Casillas Electorales FMCH 2020

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Sedes para la Elección de Presidente de la FMCH 2021-2024 Ubicación # ESTADO LUGAR Casilla de Casilla 1 AGUASCALIENTES Aguascalientes Salón Ganaderos Isla San Marcos Tijuana Restaurante Angus Beef Otay 2 BAJA CALIFORNIA N. Mexicali Lienzo Charro de Mexicali 3 BAJA CALIFORNIA SUR La Paz Lienzo Charro Guadalupano San José del Cabo Lienzo Charro San Lázaro 4 CAMPECHE Campeche Lienzo Charro El Roble 5 CHIAPAS Tuxtla Gutiérrez Lienzo Charro Manuel Velasco Cd. Delicias Lienzo Charro Luciano Carrillo 6 CHIHUAHUA Cd. Juárez Lienzo Charro Adolfo López Mateos 7 CIUDAD DE MEXICO Ciudad de México Federación Mexicana de Charrería Saltillo Lienzo Charro El Regalo 8 COAHUILA Monclova Restaurante Los Corrales 9 COLIMA Colima Lienzo Charro Hnda. Alpuyeque Durango Hotel Victoria Express 10 DURANGO La Laguna Lienzo Charro La Laguna Toluca Villa Charra de Toluca Texcoco Lienzo Charro Malaquias Huitrón 11 ESTADO DE MÉXICO Jilotepec Lienzo Charro Camino Real Naucalpan Lienzo Charro Gral. Manuel Avila C. 12 GUANAJUATO Irapuato Hotel Holiday Inn Express 13 GUERRERO Chilpancingo Lienzo Charro Darío Arrieta 14 HIDALGO Pachuca Lienzo Charro Cuna de la Charrería Centro (Tlajomulco) Lienzo Charro Rancho Santa María Los Altos (Tepatitlán) Lienzo Charro Viejo de Tepa Sur (Tamazula) Lienzo Charro Don Federico y Doña María 15 JALISCO Costa (Puerto Vallarta) Lienzo Charro Hacienda Serena Norte (El Teul) Lienzo Charro San Judas Tadeo Valles (Pacana) Lienzo Charro Las Palmas Morelia Lienzo Charro Pabellón Don Vasco 16 MICHOACAN Peribán de Ramos Peribán de Ramos Lienzo de Gil Morelos 17 MORELOS Yautepec Lienzo Charro Víctor Manuel Guerrero 18 NAYARIT Tepic Lienzo Charro Francisco García Montero 19 NUEVO LEON Monterrey Restaurante Los Generales 20 OAXACA Oaxaca Restaurant COLIBRÍ Calzada Héroes de Chapultepec 903 Oax 21 PUEBLA Puebla Lienzo Charro de Puebla Monumental 22 QUERETARO Querétaro Restaurante Los Caporales 23 QUINTANA ROO Cancún Lienzo Charro Santa Isabel San Luis Potosí Lienzo Charro Rancho Del Charro La Potosina 24 SAN LUIS POTOSI Rio Verde Restaurante Los Jalapeños Cd Valles Lienzo Charro El Caporal 25 SINALOA Mazatlán Lienzo Charro de Mazatlán 26 SONORA Hermosillo Lienzo Charro Sonorense 27 TABASCO Villahermosa Lienzo Charro Carlos Alberto Madrazo Reynosa Lienzo Charro Los Tamaulipecos 28 TAMAULIPAS Tampico Lienzo Charro La Herradura 29 TLAXCALA Apizaco Restaurante Las Chicoelinas Xalapa Lienzo Charro Los Amigos 30 VERACRUZ Tuxpan Restaurante Carnes Asadas El Diamante Km 44 Carretera Tuxpan - Poza Rica Rancho El Rodeo 31 YUCATAN Mérida Lienzo Charro Tierra Bonita 32 ZACATECAS Zacatecas Lienzo Charro Monumental 33 ARIZONA Phoenix 2816 West Latona Rd Laveen AZ 85339 Pleasanton Restaurante El Molino 34 CALIFORNIA Tulare Lienzo Charro El Tordillo Ontario Tienda Charra Herradura de Oro 35 COLORADO Denver 40S Federal Blvd Denver Co 36 IDAHO Nampa Hispanic Cultural Center of Idaho 37 ILLINOIS Beecher Rancho el Consuelo. 744 W Church RD Beecher, IL 60401 38 KANSAS Sedgwick Rancho El Agave 15722 W 117th St N Sedgwick KS 67135 39 NEVADA Las Vegas 4501 Thorn Bush St North Las Vegas NV 89031 40 NUEVO MEXICO Canutillo Lienzo Charro Los Castro (Canutillo, Tx) 41 OKLAHOMA Oklahoma City Lienzo Charro El Roble 11800 SE 74 ST Oklahoma City Ok 73150 42 OREGON Portland Restaurante Mazatlán Dallas Lienzo Charro Hacienda Bañuelos Austin Lienzo Charro Pedernales 43 TEXAS Houston Lienzo Charro Espuelas de Plata San Antonio Lienzo Charro San Miguel 44 WASHINGTON Renton Rancho Ayutla.

