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July 2018 92Y Page 21 the Side Door and Mezzrow Page 10
193398_HH_July_0 6/25/18 12:30 PM Page 1 DE The only jazz magazine THE LATIN SIDE in NY in print, online P32 and on apps! OF HOT HOUSE P31 July 2018 www.hothousejazz.com 92Y Page 21 The Side Door and Mezzrow Page 10 René Marie Geoffrey Keezer John Colianni Claudia Acuña Birdand and Saint Peter's Church Page 10 Dizzy's Club Coca-Cola Page 17 Where To Go & Who To See Since 1982 193398_HH_July_0 6/25/18 12:30 PM Page 2 2 193398_HH_July_0 6/25/18 12:30 PM Page 3 3 193398_HH_July_0 6/25/18 12:30 PM Page 4 4 193398_HH_July_0 6/25/18 12:30 PM Page 5 5 193398_HH_July_0 6/25/18 12:30 PM Page 6 6 193398_HH_July_0 6/25/18 12:30 PM Page 7 7 193398_HH_July_0 6/25/18 12:30 PM Page 8 8 193398_HH_July_0 6/25/18 12:30 PM Page 9 9 193398_HH_July_0 6/25/18 12:30 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS IN THE PRIME OF time suspending style of the late Shirley their careers bring fresh ideas to their Horn. Tlatest albums, featured in this Winning Gillian delivers her own lyrics on the Spins. Both reach beyond the usual piano pair's collaborative song, "You Stay with trio format—one by collaborating with a Me," and reveals her prowess as a scat vocalist on half the tracks, the other by set- singer on the bubbly "Guanajuato," anoth- ting his piano in the context of a swinging er collaboration with improvised sextet. -
Media Contact: Casey Blake 480-644-6620 [email protected]
Media Contact: Casey Blake 480-644-6620 [email protected] Performing Live at Mesa Arts Center The Art of Three in Conversation and Song: Billy Cobham, Kenny Barron, and Ron Carter July 25, 2018 Billy Cobham and The Crosswinds Project July 28, 2018 Jun 5, 2018 (Mesa, AZ) – Jazz fusion legend and drumming virtuoso Billy Cobham returns to the Valley in late July with two concert events and his Art of the Rhythm Section Retreat. The Art of Three in Conversation and Song, featuring Billy Cobham, Kenny Barron and Ron Carter on Wednesday July 25 at 7:30 p.m., will bring together jazz pioneers in an intimate evening of performance and conversation around the artists’ work and history of jazz as they have experienced firsthand. Billy Cobham and The Crosswinds Project, on Saturday, July 28 at 7:30 p.m., will bring Billy Cobham’s acclaimed national touring Crosswinds Project Band in a re-visitation and celebration of Cobham’s album Crosswinds released in 1974. Tickets to both events are on sale now at Mesa Arts Center’s Box Office, at mesaartscenter.com and by calling 480-644-6500. Cobham’s musical abilities have thrilled music lovers around the globe since the early ‘70s when he was a founding member of the Mahavishnu Orchestra and he contributed to four pivotal recordings by trumpeter Miles Davis. Today, after decades of musical exploration, the versatile Cobham continues to evolve and innovate as a master drummer, percussionist, composer, producer, educator and clinician. In The Art of Three in Conversation and Song, Cobham will be joined by Ron Carter and Kenny Barron—reuniting these living legends on the stage for the first time in many years. -
Ryan Kisor Minor Mutiny Mp3, Flac, Wma
Ryan Kisor Minor Mutiny mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Minor Mutiny Country: US Released: 1992 Style: Post Bop MP3 version RAR size: 1567 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1705 mb Rating: 4.7 Votes: 756 Other Formats: AHX AAC MOD ADX TTA WMA VQF Tracklist 1 One For Miles 8:20 2 Ebony 7:43 3 Minor Mutiny 7:25 4 Little Nick 8:36 5 Exotic Isles 4:54 6 The Invisible 7:52 7 A New Day 5:08 8 Somewhere In The Dark 6:01 9 For Erin 7:30 Companies, etc. Recorded At – Dreamland Recording Studios Mixed At – Groghill Studios Mastered At – Sterling Sound Credits Arranged By – Jack DeJohnette (tracks: 2, 5), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Bass – Lonnie Plaxico Composed By – Jack DeJohnette (tracks: 2, 5), John Esposito (tracks: 6), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Drums – Jack DeJohnette (tracks: 2, 5), Jeff Siegel (tracks: 1, 3, 4, 6 to 9) Flugelhorn – Ryan Kisor (tracks: 2, 7) Piano – Michael Cain Producer – Jack DeJohnette Soprano Saxophone – Ravi Coltrane Tenor Saxophone – Ravi Coltrane Trumpet – Ryan Kisor Barcode and Other Identifiers Barcode: 4 988009 597928 Matrix / Runout: DP-5313 2 Other versions Category Artist Title (Format) Label Category Country Year 471506 2, COL Minor Mutiny (CD, Columbia, 471506 2, COL Ryan Kisor Europe 1992 471506 2 Album) Columbia 471506 2 Minor Mutiny (CD, CK 48796 Ryan Kisor Columbia CK 48796 US 1992 Album) Related Music albums to Minor Mutiny by Ryan Kisor Savion Glover With McCoy Tyner, Eddie Palmieri, Roy Haynes, Jack DeJohnette - Fours John Scofield + DeJohnette & Hancock & Holland & Metheny - Live 3 Ways / Parallel Realities Live Jack DeJohnette's Special Edition - Audio-Visualscapes Ravi Coltrane - Moving Pictures Ryan Kisor - Point Of Arrival Jack DeJohnette Featuring Bill Frisell - The Elephant Sleeps But Still Remembers Jack DeJohnette - Peace time Keith Jarrett • Jack DeJohnette - Ruta And Daitya Jack DeJohnette - Parallel Realities Jack DeJohnette - Pictures. -
