DOCSLIB.ORG

Rancho San Julian: a Family's Legacy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rancho San Julian: a Family's Legacy The Journal of the PARAGON Foundation, Inc. Rancho San Julian: A Family's Legacy Hard Fought Existence: The Story of Texas’ McInnis Cattle Company The Living Words of the Constitution Part 5 WINTER 2008 Rancho San Julian by W. Dibblee Hoyt OUR MISSION The PARAGON Foundation provides for education, research and the exchange of ideas in an effort to promote and support Constitutional principles, individual freedoms, private property rights and the continuation of rural customs and culture – all with the intent of celebrating and continuing our Founding Fathers vision for America. The PARAGON Foundation, Inc. • To Educate and Empower We invite you to join us. www.paragonfoundation.org WINTER 2008 VOLUME 4 NO. 4 William C. Reynolds EDITOR Nicole Krebs ASSOCIATE EDITOR Robin Ireland ART DIRECTOR Javier Munoz PRODUCTION COORDINATOR W. Dibblee Hoyt FE ATURED PHOTOGRAPHER Mark Bedor Robert Dawson Guy de Galard Jay Dusard Marilyn Fisher Dan Gagliasso Heather Hafleigh Jim Keen Thea Marx James P. Owen Dusti Scovel CONTRIBUTORS THE PARAGON FOUNDATION Bob Jones PRESIDENT GB Oliver EXECUTIVE VICE PRESIDENT & PUBLISHER Don “Bebo” Lee VICE PRESIDENT 2 Stella Montoya SECRETARY / TREASURER Alice Eppers Bobby Jones Daniel Martinez DIRECTORS For sponsorship inquiries, contact Nicole Krebs - oyt 575.434.8998 at the PARAGON Foundation, Inc. office, ee H 1209 Michigan Ave., Alamogordo, NM 88310. To join or ibbl renew your membership or sponsorship, call toll free 877.847.3443. Living Cowboy Ethics is published quarterly y W. D y W. by the PARAGON Foundation, Inc. Memberships are ourtes $50.00 per year. The PARAGON Foundation, Inc. is a o c non-profit 501(c)3. Postmaster: Send address changes to phot Rancho San Julian’s T. Wilson Dibblee and grandson, the PARAGON Foundation, Inc. 1209 Michigan Avenue, ready for the parade, circa 1920s Alamogordo, NM 88310 WWW.PARAGONFOUNDATION.ORG Copyright © 2008 All Rights Reserved Vaquero artist, Jack Swanson’s painting Throwing A Fit – a picture gleaned from time spent at a Tehachapi cow camp. In the next issue of LCE, we will visit with Jack to hear some stories of his life with horses and cattle. IN THIS ISSUE 8 70 Of Note Recommended Reading Current events and culture from out West Old and new books worthy of your nightstand 26 72 R-CALF USA Joe De Yong Special Section Western Artist of the Authentic West By Dan Gagliasso 32 LCE Remembers 87 Joel McCrea, Westerner Heading West By Dan Gagliasso Guest ranches to visit endorsed by the Dude Ranchers’ Association 42 Your Rights 88 Due Process: Procedural and Sustentative Eatons’ Ranch 130 Years of Hospitality and Going Strong 46 By Guy de Galard Rancho San Julian: 3 A Family Ranching Tradition 92 By Marilyn Fisher Range Writing Cowboy Poetry from all over the West 54 W. Dibblee Hoyt 94 Pictures from Rancho San Julian A Trip Worth Taking A Park City Playground 64 By Mark Bedor The Living Words of the Constitution By Nicole Krebs 98 PARAGON Memorials 66 Hard Fought Existence 100 The McInnis Cattle Company Out There By Thea Marx Cover: John McCarty roping on the San Julian. Photo by W. Dibblee Hoyt WINTER 2008 WWW.PARAGONFOUNDATION.ORG 4 photos by W. Dibblee Hoyt FROM THE EXECUTIVE VICE PRESIDENT GB OLIVER Maintaining Balance Today, we find ourselves, after the recent election, the executive, the judiciary and the legislative. In order for with the makings of a new government. It was an election these three branches of government to work together, that followed one of the most acrimony-filled campaign each employ a separation of powers, preventing any one of periods in recent history. Both sides spent untold those branches from exerting too much power. In our millions of dollars to position candidates and country, we continue the process of allowing our three perspectives ahead of the opposing side. Because of Mr. branches to work separately but together in fulfilling the Obama’s team, voters knew as much about Joe the tasks of the people. Never forget that this is a Republican Plumber as Mr. McCain’s team showed us about William form of government with limited powers, and we are the Ayers. The elections were held in an orderly and peaceful permission givers. We allow our government to continue, manner with no riots or shots fired. And, at the end of a fact we must never take lightly. PARAGON’s mission is that long day, after the votes were counted, the tears shed to make sure every citizen understands not only their and the victorious hands waived; America awoke from a rights as citizens, but the sovereign responsibility that sits short sleep to a new day in its history. Even