The Daily Gamecock, TUESDAY, FEBRUARY 10, 2009
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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
List of Available Videos
Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
WREK Grabs Top Honor in Creative Loafing
Friday, OctoberNEWS 5, 2007 Technique • Friday, October 5, 2007 • 1 “The South’s Liveliest College Newspaper” After much antici- pation, Halo 3 is worth the wait. Volume 93, Issue 11 28 pages Page 15 ONLINE www.nique.net TECHNIQUEServing Georgia Tech since 1911 WREK grabs top honor in Creative Loafi ng By Denisse Gonzalez at all. Usually a radio station of for Best Overall Radio Station than the in-your-face popular Contributing Writer our caliber just goes for best non- in Atlanta. stations. Listeners are thankful commercial radio station, but To Th omas Shanks, a fi fth- for our eff orts to provide diverse Taped to the door leading out to step up and year Computer and interesting music, sports and of the WREK radio station offi ces go above and Science and community affairs program- is a sign that reads “What did you beyond 99X, “...to step up E l e c t r i c a l ming,” Shanks said. do today to make WREK awe- Project 96.1, and go beyond... Engineering In addition to sports and some?” On Sept. 26, the 110 staff and all these major, win- public affairs programming, members who work to make the other commer- all these other ning the title WREK broadcasts rock, rhythm station “awesome” were rewarded cial radio sta- commercial radio was overdue. and blues, classical music, jazz by Creative Loafi ng critics, who tions is really Shanks, who and a number of specialty shows, named WREK Best Overall monumental,” stations is really has been an including Indian Masala, featur- Radio Station in the newspaper’s Petrick said. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 01/26/2012 03:58 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 01/26/2012 03:58 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 01/19/2012 to 01/25/2012 Last Period (TP) = 01/12/2012 to 01/18/2012 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Jimmy Owens The Monk Project IPO 2012 12 14 -2 2 7 John Stein Hi Fly Whaling City Sound 2011 9 6 3 2 12 Chick Corea Further Explorations Concord Jazz 2012 9 4 5 4 9 Christian Tamburr Places Tamburr Worldwide 2011 8 5 3 4 25 Hendrik Meurkens Live At Bird's Eye Zoho 2011 8 3 5 6 9 Hal Galper Trip The Light Fantastic Origin 2011 7 5 2 7 2 Roy Haynes Roy-Alty Dreyfus 2011 6 7 -1 7 12 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 6 4 2 Tokyo 7 25 North Carolina Central Slightly Blued Self-Released 2010 6 3 3 University Jazz Ensemble 7 25 Kenny Burrell Tenderly HighNote 2011 6 3 3 7 292 Etta James Tell Mama Cadet 1969 6 0 6 12 7 Mary Louise Knutson In The Bubble Meridian Jazz 2011 5 6 -1 12 42 Ken Fowser & Behn DuoTone Posi-Tone 2011 5 2 3 Gillece 12 75 James Moody & Hank Our Delight IPO 2008 5 1 4 Jones 12 292 Ann Hampton Callaway Blues In The Night Telarc Jazz 2006 5 0 5 12 292 Tim Mayer Resilience JLP 2011 5 0 5 12 292 Etta James At Last! Chess 1961 5 0 5 18 2 Houston Person So Nice HighNote 2011 4 7 -3 18 25 Christian McBride Big The Good Feeling Mack Avenue 2011 4 3 1 Band 18 25 Pat Martino Undeniable: Live At Blues HighNote 2011 4 3 1 Alley 18 25 Ed Reed Born To Be Blue Blue Shorts 2011 -
June 1, 2016 Dear Customer, Please Be Advised That the Titles On
