University of Maryland Commencement May 22, 2020
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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
The Court Theatres of the Farnese from 1618 to 1690
This dissertation has been microfilmed exactly as received 68—2969 COBES, John Paul, 1932- THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690. [Figures I-V also IX and X not microfilmed at request of author. Available for consultation at The Ohio State University Library], The Ohio State University, Ph.D., 1967 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan (S) Copyright by- John Paul Cobes 1968 THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690 DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio S tate U niversity By John Paul Cobes, B.S., M.A. ******** The Ohio State University 1967 Approved by Z. Adviser Department of Speech PLEASE NOTE: Figures I-V also IX and X not microfilmed at request of auth or. Available for consultation at The Ohio State University Library. UNIVERSITY MICROFILMS. The author wishes to acknowledge, with dee nest gratitude, the assistance, suggestions, and guidance of the following persons, all of whom were instrumental in the camnletion of this study; Dr. Row H. Bowen, adviser to this study, and all the nersonnel of the Theatre Division of the Deonrtment of Speech at the Ohio State University. Dr. John ft. McDowell and Dr. John q . Morrow, advisers to this study, a".d nil +V> -•ersonnel of the Theatre Collection of the Ohio State Universit.w, D r. A l^ent M ancini of th e I t a l i a n D iv isio n o f th e Romance La.-wn.aTes Department of the Ohio State University’. -
Resolutions to Censure the President: Procedure and History
Resolutions to Censure the President: Procedure and History Updated February 1, 2021 Congressional Research Service https://crsreports.congress.gov R45087 Resolutions to Censure the President: Procedure and History Summary Censure is a reprimand adopted by one or both chambers of Congress against a Member of Congress, President, federal judge, or other government official. While Member censure is a disciplinary measure that is sanctioned by the Constitution (Article 1, Section 5), non-Member censure is not. Rather, it is a formal expression or “sense of” one or both houses of Congress. Censure resolutions targeting non-Members have utilized a range of statements to highlight conduct deemed by the resolutions’ sponsors to be inappropriate or unauthorized. Before the Nixon Administration, such resolutions included variations of the words or phrases unconstitutional, usurpation, reproof, and abuse of power. Beginning in 1972, the most clearly “censorious” resolutions have contained the word censure in the text. Resolutions attempting to censure the President are usually simple resolutions. These resolutions are not privileged for consideration in the House or Senate. They are, instead, considered under the regular parliamentary mechanisms used to process “sense of” legislation. Since 1800, Members of the House and Senate have introduced resolutions of censure against at least 12 sitting Presidents. Two additional Presidents received criticism via alternative means (a House committee report and an amendment to a resolution). The clearest instance of a successful presidential censure is Andrew Jackson. The Senate approved a resolution of censure in 1834. On three other occasions, critical resolutions were adopted, but their final language, as amended, obscured the original intention to censure the President. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc. -
