Extensions of Remarks E89 EXTENSIONS of REMARKS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
July 2018 92Y Page 21 the Side Door and Mezzrow Page 10
193398_HH_July_0 6/25/18 12:30 PM Page 1 DE The only jazz magazine THE LATIN SIDE in NY in print, online P32 and on apps! OF HOT HOUSE P31 July 2018 www.hothousejazz.com 92Y Page 21 The Side Door and Mezzrow Page 10 René Marie Geoffrey Keezer John Colianni Claudia Acuña Birdand and Saint Peter's Church Page 10 Dizzy's Club Coca-Cola Page 17 Where To Go & Who To See Since 1982 193398_HH_July_0 6/25/18 12:30 PM Page 2 2 193398_HH_July_0 6/25/18 12:30 PM Page 3 3 193398_HH_July_0 6/25/18 12:30 PM Page 4 4 193398_HH_July_0 6/25/18 12:30 PM Page 5 5 193398_HH_July_0 6/25/18 12:30 PM Page 6 6 193398_HH_July_0 6/25/18 12:30 PM Page 7 7 193398_HH_July_0 6/25/18 12:30 PM Page 8 8 193398_HH_July_0 6/25/18 12:30 PM Page 9 9 193398_HH_July_0 6/25/18 12:30 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS IN THE PRIME OF time suspending style of the late Shirley their careers bring fresh ideas to their Horn. Tlatest albums, featured in this Winning Gillian delivers her own lyrics on the Spins. Both reach beyond the usual piano pair's collaborative song, "You Stay with trio format—one by collaborating with a Me," and reveals her prowess as a scat vocalist on half the tracks, the other by set- singer on the bubbly "Guanajuato," anoth- ting his piano in the context of a swinging er collaboration with improvised sextet. -
Ryan Kisor Minor Mutiny Mp3, Flac, Wma
Ryan Kisor Minor Mutiny mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Minor Mutiny Country: US Released: 1992 Style: Post Bop MP3 version RAR size: 1567 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1705 mb Rating: 4.7 Votes: 756 Other Formats: AHX AAC MOD ADX TTA WMA VQF Tracklist 1 One For Miles 8:20 2 Ebony 7:43 3 Minor Mutiny 7:25 4 Little Nick 8:36 5 Exotic Isles 4:54 6 The Invisible 7:52 7 A New Day 5:08 8 Somewhere In The Dark 6:01 9 For Erin 7:30 Companies, etc. Recorded At – Dreamland Recording Studios Mixed At – Groghill Studios Mastered At – Sterling Sound Credits Arranged By – Jack DeJohnette (tracks: 2, 5), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Bass – Lonnie Plaxico Composed By – Jack DeJohnette (tracks: 2, 5), John Esposito (tracks: 6), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Drums – Jack DeJohnette (tracks: 2, 5), Jeff Siegel (tracks: 1, 3, 4, 6 to 9) Flugelhorn – Ryan Kisor (tracks: 2, 7) Piano – Michael Cain Producer – Jack DeJohnette Soprano Saxophone – Ravi Coltrane Tenor Saxophone – Ravi Coltrane Trumpet – Ryan Kisor Barcode and Other Identifiers Barcode: 4 988009 597928 Matrix / Runout: DP-5313 2 Other versions Category Artist Title (Format) Label Category Country Year 471506 2, COL Minor Mutiny (CD, Columbia, 471506 2, COL Ryan Kisor Europe 1992 471506 2 Album) Columbia 471506 2 Minor Mutiny (CD, CK 48796 Ryan Kisor Columbia CK 48796 US 1992 Album) Related Music albums to Minor Mutiny by Ryan Kisor Savion Glover With McCoy Tyner, Eddie Palmieri, Roy Haynes, Jack DeJohnette - Fours John Scofield + DeJohnette & Hancock & Holland & Metheny - Live 3 Ways / Parallel Realities Live Jack DeJohnette's Special Edition - Audio-Visualscapes Ravi Coltrane - Moving Pictures Ryan Kisor - Point Of Arrival Jack DeJohnette Featuring Bill Frisell - The Elephant Sleeps But Still Remembers Jack DeJohnette - Peace time Keith Jarrett • Jack DeJohnette - Ruta And Daitya Jack DeJohnette - Parallel Realities Jack DeJohnette - Pictures. -
The Daily Gamecock, TUESDAY, FEBRUARY 10, 2009