The Daily Gamecock, TUESDAY, FEBRUARY 10, 2009
University of South Carolina Scholar Commons February 2009 2-10-2009 The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009" (2009). February. 14. https://scholarcommons.sc.edu/gamecock_2009_feb/14 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 10, 2009 VOL. 102, NO. 92 ● SINCE 1908 Weather Have questions for your Student Government TODAY Debate nets poor turnout candidates? Send them to The Daily Gamecock HIGH 75° at gamecockeditor@ Two of 12 candidates last week in academics sc.edu to be submitted committee to get teachers for the SG debates discuss platforms, to work more with students Wednesday and TONIGHT on their book lists.” Thursday. Questions LOW 52° argue qualifi cations If elected to student directed to senatorial senate, Kevin Burke , a fi rst- candidates in the Josh Dawsey year undecided student, said College of Arts and STAFF WRITER he would look to implement Sciences, as well TOMORROW a business learning as candidates for HIGH 76° Of the 12 candidates community executive offi ce, running for the business similar to should be submitted school district (district 5) that of the by Tuesday at 5 p.m. of student senate, only two pre-med, Attend the next two Inside showed up to debate the pre-law and debates and if you miss merits of their platform in engineering them, check out our coverage the day after. -
P R O C E E D I N G S of the of the United States
103rd 11/29/06 9:23 AM Page 1 (Black plate) 109th Congress, 2nd Session.......................................................House Document 109-145 P R O C E E D I N G S OF THE 103rd NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES [SUMMARY OF MINUTES] Nashville, Tennessee : : : August 24 - August 30, 2002 103rd 11/29/06 9:23 AM Page I (Black plate) 109th Congress, 2nd Session.......................................................House Document 109-145 PROCEEDINGS of the 103rd ANNUAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES (SUMMARY OF MINUTES) Nashville, Tennessee August 24-30, 2002 Referred to the Committee on Veterans’Affairs and ordered to be printed. U.S. GOVERNMENT PRINTING OFFICE WASHINGTON : 2006 30-736 U.S. CODE, TITLE 44, SECTION 1332 NATIONAL ENCAMPMENTS OF VETERANS’ ORGANIZATIONS; PROCEEDINGS PRINTED ANNUALLY FOR CONGRESS The proceedings of the national encampments of the United Spanish War Veterans, the Veterans of Foreign Wars of the United States, the American Legion, the Military Order of the Purple Heart, the Veterans of World War I of the United States, Incorporated, the Disabled American Veterans, and the AMVETS (American Veterans of World War II), respec- tively, shall be printed annually, with accompanying illustrations, as sepa- rate House documents of the session of the Congress to which they may be submitted. [Approved October 2, 1968.] II LETTER OF TRANSMITTAL VETERANS OF FOREIGN WARS OF THE UNITED STATES, KANSAS CITY, MISSOURI December, 2002 Honorable Dennis Hastert, The Speaker U.S. House of Representatives Washington, D.C. 20515 DEAR MR. SPEAKER: In conformance with the provisions of Public Law No. -
Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Extensions of Remarks E89 EXTENSIONS of REMARKS
