Mechanical Music & Automata
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Steinway Duo-Art
CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher. -
Chrono Times NAWCC Chapter 190 Newsletter
Chrono Times NAWCC Chapter 190 Newsletter Ventura and Santa Barbara Counties INSIDE THIS ISSUE November/December 2015 President’s Message 1, 5 Tales From The Bench PRESIDENT’S MESSAGE Ferdinand Geitner 2-4 By George Gaglini Meeting Location 2 This Month’s t has been my pleasure to serve as President of Chapter 190 for 2014 Mini Workshop 3 I and 2015. In these years I have seen our chapter continue to grow in Chapter Meeting membership (176 members as of last count) and vigorously pursue its Calendar 3 mission to preserve and encourage interest in and appreciation of the art The Santa Barbara Tower Clock—Breakdown and and science of timekeeping, timepieces and all things horological. Repair Ernie Jensen 6-10 In past mini-workshops and monthly meeting programs, Chapter 190’s Biography: enthusiasts learned how to anneal metal without using flame, and the best Mark Harmeling 11 way to pack precious and delicate clocks for safe shipment by commercial Introduction to Clock carriers. In a recent 2015 meeting program, members and guests discov- Collecting Repair and Maintenance ered the secrets behind “mystery clocks.” In yet another, we marveled at a David Perez 12 –14 series of ingenious homemade tools that help in clock repair and restora- Highlights of September’s tion. Every monthly meeting is packed with information and designed to Meeting 15 raise interest and provide answers to questions attendees may have in the Educational Workshops 16 ever-expanding world of horological knowledge. (Continued on page 5) Chapter Officers 17 Classifieds 18 TALES FROM THE BENCH By Ferdinand Geitner The Weakest Link beautiful triple fusee A English Bracket Clock, chiming on 8 bells came by my shop recently with what the customer thought was a broken spring. -
Collectable POCKET Watches 1750-1920
cOLLECTABLE POCKET watches 1750-1920 Ian Beilby Clocks Magazine Beginner’s Guide Series No 5 cOLLECTABLE POCKET watches 1750-1920 Ian Beilby Clocks Magazine Beginner’s Guide Series No 5 Published by Splat Publishing Ltd. 141b Lower Granton Road Edinburgh EH5 1EX United Kingdom www.clocksmagazine.com © 2017 Ian Beilby World copyright reserved ISBN: 978-0-9562732-4-6 The right of Ian Beilby to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. 2 4 6 8 10 9 7 5 3 1 Printed by CBF Cheltenham Business Forms Ltd, 67 Hatherley Road, Cheltenham GL51 6EG CONTENTS Introduction 7 Chapter 1. The eighteenth century verge watch 13 Chapter 2. The nineteenth century verge watch 22 Chapter 3. The English cylinder and rack lever watch 36 Chapter 4. The English lever watch 42 Chapter 5. The Swiss lever watch 54 Chapter 6. The American lever watch 62 Chapter 7. The Swiss cylinder ladies’ fob watch 72 Chapter 8. Advice on collecting and maintenance 77 Appendix 1. Glossary 82 Appendix 2. Further reading 86 CLOCKS MAGAZINE BEGINNER’S GUIDE SERIES No. 1. Clock Repair, A Beginner’s Guide No. 2. Beginner’s Guide to Pocket Watches No. 3. American Clocks, An Introduction No. 4. What’s it Worth, Price Guide to Clocks 2014 No. -
Hupfeld Helios Orchestrion
TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association September/October, 1985 Volume 22 Number 7 AMlCAlnternational JVews Bulletin DOROTHY BROMAGE, PUBLISHER POB275 CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffICERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per Pres: phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: lack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA 1986 CONVENTION Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash PHILADELPHIA, PENN. Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown HOST: Philadelphia Area Chapter Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma • All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAl.. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7V2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7V2"x43/4" SO.OO Pres: Bob Taylor Pres. -
A Nickel for Music in the Early 1900'S
A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s. -
The Nunn Organ Collection
Carousel Organ, Issue No. 32 — July, 2007 The Nunn Organ Collection Bill Nunn hen I met Diane, she had a small collection of porce- ing Ragtime Calliope. I thought, “If it’s not too expensive…” lain carousel music boxes she received as birthday Well, I had a lot of fun with that calliope, repairing it and adding Wand Christmas gifts. For the next few years I contin- drums and a glockenspiel. That fall we went to see someone ued the tradition, once buying a music box with the name Looff who was selling a Parker carousel with a Wurlitzer 125 trumpet and a date of 1910. I thought “there is more to this than just a band organ. Seeing that organ was love at first sight, but the box that plays music.” So I searched for and found a book on owner was leaving for Florida for the winter. I thought about the history of carousel animals. We read about the talented that organ all winter and when he came back I bought one immigrant carvers and the different carousel companies and Parker carousel horse in pieces, the 125 organ and a carving styles. We were hooked. We said “someday we will get Wellershaus organ in pieces. We put the Wurlitzer 125 in the a real antique carousel horse.” A year later, at a garage sale, house and if you went outside to listen, the volume was just Diane found a little Herschell Spillman horse with no legs or about right. Diane’s dad came to see our new acquisition and ears. -
Bulletin Germany/Holland 2007 July 5Th Ð 20Th
THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection . -
Mechanical Instruments and Phonography: the Recording Angel of Historiography”, Radical Musicology, No Prelo
Silva, João, “Mechanical instruments and phonography: The Recording Angel of historiography”, Radical Musicology, no prelo. Mechanical instruments and phonography: The Recording Angel of historiography This article strives to examine the established historical narrative concerning music recording. For that purpose it will concentrate on the phonographic era of acoustic recording (from 1877 to the late 1920s), a period when several competing technologies for capturing and registering sound and music were being incorporated in everyday life. Moreover, it will analyse the significant chronological overlap of analogue and digital media and processes of recording, thus adding a layer of complexity to the current historical narratives regarding that activity. In order to address that set of events, this work will mainly recur to the work of both Walter Benjamin and Slavoj Žižek. Benjamin’s insight as an author that bore witness to and analysed the processes of commodification that were operating in the period in which this article concerns is essential in a discussion that focuses on aspects such as modernity, technology, and history. Furthermore, his work on history presents a space in which to address and critique the notion of historicism as an operation that attempts to impose a narrative continuity to the fragmentary categories of existence within modernity, a stance this article will develop when analysing the historiography of music and sound recording. The work of Žižek is especially insightful in tracing a distinction between historicism -
INSTRUMENTS for NEW MUSIC Luminos Is the Open Access Monograph Publishing Program from UC Press
SOUND, TECHNOLOGY, AND MODERNISM TECHNOLOGY, SOUND, THOMAS PATTESON THOMAS FOR NEW MUSIC NEW FOR INSTRUMENTS INSTRUMENTS PATTESON | INSTRUMENTS FOR NEW MUSIC Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserv- ing and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher gratefully acknowledges the generous contribu- tion to this book provided by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. The publisher also gratefully acknowledges the generous contribution to this book provided by the Curtis Institute of Music, which is committed to supporting its faculty in pursuit of scholarship. Instruments for New Music Instruments for New Music Sound, Technology, and Modernism Thomas Patteson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activi- ties are supported by the UC Press Foundation and by philanthropic contributions from individuals and institu- tions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2016 by Thomas Patteson This work is licensed under a Creative Commons CC BY- NC-SA license. To view a copy of the license, visit http:// creativecommons.org/licenses. -
Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments
MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 3 May/June, 2014 65th Annual Meeting October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida "Our Backyard Museum" - The Jancko Collection Step back in time as you tour "Our Backyard Museum", the collection of Joel and Pam Jancko. Joel and Pam Jancko started their collection in the early 1990’s with only one building to house a couple of vehicles. This collection has grown through the years with additional buildings to encompass displays of an old town, a war room, a saloon, a soda fountain, a game room, a log cabin, a service station, a bicycle display, a fire station, a cinema, a street scene, a farm scene, a street clock, a steam engine, and even a fort. The Museum complex contains artifacts from the Civil War to WW1 and features many innovations from this time. Of most interest to our MBSI group will be the Music Room with a wide variety of instruments, including an Imhof & Mukle, a Seeburg H, a Wurlitzer CX, a Double Mills Violano, a Cremona K, a Weber Unika, an Encore Banjo, a Model B Harp, a Bruder band organ, a Limonaire band organ, a Bruder monkey organ, an American Photo Player and a classic Mortier, as well as a variety of cylinder and disc music boxes, organettes and phonographs. Making its debut at this meeting will be their newly acquired and installed 3 manual/11 rank Wurlitzer Opus 1616 theatre organ (model 235SP), expanded to 22 ranks. -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
MARGUERITE VOLAVY BOHEMIAN PIANIST Scores Emphatic Success in Her Aeolian Hall Recital, January 29, 1921
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2004 VOLUME 41, NUMBER 5 MARGUERITE VOLAVY BOHEMIAN PIANIST Scores Emphatic Success in Her Aeolian Hall Recital, January 29, 1921 WHAT THE CRITICS SAID: . She has a m usical touch ., . nimble fingerS" . much of h er w ork s ho we d delicacy of feeling. The a u d ie nce rece iv ed her enthusiastic a lly." New York Tribune, Jan. 30, 1921. Plays wi t h energy . .. g lowing vitality that p iques y ou r in ter es t ." . New York Evening Mail,' Jan. 31, 1921. " It wa s in a n a tt ractive pr o gr am th at Marguer ite V olavy elected to demonstrate her pi an istic s ki ll a t Aeolia n H all on Saturda y eveni ng, J an. 29 . That her re cital a r o u sed co n sid erab le in tere st was made m anife st b y the good a ttenda nce. T he a ud ie nce was empha tic in its repeated tributes to th e pl a y e r. "Mis s Vo lavy em p loys in h er work a co nside rab l e dynamic scale, She is liberal wi t h tone a nd looks fr equently for m assive effec ts. Her interpreta ti ons are intelligent a nd in te resting. "The Ba ch-Busoni Ch a conne opened t he re cita l. There was no hesitancy in the mode of a ttack .