University of South Carolina Scholar Commons February 2009 2-10-2009 The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009" (2009). February. 14. https://scholarcommons.sc.edu/gamecock_2009_feb/14 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 10, 2009 VOL. 102, NO. 92 ● SINCE 1908 Weather Have questions for your Student Government TODAY Debate nets poor turnout candidates? Send them to The Daily Gamecock HIGH 75° at gamecockeditor@ Two of 12 candidates last week in academics sc.edu to be submitted committee to get teachers for the SG debates discuss platforms, to work more with students Wednesday and TONIGHT on their book lists.” Thursday. Questions LOW 52° argue qualifi cations If elected to student directed to senatorial senate, Kevin Burke , a fi rst- candidates in the Josh Dawsey year undecided student, said College of Arts and STAFF WRITER he would look to implement Sciences, as well TOMORROW a business learning as candidates for HIGH 76° Of the 12 candidates community executive offi ce, running for the business similar to should be submitted school district (district 5) that of the by Tuesday at 5 p.m. of student senate, only two pre-med, Attend the next two Inside showed up to debate the pre-law and debates and if you miss merits of their platform in engineering them, check out our coverage the day after. -
P R O C E E D I N G S of the of the United States
103rd 11/29/06 9:23 AM Page 1 (Black plate) 109th Congress, 2nd Session.......................................................House Document 109-145 P R O C E E D I N G S OF THE 103rd NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES [SUMMARY OF MINUTES] Nashville, Tennessee : : : August 24 - August 30, 2002 103rd 11/29/06 9:23 AM Page I (Black plate) 109th Congress, 2nd Session.......................................................House Document 109-145 PROCEEDINGS of the 103rd ANNUAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES (SUMMARY OF MINUTES) Nashville, Tennessee August 24-30, 2002 Referred to the Committee on Veterans’Affairs and ordered to be printed. U.S. GOVERNMENT PRINTING OFFICE WASHINGTON : 2006 30-736 U.S. CODE, TITLE 44, SECTION 1332 NATIONAL ENCAMPMENTS OF VETERANS’ ORGANIZATIONS; PROCEEDINGS PRINTED ANNUALLY FOR CONGRESS The proceedings of the national encampments of the United Spanish War Veterans, the Veterans of Foreign Wars of the United States, the American Legion, the Military Order of the Purple Heart, the Veterans of World War I of the United States, Incorporated, the Disabled American Veterans, and the AMVETS (American Veterans of World War II), respec- tively, shall be printed annually, with accompanying illustrations, as sepa- rate House documents of the session of the Congress to which they may be submitted. [Approved October 2, 1968.] II LETTER OF TRANSMITTAL VETERANS OF FOREIGN WARS OF THE UNITED STATES, KANSAS CITY, MISSOURI December, 2002 Honorable Dennis Hastert, The Speaker U.S. House of Representatives Washington, D.C. 20515 DEAR MR. SPEAKER: In conformance with the provisions of Public Law No. -
Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Origins of Non-Violence
The Origins of Non-violence Tolstoy and Gandhi in Their Historical Settings Martin Green The Origins of Non-violence This book describes the world-historical forces, acting on the periphery of the modern world—in Russia in the nineteenth century—which developed the idea of nonviolence in Tolstoy and then in Gandhi. It was from Tolstoy that Gandhi first learned of this idea, but those world-historical forces acted upon and through both men. The shape of the book is a convergence, the coming together of two widely separate lives, under the stress of history. The lives of Tolstoy and Gandhi begin at widely separate points— of time, of place, of social origin, of talent and of conviction; in the course of their lives, they become, respectively, military officer and novelist, and lawyer and political organizer. They win fame in those roles; but in the last two decades of their lives, they occupy the same special space—ascetic/saint/prophet. Tolstoy and Gandhi were at first agents of modern reform, in Russia and India. But then they became rebels against it and led a profound resistance—a resistance spiritually rooted in the traditionalism of myriad peasant villages. The book’s scope and sweep are enormous. Green has made history into an absorbing myth—a compelling and moving story of importance to all scholars and readers concerned with the history of ideas. www.mkgandhi.org Page 1 The Origins of Non-violence Preface This book tells how the modern version of nonviolence—and Satyagraha, and war-resistance, and one kind of anti-imperialism, even— were in effect invented by Tolstoy and Gandhi. -