June 1, 2016 Dear Customer, Please be advised that the titles on this Summer 2016 Deleted Titles list will be DELETED from the Capitol Christian Distribution catalog effective Wednesday, June 8, 2016. These titles will no longer be available for orders on or after that date. All return authorization requests for these titles must be submitted no later than Sunday, August 7, 2016 and all physical returns received in our Jacksonville, IL Distribution Center no later than Thursday, October 6, 2016. As a reminder, you may request your return authorization online 24/7 at www.capitolchristiandistribution.com. Please remember to update your point of sale (POS) system to reflect these changes. If you have any questions about this information please contact your Capitol Christian Distribution sales representative at 1 (800) 877- 4443. Thank you for your attention to this matter. Best Regards, Greg Bays Executive Vice President Capitol Christian Distribution CAPITOL CHRISTIAN DISTRIBUTION SUMMER 2016 DELETED TITLES LIST Return Authorization Due Date August 7, 2016 • Physical Returns Due Date October 6, 2016 RECORDED MUSIC ARTIST TITLE UPC LABEL CONFIG Amy Grant Amy Grant 094639678525 Amy Grant Productions CD Amy Grant My Father's Eyes 094639678624 Amy Grant Productions CD Amy Grant Never Alone 094639678723 Amy Grant Productions CD Amy Grant Straight Ahead 094639679225 Amy Grant Productions CD Amy Grant Unguarded 094639679324 Amy Grant Productions CD Amy Grant House Of Love 094639679829 Amy Grant Productions CD Amy Grant Behind The Eyes 094639680023 Amy Grant Productions CD Amy Grant A Christmas To Remember 094639680122 Amy Grant Productions CD Amy Grant Simple Things 094639735723 Amy Grant Productions CD Amy Grant Icon 5099973589624 Amy Grant Productions CD Seventh Day Slumber Finally Awake 094635270525 BEC Recordings CD Manafest Glory 094637094129 BEC Recordings CD KJ-52 The Yearbook 094637829523 BEC Recordings CD Hawk Nelson Hawk Nelson Is My Friend 094639418527 BEC Recordings CD The O.C. -
Afrofuturism, Critical Race Theory, and Policing in the Year 2044 I
Brooklyn Law School Legal Studies Research Papers Accepted Paper Series Research Paper No. 586 February 2019 Afrofuturism, Critical Race Theory, and Policing in the Year 2044 I. Bennett Capers This paper can be downloaded without charge from the Social Science Research Network Electronic Paper Collection: http://ssrn.com/abstract=3331295 CAPERS-LIVE(DO NOT DELETE) 2/7/19 7:58 PM ARTICLES AFROFUTURISM, CRITICAL RACE THEORY, AND POLICING IN THE YEAR 2044 I. BENNETT CAPERS* In 2044, the United States is projected to become a “majority- minority” country, with people of color making up more than half of the population. And yet in the public imagination— from Robocop to Minority Report, from Star Trek to Star Wars, from A Clockwork Orange to 1984 to Brave New World—the future is usually envisioned as majority white. What might the future look like in year 2044, when people of color make up the majority in terms of numbers, or in the ensuing years, when they also wield the majority of political and economic power? And specifically, what might policing look like? This Article attempts to answer these questions by examining how artists, cybertheorists, and speculative scholars of color— Afrofuturists and Critical Race Theorists—have imagined the future. What can we learn from Afrofuturism, the term given to “speculative fiction that treats African-American themes and addresses African-American concerns [in the context of] techno culture?” And what can we learn from Critical Race Theory and its “father” Derrick Bell, who famously wrote of space explorers to examine issues of race and law? What do they imagine policing to be, and what can we imagine policing to be in a brown and black world? ∗ Copyright © 2019 by I. -
Hall of Fame Andy Partridge
Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label. -