1 Tennessee Track & Field Record Book » Utsports
TENNESSEE TRACK & FIELD RECORD BOOK » UTSPORTS.COM » @VOL_TRACK 1 TRACK & FIELD RECORD BOOK TABLE OF CONTENTS GENERAL INFORMATION ALL-TIME ROSTER/LETTERMEN Table of Contents/Credits 1 All-Time Women’s Roster 52-54 Quick Facts 2 All-Time Men’s Lettermen 55-58 Media Information 2 2017 Roster 3 YEAR-BY-YEAR 1933-1962 59 COACHING HISTORY 1963-1966 60 All-Time Women’s Head Coaches 4 1967-1969 61 All-Time Men’s Head Coaches 5-6 1970-1972 62 1973-1975 63 NATIONAL CHAMPIONSHIPS 1976-1978 64 Women’s Team National Championships 7-8 1979-1981 65 Men’s Team National Championships 9-10 1981-1982 66 All-Time National Champions Leaderboard 11 1983-1984 67 Women’s Individual National Champions 12 1984-1985 68 Men’s Individual National Champions 13 1986-1987 69 1987-1988 70 THE SEC 1989-1990 71 Tennessee’s SEC Title Leaders 14 1990-1991 72 UT’s SEC Team Championships 14 1992-1993 73 All-Time Women’s SEC Indoor Champions 15 1993-1994 74 All-Time Women’s SEC Outdoor Champions 16 1995-1996 75 All-Time Men’s SEC Indoor Champions 17 1996-1997 76 All-Time Men’s SEC Outdoor Champions 18-19 1998-1999 77 1999-2000 78 ALL-AMERICANS 2001-2002 79 All-American Leaderboard 20 2002-2003 80 Women’s All-Americans 21-24 2004-2005 81 Men’s All-Americans 25-29 2005-2006 82 2007-2008 83 TENNESSEE OLYMPIANS 2008-2009 84 Olympians By Year 30-31 2010-2011 85 Medal Count 31 2011-2012 86 2013-2014 87 SCHOOL RECORDS/TOP TIMES LISTS 2014-2015 88 School Records 32 2016-2017 89 Freshman Records 33 2017 90 Women’s Top Indoor Marks 34 Women’s Top Outdoor Marks 35 FACILITIES & RECORDS -
Uberto Mori Lo “Schindler” Della Ceramica
del Santuario di Puianello Beata Vergine della Salute Poste Italiane Spa - Spedizione in abbonamento postale D.L. 353/2003 (conv. in L. 27/02/2004 N. 46) ART. 1 comma 2 DCB aut. N° 070054 del 20/06/2007 - MO In caso di mancato recapito inviare al CMP/CPO di Modena per la restituzione al Mittente, previo pagamento dei resi Rivista Ufficiale del Santuario di Puianello (Mo) N. 48 e della Vice-Postulazione di Padre Raffaele da Mestre Agosto 2020 Santuario di Puianello SOMMARIO Beata Vergine della Salute Pagg. 3-4 Via del Santuario, 9 Il lungo cammino verso la Terra promessa 41014 Castelvetro MO tel. 059 791644 Pagg. 5 fax. 059 741673 Il Rosario www.santuariodipuianello.it Pag. 6-7 [email protected] Ciao, Padre Sebastiano! Vicepostulazione della Causa Pag. 8 di Beatificazione di P. Raffaele Lavori strutturali al Santuario Spallanzani da Mestre Pagg. 9-24 P. Carlo Folloni Caro P. Raffaele quanti ricordi (2) Vicepostulatore Pag. 25 Ospedale Maggiore Una casa per anziani Strada Abbeveratoia, 4 43126 Parma Pag. 26-27 Cel. 339 3073554 Umberto Mori, lo “Sclinder” della ceramica Tel. 0521 702022 fax 0521 702904 Pagg. 28-29 Un grande albero ha sempre radici profonde ORARIO Pagg. 30-31 Fino al termine dei lavori Notizie dal Santuario La chiesa apre alle 8,00 Pag. 32 e chiude alle 12,00 Sagra al Santuario nel pomeriggio apre alle 14,30 e chiude alle 19,00 Vita del Santuario di Puianello Beata Vergine della Salute ORARIO SANTE MESSE Direttore Responsabile: Padre Paolo Grasselli Redazione: Padre Gianfranco Meglioli Da domenica 29 marzo 2020 Via del Santuario, 9 - 41014 Castelvetro MO fino al termine dei lavori Trimestrale di informazione feriale 17 (prefestiva 18) N. -
Arts Maryland
