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Analele Universităţii Din Craiova, Seria Istorie, Anul XIX, Nr. 2(26)/2014
Analele Universităţii din Craiova, Seria Istorie, Anul XIX, Nr. 2(26)/2014 CONTENTS STUDIES AND ARTICLES Anișoara Băbălău, THE FISCAL ORGANISATION OF WALLACHIA IN BRANCOVAN ERA .................................................................................................................................. 5 Elena Steluţa Dinu, HEALTH LAWS IN THE PERIOD 1874-1910 .............................. 15 Adi Schwarz, THE STRUGGLE OF THE JEWS FOR THEIR POLITICAL RIGHTS IN THE VIEW OF WESTERN JOURNALISTS (1876-1914) ............................................. 23 Cosmin-Ştefan Dogaru, LE PORTRAIT DE CHARLES DE HOHENZOLLERN- SIGMARINGEN. UN REPERE DANS L’HISTOIRE DE L’ETAT ROUMAIN ............. 31 Stoica Lascu, THE SITUATION OF THE BALKAN ROMANIANS REFLECTED IN “REVISTA MACEDONIEI” MAGAZINE (BUCHAREST; 1905-1906) ...................... 43 Gheorghe Onişoru, MAY 15, 1943: DISSOLUTION OF THE KOMINTERN AND ITS EFFECTS ON THE COMMUNIST PARTY OF ROMANIA .......................................... 75 Cezar Stanciu, CHALLENGES TO PROLETARIAN INTERNATIONALISM: THE COMMUNIST PARTIES’ CONFERENCE IN MOSCOW, 1969 .................................. 85 Lucian Dindirică, ADMINISTRATIVE-TERRITORIAL ORGANIZATION OF ROMANIA UNDER THE LEADERSHIP OF NICOLAE CEAUŞESCU ........................................... 101 Virginie Wanyaka Bonguen Oyongmen, ARMÉE CAMEROUNAISE ET DÉVELOPPEMENT ÉCONOMIQUE ET SOCIAL DE LA NATION: LE CAS DU GÉNIE MILITAIRE (1962-2012) ................................................................................ 109 Nicolae Melinescu, THE MARITIME -
Return of the Kings. Institutionalization of the Royal Families in the Republics of Romania and Montenegro in the 21St Century
Marcin M. Wiszowaty* Uniwersytet Gdański RETURN OF THE KINGS. INSTITUTIONALIZATION OF THE ROYAL FAMILIES IN THE REPUBLICS OF ROMANIA AND MONTENEGRO IN THE 21ST CENTURY 1. In my latest book I took note of the phenomenon which I defined as a “re- publican paradigm in the research on the political systems of modern states”. This trend is very often encountered in the process of analyzing political systems. On one hand, it consist in omitting or marginalizing all characteristic elements of the monarchy, which do not have their republican equivalent, and on the other hand it focuses on democratic aspects of political system, ignoring its monarchic or republican character. This trend mainly results from a commonly-accepted as- sumption, that the so-called constitutional monarchy is only a stage on its way to the inevitable transformation of a political system from the absolute monarchy into the pure republic, which makes it only a transitional form. It brings about the fact that in case of monarchic states, the only subject of political system analysis is usually the monarch himself, as the last remnant of the past monarchy, whereas the other institutions of the monarchic system are ignored in the belief that they constitute insignificant relics, or even that they have already turned fully into the “republican” character.1 One of the consequences of the above-mentioned inter- pretation is a gradual replacement of a traditional categorization into “republics” or “monarchies” by classifying the states as “democratic” or “undemocratic”. As a result, the two categories will encompass both monarchies and republics, ulti- mately reducing the fundamental differences between political systems. -
Format Electronic
Heraldica este o [tiin]` auxiliar` a istoriei. Ea se ocup` cu studierea blazoanelor caselor conduc`toare, regi, prin]i, aristocra]i, ale breslelor de me[te[ugari [i ale altor asocia]ii, ale ora[elor, ]inuturilor etc. Denumirea acestei [tiin]e deriv` din numele dreg`torului din Evul Mediu, care era îns`rcinat s` poarte insignele regelui. Tot el Heraldica era cel care organiza turnirurile, binecunoscutele \ntreceri ale aristocra]iei feudale. Ei erau purt`tori de însemne cavalere[ti [i nobiliare prin care militar` – o se identificau cu ac]iunile victorioase proprii sau ale str`mo[ilor lor. În esen]`, blazonul (împreun` cu celelalte însemne pe care le necesitate avea un nobil [i casa lui), se constituia într-o nara]iune simbolic` despre originea, istoria, puterea [i rangul acestuia, toate degajând actual` o informa]ie puternic` în formul` estetic` despre identitate. Pe câmpul de lupt`, însemnele distinctive ale regelui deveneau repere de vizibilitate [i de coeziune ale efectivelor în jurul comandantului. El însu[i era simbolul suprem care motiva lupta. În momentul în care comandantul era ucis sau capturat de inamic, însemnele sale nu se mai z`reau pe câmpul de lupt` [i astfel se transmitea semnalul c` trupele nu mai au conducere. Trupele care îl înso]eau î[i pierdeau unitatea, coeziunea [i motiva]ia de a mai lupta. B`t`lia era pierdut`, c`ci sold`]imea o lua la fug` ca s` nu cad` în prizonierat. Abia în timpurile moderne, armatele continu` b`t`lia [i \n cazul \n care comandantul cade \n lupt`, comanda fiind preluat` imediat de altcineva. -