with all the squarely on their shoulders as well. Your continued help economic issues, two wars and a myriad of hard-fought and support of PARAGON’s efforts is needed now more local propositions and initiatives - sometimes pitting than ever as we embark on a new time in the history of the neighbor against neighbor - when it was all said and United States. It will be the people, each and every one of done, we can celebrate once again the wisdom of the us, that help guide our country through the difficult Founders in crafting the origin of America. In its wording terrain ahead. The blessing of the self-government that we and intent, the U.S. Constitution lays out the peaceful continue to enjoy has come at a price and for those who transition from one political era to another. So, as we have given the ultimate sacrifice for our liberty, we give move from the Bush administration to the Obama thanks and prayers. Additionally, during this holy time of administration, we see that the Constitution carries year, we must all look to each other to help make the New within it, the checks and balances necessary to enable us, Year a constructive and peaceful as a people, to retain control of our government. That one for our country and power, that ultimate sovereignty, is what each citizen the world. And so, to carries, giving permission to our elected officials to carry all of you, our friends out our tasking as their boss. Ours is a country of and members who individuals who gather to agree and disagree and then have supported and vote towards an outcome, ultimately allowing the United continue to support States of America to continue on a peaceful, linear path. our efforts, we wish That is the wonder and grace of our country and the you and your U.S. Constitution. family a Merry 5 PARAGON exists to help all citizens be more a part of Christmas and that process - to be more aware and assertive of their rights a happy and in controlling their lives through education and productive empowerment. Our responsibility as citizens functions 2009. only as well as we are informed of the issues facing us. The sovereignty we hold is mighty, but it is an empty quiver if the arrows of knowledge and empowerment are not within it. And, while we as citizens are the ultimate power in this land, the Founders wisely instilled within the framework of our Constitution, an infrastructure of Checks and Balances not allowing too much power to reside in any one branch of government. Article 1, Section 8 of the Constitution gives the power of making laws to the Congress, one of our three branches of government – WINTER 2008 WWW.PARAGONFOUNDATION.ORG 6 photos by W. Dibblee Hoyt FROM THE EDITOR WILLIAM C. REYNOLDS Welcome R-CALF USA This issue marks the first year of Living Cowboy The Eatons’ Ranch is one of America’s first guest ranches Ethics, and with this first anniversary, we also welcome and is a member of the Dude Ranchers Association, the members of R-CALF USA, America’s largest another very supportive group – over 100 guest ranches independent stockgrowers association. There is probably strong - of the work of PARAGON. Dan Gagliasso no greater calling than to returns with an in depth look work to help feed a hungry at the life of western artist nation and R-CALF works Joe De Yong, the only protégé tirelessly to help each to the great Montana artist, individual rancher in its Charles M. Russell. De Yong membership be represented helped keep Russell’s flame and empowered to protect, alive and became a force in not only the safety of our rallying and supporting national food sources, but western art and its authen- their very way of life. In each ticity during the rise in issue, we will feature a special popularity of westerns in section dedicated to infor- film. Dan looks at De Yong’s mation on, and for, the authentic work with the members of R-CALF USA. legendary Cecil B. DeMille In turn, R-CALF will assist ardee in the making of some of the e P PARAGON in spreading en greatest westerns of all time, our message of education including Shane and The and empowerment to every o by G Plainsman. We continue our citizen. And, after four issues phot examination of the Articles of Living Cowboy Ethics, we have seen substantial growth of the U.S. Constitution through the words of Associate in circulation and in membership. Editor Nicole Krebs while Dan Martinez continues his In addition to R-CALF USA’s section, this Winter series on “Your Rights” with a look at aspects of Due 2008 issue offers something for every reader. Our Process and what you should know about your rights and interview this time is a multi-generational story of a the “law of the land.” The addition of cowboy poetry has family’s love of the West.