MUSIC and the ECLIPSE of MODERNISM By
SIGNAL TO NOISE: MUSIC AND THE ECLIPSE OF MODERNISM By MATTHEW FRIEDMAN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of T.J. Jackson Lears and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May 2013 ABSTRACT OF THE DISSERTATION Signal to Noise: Music and the Eclipse of Modernism By MATTHEW FRIEDMAN Dissertation Director: T.J. Jackson Lears There was danger in the modern American soundscape; the danger of interruption and disorder. The rhetoric of postwar aural culture was preoccupied with containing sounds and keeping them in their appropriate places. The management and domestication of noise was a critical political and social issue in the quarter century following the Second World War. It was also an aesthetic issue. Although technological noise was celebrated in modern American literature, music and popular culture as a signal of technological sublime and the promise of modern rationality in the US, after 1945 noise that had been exceptional and sublime became mundane. Technological noise was resignified as "pollution" and narrated as the aural detritus of modernity. Modern music reinforced this project through the production of hegemonic fields of representation that legitimized the discursive boundaries of modernity and delegitimized that which lay outside of them. Postwar American modernist composers, reconfigured as technical specialists, developed a hyper-rational idiom of "total control" which sought to discipline aural disorder and police the boundaries between aesthetically- acceptable music and sound and disruptive noise. -
“Gaps” by Countering Hybrid Warfare – Building Resilience in Jus Ante Bellum
LEGAL CHALLENGES OR “GAPS” BY COUNTERING HYBRID WARFARE – BUILDING RESILIENCE IN JUS ANTE BELLUM Morten M. Fogt* Abstract This article is based on practical legal experience with the concept of “hybrid war.” It addresses this much discussed concept, the specific treaty limitations and the currently adopted hybrid countermeasures and then goes into a detailed legal analysis of the challenges and “gaps” that emerge. Both the traditional gray zones of the jus ad bellum and jus in bello are investigated from a hybrid war perspective as well as the specific legal challenges of confronting and countering a hybrid threat or warfare in peace time and crisis. A legal tetrachotomy is proposed consisting of the jus ante bellum, the traditional divide of the jus ad bellum and jus in bello and, moreover, the jus post bellum. It is suggested that the North Atlantic Treaty Organization (NATO) build more robust legal resilience in the jus ante bellum, that legal research in this area is prioritized, that NATO look at drafting model SOFAs and reforming the old NATO SOFA of 1951 and thereby take the new peacetime and crisis hybrid challenges into account, as this would reduce the need for and complexity of different multiple bilateral SOFAs, and that NATO instigates legal research aiming at harmonizing and aligning the various national peacetime and crisis (emergency or martial) laws and draft * Lieutenant Colonel of the Danish Army, Chief Legal Advisor, NATO Multinational Division North (MNDN), Latvia/Denmark, Associated Professor in Civil and International Law, Aarhus University, Denmark. The author is grateful for comments on this paper by Professor Geoffrey S. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
