Ryan Kisor Minor Mutiny Mp3, Flac, Wma

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Ryan Kisor Minor Mutiny mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Minor Mutiny Country: US Released: 1992 Style: Post Bop MP3 version RAR size: 1567 mb FLAC version RAR size: 1322 mb WMA version RAR size: 1705 mb Rating: 4.7 Votes: 756 Other Formats: AHX AAC MOD ADX TTA WMA VQF Tracklist 1 One For Miles 8:20 2 Ebony 7:43 3 Minor Mutiny 7:25 4 Little Nick 8:36 5 Exotic Isles 4:54 6 The Invisible 7:52 7 A New Day 5:08 8 Somewhere In The Dark 6:01 9 For Erin 7:30 Companies, etc. Recorded At – Dreamland Recording Studios Mixed At – Groghill Studios Mastered At – Sterling Sound Credits Arranged By – Jack DeJohnette (tracks: 2, 5), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Bass – Lonnie Plaxico Composed By – Jack DeJohnette (tracks: 2, 5), John Esposito (tracks: 6), Ryan Kisor (tracks: 1, 3, 4, 7, 8, 9) Drums – Jack DeJohnette (tracks: 2, 5), Jeff Siegel (tracks: 1, 3, 4, 6 to 9) Flugelhorn – Ryan Kisor (tracks: 2, 7) Piano – Michael Cain Producer – Jack DeJohnette Soprano Saxophone – Ravi Coltrane Tenor Saxophone – Ravi Coltrane Trumpet – Ryan Kisor Barcode and Other Identifiers Barcode: 4 988009 597928 Matrix / Runout: DP-5313 2 Other versions Category Artist Title (Format) Label Category Country Year 471506 2, COL Minor Mutiny (CD, Columbia, 471506 2, COL Ryan Kisor Europe 1992 471506 2 Album) Columbia 471506 2 Minor Mutiny (CD, CK 48796 Ryan Kisor Columbia CK 48796 US 1992 Album) Related Music albums to Minor Mutiny by Ryan Kisor Savion Glover With McCoy Tyner, Eddie Palmieri, Roy Haynes, Jack DeJohnette - Fours John Scofield + DeJohnette & Hancock & Holland & Metheny - Live 3 Ways / Parallel Realities Live Jack DeJohnette's Special Edition - Audio-Visualscapes Ravi Coltrane - Moving Pictures Ryan Kisor - Point Of Arrival Jack DeJohnette Featuring Bill Frisell - The Elephant Sleeps But Still Remembers Jack DeJohnette - Peace time Keith Jarrett • Jack DeJohnette - Ruta And Daitya Jack DeJohnette - Parallel Realities Jack DeJohnette - Pictures.

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Jazz Trio Plays Spanos Theatre Oct. 4
Cal Poly Arts Season Launches with Jazz Trio Oct. 4 http://www.calpolynews.calpoly.edu/news_releases/2006/September... Skip to Content Search Cal Poly News News California Polytechnic State University Sept. 11, 2006 FOR IMMEDIATE RELEASE Jazz Trio Plays Spanos Theatre Oct. 4 SAN LUIS OBISPO – In a spectacular showcase featuring jazz greats Bill Frisell (guitar/banjo), Jack DeJohnette (drums, percussion, piano) and Jerome Harris (electric bass/vocals), Cal Poly Arts launches its new 2006-07 performing arts season. The trio of master musicians will perform on Wednesday, October 4, 2006 at 8 p.m. in the Spanos Theatre. The evening will include highlights from the acclaimed release, “The Elephant Sleeps But Still Remembers.” Recorded at Seattle’s Earshot Festival in October 2001, “The Elephant Sleeps But Still Remembers” brilliantly captures the collaboration of two unparalleled musical visionaries: Jack DeJohnette -- “our era’s most expansive percussive talent” (Jazz Times) -- and Bill Frisell, “the most important jazz guitarist of the last quarter of the 20th century” (Acoustic Guitar). DeJohnette and Frisell first worked together in 1999. “We immediately had a rapport and we talked about doing more,” DeJohnette recalls. Frisell needed no convincing: “I have been such a fan of Jack’s since the late ’60s when I first heard him,” the guitarist says. “He’s been such an influence and inspiration throughout my musical life.” The two got together the afternoon before the 2001 Earshot concert and at the soundcheck, ran through a couple of numbers, but the encounter was largely improvised. “We had a few themes prepared,” Frisell says, “but it was pretty much just start playing, and go for it.” According to DeJohnette, “Bill and I co-composed in real time, on the spot” for “The Elephant Sleeps...” The album features 11 tracks covering a breadth of sonic territories.
