JACK Dejohnette NEA Jazz Master (2112)
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December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
NEWS RELEASE Contact: Emily Everett at 413-545-4482 Or [email protected]
NEWS RELEASE Contact: Emily Everett at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: October 20, 2015 WHAT: The Ambrose Akinmusire Quartet WHEN: Thursday, November 19, 7:30 p.m. WHERE: Bowker Auditorium, UMass Amherst TICKETS: Call 1-800-999-UMAS or 545-2511 for tickets or buy online at www.fineartscenter.com/ IMAGES: To download images relating to this press release please go online to https://fac.umass.edu/Online/PressImages AWARD-WINNING TRUMPETER AMBROSE AKINMUSIRE BRINGS QUARTET TO BOWKER AUDITORIUM “With a chameleonic tone that can sigh, flutter or soar, Akinmusire sounds less like rising star than one that was already at great heights and just waiting to be discovered.” – Los Angeles Times Composer and trumpeter Ambrose Akinmusire is usually busy collecting prestigious awards from jazz festivals around the globe. He’ll take some time to bring his all-star quartet to UMass Amherst, performing at Bowker Auditorium on Thursday, November 19 th at 7:30 p.m. The New Yorker calls Akinmusire “a thrilling trumpeter and astute bandleader [with a] unique spark in his playing.” He is fast moving to the front ranks of progressive jazzmen, earning both the Doris Duke Impact Award and the Doris Duke Artist Award in the past two years. Appearing as part of the FAC’s Billy Taylor Jazz Residency, Akinmusire will also be an artist in residence in the area for the week of his performance. This will include teaching masterclasses at local high schools and colleges. In addition, Akinmusire will sit in with the Northampton Jazz Workshop as a special guest artist on Tuesday, November 17 at City Sports Grille (525 Main Street, Northampton). -
University of Maryland Commencement May 22, 2020
University of Maryland Commencemenmay 22, 2020 Table of Contents CONGRATULATIONS BACHELOR’S DEGREES From the President 1 Agriculture and Natural Resources, From the Alumni Association President 2 College of 24 Architecture, Planning and SPEAKER BIOGRAPHIES Preservation, School of 25 Graduating Student Speaker 4 Arts and Humanities, College of 25 University Medalists 5 Behavioral and Social Sciences, Honorary Degree Recipients 7 College of 29 Commencement Speaker 9 Business, Robert H. Smith School of 35 Computer, Mathematical, and DOCTORAL DEGREES 10 Natural Sciences, College of 42 Education, College of 48 MASTER’S DEGREES 15 Engineering, A. James Clark School of 49 Graduate Certificates 22 Information Studies, College of 52 Journalism, Philip Merrill College of 53 Public Health, School of 54 Public Policy, School of 56 THE “DO GOOD” CAMPUS Undergraduate Studies 56 Certificate Programs 56 The University of Maryland commits to becoming HONORS COLLEGE, CITATION AND a global leader in advancing social innovation, NOTATION PROGRAMS, AND ACADEMIC AND SPECIAL AWARDS philanthropy and nonprofit leadership with its Do Honors College 57 Good Campus. CIVICUS 59 College Park Scholars 59 Beyond the Classroom 62 Our Do Good Campus effort amplifies the power of Federal Fellows 62 Terps as agents of social innovation and supports First-Year Innovation and Research Experience 62 the university’s mission of service. We’re working to Global Communities 63 ensure all University of Maryland students graduate Global Fellows 63 equipped and motivated to do good in their careers, Hinman CEOs 63 Immigration and Migration Studies 63 their communities and the world. Jiménez-Porter Writers’ House 63 Language House 63 Ronald E. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Colby Alumnus Vol. 65, No. 2: Winter 1976
