New Europe College Yearbook 2016-2017
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Didactic Fragmentation in ''Scenes from the Big Picture'
Didactic Fragmentation in ”Scenes from the Big Picture” (2003) by Owen McCafferty Virginie Privas-Bréauté To cite this version: Virginie Privas-Bréauté. Didactic Fragmentation in ”Scenes from the Big Picture” (2003) by Owen McCafferty. 2012. halshs-01071477 HAL Id: halshs-01071477 https://halshs.archives-ouvertes.fr/halshs-01071477 Preprint submitted on 5 Oct 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. !1 Didactic Fragmentation in Scenes from the Big Picture (2003) by Owen McCafferty Virginie Privas-Bréauté Université Jean Moulin - Lyon 3 Brecht’s dramatic theory helps demonstrate that the contours of contemporary Northern Irish drama have been reshaped. In this respect, Owen McCafferty’s play Scenes from the Big Picture has Neo-Brechtian resonances. The audience is presented with frag- ments of lives of people, bits and pieces of a whole picture. This play exemplifies Brecht’s idea of a didactic play in so far as the audience is called to learn about the Northern Irish Troubles from the play through the device of fragmentation: the uneven background of McCafferty’s play – i.e. the Troubles – is peopled with traumatised indi- viduals, proportionally fragmented. -
ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
The Theatre of the Real Yeats, Beckett, and Sondheim
The Theatre of the Real MMackenzie_final4print.indbackenzie_final4print.indb i 99/16/2008/16/2008 55:40:32:40:32 PPMM MMackenzie_final4print.indbackenzie_final4print.indb iiii 99/16/2008/16/2008 55:40:50:40:50 PPMM The Theatre of the Real Yeats, Beckett, and Sondheim G INA MASUCCI MACK ENZIE THE OHIO STATE UNIVERSITY PRESS • COLUMBUS MMackenzie_final4print.indbackenzie_final4print.indb iiiiii 99/16/2008/16/2008 55:40:50:40:50 PPMM Copyright © 2008 by Th e Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data MacKenzie, Gina Masucci. Th e theatre of the real : Yeats, Beckett, and Sondheim / Gina Masucci MacKenzie. p. cm. Includes bibliographical references and index. ISBN 978–0–8142–1096–3 (cloth : alk. paper)—ISBN 978–0–8142–9176–4 (cd-rom) 1. English drama—Irish authors—History and criticism—Th eory, etc. 2. Yeats, W. B. (William Butler), 1865–1939—Dramatic works. 3. Beckett, Samuel, 1906–1989—Dramatic works. 4. Sondheim, Stephen—Criticism and interpretation. 5. Th eater—United States—History— 20th century. 6. Th eater—Great Britain—History—20th century. 7. Ireland—Intellectual life—20th century. 8. United States—Intellectual life—20th century. I. Title. PR8789.M35 2008 822.009—dc22 2008024450 Th is book is available in the following editions: Cloth (ISBN 978–0–8142–1096–3) CD-ROM (ISBN 978–0–8142–9176–4) Cover design by Jason Moore. Text design by Jennifer Forsythe. Typeset in Adobe Minion Pro. Printed by Th omson-Shore, Inc. Th e paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
Year 10 Term 1: Component 1 Devising Theatre
Year 10 Term 1: Component 1 Devising theatre Devising techniques As part of Eduqas GCSE Drama you are required to: Devising – A method of theatre- making in which the • devise an original 10- 15 minute performance from script originates from a performing ensemble (team) a stimuli working collaboratively. • A written 750-900 word portfolio explaining the Naturalistic Improvisation - When an actor performs research, and development of the devising process. a character as if they are a real person • An evaluation, explaining your successful and with real memories and beliefs. This requires unsuccessful aspect of the performance. Empathy (when an actor puts themselves in the character’s shoes). The devised piece must be in the style of a chosen