgements 20 Foreword 22 1. Introduction 25 2. The cultural importance of having a bucintoro 40 Introduction 40 The Venetian Bucintoro, a model to outclass 42 Like a modern emperor: the discovery of Nemi ships 47 Courtly bucintori and Estense ambitions 53 Commissioning, maintaining and exploiting the Bucintoro 60 Dressed for the bucintori 65 3. Inside the Estense Bucintoro: the Hall of State 70 Introduction 70 The politics of bucintori 71 The coats of arms and devices of the Estense private stateroom 79 Brothers and rulers: Estense devices between Leonello, Borso and Ercole85 The embroidered stateroom of Borso: an interpretation 90 Colours for the duchy 104 4. The organizational structure for a splendid work: embroidering and painting Borso’s Bucintoro 110 Introduction 110 The painters of Borso’s Bucintoro and their activities 112 The patterns for the embroideries: pounced or etched? 118 The professional embroiderers of Borso’s Bucintoro 127 Embroiderers’ companions and workrooms 135 The circulation of embroideries in northern Italian courts 140 Talented amateurs: the embroideress 144 Female teams’ works for Borso 150 5.
    [Show full text]
  • Terence Between Late Antiquity and the Age of Printing Metaforms Studies in the Reception of Classical Antiquity
    Terence between Late Antiquity and the Age of Printing Metaforms Studies in the Reception of Classical Antiquity Editors-in-Chief Almut-Barbara Renger (Freie Universität Berlin) Jon Solomon (University of Illinois at Urbana-Champaign) John T. Hamilton (Harvard University) Editorial Board Kyriakos Demetriou (University of Cyprus) Constanze Güthenke (Princeton University) Miriam Leonard (University College London) Mira Seo (University of Michigan) VOLUME 4 The titles published in this series are listed at brill.com/srca Terence between Late Antiquity and the Age of Printing Illustration, Commentary and Performance Edited by Andrew J. Turner Giulia Torello-Hill LEIDEN | BOSTON Cover illustration: Artist unknown; illustration for Eunuchus 5.7 from the edition of Terence by Jodocus Badius and Johannes Trechsel (Lyon, 1493). Collection of Christchurch Art Gallery Te Puna o Waiwhetu. Woodcut 72/100. Presented by Gordon H. Brown, 30 October 1972. This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 2212-9405 isbn ���-��-0�-28880-5 (hardback) isbn ���-��-0�-28949-9 (e-book) Copyright 2015 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa.
    [Show full text]
  • Reading Horace in 1490S Padua: Willibald Pirckheimer, Joannes Calphurnius and Raphael Regius
    Int class trad (2016) 23(2):85–107 DOI 10.1007/s12138-015-0386-y ARTICLE Reading Horace in 1490s Padua: Willibald Pirckheimer, Joannes Calphurnius and Raphael Regius Paul White1 Published online: 11 January 2016 © The Author(s) 2016. This article is published with open access at Springerlink.com Horace’s Epistle I.2, a poem about the benefits to be derived from reading Homer, was a key text for the grammarians and commentators of the Middle Ages and Renaissance, since it provided an ethical justification for the centrality of poetry to education.1 If medieval commentators were anxious about the use of pagan poetry in Christian education, they had only to emphasize the moral instruction it furnished by means of example and negative example. Discussions of intention and utility in the prologues habitually presented poetic texts as reprehending vice and commending virtuous conduct. In the Renaissance, such exemplary readings of poetic texts persisted, frequently identified with the aims and methods of epideictic, the rhetoric of praise and blame.2 Such readings were central to the way study of poetic texts was framed and justified in theory; practice was, perhaps, a different matter. Despite the claims made in prefaces and accessus that the study of poetry provided a solid moral education for the 1 Generally on this poem see: Catherine Keane, ‘Lessons in Reading: Horace on Homer at Epistles 1.2.1- 31’, Classical World, 104.4, 2011, pp. 427-50. 2 Suzanne Reynolds, Medieval Reading: Grammar, Rhetoric, and the Classical Text, Cambridge, 1996, pp. 14-15. See also my discussion of Badius Ascensius’s 1503 commentary on Epistles I.2, Jodocus Badius Ascensius: Commentary, Commerce and Print in the Renaissance, Oxford, 2013, pp.