February 2, 2016 CONGRESSIONAL RECORD — Extensions of Remarks E89 EXTENSIONS OF REMARKS IRAN TERROR FINANCE RECOGNIZING NORTHWEST INDI- on February 5, 2016. They, too, will be Amer- TRANSPARENCY ACT ANA’S NEWLY NATURALIZED ican citizens, and they, too, will be guaranteed CITIZENS the inalienable rights to life, liberty, and the SPEECH OF pursuit of happiness. We, as a free and demo- HON. PETER J. VISCLOSKY cratic nation, congratulate them and welcome HON. BOB GOODLATTE OF INDIANA them. OF VIRGINIA IN THE HOUSE OF REPRESENTATIVES f IN THE HOUSE OF REPRESENTATIVES Tuesday, February 2, 2016 REMEMBERING THE LIFE OF COACH C.D. ‘‘LEFTY’’ ANDERSON Wednesday, January 13, 2016 Mr. VISCLOSKY. Mr. Speaker, it is with great pleasure and sincerity that I take this Mr. GOODLATTE. Mr. Speaker, this Admin- time to congratulate thirty individuals who will HON. BRADLEY BYRNE istration is giving Iran another free pass. It is take their oath of citizenship on Friday, Feb- OF ALABAMA irresponsible for the Administration to lift sanc- ruary 5, 2016. This memorable occasion, IN THE HOUSE OF REPRESENTATIVES tions on foreign financial institutions whose ac- which will be presided over by Magistrate Tuesday, February 2, 2016 tions have knowingly resulted in support for Judge John E. Martin, will be held at the terrorists or have contributed to Iran’s pro- United States Courthouse and Federal Build- Mr. BYRNE. Mr. Speaker, I rise today to re- liferation of nuclear weapons. It floors me that ing in Hammond, Indiana. member the life of Coach C.D. ‘‘Lefty’’ Ander- we are even having a debate about this. -
The Origins of Non-Violence
The Origins of Non-violence Tolstoy and Gandhi in Their Historical Settings Martin Green The Origins of Non-violence This book describes the world-historical forces, acting on the periphery of the modern world—in Russia in the nineteenth century—which developed the idea of nonviolence in Tolstoy and then in Gandhi. It was from Tolstoy that Gandhi first learned of this idea, but those world-historical forces acted upon and through both men. The shape of the book is a convergence, the coming together of two widely separate lives, under the stress of history. The lives of Tolstoy and Gandhi begin at widely separate points— of time, of place, of social origin, of talent and of conviction; in the course of their lives, they become, respectively, military officer and novelist, and lawyer and political organizer. They win fame in those roles; but in the last two decades of their lives, they occupy the same special space—ascetic/saint/prophet. Tolstoy and Gandhi were at first agents of modern reform, in Russia and India. But then they became rebels against it and led a profound resistance—a resistance spiritually rooted in the traditionalism of myriad peasant villages. The book’s scope and sweep are enormous. Green has made history into an absorbing myth—a compelling and moving story of importance to all scholars and readers concerned with the history of ideas. www.mkgandhi.org Page 1 The Origins of Non-violence Preface This book tells how the modern version of nonviolence—and Satyagraha, and war-resistance, and one kind of anti-imperialism, even— were in effect invented by Tolstoy and Gandhi. -
Island Sun Sanibel
PRSRT STD U.S. POSTAGE PAID Read Us Online FT MYERS, FL PERMIT #5718 at IslandSunNews.com Postal Customer ECRWSS NEWSPAPER VOL. 18, NO. 19 SANIBELSanibel & CAPTIVA & Captiva ISLANDS, Islands FLORIDA NOVEMBER 12, 2010 NOVEMBER SUNRISE/SUNSET: 12 6:44 • 5:40 13 6:45 • 5:39 14 6:46 • 5:39 15 6:46 • 5:38 16 6:47 • 5:38 17 6:48 • 5:38 18 6:49 • 5:37 A Century And Counting For Island School ver a century ago, a handful of island children were educated in a Oone-room schoolhouse each year. Today, approximately 400 children annu- ally attend the nationally-recognized The Sanibel School, a Blue Ribbon School serving students from Kindergarten through eighth grade. On November 20, from 6 to 10 p.m. at `Tween Waters Inn, Captiva, friends, fami- lies and alumni of the school will gather to attend A Century and Counting, a celebra- tion honoring this milestone not only by looking back over the century of growth, but also looking ahead to The Sanibel Deb and the Dynamics School’s future. “We’re so excited to see many of our school’s graduates at this special event,” Wide Variety Of Entertainment said Barbara Von Harten, principal. “Each student played an important part in the his- At Taste Of The Islands This Year tory and helped make our school what it is today,” she added. ocal band Strange Arrangement will kick off the musical entertainment at the Von Harten said the school is hoping to 29th annual Taste of the Islands from noon to 1 p.m. -
MUSIC and the ECLIPSE of MODERNISM By