Mime -Suggesting action, character or emotion practitioner. without words, using gesture, expression and movement. Last years exam paper: Monologue – When the character is speaking 1. A statement ‘The Promise’ his/her thoughts aloud, directly addressing another 2. A song ‘7 Years’ by Lukas character or the audience. Graham Stimulus – A recourse which inspires ideas for 3. A quote ‘Sometimes I can creating drama. feel my bones straining Painting under the weight of all the A book lives I’m not living’ Jonathan Safran Foer (Extremely Loud and Quote Incredibly Close). 4. An Image Song Lyrics Year 10 Term 1: Component 1 Devising Theatre Research- Explore each stimuli, finding out all the A sequence in a chronological order fact around it. including a beginning, middle and end. Map ideas – Write all your initial ideas on a mind map. Discuss – Share your ideas with your group and decide on a final idea. -
Analele Universităţii Din Craiova, Seria Istorie, Anul XIX, Nr. 2(26)/2014
Analele Universităţii din Craiova, Seria Istorie, Anul XIX, Nr. 2(26)/2014 CONTENTS STUDIES AND ARTICLES Anișoara Băbălău, THE FISCAL ORGANISATION OF WALLACHIA IN BRANCOVAN ERA .................................................................................................................................. 5 Elena Steluţa Dinu, HEALTH LAWS IN THE PERIOD 1874-1910 .............................. 15 Adi Schwarz, THE STRUGGLE OF THE JEWS FOR THEIR POLITICAL RIGHTS IN THE VIEW OF WESTERN JOURNALISTS (1876-1914) ............................................. 23 Cosmin-Ştefan Dogaru, LE PORTRAIT DE CHARLES DE HOHENZOLLERN- SIGMARINGEN. UN REPERE DANS L’HISTOIRE DE L’ETAT ROUMAIN ............. 31 Stoica Lascu, THE SITUATION OF THE BALKAN ROMANIANS REFLECTED IN “REVISTA MACEDONIEI” MAGAZINE (BUCHAREST; 1905-1906) ...................... 43 Gheorghe Onişoru, MAY 15, 1943: DISSOLUTION OF THE KOMINTERN AND ITS EFFECTS ON THE COMMUNIST PARTY OF ROMANIA .......................................... 75 Cezar Stanciu, CHALLENGES TO PROLETARIAN INTERNATIONALISM: THE COMMUNIST PARTIES’ CONFERENCE IN MOSCOW, 1969 .................................. 85 Lucian Dindirică, ADMINISTRATIVE-TERRITORIAL ORGANIZATION OF ROMANIA UNDER THE LEADERSHIP OF NICOLAE CEAUŞESCU ........................................... 101 Virginie Wanyaka Bonguen Oyongmen, ARMÉE CAMEROUNAISE ET DÉVELOPPEMENT ÉCONOMIQUE ET SOCIAL DE LA NATION: LE CAS DU GÉNIE MILITAIRE (1962-2012) ................................................................................ 109 Nicolae Melinescu, THE MARITIME -
Return of the Kings. Institutionalization of the Royal Families in the Republics of Romania and Montenegro in the 21St Century
Marcin M. Wiszowaty* Uniwersytet Gdański RETURN OF THE KINGS. INSTITUTIONALIZATION OF THE ROYAL FAMILIES IN THE REPUBLICS OF ROMANIA AND MONTENEGRO IN THE 21ST CENTURY 1. In my latest book I took note of the phenomenon which I defined as a “re- publican paradigm in the research on the political systems of modern states”. This trend is very often encountered in the process of analyzing political systems. On one hand, it consist in omitting or marginalizing all characteristic elements of the monarchy, which do not have their republican equivalent, and on the other hand it focuses on democratic aspects of political system, ignoring its monarchic or republican character. This trend mainly results from a commonly-accepted as- sumption, that the so-called constitutional monarchy is only a stage on its way to the inevitable transformation of a political system from the absolute monarchy into the pure republic, which makes it only a transitional form. It brings about the fact that in case of monarchic states, the only subject of political system analysis is usually