    [Show full text]
  • Download PDF Version
    Religion & devotion 15th & 16th century Antiquariaat Forum & Asher Rare Books 1 Exten- sive descriptions and images available on request. All offers are without engagement and sub- ject to prior sale. All items in this list are com- plete and in good condition unless stated otherwise. Any item not agreeing with the description may be re- turned within one week after receipt. Prices are in eur (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code. html> New customers are requested to pro- vide references when ordering. ANTIL UARIAAT FORUM Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com front cover: no. 20 v 1.1 · 07 Jul 2021 Dutch-language lives of the Apostles, first published during religious turmoil: most complete copy known of last edition, with 2 leaves in an early manuscript copy 1. ABDIAS of Babylon [misatribution].
    [Show full text]
  • 0813336708.Pdf
    The Hutchinson Encyclopedia of the Renaissance Preface The Hutchinson Encyclopedia of the Renaissance is a reference book, with entries arranged in A–Z format. To go directly to a particular entry, click on the link in the table of contents. There are also links between entries – click on any underlined word to jump to the related entry. © Copyright Research Machines plc 2005. All rights reserved. Helicon Publishing is a division of Research Machines plc. Helicon Publishing New Mill House 183 Milton Park Abingdon Oxon OX14 4SE e-mail: [email protected] Web site: www.helicon.co.uk Cover photograph © Corel. Table of contents A Aachen, Hans von Abbate, Niccolò dell' Abravanel, Isaac Academia secretorum naturae academy Acciaiuoli, Donato Acciaiuoli family Accolti, Benedetto Accolti, Bernardo Accolti family Achillini, Alessandro Acosta, José de Adagia Adamson, Patrick Adlington, William Adoration of the Lamb Adrian VI Adriano de Castello Adriano Fiorentino Aertzen, Pieter Afonso V Agostino di Duccio Agostino Veneziano Agricola, Alexander Agricola, Georgius Agricola, Martin Agricola, Rudolphus Agrippa von Nettesheim, Heinrich Cornelius Ailly, Pierre d' Alamanni, Luigi Alberti, Gasparo Alberti, Leon Battista Albertinelli, Mariotto Albizzi, Rinaldo degli Albuquerque, Afonso de Albuquerque, Afonso de Alciati, Andrea Alcock, John Aldegrever, Heinrich Aldine Academy Aldine Press Aldrovandi, Ulisse Aleandro, Girolamo Alemán, Mateo Alessi, Galeazzo Alexander VI Alfonso II Alfonso V (of Aragon) Ali, Mustafa all'antica Allen, William Alleyn, Edward Allori,
    [Show full text]
  • B-001 Badius Ascensius, Jodocus Silvae Morales
    B r B-001 Badius Ascensius, Jodocus d2 Badius Ascensius, Jodocus: [Commentary.] Incipit: ```[L]ittera Silvae morales. pithagorae etc.'' Propulsauimus quanta maxima potuimus dili- r gentia . .' a1 [Table of contents.] r r d7 Badius Ascensius, Jodocus: `Ad secundum moralium Silvarum a2 Badius Ascensius, Jodocus: [Letter addressed to] Jacobus de Lucubratiunculae'. Incipit: `[C]ogitanti mihi unde secundam Sinemuro and Petrus de Sinemuro. Siluarum moralium seriem traduceremus . .' refs. Renouard, Badius, II 67^70. r r d7 Horatius Flaccus, Quintus: `Quarto carminum ad Torquatum'. a4 [Alphabetical index.] r refs. Hor. Carm. 4. 7. b1 Badius Ascensius, Jodocus: `Primus moralium Silvarum'. r d7 Badius Ascensius, Jodocus: [Commentary.] Incipit: refs. Renouard, Badius, I 158. r ```[D]i¡ugere niues.'' Ode haec est Quinti Horatii Flacci quarto b1 Vergilius Maro, Publius [pseudo-; Ausonius pseudo-?]: Vir carminum . .' bonus [De institutione viri boni].`[V]ir bonus et prudens, qualem v e8 Horatius Flaccus, Quintus: `Ad Posthumum de fragilitate uitae uix repperit ullum . .' humanae; Ode tricolos ex secundo Carminum Horatii'. refs. Prete 95 no.2 (Green 105 no. 20); Appendix Vergiliana refs. Hor. Carm. 2. 14. (Oxford, 1966), 167^8. See Henkel, Schultexte, 314. v r e8 Badius Ascensius, Jodocus: [Commentary.] Incipit:```[H]eu heu b1 Calderinus, Domitius: `Commentarium'. Incipit: ```[V]ir fugaces''. Ode haec Quinti Horatii Flacci secundo carminnm(!) bonus''. Sermo de uiro bono hic habetur . .' v tricolos tetrastrophos est . .' b1 Badius Ascensius, Jodocus: [Commentary.] Incipit: ```[V]ir v f6 Horatius Flaccus, Quintus: `Ad Delium'. bonus et sapiens.'' Quisquis inquit uir bonus . .' r refs. Hor. Carm. 2. 3. c2 Horatius Flaccus, Quintus: `In epistola ad Quintium'. v f6 Badius Ascensius, Jodocus: [Commentary.] Incipit: `[Q]uod refs.