Load more

Recommended publications
  • Attention Randy Bernard~CEO of PBR and Ty Murray~PBR President
    OPEN LETTER TO RESIDENTS of OKLAHOMA Dear Professional Bull Riders, Inc. (PBR): Attention Randy Bernard~CEO of PBR and Ty Murray~PBR President I am writing to urge you to eliminate the presence of ALL tobacco sponsors and messages during your bull riding events. Professional bull riding has moved into ranks of world-class sports and the eyes of the public are now fixed on the PBR athletes, who serve as heroes and role models for youth across the United States. Simply put, children emulate the actions of adults they admire, copying their habits-both good and bad. I have been involved with the sport of bull riding for over 20 years as an announcer, broadcast and print journalist, radio personality, spectator and, most recently, as a spokesperson for Buck Tobacco Sponsorship’s National Tobacco-Free Rodeo Project. The Buck Tobacco program targets rodeos and bull riding events throughout the country with requests to eliminate tobacco sponsorship. (www.bucktobacco.org). I have visited with over 150,000 children across the country to talk with them about the sport of bull riding, along with the importance of leading a healthy lifestyle. Tobacco is not part of a healthy lifestyle and should not be part of bull riding. Numerous churches, schools and community organizations across the country are joining me in the pledge to support a tobacco-free PBR. Many of these individuals regularly attend PBR events with their children, and are disturbed by the tobacco messaging that is reaching kids at your otherwise family-friendly event. Would you encourage or allow your child to use tobacco products? Medical research chronicles the increased likelihood of heart disease and cancer as a result of the use of tobacco products.
    [Show full text]
  • Tese De Charles Ponte
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
    [Show full text]
  • Calling All Music Lovers!
    Plugged In Issue Six • the official school newspaper of Speedway Senior High School • March 1,1 2011 A pro prospect in our midst? Lost Frogs: Junior hockey star just one of the guys Four Found Greatness comes in many shapes and sizes. At Speedway and other east High, it comes in the form of 5’6”, 135-pound junior, Mason coast cities than By Sandy Bauers The Philadelphia Inquirer Jobst. He is one of the top junior hockey prospects in his age in Indianapolis. (MCT) group. Jobst has talked to In August, conservationists and The 17-year old center has lived and breathed hockey recruiters at many biologists launched a five-month nearly his entire life. It all started on his third birthday, when colleges around the search to try to find 100 “lost” species young Mason received a pair of brand new ice skates. Soon country; Colorado, of amphibians. Some 126 researchers after, he was wearing them around constantly. At age four, Minnesota, Yale, combed five continents in search of Jobst enrolled in his first youth hockey league, where he Maine, and Boston frogs, salamanders and others that had played the game for the first time at Pepsi Coliseum. College. not been seen in a decade or longer Nowadays, Mason is still playing hockey at Pepsi Mason spends a and were feared extinct. Coliseum. Recently, he had the chance to play on United lot of time working The good/bad news: They found States Hockey out. He has U18, four. They also made 11 re-discoveries League’s (USHL) Indiana Jr.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Lærte Danse I Midtliners: - LETØVET/ØVET
    Lærte danse i Midtliners: - LETØVET/ØVET Sommerhold 2006 Sommerhold 2007 Sommerhold 2008 Sommerhold 2009 Sommerhold 2010 Sommerhold 2011 Sommerhold 2012 1 123 Waltz 1 Atomik polka 1 Black Coffee 1 Bud Wiser 1 Action 1 This Pretty Face 1 A Lot Like That 2 Cowboy Boogie 2 Beer for my horses 2 Cha Cha with me 2 Gotta Keep Praying 2 Jacob's Ladder 2 Repercussions 2 Closer 3 Diamond Dixie 3 Grisefesten - Southern Delight 3 Crazy foot mambo 3 Hooked up 3 Not Like That 3 Baby Bubbles 3 Rockaway 4 Ghost Train 4 Kill the spiders 4 Destiny 4 Love Trick 4 Rhyme or Reason 4 Maggie McCall 4 The Wanderer 5 Grundy Galop 5 Lover Boy 5 Heart and flowers 5 Mojo Rhythm 5 See salt sally 5 Raining Cats and Dogs 5 Wauw 6 Hillibilly Rock 6 Red hot salsa 6 Heart of an angel 6 My Veronica 6 Senorita 6 Out & Jump 7 Honkey Tonk Stomp 7 Rock'n roll 7 I love a rainy night 7 Old 97 7 So Easily 7 Speak with your heart 8 Hully Gully 8 Rosegarden 8 Miller Magic 8 This and That 8 When Will I Be Loved 9 Language of the heart 9 Vertical Expression 9 My new life 9 Walk of Life 10 Mini Mariane 10 Wish I Knew 10 No tricks 10 You Look good in my Shirt 11 Piece of Cake 11 Stay Country 12 Sex on the beach 13 The Lasso Sæsonen 2006/2007 Sæsonen 2007/2008 Sæsonen 2008/2009 Sæsonen 2009/2010 Sæsonen 2010/2011 Sæsonen 2011/2012 Sæsonen 2012/2013 1 Any Way 1 Alfi 1 Before the Devil 1 All Over again 1 1-2-3-4 1 Af en Af 1 And Then What? 2 Bad Bad leroy Brown 2 Avenuen 2 Bosa Nova 2 Boys will be Boys 2 Abidi-hi-bidi-hop-hop 2 All You Need 2 Anybody Loking for a fool 3 Chasin that neon
    [Show full text]
  • Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
    MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4.