ENJOYABLE FLAVOURS Adventurous Quests for Kadarka, Brandy and Beer DKMT Euroregion Introduction
ENJOYABLE FLAVOURS Adventurous quests for kadarka, brandy and beer DKMT Euroregion Introduction The tourism of the 21st century is characterised by the quest for adventures, the desire for cognition and the active participation in programmes. While ”discovering” a country, a region or a smaller geographical area – be it a city visit, active relaxation, recreation, participating in cultural, sports or other attractions – getting acquainted with local specialities is indispensable. And it is nothing else but the gastronomy of the given area. Our publication strives at collecting the local specialities of the DKMT Euroregion and hand it over to our dear guest as a euroregional guide. We have gathered a bunch of the local traditional types of drinks born during centuries on the territory of the DKMT Euroregion and we offer them to our guests. Kadarka, brandy (pálinka, rakija, cujka), beer: these are the beverages, made of different raw materials through different procedures, which have fulfilled an important role in the life of people living here. The history of alcoholic drinks prepared by fermentation, distillation, cooking and their combination is really equal in age with the history of mankind, because they were considered healthy compared to stale and infected waters. Those who consumed them did not catch the disease. This is why the wine has become a national beverage in the Mediterranean countries through thousands of years. But in places where the grapes could not properly ripen because of climatic factors, the art of beer brewing was raised to a masterful level, although the beer itself also started out from the eastern cultures to conquer the world. -
The Phylogenealogy of R-L21: Four and a Half Millennia of Expansion and Redistribution
The phylogenealogy of R-L21: four and a half millennia of expansion and redistribution Joe Flood* * Dr Flood is a mathematician, economist and data analyst. He was a Principal Research Scientist at CSIRO and has been a Fellow at a number of universities including Macquarie University, University of Canberra, Flinders University, University of Glasgow, University of Uppsala and the Royal Melbourne Institute of Technology. He was a foundation Associate Director of the Australian Housing and Urban Research Institute. He has been administrator of the Cornwall Y-DNA Geographic Project and several surname projects at FTDNA since 2007. He would like to give credit to the many ‘citizen scientists’ who made this paper possible by constructing the detailed R1b haplotree over the past few years, especially Alex Williamson. 1 ABSTRACT: Phylogenealogy is the study of lines of descent of groups of men using the procedures of genetic genealogy, which include genetics, surname studies, history and social analysis. This paper uses spatial and temporal variation in the subclade distribution of the dominant Irish/British haplogroup R1b-L21 to describe population changes in Britain and Ireland over a period of 4500 years from the early Bronze Age until the present. The main focus is on the initial spread of L21-bearing populations from south-west Britain as part of the Beaker Atlantic culture, and on a major redistribution of the haplogroup that took place in Ireland and Scotland from about 100 BC. The distributional evidence for a British origin for L21 around 2500 BC is compelling. Most likely the mutation originated in the large Beaker colony in south-west Britain, where many old lineages still survive. -
Revista De Stiinte Politice Nr.47