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Downbeat October 2018
OCTOBER 2018 ON THE COVER 32 Tia Fuller The Radiance of a JIMMY & DENA KATZ 32 Diamond BY TED PANKEN As the featured saxophone soloist in Beyoncé’s band between 2006 and 2010, Tia Fuller won fans around the globe. Today, she is one of the most respected artists in jazz, both as a bandleader and educator. The Berklee College of Music professor's new Mack Avenue album, Diamond Cut, includes such high-profile collaborators as Terri Lyne Carrington, Jack DeJohnette and Dave Holland. Cover photo of Tia Fuller and image above shot by Jimmy and Dena Katz at The Jazz Gallery in New York City on May 22. Info for this venue is at jazzgallery.nyc. FEATURES 38 Tony Bennett & Diana Krall Streetwise Yet Sophisticated BY PHILLIP LUTZ 44 Ethan Iverson 56 Tord Gustavsen Trio 59 Adison Evans 62 Big Heart Machine 69 The Jamie Saft Quartet Dynamo at the Crossroads BY DAN OUELLETTE 48 Joey Baron Deep Listening Manifesto DEPARTMENTS BY BILL MILKOWSKI 8 First Take 53 Reviews 190 Jazz On Campus 10 Chords & Discords 176 Master Class 194 Blindfold Test SPECIAL SECTION BY DAVE ESKRIDGE 13 The Beat 180 Pro Session 71 Student 26 Players BY JIMI DURSO Music Guide Adi Meyerson 182 Transcription Steffen Schorn Frank Caruso Piano solo JACOB BLICKENSTAFF Where To Study Jazz 2019 Dongfeng Liu Dana Murray 186 Toolshed Jazzmeia Horn 6 DOWNBEAT OCTOBER 2018 TIA FULLER KNOWS ABOUT BEING A ROAD WARRIOR. AS FEATURED SAXOPHONE SOLOIST IN BEYONCÉ’S ALL-WOMAN BAND BETWEEN 2006 AND 2010, SHE TRAVELED FROM ONE MEGA-VENUE TO ANOTHER IN HIGH STYLE, NOT INFREQUENTLY IN THE LEADER’S PRIVATE JET.
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Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
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Preferred Swing Ratio in Jazz As a Function of Tempo
TMH-QPSR 4/1997 Preferred swing ratio in jazz as a function of tempo Anders Friberg and Andreas Sundström Abstract In jazz music it is common to perform consecutive eighth notes with an alternating duration pattern of long-short. The exact duration ratio (the swing ratio) of the long-short pattern has been largely unknown. The first experiment describes measurements of the swing ratio in the ride cymbal from well-known jazz recordings. The second experiment was a production task where subjects adjusted the swing ratio of a computer generated performance to a preferred value. Both these experiments show that the swing ratio varies approximately linearly with tempo. The swing ratio can be as high as 3.5:1 at comparatively slow tempi around 120 bpm. When the tempo is fast the swing ratio reaches 1:1, that is, the eighth notes are performed evenly. The duration of the short note in the long-short pattern is approximately constant (≅ 100 ms) for medium to fast tempi. Introduction swing ratio. An analysis of asynchronizations indicated that the drums were in average ahead One of the most important ingredients in jazz of the other instruments, the piano was second, music is the rhythm. Jazz music is supposed to and the bass third. “swing”. One essential part of this is the Collier & Collier (1996) reported on some rhythmic pattern sometimes called “swing preliminary analyses of the swing ratio in eighth note pattern”. It is performed by length- different tempi. They asked three drummers to ening the odd eighth-notes (eighth notes on the perform the pattern 3:2:1 in 9 to 11 different beat) and by shortening the even eighth notes tempi and in two conditions: swing feel and (eighth notes between the beat), thus producing strict triple time.