the monarch himself, as the last remnant of the past monarchy, whereas the other institutions of the monarchic system are ignored in the belief that they constitute insignificant relics, or even that they have already turned fully into the “republican” character.1 One of the consequences of the above-mentioned inter- pretation is a gradual replacement of a traditional categorization into “republics” or “monarchies” by classifying the states as “democratic” or “undemocratic”. As a result, the two categories will encompass both monarchies and republics, ulti- mately reducing the fundamental differences between political systems. -
Romania Redivivus
alexander clapp ROMANIA REDIVIVUS nce the badlands of neoliberal Europe, Romania has become its bustling frontier. A post-communist mafia state that was cast to the bottom of the European heap by opinion- makers sixteen years ago is now billed as the success story Oof eu expansion.1 Its growth rate at nearly 6 per cent is the highest on the continent, albeit boosted by fiscal largesse.2 In Bucharest more politicians have been put in jail for corruption over the past decade than have been convicted in the rest of Eastern Europe put together. Romania causes Brussels and Berlin almost none of the headaches inflicted by the Visegrád Group—Czechia, Hungary, Poland, Slovakia— which in 1993 declined to accept Romania as a peer and collectively entered the European Union three years before it. Romanians con- sistently rank among the most Europhile people in the Union.3 An anti-eu party has never appeared on a Romanian ballot, much less in the parliament. Scattered political appeals to unsavoury interwar traditions—Legionnairism, Greater Romanianism—attract fewer voters than do far-right movements across most of Western Europe. The two million Magyars of Transylvania, one of Europe’s largest minorities, have become a model for inter-ethnic relations after a time when the park benches of Cluj were gilded in the Romanian tricolore to remind every- one where they were. Indeed, perhaps the aptest symbol of Romania’s place in Europe today is the man who sits in the Presidential Palace of Cotroceni in Bucharest. Klaus Iohannis—a former physics teacher at a high school in Sibiu, once Hermannstadt—is an ethnic German head- ing a state that, a generation ago, was shipping hundreds of thousands of its ‘Saxons’ ‘back’ to Bonn at 4,000–10,000 Deutschmarks a head. -
The Black Book
MATATIAS CARP THE BLACK BOOK THE SUFFERINGS OF THE JEWS IN ROMANIA DURING THE FASCIST DICTATORSHIP 1940–1944 Vol. II-A THE POGROM IN IASI THE NATIONAL PUBLISHING AND GRAPHIC ARTS SOCIETY BUCHAREST – CONST.MILLE STR. 5-7-9 1948 1 I dedicated these pages of Jewish suffering to the pious memory of my father, Horia Carp. He was an example of Jewish virtue and pride and during his entire life his thoughts and feelings were aimed at achieving justice and liberty for his people. 2 EXPLANATIONS The following pages contain the first part, i.e. the first chapter of the second volume of the "BLACK BOOK", a documentary synthesis of the sufferings of the Jews in Romania, during the years 1940–1944. Generally speaking, this second volume comprises all the persecutions endured by the Jews during the war (June 22, 1941 – August 23, 1944) in the territory situated in the west of the Prut river while the third volume "TRANSNISTRIA" published at the end of the year 1947, comprises the same period of time but in the invaded territories in the east of the Prut river. These two volumes were to appear simultaneously. However, things did not happen as planned due to technical reasons, so that I had to invert the order of the volumes. For the time being, I have published this first chapter because of financial