ARTS MARYLAND To view online, go to: http://www.emarketingmd.org/Tourism/MSAC/Newsletter/January_10/Index.html PROGRAMS EVENTS GRANTS ARTS MARYLAND Latino Arts Roundtable JANUARY 2010 MSAC convenes session for Latino arts community Support the arts at Maryland Arts Day New policy allows TEP funding for public art Nine Md. organizations receive NEA awards MSAC convenes session for growing Latino arts community Local performers garner Participants included (l to r): Carolyn Comacho, Montgomery County Grammy nominations Public Schools; Olga Diaz, St. Michael and St. Patrick’s Church; Ted Resources available David, La Layenda; Susanna Nemes, Maryland State Arts Councilor; for artists, arts groups and Rosalina Delgado, Hispanic Business Federation. Polisar fans bring Having worked with Maryland’s Latino community in recent months, the Maryland new twists to old songs State Arts Council (MSAC) hosted its first Latino Arts Roundtable, Jan. 12, to discuss grant opportunities and how to best serve that community. The event was held at the Arts Council’s office, 175 W. Ostend St. in South Baltimore. “Historically, the Arts Council has been a leader among state arts agencies in gaining a broad and diverse constituency,” said Gov. Martin O’Malley. “We intend to continue that leadership by convening Latino leaders and artists in order to extend our grant programs into Maryland’s growing Latino community.” One of the goals of the Arts Council’s strategic plan, Imagine Maryland, is to recognize the state’s cultural diversity and forge connections with diverse communities. http://www.emarketingmd.org/Tourism/MSAC/Newsletter/January_10/Index.html (1 of 5)1/26/2012 2:10:24 PM ARTS MARYLAND Support the arts at Maryland Arts Day Hundreds of arts advocates are expected to meet with state legislators in Annapolis, Feb. -
A History of Maryland's Electoral College Meetings 1789-2016
A History of Maryland’s Electoral College Meetings 1789-2016 A History of Maryland’s Electoral College Meetings 1789-2016 Published by: Maryland State Board of Elections Linda H. Lamone, Administrator Project Coordinator: Jared DeMarinis, Director Division of Candidacy and Campaign Finance Published: October 2016 Table of Contents Preface 5 The Electoral College – Introduction 7 Meeting of February 4, 1789 19 Meeting of December 5, 1792 22 Meeting of December 7, 1796 24 Meeting of December 3, 1800 27 Meeting of December 5, 1804 30 Meeting of December 7, 1808 31 Meeting of December 2, 1812 33 Meeting of December 4, 1816 35 Meeting of December 6, 1820 36 Meeting of December 1, 1824 39 Meeting of December 3, 1828 41 Meeting of December 5, 1832 43 Meeting of December 7, 1836 46 Meeting of December 2, 1840 49 Meeting of December 4, 1844 52 Meeting of December 6, 1848 53 Meeting of December 1, 1852 55 Meeting of December 3, 1856 57 Meeting of December 5, 1860 60 Meeting of December 7, 1864 62 Meeting of December 2, 1868 65 Meeting of December 4, 1872 66 Meeting of December 6, 1876 68 Meeting of December 1, 1880 70 Meeting of December 3, 1884 71 Page | 2 Meeting of January 14, 1889 74 Meeting of January 9, 1893 75 Meeting of January 11, 1897 77 Meeting of January 14, 1901 79 Meeting of January 9, 1905 80 Meeting of January 11, 1909 83 Meeting of January 13, 1913 85 Meeting of January 8, 1917 87 Meeting of January 10, 1921 88 Meeting of January 12, 1925 90 Meeting of January 2, 1929 91 Meeting of January 4, 1933 93 Meeting of December 14, 1936 -
H. Doc. 108-222