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The Songs of Mexican Nationalist, Antonio Gomezanda
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-5-2016 The onS gs of Mexican Nationalist, Antonio Gomezanda Juanita Ulloa Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Ulloa, Juanita, "The onS gs of Mexican Nationalist, Antonio Gomezanda" (2016). Dissertations. Paper 339. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2016 JUANITA ULLOA ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE SONGS OF MEXICAN NATIONALIST, ANTONIO GOMEZANDA A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Juanita M. Ulloa College of Visual and Performing Arts School of Music Department of Voice May, 2016 This Dissertation by: Juanita M. Ulloa Entitled: The Songs of Mexican Nationalist, Antonio Gomezanda has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Visual and Performing Arts, School of Music, Department of Voice Accepted by the Doctoral Committee ____________________________________________________ Dr. Melissa Malde, D.M.A., Co-Research Advisor ____________________________________________________ Dr. Paul Elwood, Ph.D., Co-Research Advisor ____________________________________________________ Dr. Carissa Reddick, Ph.D., Committee Member ____________________________________________________ Professor Brian Luedloff, M.F.A., Committee Member ____________________________________________________ Dr. Robert Weis, Ph.D., Faculty Representative Date of Dissertation Defense . Accepted by the Graduate School ____________________________________________________________ Linda L. Black, Ed.D.
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THINKING GENDER 2012 Performative Metaphors: The "Doing" of Image by Women in Mariachi Music. Leticia Isabel Soto Flores In music studies, scholars have often explored music as a metaphor for emotions, thoughts, and life. In the 19th century, music critic Edward Hanslick recognized the inherent metaphorical sense of musical discourse. As he stated in 1891, "what in every other art is still description is in music already metaphor", (Hanslick 1986: 30). When verbalizing what music is, from representation to technique, one cannot avoid using figurative language, metaphors in particular, because a verbal description of sound is, of necessity, an interpretation. In the first case regarding metaphors in music, metaphorical language is used to describe music in relation to musical practice or music theory. These metaphorical descriptions have unavoidably succumbed to the ideological horizons manifested through language. Musicologist Susan McClary refers to this as gendered aspects of traditional music theory in Feminine Endings (1991), a founding text in feminist musicology. She states: "music theorists and analysts quite frequently betray an explicit reliance on metaphors of gender ("masculinity" vs. "femininity") and sexuality in their formulations. The most venerable of these—because it has its roots in traditional poetics—involves the classification of cadence-types or endings according to gender" (McClary 1991: 9). Musicians and music critics utilize the terms “feminine endings” and “masculine endings” to describe how a cadence ends, most without ever realizing that these metaphors perpetuate sexual difference through musical language. In mariachi music, a similar situation has manifested with the increasing participation of women mariachi musicians. As more and more women perform in mariachi ensembles, the songs traditionally in a vocal register for men are necessarily transposed to suit the female voice.
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Charrería, Nationalism, and Manly Relevance in Modern Mexico
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Charrería: the Artisanship of Mexican Equestrian Culture
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Of Image by Women in Mariachi Music
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