    [Show full text]
  • Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
    Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U.
    [Show full text]
  • A Comparative Analysis of Punk in Spain and Mexico
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories.
    [Show full text]
  • << HOPE in CRISIS 2020 ALUMNI
    ALUMNI MAGAZINE • WINTER 2020 << HOPE IN CRISIS 2020 ALUMNI MEDALLION THE GREATEST SHOWMEN “ William & Mary has given me so much, I want to pass it down the line. It’s important for the future of the university.” — Betsy Calvo Anderson ’70, HON J.D. ’15, P ’00 YOUR LEGACY FOR ALL TIME COMING. “ Why do I give? I feel lucky to have a unique perspective on William & Mary. As a Muscarelle Museum of Art Foundation board member, an emeritus member of the William & Mary Law School Foundation board and a past president of the Alumni Association, I’ve seen first-hand the resources and commitment it takes to keep William & Mary on the leading edge of higher education — and how diligently the university puts our contributions to work. My late husband, Alvin ’70, J.D. ’72, would be happy to know that in addition to continuing our more than 40-year legacy of annual giving, I’ve included our alma mater in my estate plans. Although I never could have imagined when I arrived on campus at age 18 what an enormous impact William & Mary would have on my life, I also couldn’t have imagined the opportunity I would have to positively influence the lives of others.” WILLIAM & MARY For assistance with your charitable gift plans, contact OFFICE OF GIFT PLANNING Kirsten A. Kellogg ’91, Ph.D., Executive Director of Principal Gifts and Gift Planning, at (757) 221-1004 or [email protected]. giving.wm.edu/giftplanning BOLD MOMENTS DEFINE US. For Omiyẹmi, that moment was when she stopped waiting for approval to create art and started devising her own opportunities.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • The Songs of Mexican Nationalist, Antonio Gomezanda
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-5-2016 The onS gs of Mexican Nationalist, Antonio Gomezanda Juanita Ulloa Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Ulloa, Juanita, "The onS gs of Mexican Nationalist, Antonio Gomezanda" (2016). Dissertations. Paper 339. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2016 JUANITA ULLOA ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE SONGS OF MEXICAN NATIONALIST, ANTONIO GOMEZANDA A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Juanita M. Ulloa College of Visual and Performing Arts School of Music Department of Voice May, 2016 This Dissertation by: Juanita M. Ulloa Entitled: The Songs of Mexican Nationalist, Antonio Gomezanda has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Visual and Performing Arts, School of Music, Department of Voice Accepted by the Doctoral Committee ____________________________________________________ Dr. Melissa Malde, D.M.A., Co-Research Advisor ____________________________________________________ Dr. Paul Elwood, Ph.D., Co-Research Advisor ____________________________________________________ Dr. Carissa Reddick, Ph.D., Committee Member ____________________________________________________ Professor Brian Luedloff, M.F.A., Committee Member ____________________________________________________ Dr. Robert Weis, Ph.D., Faculty Representative Date of Dissertation Defense . Accepted by the Graduate School ____________________________________________________________ Linda L. Black, Ed.D.
    [Show full text]
  • Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
    The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B.
    [Show full text]