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Dejohnette/Coltrane/Garrison
FOR IMMEDIATE RELEASE CAP UCLA presents DeJohnette/Coltrane/Garrison December 7 at Royce Hall "Drummer and jazz legend Jack DeJohnette pairs up with saxophonist Ravi Coltrane and bassist (and electronics whiz) Matthew Garrison, to spellbinding and haunting results." —Pitchfork UCLA’s Center for the Art of Performance (CAP UCLA) presents Jack DeJohnette, Ravi Coltrane and Matthew Garrison on Saturday, Dec 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Representing the prestigious lineage of today’s great jazz families, DeJohnette/Coltrane/Garrison explore open improvisation as well as their own compositions. A NEA Jazz Master and Grammy Award-winner, Jack DeJohnette makes his return to the CAP UCLA family and Royce Hall where he previously performed as part of a jazz trio in 2013 with Keith Jarrett and Gary Peacock. DeJohnette/Coltrane/Garrison went through a rebirth in 2016 and have been touring ever since. They first performed the music of the late John Coltrane, Ravi’s father at The Brooklyn Museum. Named after the master sitarist Ravi Shankar, Coltrane is a Grammy nominated saxophonist who has released six albums to date. Matthew Garrison, son of the late Jimmy Garrison who was John Coltrane’s bassist, became a talented bass guitarist in part thanks to his godfather Jack DeJohnette. Garrison has collaborated with several jazz musicians including CAP Alums John Scofield and Pat Metheny. In 1998 Garrison founded GarrisonJazz Productions where he produces, promotes, and markets his music as well as providing music education.
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Dave Hartl's 2017 Top Ten (Or So) Most Influential Albums
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Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz.
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July 2018 92Y Page 21 the Side Door and Mezzrow Page 10
193398_HH_July_0 6/25/18 12:30 PM Page 1 DE The only jazz magazine THE LATIN SIDE in NY in print, online P32 and on apps! OF HOT HOUSE P31 July 2018 www.hothousejazz.com 92Y Page 21 The Side Door and Mezzrow Page 10 René Marie Geoffrey Keezer John Colianni Claudia Acuña Birdand and Saint Peter's Church Page 10 Dizzy's Club Coca-Cola Page 17 Where To Go & Who To See Since 1982 193398_HH_July_0 6/25/18 12:30 PM Page 2 2 193398_HH_July_0 6/25/18 12:30 PM Page 3 3 193398_HH_July_0 6/25/18 12:30 PM Page 4 4 193398_HH_July_0 6/25/18 12:30 PM Page 5 5 193398_HH_July_0 6/25/18 12:30 PM Page 6 6 193398_HH_July_0 6/25/18 12:30 PM Page 7 7 193398_HH_July_0 6/25/18 12:30 PM Page 8 8 193398_HH_July_0 6/25/18 12:30 PM Page 9 9 193398_HH_July_0 6/25/18 12:30 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS IN THE PRIME OF time suspending style of the late Shirley their careers bring fresh ideas to their Horn. Tlatest albums, featured in this Winning Gillian delivers her own lyrics on the Spins. Both reach beyond the usual piano pair's collaborative song, "You Stay with trio format—one by collaborating with a Me," and reveals her prowess as a scat vocalist on half the tracks, the other by set- singer on the bubbly "Guanajuato," anoth- ting his piano in the context of a swinging er collaboration with improvised sextet.
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The Daily Gamecock, TUESDAY, FEBRUARY 10, 2009
University of South Carolina Scholar Commons February 2009 2-10-2009 The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009" (2009). February. 14. https://scholarcommons.sc.edu/gamecock_2009_feb/14 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 10, 2009 VOL. 102, NO. 92 ● SINCE 1908 Weather Have questions for your Student Government TODAY Debate nets poor turnout candidates? Send them to The Daily Gamecock HIGH 75° at gamecockeditor@ Two of 12 candidates last week in academics sc.edu to be submitted committee to get teachers for the SG debates discuss platforms, to work more with students Wednesday and TONIGHT on their book lists.” Thursday. Questions LOW 52° argue qualifi cations If elected to student directed to senatorial senate, Kevin Burke , a fi rst- candidates in the Josh Dawsey year undecided student, said College of Arts and STAFF WRITER he would look to implement Sciences, as well TOMORROW a business learning as candidates for HIGH 76° Of the 12 candidates community executive offi ce, running for the business similar to should be submitted school district (district 5) that of the by Tuesday at 5 p.m. of student senate, only two pre-med, Attend the next two Inside showed up to debate the pre-law and debates and if you miss merits of their platform in engineering them, check out our coverage the day after.
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P R O C E E D I N G S of the of the United States
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An Evening with Savion Glover & Jack Dejohnette
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Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
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