    [Show full text]
  • The Culture of Translation in Early Modern England and France, 1500–1660
    Copyrighted material – 978–1–137–40148–9 Selection, introduction and editorial matter © Tania Demetriou and Rowan Tomlinson 2015 Individual chapters © Contributors 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–40148–9 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.
    [Show full text]
  • The C Ompendium S Axonis
    T HE A NGERS F RAGMENT AND THE A RCHETYPE OF THE C OMPENDIUM S AXONIS Af Ivan Boserup In 1920, Emil Rathsach argued that the autograph manuscript of Saxo’s Gesta Danorum, of which the so-called Angers fragment is a part, served as archetype of the fourteenth-century Compendium Saxonis, and that the au- thor/abbreviator can be identified as the so-called “third hand” of the An- gers fragment, responsible for nearly fifty short annotations. Rathsach was challenged in 1989 by Anders Leegaard Knudsen, followed by Karsten Friis-Jensen in his 2005 Saxo edition. It is argued in the present paper that only Rathsach’s identification of the “third hand” as the editor/abbreviator himself has yet been challenged, not, however, the relationship between the Angers manuscript and the textual tradition of the Compendium. In this au- thor’s view, this implies that Thomas Riis’ research (1977 and 2006) re- garding the original book division of the Compendium (and, hence, that of the Angers manuscript) must be positively reconsidered, while Riis’ further theories concerning medieval or renaissance manipulations with the book division of the Saxo vulgate (Paris 1514) have - with good reason - been by- passed in silence by Friis-Jensen. The two-volume edition of Gesta Danorum edited by Karsten Friis-Jensen, including the Danish translation of Peter Zeeberg (Saxo 2005), is a turning point in Saxo Grammaticus scholarship. It closes the era initiated in 1879 when the four quarto leaves of the so-called Angers fragment of Saxo’s autograph draft of his chronicle were published (Bruun 1879a).
    [Show full text]
  • The Renaissance Society of America Annual Meeting
    BERLIN 26–28 March 2015 RSA 2015 Annual Meeting, Berlin, Germany, 26–28 March Annual Meeting, Berlin, Germany, The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Berlin, Germany 26–28 March 2015 Schaffhausen, Glasfenster mit Szenen der Münzherstellung (Schaffhausen, Stained glass window depicting the minting of coins), 1565. Photo credit: Münzkabinett, Staatliche Museen zu Berlin. Contents RSA Executive Board .......................................................................5 Acknowledgments ............................................................................. 6 Registration and Book Exhibition ...................................................12 Business Meetings........................................................................... 14 Plenaries, Awards, and Special Events .............................................15 Program Summary Thursday ................................................................................. 18 Friday ..................................................................................... 38 Saturday ................................................................................. 59 Full Program Thursday 8:30–10:00....................................................................... 76 10:15–11:45 .................................................................... 99 1:15–2:45 ...................................................................... 126 3:00–4:30 .....................................................................
    [Show full text]
  • Download PDF Version
    Religion & devotion (1502 – 1550) Religion & devotion (1502–1550) e-catalogue Jointly offered for sale by: ANTIL UARIAAT FOR?GE> 50 Y EARSUM @>@> Extensive descriptions and images available on request All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are EURO (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. Orders can be sent to either firm. Antiquariaat FORUM BV ASHER Rare Books Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E–mail: [email protected] E–mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com www.forumislamicworld.com cover image: no. 3 v 1.0 · 18 November 2020 Unidentified humanist’s selections from St Augustine to defend the Catholic faith against reformers and heretics 1.
    [Show full text]