SIGNAL TO NOISE: MUSIC AND THE ECLIPSE OF MODERNISM By MATTHEW FRIEDMAN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of T.J. Jackson Lears and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May 2013 ABSTRACT OF THE DISSERTATION Signal to Noise: Music and the Eclipse of Modernism By MATTHEW FRIEDMAN Dissertation Director: T.J. Jackson Lears There was danger in the modern American soundscape; the danger of interruption and disorder. The rhetoric of postwar aural culture was preoccupied with containing sounds and keeping them in their appropriate places. The management and domestication of noise was a critical political and social issue in the quarter century following the Second World War. It was also an aesthetic issue. Although technological noise was celebrated in modern American literature, music and popular culture as a signal of technological sublime and the promise of modern rationality in the US, after 1945 noise that had been exceptional and sublime became mundane. Technological noise was resignified as "pollution" and narrated as the aural detritus of modernity. Modern music reinforced this project through the production of hegemonic fields of representation that legitimized the discursive boundaries of modernity and delegitimized that which lay outside of them. Postwar American modernist composers, reconfigured as technical specialists, developed a hyper-rational idiom of "total control" which sought to discipline aural disorder and police the boundaries between aesthetically- acceptable music and sound and disruptive noise. -
“Gaps” by Countering Hybrid Warfare – Building Resilience in Jus Ante Bellum
LEGAL CHALLENGES OR “GAPS” BY COUNTERING HYBRID WARFARE – BUILDING RESILIENCE IN JUS ANTE BELLUM Morten M. Fogt* Abstract This article is based on practical legal experience with the concept of “hybrid war.” It addresses this much discussed concept, the specific treaty limitations and the currently adopted hybrid countermeasures and then goes into a detailed legal analysis of the challenges and “gaps” that emerge. Both the traditional gray zones of the jus ad bellum and jus in bello are investigated from a hybrid war perspective as well as the specific legal challenges of confronting and countering a hybrid threat or warfare in peace time and crisis. A legal tetrachotomy is proposed consisting of the jus ante bellum, the traditional divide of the jus ad bellum and jus in bello and, moreover, the jus post bellum. It is suggested that the North Atlantic Treaty Organization (NATO) build more robust legal resilience in the jus ante bellum, that legal research in this area is prioritized, that NATO look at drafting model SOFAs and reforming the old NATO SOFA of 1951 and thereby take the new peacetime and crisis hybrid challenges into account, as this would reduce the need for and complexity of different multiple bilateral SOFAs, and that NATO instigates legal research aiming at harmonizing and aligning the various national peacetime and crisis (emergency or martial) laws and draft * Lieutenant Colonel of the Danish Army, Chief Legal Advisor, NATO Multinational Division North (MNDN), Latvia/Denmark, Associated Professor in Civil and International Law, Aarhus University, Denmark. The author is grateful for comments on this paper by Professor Geoffrey S. -
A Contextual Study of the Art of Three Pittsburgh Jazz Drummers
CORE Metadata, citation and similar papers at core.ac.uk Provided by D-Scholarship@Pitt THE INTERPRETATION OF EXPERIENCE: A CONTEXTUAL STUDY OF THE ART OF THREE PITTSBURGH JAZZ DRUMMERS by Kenan A. Foley Bachelor of Music, Southern University and A & M College, 1984 Master of Arts, Binghamton University, 1995 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences This dissertation was presented by Kenan A. Foley It was defended on April 23, 2007 and approved by Dr. Nathan T. Davis, Professor of Music, Dissertation Advisor J. H. Kwabena Nketia, Andrew W. Mellon Professor Emeritus of Music Dr. Akin Euba, Andrew W. Mellon Professor of Music Dr. Mathew Rosenblum, Professor of Music ii Copyright © by Kenan Foley 2007 iii THE INTERPRETATION OF EXPERIENCE: A CONTEXTUAL STUDY OF THE ART OF THREE PITTSBURGH JAZZ DRUMMERS Kenan A. Foley, PhD University of Pittsburgh, 2007 This dissertation presents an ethnomusicological study of the art of three Pittsburgh jazz drummers, Joe Harris, Ron Tucker, and Roger Humphries with particular reference to the nexus relations between performance practice and the interpretation of experience. Following the work of Davis, Nketia and others this study argues for an approach to the analysis of black music which takes into consideration the viewpoints of the musicians who produce the music as well as those of the community who participate at performance events. Accordingly it examines the art of these drummers not only in terms of sound and structure but also in respect of the cultural factors that govern the operation of style and the meaning systems behind the music.