UNIVERSITY OF CRAIOVA FACULTY OF LAW AND SOCIAL SCIENCES POLITICAL SCIENCES SPECIALIZATION & CENTER OF POST- COMMUNIST POLITICAL STUDIES (CESPO - CEPOS) REVISTA DE ŞTIINȚE POLITICE. REVUE DES SCIENCES POLITIQUES NO. 47 • 2015 1 UNIVERSITY OF CRAIOVA FACULTY OF LAW AND SOCIAL SCIENCES POLITICAL SCIENCES SPECIALIZATION & CENTER OF POST - COMMUNIST POLITICAL STUDIES (CESPO - CEPOS) Revista de Ştiinţe Politice. Revue des Sciences Politiques No. 47 • 2015 - EDITORIAL BOARD - Editor in chief: ANCA PARMENA OLIMID Deputy editor in chief: CĂTĂLINA MARIA GEORGESCU Managing editor: COSMIN LUCIAN GHERGHE Regular members: IONUȚ ȘERBAN, GEORGE GÎRLEȘTEANU, DANIEL GHIȚĂ, AUREL PIŢURCĂ, CEZAR AVRAM, VLADIMIR OSIAC, MIRON ROMAN, DAN VALERIU VOINEA, MIHAI COSTESCU, MIHAI GHIȚULESCU, MIHAELA BĂRBIERU, MIHAELA CAMELIA ILIE Technical and online assistance: SPERANȚA PREDOI - INTERNATIONAL ADVISO R Y B O A R D - DAN CLAUDIU DĂNIŞOR JONUZ ABDULLAI Professor, University of Craiova, Faculty of Law and Professor , South East European Social Sciences, Romania University, Tetovo, Macedonia (Chairman of the International Advisory Board) SONJA BUNČIČ MIHAI CIMPOI Professor ,University Union, Faculty of President of the Academy of the Republic of Law, Belgrade, Serbia Moldavia, Moldova HARUN ARIKAN YOHANAN MANOR Professor , Cukurova University, Professor, University of Jerusalem, Israel , Adana,Turkey President , Center for Monitoring the Impact of ALI PAJAZITI Peace (CMIP) Professor , South East European JOZE PIRJEVEC University, Tetovo, Macedonia Professor, University -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
Reuge-Kat.Pdf
6-13 Secrets of the Reuge Manufacture 14-53 1865 54-65 Lounge 66-77 Studio 78-89 Artists 90-111 Collection 112-127 Melodies 4 5 The sources of mechanical music 1796. Antoine Favre. The birth of mechanical music originates from this date. Trained by the master watchmakers of Geneva, the music-makers raised Sainte-Croix to the rank of the world’s music box capital. The golden aged lasted several decades; then, the attraction for large pieces gradually faded. Yet, the heritage is safe. Blaise Bontems was guided by humanity’s continuing admiration for birds. In 1848, he opened a shop in Paris selling singing birds, which he placed in finely wrought cages and in boxes. Because it is committed to perpetuating this art, Reuge inherited the activities of the Bontems firm in 1960. Since then, the tradition lives on. Determination, tradition and innovation: these values presided over the renewal of prestigious mechanical music. At the dawn of the new millennium, the magic was reborn and the expertise of music-makers has been revived – aesthetics re-invented. A prestigious collection has been born out of the singular creativity of Reuge. 7 Reuge, a prestigious heritage looking to the future A musical pocket watch was the timepiece created by Charles Reuge which formed the starting point for the Reuge family’s vocation in mechanical music. In 1865, he started manufacturing these watches in Sainte-Croix. The second generation of the Reuge family established the factory in 1929 and music boxes are still assembled within its walls. Guido Reuge was the soul of the business. -
Mechanical Music Instruments« 18 May 2019
Orchestral Cylinder Musical Box for the Chinese Market, c. 1890 Estimate: 8.000 – 12.000 € / $ 9,000 – 13,500 Harmonipan Barrel Organ by Sabas Hock Söhne, ‘Girl on the Telephone’ Musical Edenkoben, Rheinland-Pfalz Automaton by Renou, c. 1900 Estimate: 7.000 – 9.000 € / Estimate: 6.000 – 8.000 € / $ 7,900 – 10,100 150th Specialty Auction $ 6,800 – 9,000 »Mechanical Music Instruments« 18 May 2019 Automaton Banjo Player by Vichy, c. 1900 Estimate: 5.000 – 8.000 € / $ 5,650 – 9,000 Rock-Ola Tempo I Jukebox, 1959 Estimate: 7.000 – 9.000 € / $ 7,900 – 10,100 Silver and Enamel Singing Bird Box Automaton, probably Flajoulot, Paris, c. 1930, Estimate: 6.000 – 8.000 € / $ 6,800 – 9,000 French Breguet-Pattern Singing Bird Automaton Cigarette Case, c. 1955 Estimate: 4.000 – 6.000 € / $ 4,500 – 6,800 Swiss Station-type Musical Theatre, c. 1890 Estimate: 12.000 – 18.000 € / $ 13,500 – 20,300 Rare Five-Revolution Grand Format Variations Musical Box by Nicole Frères, c. 1862 Estimate: 15.000 – 20.000 € / $ 16,950 – 22,800 …and many more! For more highlights and videos, visit www.Breker.com/New Highlights or youtube.com/auctionteambreker Fully-illustrated bilingual (Engl.-German) COLOUR Catalogue available against prepayment only: Euro 28.– (Europe) or elsewhere Euro 37.– (approx. US$ 44.– / Overseas) (Bank draft, cash or by Credit Card with CVV and expiry date: MasterCard/Visa/AmEx) ☛ Consignments for Future Auctions Always Welcome! ☛ Regina Style 33 Automatic Disc- Polyphon No. 2 Automatic Changing Musical Box, c. 1900 – The Specialists in »Technical Antiques« – Disc-Changing Musical Box, c. -
Dutch Royal Family