Colby College Digital Commons @ Colby Colby Alumnus Colby College Archives 1976 Colby Alumnus Vol. 65, No. 2: Winter 1976 Colby College Follow this and additional works at: https://digitalcommons.colby.edu/alumnus Part of the Higher Education Commons Recommended Citation Colby College, "Colby Alumnus Vol. 65, No. 2: Winter 1976" (1976). Colby Alumnus. 90. https://digitalcommons.colby.edu/alumnus/90 This Other is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Alumnus by an authorized administrator of Digital Commons @ Colby. The Colby Alumnus Volume 65, Number 2 Winter 1976 Published quarterly fall, winter, spring, summer by Colby College Editorial board Mark Shankland Earl H. Smith Design and production Donald E. Sanborn, Jr. Martha Freese Photography Mark Shankland Letters and inquiries should be sent to the editor, change of address notification to the alumni office Entered as second-class mail at Waterville, Maine Postmaster send form 3579 to The Colby Alumnus Colby College Waterville, Maine 04901 appraisal of the future of professions, or just in our President's Page personal arrangements for the security and well-being of ourselves and our families, we must take these changes into account and must assume that there will President Robert E. L. Strider gave the keynote address be continuing acceleration of change for all the span of to a conference of the Northeastern Industrial Devel years that most of us can foresee. opers Association recently in Portland. The conference I am surely not suggesting that this state of affairs is theme was "Survival Demands Sensitivity to Change." bad. -
Harlem Speaks by Andy Vélez a SPECIAL SERIES HONORING HARLEM HEROES Recorded in 1959, Giant Steps Became John Coltrane’S First Genuinely Iconic Album
visitors center: OPEN M-F 10 AM - 4 PM 104 E. 126th Street, #2C, New York, NY 10035 (Take the 2/3/4/5/6 train) WWW.JMIH.ORG THE NATIONAL JAZZ MUSEUM IN HARLEM PRESENTS Giant Steps Unison Tommy Flanagan George Mraz/Zoe (Enja) Rahman (Cube-Metier) Harlem Speaks by Andy Vélez A SPECIAL SERIES HONORING HARLEM HEROES Recorded in 1959, Giant Steps became John Coltrane’s first genuinely iconic album. Pianist Tommy Flanagan was among the players on the recording, which was 10/31 David Amram notable stylistically for a movement away from chordal Multi-instrumentalist/ composer/ author jazz. This reissue of Flanagan’s 1982 Giant Steps is an homage to Coltrane, repeating several of the tracks while adding “Central Park West”. During the ‘80s, Photo copyright Richard Conde. THE NATIONAL JAZZ MUSEUM IN HARLEM 104 EAST 126TH STREET, SUITE 2C DONATION SUGGESTED 6:30 - 8:30PM FOR MORE INFORMATION: 212-348-8300 Flanagan favored trios and frequently played with Czech-born bassist George Mraz. Theirs was a felicitous coming together as evident here and recalled fondly by denizens of Bradley’s, a long-gone-but-not-forgotten Village jazz spot where they appeared frequently. Flanagan is notably more confident with what had been a new idiom the first time around. That sureness of technical facility is evident from the first note to the last and the same is true for Mraz. By this time the latter had become one of the most dependable of October 4: FFEAR rhythm men. Together they are as close as pages in a $18 ADVANCE $20 AT DOOR book on a funky “Cousin Mary”. -
Arthur Blythe Quintet
Arthur Blythe Quintet Thanks to woessner for sharing the Arthur Blythe Quintet (New York) and Ran Blake show at Dime. woessner noted in 2013: On June the 3, 2013, [jazz saxophonist] Arthur Blythe went into the USC Keck Center to have a large benign tumor removed from his right Kidney. The operation was serious, as Arthur spent one week after the procedure in an induced coma in their ICU unit. His health has been a challenge for him for several years now. The Parkinson’s (Arthur has been living with Parkinson’s for eight years) has developed more rapidly and at this time he is in a rehabilitation center in Lancaster, CA. His goal is to be back home (?) within the next 30 days. The recent operation he underwent diminished his ability to walk and swallow foods. He is fighting hard each day to gain his strength back. Donate to the Arthur Blythe Parkinson’s Fund here: http://gusttsilis.com/arthurblythe/ Thanks also to Lewojazz and to rillenheini for sharing the Berlin track at Dime. Lineage: Public Theater, New York, NY; May 4, 1979 New York: FM > cassette > Total Recorder > HD > CD Wave Editor > CD > EAC > FLAC Philharmonie, Berlin, Germany; November 1, 1980 Berlin: rbb Kultur radio broadcast (.mp2, 320 kb/s, 48 kHz) > HDD > Ran Blake 1979 (?) Audacity (edits, fades, boost + 8,0 dB, flac) MP3 Version New York 1979 Arthur Blake Quartet 01. Radio Introduction 0:07 Philharmonie, Berlin, Germany 02. Spirits In The Field 4:46 November 1, 1980 1979 York Arthur Blythe Quintet New 03. Lenox Avenue Breakdown 18:03 10. -
GIVING a JAZZ RECORD AS a GIFT by Eric Myers National Times, December 7, 1980 ______
GIVING A JAZZ RECORD AS A GIFT by Eric Myers National Times, December 7, 1980 ______________________________________________________________ The National Times opera critic JOHN CARMODY, Sydney Morning Herald jazz critic ERIC MYERS and rock writer SHANE NICHOLS prepared this guide to records most likely to be gratefully received. They cover a range of tastes and should be available. ______________________________________________________________ f you are buying a jazz record as a gift, you should determine the style preferred. There are so many different, although related, idioms I congregating under the banner of "jazz" that it is rarely possible, these days, to buy a "jazz" album that suits all tastes. Duke Ellington At Fargo 1940 Live (Book Of The Month Records 305622). If the recipient likes big band jazz, you could do no better than the three-record set Duke Ellington At Fargo 1940 Live (Book Of The Month Records 305622). This was a performance at the Crystal Ballroom, Fargo, North Dakota, on 1 November 7, 1940. Many critics believe, with some justice, that this particular line-up of musicians was the greatest that Ellington ever assembled. This was a special performance - the first night Ray Nance played in the trumpet section, having just replaced Cootie Williams, who had left to join Benny Goodman. Rex Stewart is also in the section. The saxophones include Barney Bigard (clarinet), Johnny Hodges (alto) and Ben Webster (tenor) among others; Tricky Sam Nanton and Lawrence Brown are among the trombones; and the great Jimmy Blanton is on bass. It is a distinguished line-up, and the band roars through the Ellington repertoire with all the qualities that made it the greatest big band in jazz. -
Various Funky Beats Mp3, Flac, Wma
Various Funky Beats mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Funky Beats Country: US Released: 1994 Style: Jazz-Funk, Soul-Jazz MP3 version RAR size: 1442 mb FLAC version RAR size: 1434 mb WMA version RAR size: 1182 mb Rating: 4.5 Votes: 525 Other Formats: MP4 DXD VOX APE DMF VQF FLAC Tracklist 1 –Bernard Purdie Theme From Shaft 5:52 2 –Melvin Sparks Featuring Idris Muhammad Spark Plug 8:50 3 –Johnny "Hammond" Smith* Featuring Bernard Purdie Soul Talk 9:30 4 –Leon Spencer* Featuring Idris Muhammad First Gravy 4:01 5 –Idris Muhammad Super Bad 5:25 6 –Bernard Purdie Purdie Good 6:25 7 –Joe Dukes Moohah The D.J. 7:29 8 –Gene Ammons Featuring Bernard Purdie Jungle Strut 5:08 9 –Brother Jack McDuff Featuring Joe Dukes Soulful Drums 4:15 10 –Boogaloo Joe Jones* Featuring Bernard Purdie Brown Bag 5:05 11 –Sonny Stitt Featuring Idris Muhammad The Bar-B-Que Man 7:58 Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Remastered At – Fantasy Studios Credits Art Direction, Design – Phil Carroll Recorded By – Rudy Van Gelder Remastered By [Digital Remastering] – Joe Tarantino Supervised By [Original Session Supervision] – Bob Porter (tracks: 1 to 6, 8, 10, 11), Lew Futterman (tracks: 7), Ozzie Cadena (tracks: 9) Notes All selections recorded by Rudy Van Gelder (Englewood Cliffs, NJ), except "Moohah the D.J." Digital remastering , 1994 (Fantasy Studio, Berkeley) Total time 70:26 Barcode and Other Identifiers Barcode: 025218514828 Other versions Category Artist Title (Format) Label Category