THIRTIETH CONGRESS MARCH 4, 1847, TO MARCH 3, 1849 FIRST SESSION—December 6, 1847, to August 14, 1848 SECOND SESSION—December 4, 1848, to March 3, 1849 VICE PRESIDENT OF THE UNITED STATES—GEORGE M. DALLAS, of Pennsylvania PRESIDENT PRO TEMPORE OF THE SENATE—DAVID R. ATCHISON, 1 of Missouri SECRETARY OF THE SENATE—ASBURY DICKINS, 2 of North Carolina SERGEANT AT ARMS OF THE SENATE—ROBERT BEALE, of Virginia SPEAKER OF THE HOUSE OF REPRESENTATIVES—ROBERT C. WINTHROP, 3 of Massachusetts CLERK OF THE HOUSE—BENJAMIN B. FRENCH, of New Hampshire; THOMAS J. CAMPBELL, 4 of Tennessee SERGEANT AT ARMS OF THE HOUSE—NEWTON LANE, of Kentucky; NATHAN SARGENT, 5 of Vermont DOORKEEPER OF THE HOUSE—ROBERT E. HORNER, of New Jersey ALABAMA CONNECTICUT GEORGIA SENATORS SENATORS SENATORS 14 Arthur P. Bagby, 6 Tuscaloosa Jabez W. Huntington, Norwich Walter T. Colquitt, 18 Columbus Roger S. Baldwin, 15 New Haven 19 William R. King, 7 Selma Herschel V. Johnson, Milledgeville John M. Niles, Hartford Dixon H. Lewis, 8 Lowndesboro John Macpherson Berrien, 20 Savannah REPRESENTATIVES Benjamin Fitzgerald, 9 Wetumpka REPRESENTATIVES James Dixon, Hartford Thomas Butler King, Frederica REPRESENTATIVES Samuel D. Hubbard, Middletown John Gayle, Mobile John A. Rockwell, Norwich Alfred Iverson, Columbus Henry W. Hilliard, Montgomery Truman Smith, Litchfield John W. Jones, Griffin Sampson W. Harris, Wetumpka Hugh A. Haralson, Lagrange Samuel W. Inge, Livingston DELAWARE John H. Lumpkin, Rome George S. Houston, Athens SENATORS Howell Cobb, Athens Williamson R. W. Cobb, Bellefonte John M. Clayton, 16 New Castle Alexander H. Stephens, Crawfordville Franklin W. Bowdon, Talladega John Wales, 17 Wilmington Robert Toombs, Washington Presley Spruance, Smyrna ILLINOIS ARKANSAS REPRESENTATIVE AT LARGE John W. -
Exhibits 5 Through 8 to Declaration of Katherine A. Moerke
10-PR-16-4610'PR'16'46 Filed in First Judicial District Court 12/5/201612/5/2016 6:27:08 PM Carver County, MN EXHIBITEXHIBIT 5 10-PR-16-46 Filed in First Judicial District Court 12/5/2016 6:27:08 PM Carver County, MN Reed Smith LLP 599 Lexington Avenue New York, NY 10022-7650 Jordan W. Siev Tel +1 212 521 5400 Direct Phone: +1 212 205 6085 Fax +1 212 521 5450 Email: [email protected] reedsmith.com October 17, 2016 By Email ([email protected]) Laura Halferty Stinson Leonard Street 150 South Fifth Street Suite 2300 Minneapolis, MN 55402 Re: Roc Nation LLC as Exclusive Rights Holder to Assets of the Estate of Prince Rogers Nelson Dear Ms. Halferty: Roc Nation Musical Assets Artist Bremer May 27 Letter Nation, and its licensors, licensees and assigns, controls and administers certain specific rights in connection with various Artist Musical Assets. Roc Nation does so pursuant to agreements between the relevant parties including, but not limited to, that certain exclusive distribution agreement between Roc MPMusic SA., on the one hand, and NPG Records, Inc. NR NPG Distribution Agreement recordings and other intellectual property rights. The Distribution Agreement provides that the term of the Distribution Agreement is the longer of three years or full recoupment of monies advanced under the Distribution Agreement. As neither of these milestones has yet occurred, the Distribution Agreement remains in full force and effect. By way of background, and as highlighted in the May 27 Letter, Roc Nation and NPG have enjoyed a successful working relationship that has included, among other things, the Distribution involvement of Roc Nation in various aspects o -owned music streaming service.