Dutch Royal Family A Wikipedia Compilation by Michael A. Linton PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 08 Nov 2013 22:31:29 UTC Contents Articles Dutch monarchs family tree 1 Chalon-Arlay 6 Philibert of Chalon 8 Claudia of Chalon 9 Henry III of Nassau-Breda 10 René of Chalon 14 House of Nassau 16 Johann V of Nassau-Vianden-Dietz 34 William I, Count of Nassau-Dillenburg 35 Juliana of Stolberg 37 William the Silent 39 John VI, Count of Nassau-Dillenburg 53 Philip William, Prince of Orange 56 Maurice, Prince of Orange 58 Frederick Henry, Prince of Orange 63 Amalia of Solms-Braunfels 67 Ernest Casimir I, Count of Nassau-Dietz 70 William II, Prince of Orange 73 Mary, Princess Royal and Princess of Orange 77 Charles I of England 80 Countess Albertine Agnes of Nassau 107 William Frederick, Prince of Nassau-Dietz 110 William III of England 114 Mary II of England 133 Henry Casimir II, Prince of Nassau-Dietz 143 John William III, Duke of Saxe-Eisenach 145 John William Friso, Prince of Orange 147 Landgravine Marie Louise of Hesse-Kassel 150 Princess Amalia of Nassau-Dietz 155 Frederick, Hereditary Prince of Baden-Durlach 158 William IV, Prince of Orange 159 Anne, Princess Royal and Princess of Orange 163 George II of Great Britain 167 Princess Carolina of Orange-Nassau 184 Charles Christian, Prince of Nassau-Weilburg 186 William V, Prince of Orange 188 Wilhelmina of Prussia, Princess of Orange 192 Princess Louise of Orange-Nassau 195 William I of the Netherlands -
All Unfortunate Young Women Are Lyrical Poets
DOI: 10.2478/v10027-007-0009-0 Tatiana Iatcu Petru Maior University of Targu Mures, Romania ”ALL UNFORTUNATE89 YOUNG WOMEN ARE LYRICAL POETS...” (ROMANIAN WOMEN VOICES FROM ABROAD) During the 19th century, especially in the fi rst half, society in Romania did not give women the same chances to develop, subordinating them to men and restricting their activities to the domestic sphere. Th e quintessence of the model of femininity is found in Jules Michelet’s book La femme, which is represented by a humble wife, submissive and utterly obedient, as opposed to that of manliness, whose main characteristics are strength and courage (Vasilescu 2004: 1). Th e same frank dichotomy is seen by Garabet Ibraileanu1 who says that ”Th ere is nothing more diff erent than a man from a woman” (1972: 110). But things were going to change. Th e beginning of the modern epoch in the history of the Romanian people was represented by the 1921 Revolution, which was followed by many programs for reform. One of these included the constitutional project, initiated by Ionita Sandu Sturdza. Th e capitalist development of economy and the formation of the bourgeoisie imprinted an acute character to social and political confl icts, which culminated in the 1848-1849 Revolution, an integral part of the European democratic revolution. Th e birth of the modern Romanian state in the second half of the 19th century (1859) brought with it a new image of the woman, as mother of the family and of the nation. With roots in Romanticism, this image of the woman has lasted up to the modern times and is well refl ected in paintings – my country is represented by Maria Rosetti in a painting called ”Revolutionary Romania”, by Constantin Daniel Rosenthal. -
Emergence of Monarchies? a Comparative Study of Three East European Countries
Emergence of monarchies? A Comparative study of three East European countries Peter Sundström 2014-04-19 Supervisor: Sten Berglund Date of examination: 2014-06-04 Abstract This study aims to find out why there is a growing demand for monarchic forms of governments in some East European transition countries such as Serbia and Romania but not to the same extent in other comparable transition countries like Bulgaria? This study uses two contemporary theories, beginning here with a historical-institutional approach which emphasizes path dependency and critical junctures as explanations for support of a monarchy- institutional tradition. The other approach used in this study is not actually a theory in a strict sense but rather an index of explanation values, derived from Inglehart & Welzel’s World Value Survey. It has the ability to show how post-communist countries were facing a revitalization of traditional values such as nationalism, which created a window of opportunity and created a more fruitful environment for monarchy-associated ideals. The study conducts a comparative analysis of a type called most similar systems design (mssd), which is a method used to highlight differences between the objects of a case study, in this case Serbia, Romania and Bulgaria and their domestic monarchy aspirations. As a result of the method described above, the study uses a set of independent variables upon the dependent one in each case, which is support for monarchy. This allows the study identify the key variables that can explain the outcome; differences in monarchy support. Keywords: monarchy, support, critical junctures, traditional values. 1 Contents 1 Primary focus .................................................................................................................................