difficulties. Should it be possible, the other six chapters will be also published, either in succession or simultaneously, namely: Chapter II – General measures of oppression Chapter III – Evacuation, hostages, camps, the yellow star Chapter IV - Forced labor Chapter V – Romanianization (Labor, goods, economic enterprises) Chapter VI – Exceptional contributions Chapter VII – The Central of Romanian Jews Being consistent with the unbiased conduct I proposed myself to keep within the entire book, I also refrained in this volume from any literary preoccupation and I avoided as much as possible to have personal opinions. -
New Europe College Yearbook 2015-2016 Yearbook 2015-2016 Yearbook NEW EUROPE COLLEGE NEW EUROPE
New Europe College Yearbook 2015-2016 Yearbook 2015-2016 Yearbook NEW EUROPE COLLEGE NEW EUROPE LORENZO M. CIOLFI ERIN CORBER ÁGNES GAGYI UKU LEMBER JAMES MADAIO CRISTIANA OGHINĂ-PAVIE ISSN 1584-0298 BLAKE SMITH ALIX WINTER CRIS New Europe College Yearbook 2015‑2016 Editor: Irina Vainovski-Mihai EDITORIAL BOARD Dr. Dr. h.c. mult. Andrei PLEŞU, President of the New Europe Foundation, Professor of Philosophy of Religion, Bucharest; former Minister of Culture and former Minister of Foreign Affairs of Romania Dr. Valentina SANDU-DEDIU, Rector, Professor of Musicology, National University of Music, Bucharest Dr. Anca OROVEANU, Academic Coordinator, Professor of Art History, National University of Arts, Bucharest Dr. Irina VAINOVSKI-MIHAI, Publications Coordinator, Professor of Arab Studies, “Dimitrie Cantemir” Christian University, Bucharest Copyright – New Europe College ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 New Europe College Yearbook 2015‑2016 LORENZO M. CIOLFI ERIN CORBER ÁGNES GAGYI UKU LEMBER JAMES MADAIO CRISTIANA OGHINĂ-PAVIE BLAKE SMITH ALIX WINTER CONTENTS NEW EUROPE FOUNDATION NEW EUROPE COLLEGE 7 LORENZO M. CIOLFI NOT ANOTHER CONSTANTINE. RETHINKING IMPERIAL SAINTHOOD THROUGH THE CASE OF JOHN III VATATZES 23 ERIN CORBER LA MARSEILLAISE AND THE MOB : RE/DECONSTRUCTING ANTISEMITISM AND PROTEST AT THE UNIVERSITY OF STRASBOURG, 1937 53 ÁGNES GAGYI HUNGARIAN AND ROMANIAN NEW LEFT GROUPS IN GLOBAL CONTEXT: PERSPECTIVES ON THE RELATION BETWEEN ACADEMIC AND MOVEMENT POLITICS 89 UKU LEMBER FROM ESTONIAN-RUSSIAN INTER-MARRIAGES TO “INTER-REGIONAL” MARRIAGES IN UKRAINE IN THE TIMES OF CRISIS 123 JAMES MADAIO RETHINKING NEO-VEDĀNTA: SWAMI VIVEKANANDA AND THE SELECTIVE HISTORIOGRAPHY OF ADVAITA VEDĀNTA 145 CRISTIANA OGHINĂ-PAVIE BIOLOGIE ET AGRONOMIE EN ROUMANIE SOUS L’EMPRISE DU LYSSENKISME (1945-1965). -
Philo-Germanism Without Germans. Memory, Identity, and Otherness in Post-1989 Romania
Durham E-Theses Philo-Germanism without Germans. Memory, Identity, and Otherness in Post-1989 Romania CERCEL, CRISTIAN,ALEXANDRU How to cite: CERCEL, CRISTIAN,ALEXANDRU (2012) Philo-Germanism without Germans. Memory, Identity, and Otherness in Post-1989 Romania, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4925/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Philo-Germanism without Germans. Memory, Identity, and Otherness in Post-1989 Romania Cristian-Alexandru Cercel PhD School of Government and International Affairs Durham University 2012 3 Abstract The recent history of the German minority in Romania is marked by its mass migration from Romania to Germany, starting roughly in the immediate aftermath of the Second World War and reaching its climax in the early 1990s, following the fall of Communism. Against this background, the present thesis investigates a phenomenon that can be termed “philo-Germanism without Germans”, arguing that the way the German minority in Romania is represented in a wide array of discourses is best comprehended if placed in a theoretical framework in which concepts such as “self-Orientalism”, “intimate colonization” and other related ones play a key role. -