Quantum Leap Stormdrum 3 Manual
Quantum Leap Stormdrum 3 Virtual Instrument Users’ Manual QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2013. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com ii QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT 1. Welcome 2 About EastWest and Quantum Leap 3 Producer: Nick Phoenix 4 Percussionist: Mickey Hart 5 Credits 6 How to Use This and the Other Manuals 7 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT Welcome About EastWest and Quantum Leap Founder and producer Doug Rogers has over 35 years experience in the audio industry and is the recipient of many recording industry awards including “Recording Engineer of the Year.” In 2005, “The Art of Digital Music” named him one of “56 Visionary Artists & Insiders” in the book of the same name. -
Newsday, February 21, 2009 Getting Into the Oscar and Indie Spirit
Ironbound Films, Inc. http://www.ironboundfilms.com/news/newsday022109.html Newsday, February 21, 2009 Getting into the Oscar and indie spirit Diane Werts AWARDS ALERT. With the Oscars on the Horizon, it's time for the too-cool "Independent Spirit Awards" (live today at 5 p.m., repeats tonight at midnight and tomorrow at 12:15 and 4 p.m., IFC; also tonight at 10 p.m., AMC). Indie fave Steve Coogan of "Tropic Thunder" and "Hamlet 2" hosts from Santa Monica, Calif. Contenders include "The Wrestler," "Ballast," "Rachel Getting Married," "Frozen River" and "Milk." Get a jump with the "Spirit Awards Nomination Special" (today at 4:30 p.m., IFC). Awards info at spiritawards.com. OSCARS EVERYWHERE. Yes, even the vintage swingfest "The Lawrence Welk Show" (tonight at 6, WLIW/21) offers a musical tribute to the Academy Awards. The 2009 soiree inspires lots of current-day chatter, too, including "Movie Mob" (today at 11 a.m. and 2 p.m., Reelz), "Academy Awards Preview" (today at 4 and 9 p.m., TV Guide Network), "Reel Talk" (tonight at 7, WNBC/4), and "The Road to Gold" (tonight at 7 and tomorrow at 5 a.m., WABC/7). Oscar afternoon revs up with "Countdown to the Red Carpet" (tomorrow 2-6 p.m., E!) and "Countdown to the Academy Awards" (tomorrow 3-6 p.m., TV Guide). Welcoming the stars to tomorrow's 8:30 p.m. live telecast are Ryan Seacrest's "Live From the Red Carpet" (tomorrow 6-8 p.m., E!) and Lisa Rinna and Joey Fatone's "Live at the Academy Awards" (tomorrow 6-8 p.m., TV Guide). -
State of Minnesota Sample Powerpoint Template
11/1/2019 Getting to Zero with CAV Kristin White, JD | Executive Director |MnDOT CAV-X Mike Kronzer, PE | CAV-X Project Manager|MnDOT CAV-X Wayne Sandberg, PE | Washington County Engineer Erik Minge, PE | ITS Program Director | SRF Consulting What is CAV? What is CAV? A C E S Automated Connected Electric Shared 1 11/1/2019 What does it lookAV like? - What is Available Today 11/1/2019 mndot.gov 3 HowHow does does it work? it work? 4 2 11/1/2019 HowHow does does it communicate? it communicate? 5 Why are we talking about CAV? Why CAV? 381 6 3 11/1/2019 What will it impact? Why CAV is Important Greater Mobility & Equity Workforce Traffic Operations Economic Development Infrastructure Health & Environment 7 HowLevels do we of talkAutomation about it? No Automation Full Automation 0 1 2 3 4 5 No Driver Partial Conditional High Full Automation Assist Automation Automation Automation Automation Model T Ford Jeep Tesla EasyMile Honda Fit Compass Model 3 Audi A8 Shuttle ? Highly Automated Vehicles 4 11/1/2019 WhenWhen is it Will coming? It Come? How do we plan for it?MnDOT’s Strategic Plan Leadership Programs Law & Policy Planning 5 11/1/2019 1 Leadership Who is leading these efforts?State Leadership • Public-private partnership • Vision and