JACK Dejohnette NEA Jazz Master (2112)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACK DeJOHNETTE NEA Jazz Master (2112) Interviewee: Jack DeJohnette (August 9, 1942 - ) Interviewer: Dr. Anthony Brown with sound engineer Ken Kimery Date: November, 10-11th, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 107 Brown: Today is November 10th, 2011, and this is The Smithsonian Oral History Interview with NEA Jazz Master, percussionist, pianist, bandleader, composer, arranger, educator, and my hero, Jack DeJohnette, in his house in Silver Hollow, Upstate New York. How are you doing today, Mr. DeJohnette? DeJohnette: I'm doing great! Brown: Great, great. DeJohnette: Great. Brown: If we could start the interview by you stating your full name, full birth name, birthplace and birth date? DeJohnette: Okay. Jack DeJohnette…born in Chicago, Illinois in the county of Cook, August 9th, 1942. Brown: And if you could tell us the names of your parents. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 DeJohnette: Yeah, my mother's name was Eva Jeanette Wood and my father's name is Jack DeJohnette Sr. in that case. Brown: Oh, so you're a Jr.? DeJohnette: Yeah, I'm a Jr. Brown: No middle name? DeJohnette: No. Brown: And do you know where your parents are originally from? DeJohnette: Yeah, my mother was from Lionel, Georgia. My father was from Oak Ridge, Louisiana. Brown: And did they meet and marry in Chicago, do you know anything about that? DeJohnette: Mm-hmm. -
Drum Rudiments
การวิเคราะห์การด้นสดสลับเปลียนของ แจ็ค ดิจอห์นเน็ต อสมุด ำนกั ห กลาง ส โดย นายสิทธิพงศ์ สินธุปี การค้นคว้าอิสระนีเป็นส่วนหนึงของการศึกษาตามหลักสูตรปริญญาดุริยางคศาสตรมหาบัณฑิต สาขาวิชาสังคีตวิจัยและพัฒนา บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร ปีการศึกษา 2557 ลิขสิทธิของบัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร การวิเคราะห์การด้นสดสลับเปลียนของ แจ็ค ดิจอห์นเน็ต หอสม ุดกล ำนกั าง ส โดย นายสิทธิพงศ์ สินธุปี การค้นคว้าอิสระนีเป็นส่วนหนึงของการศึกษาตามหลักสูตรปริญญาดุริยางคศาสตรมหาบัณฑิต สาขาวิชาสังคีตวิจัยและพัฒนา บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร ปีการศึกษา 2557 ลิขสิทธิของบัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร THE ANALYSIS OF TRADING SOLOS IN JAZZ IMPROVISATION BY JACK DEJOHNETTE หอสมุด กล ำนกั าง ส By Mr. SittipOng Sintupee A Thesis Submitted in Partial Fulfillment of the Requirements fOr the Degree Master of Music Program in Music Research and DevelOpment Graduate SchOOl, SilpakOrn University Academic Year 2014 COpyright of Graduate SchOOl, SilpakOrn University บัณฑิตวิทยาลัย มหาวิทยาลัยศิลปากร อนุมัติให้การค้นคว้าอิสระเรือง “การวิเคราะห์ การด้นสดสลับเปลียนของ แจ็ค ดิจอห์นเน็ต” เสนอโดย นายสิทธิพงศ์ สินธุปี เป็นส่วนหนึงของ การศึกษาตามหลักสูตรปริญญา ดุริยางคศาสตรมหาบัณฑิต สาขาวิชาสังคีตวิจัยและพัฒนา ……........................................................... (รองศาสตราจารย์ ดร.ปานใจ ธารทัศนวงศ์) คณบดีบัณฑิตวิทยาลัย ห อ ส ม ุด วันที..........เดือน....................ก พ.ศ........... ำนกั ลาง ส อาจารย์ทีปรึกษาวิทยานิพนธ์ อาจารย์วุฒิชัย เลิศสถากิจ คณะกรรมการตรวจสอบวิทยานิพนธ์ .................................................... ประธานกรรมการ (ผู้ช่วยศาสตราจารย์ -
Teib W AR N EW S
LARGEST COUNTY CIRCULATION PICTURES M O S T N EW S ■TEIb W AR N EW S VOL. X X IV “All The County News For Everybody” MOCKSVILLE, N. C., FRIDAY, SEPTEMBER 5, 1941 ли ТЬе County îiews For Everybody” NO. 50 New Department CHANGES MADE LEGION BALL Nazis Claim Red 'Bread Basket’ At Farmington COUNTY'S LARGEST LIQUOR A vocational agriculture de GAM E SLATED N T E A C H E R S partment is being added to the HAUL, $6,000 W O R TH , M ADE LICENSES Farmington high school. This The following marriage li Mocksville and Cooleemee William S. Horton, principal department will fill a long-felt Because he failed to give a censes have been Issued in the Presides business men will play off the ] of the Rural Hall schools, has need since the boys who attend office of G. H. C. Shutt, reg- sensible answer of his destina tie baseball game at Lewis field been chosen principal of the the high school are from farm tion, suspicion led to investi tomorrow, Saturday, night at 8 Mocksville high school to suc homes, and many o£ them go| > gation and Harvey Carson of hn.v f„ Moser, route 2; Oval o ’cock, daylight tlma. ceed E. R. Poole. He is a native back to the farm after they Lash and Louise Wallace, route Charlotte was arrested last The game is sponsored by of Mooresvllle. have finished their formal edu- Sunday night with a $G,000 2; Lawrence Williams, route 1, the Davie post of the American Two vacancies yet remain in cation.