Şcoala Diplomatică Romană
ALEXANDRU N. LAHOVARI. DIPLOMATUL ŞI OMUL POLITIC LIVIU BRĂTESCU Provenit dintr-o familie cu o situaţie materială deosebită, Alexandru N. Lahovari avea să beneficieze încă din primii ani de viaţă de o educaţie aparte. El se încadra în felul acesta în tiparul generaţiei sale, pentru care educaţia era, până la intrarea efectivă în arena politică, pe primul loc. Viziunea pe care Lahovari o avea asupra societăţii româneşti contribuia la integrarea lui încă de la primele acţiuni politice la care a luat parte, în familia ideologică conservatoare. Agitaţia, care a cuprins viaţa politică românească după 1866 şi dorinţa multor lideri politici de a recurge la reforme radicale pentru reducerea diferenţei dintre noul stat de la Nordul Dunării şi statele apusene, nu au contribuit la pierderea „cumpătului” celui care avea să se remarce în întreaga sa activitate în primul rând prin diplomaţie. Bun observator al scenei politice româneşti şi jucând nu de puţine ori rolul de arbitru în cadrul grupărilor conservatoare, Lahovari a reuşit, prin luările sale de poziţie, să devină apreciat de oameni politici din tot spectrul politic românesc. Abordările atente, dar şi tranşante, pe care le-a avut cu privire la subiecte ce ţineau de politica externă l-au transformat, treptat, într-o adevărată autoritate a acestui domeniu. Toate aceste elemente au contribuit la conturarea unui portret de om politic conectat la problemele societăţii româneşti, pentru care cuvântul de ordine a fost mai degrabă echilibrul decât partizanatul politic. Pentru el, politica externă a presupus o anumită dăruire în favoarea intereselor reale ale statului român şi din acest motiv nu a ezitat, în condiţiile unui climat internaţional agitat, să facă apel la adversarii săi politici, pentru a nu duce nemulţumirile politice interne în plan extern. -
Politics and Education During Charles I
Annals of the „Constantin Brâncuși” University of Târgu Jiu, Letter and Social Science Series, Supplement 2/2016 POLITICS AND EDUCATION DURING CHARLES I Iulian PÎNIŞOARĂ ABSTRACT: This study does not aim to analize the evolution of educational system in Romania late XIX-th century and early XX-th century, instead the study aims to examine the way in which the political elite was formed intellectually speaking. My personal point of view, puts it that the period I mentioned above is the only when the colocation ”political elite” can be properly used. KEYWORDS: prime minister, Catargiu, politics, government, king, Charles, university, law school. În urmă cu peste o sută de ani, membrii elitei intelectuale erau participanţi activi în viaţa politică, aceştia considerând prezenţa lor în spaţiul public drept o datorie faţă de restul populaţiei ţării. Titu Maiorescu, Nicolae Ionescu, Spiru Haret, Constantin Dissescu, Vasile Alecsandri, Nicolae Iorga, Duiliu Zamfirescu, Barbu Ştefănescu-Delavrancea, sunt doar câteva dintre personalităţile care au deţinut unele dintre cele mai importante funcţii în politica românească1. În afara acestor, să zicem, intelectuali de carieră, majoritatea oamenilor politici de la noi aveau studii universitare atestate de diplome emise de cele mai prestigioase universităţi ale Europei. Chiar dacă, aparent, studiile superioare erau o condiţie sine-qua-nonă pentru accederea la cele mai înalte demnităţi ale ţării, legislaţia electorală din acea vreme nu impunea decât condiţii minimale pentru dobândirea şi exercitarea drepturilor politice (erau excluşi doar cei care nu plăteau nici un fel de impozit precum şi analfabeţii), aproape toţi oamenii politici de mai mare sau mai mica anvergură aveau studii universitare.