goals Interagency CAV • Statewide collaboration Team • Coordinate programs • Technical and policy expertise • Develop policy and programs • Public and private involvement 6 11/1/2019 Who is involved? State Leadership CAV Advisory Council Interagency CAV Team Policy & Technical Advisory Committees Vehicle Cyber Economic & Registration Insurance & Traffic Security & Equity Workforce Planning and Infrastructure Driver Liability Regulations Accessibility Data Privacy Development Land Use Training & & Safety Licensing Chairs Chairs: Chairs: Chairs: Commerce & Chairs: Council on Chairs: Chairs: Dept. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 10/06/2010 to 10/12/2010 Last Period (TP) = 09/29/2010 to 10/05/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 24 Tom Rizzo Imaginary Numbers Origin 2010 11 4 7 2 1 The Marsalis Family Music Redeems Marsalis 2010 10 12 -2 2 288 The Clayton Brothers The New Song And Dance ArtistShare 2010 10 0 10 4 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 8 0 4 4 Conrad Herwig The Latin Side Of Herbie Half Note 2010 8 8 0 Hancock 4 10 Jim Rotondi 1000 Rainbows Posi-Tone 2010 8 7 1 4 10 James Moody Moody 4B IPO 2010 8 7 1 4 24 Mauricio De Souza Here. There... Pulsa 2010 8 4 4 4 288 Bobby Watson The Gates BBQ Suite Lafiya 2010 8 0 8 10 3 Tomas Janzon Experiences Changes 2010 7 9 -2 10 13 Stephen Anderson Nation Degeneration Summit 2010 7 6 1 10 24 Steve Turre Delicious & Delightful HighNote 2010 7 4 3 10 288 Mary Stallings Dream HighNote 2010 7 0 7 14 4 Larry Coryell Prime Picks HighNote 2010 6 8 -2 14 30 Chicago Afro Latin Jazz Blueprints Chicago Sessions 2010 6 3 3 Ensemble 16 4 Nobuki Takamen Live: At The Iridium Summit 2010 5 8 -3 16 13 Royce Campbell Trio What Is This Thing Called? Philology 2010 5 6 -1 16 13 Regina Carter Reverse Thread E1 2010 5 6 -1 16 17 Chris Massey Vibrainium Self-Released 2010 5 5 0 20 2 Kenny Burrell Be Yourself HighNote 2010 4 11 -7 20 4 Danilo Perez Providencia Mack Avenue 2010 4 8 -4 20 4 Curtis -
Game Info 2018-19 South Carolina Men's Basketball
2018-19 SOUTH CAROLINA MEN’S BASKETBALL DIRECTOR OF ATHLETICS COMMUNICATIONS & PUBLIC RELATIONS: EMILY MILES // [email protected] CELL: 803-727-3284 // TWITTER: @EMILYMILES_SID GAMECOCK MEN’S BASKETBALL SOCIAL MEDIA: #GAMECOCKS TWITTER AND INSTAGRAM: @GAMECOCKMBB // FACEBOOK: /GAMECOCKMBB GAMECOCK ATHLETICS ON THE WEB: GAMECOCKSONLINE.COM GAME INFO ARENA: Colonial Life Arena (18,000) BROADCAST: SEC Network PLAY-BY-PLAY: Richard Cross ANAYLYST: Debbie Antonelli 2018-19 SCHEDULE OVERALL: 7-7 | SEC: 2-0 RADIO: Gamecock Radio Network IN COLUMBIA: 107.5 The Game : 5-4 | : 1-2 | : 1-1 HOME AWAY NEUTRAL PLAY-BY-PLAY: Derek Scott ANALYST: Casey Manning OCTOBER VS MISSOURI SIRIUS: 105 | XM: 190 26 Augusta + L, 77-72 GAMECOCKS (7-7, 2-0 SEC) (9-4, 0-1 SEC) WATCH: ESPN App NOVEMBER LIVE STATS: GamecocksOnline.com HEAD COACH: Frank Martin (FIU, ’93) HEAD COACH: Cuonzo Martin (Purdue, ’00) 6 USC Upstate W, 65-52 TICKETS: GamecocksOnline.com/1- 9 Stony Brook ^ L, 83-81 AT CAROLINA: 120-97 (7th season) AT MIZZOU: 29-17 (2nd season) 800-4SC-FANS/Colonial Life Arena 13 Norfolk State ^ W, 81-64 CAREER: 237-151 (12th season) CAREER: 215-138 (11th season) Box Office 17 vs. Providence # L, 76-67 VS. MIZZOU: 10-9 VS. CAROLINA: 4-0 18 George Washington # W, 90-55 TOP SCORER: Silva (12.8) TOP SCORER: Geist (13.8) SERIES: Mizzou leads, 5-4 26 Wofford L, 81-61 TOP REBOUNDER: Silva (7.1) TOP REBOUNDER: Tilmon (6.2) IN COLUMBIA: Tied, 2-2 30 Coastal Carolina W, 85-79 TOP ASSIST MAKER: Lawson (3.1) TOP ASSIST MAKER: Geist (2.9) TREND: The teams have split the last COMMUNICATIONS/PR: Emily Miles MEDIA RELATIONS: R.J.