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Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz" -
NEWS RELEASE Contact: Emily Everett at 413-545-4482 Or [email protected]
NEWS RELEASE Contact: Emily Everett at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: October 20, 2015 WHAT: The Ambrose Akinmusire Quartet WHEN: Thursday, November 19, 7:30 p.m. WHERE: Bowker Auditorium, UMass Amherst TICKETS: Call 1-800-999-UMAS or 545-2511 for tickets or buy online at www.fineartscenter.com/ IMAGES: To download images relating to this press release please go online to https://fac.umass.edu/Online/PressImages AWARD-WINNING TRUMPETER AMBROSE AKINMUSIRE BRINGS QUARTET TO BOWKER AUDITORIUM “With a chameleonic tone that can sigh, flutter or soar, Akinmusire sounds less like rising star than one that was already at great heights and just waiting to be discovered.” – Los Angeles Times Composer and trumpeter Ambrose Akinmusire is usually busy collecting prestigious awards from jazz festivals around the globe. He’ll take some time to bring his all-star quartet to UMass Amherst, performing at Bowker Auditorium on Thursday, November 19 th at 7:30 p.m. The New Yorker calls Akinmusire “a thrilling trumpeter and astute bandleader [with a] unique spark in his playing.” He is fast moving to the front ranks of progressive jazzmen, earning both the Doris Duke Impact Award and the Doris Duke Artist Award in the past two years. Appearing as part of the FAC’s Billy Taylor Jazz Residency, Akinmusire will also be an artist in residence in the area for the week of his performance. This will include teaching masterclasses at local high schools and colleges. In addition, Akinmusire will sit in with the Northampton Jazz Workshop as a special guest artist on Tuesday, November 17 at City Sports Grille (525 Main Street, Northampton). -
2020 - 2021 About New Amsterdam Jazz
Stichting New Amsterdam Jazz 2020 - 2021 About New Amsterdam Jazz Stichting New Amsterdam Jazz (NAJ) was founded in 2020 with the mission to raise local ánd international recognition for the jazz scene that is based in the Netherlands and connect it to jazz scenes across the globe. New Amsterdam Jazz 1) produces, 2) develops, and 3) advises. Activities include, but are not limited to, organizing concert series, supporting the creation of albums, co-creating musical projects and platforms, facilitating educational programs, advising other organizations and foundations about the jazz landscape in the Netherlands, and establishing (inter)national partnerships. New Amsterdam Jazz believes that an effective way to help musicians get to the next stage in their careers is by playing on bigger stages with more renowned musicians, which is why mentorship and intergenerational pollination are two core values of the organization. New Amsterdam Jazz has a creative advisory board that advises the directors on programming and artistic quality. In each of the projects NAJ supports, NAJ looks at whether the project is diverse & inclusive and whether our support can have a domino effect to catalyze more opportunities in the career development of the musician(s). In this activities report, you will find some of activities of 2020-2021: 1. COVID Jazz Fund 2. Roode Bioscoop sessions 3. Olaiá 4. Gideon Tazelaar & Ian Cleaver debut album 5. Roots & Routes of Amsterdam Jazz in collaboration with The National Jazz Museum in Harlem (NYC) 6. Coming up… a. Studio150/Bethlehemkerk concert series b. Guy Salamon Group c. Roode Bioscoop Rehearsals d. New Amsterdam Jazz Festival 7. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:23 Sep 2021 Conclusion& " " " " Amsterdam,"14H5H1975" " Hey"Jo,"you"old"geezer," …"I"have"to"get"this"off"my"chest."I"think"you’re"a"stupid"prick"for— again—not"having"programmed"our"subcultural"shitHmusic"at"your" archaic"freak"festival."…" " "Your"friend," Willem"Breuker507" " " In"this"thesis,"I"have"examined"ways"in"which"the"American"sociocultural"practice"of"jazz" -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Europe Jazz Network General Assembly Istanbul, September 2010
Report of the Europe Jazz Network General Assembly Istanbul, September 2010 1 Report of the Europe Jazz Network General Assembly Istanbul, 24 – 26 September 2010 Reporters: Madli-Liis Parts and Martel Ollerenshaw Index General Introduction by President Annamaija Saarela 3 Welcome & Introductions 4 EJN panel debate – Is Jazz now Global or Local? 5 European Music Council 7 Small group sessions and discussion groups 9 Friday 24 September 2010: EJN Research project EJN Jazz & Tourism Project Exchange Staff Small group sessions – proposals from members for artistic projects 14 Saturday 25 September 2010: Take Five EJN Jazz Award for Creative Programming 12 points! Engaging with communities The European economic situation and the future of EJN Jazz on Stage: Jazz rocks Jazz at rock venues in the Netherlands Mediawave Presentation – A Cooperative Workshop The extended possibilities of showcases at jazzahead! 2011 European Jazz Media at the Europe Jazz Network General Assembly 26 Jazz.X – International Jazz Media Exchange Project European Jazz Media Group Meeting Europe Jazz Network General Assembly 2010 28 Extraordinary General Assembly Session Annual General Assembly Session Europe Jazz Network welcomes its new members 32 What happened, when and where 33 The Europe Jazz Network General Assembly 2010 – Programme EJN General Assembly 2010 Participants 36 EJN Members at the time of the General Assembly 2010 in Istanbul 39 2 General Introduction by President Annamaija Saarela Dear EJN colleagues it is my pleasure to work for the Europe Jazz Network as president for the year until the 2011 General Assembly in Tallinn. I’ve been a member of EJN since 2003 and deeply understand the importance of our network as an advocate for jazz in Europe. -
Bio Ben Wendel Grammy Nominated
Bio Ben Wendel Grammy nominated saxophonist Ben Wendel (born in Vancouver, raised in Los Angeles, and currently living in Brooklyn) has enjoyed a varied career as a performer, composer, producer and conductor. Highlights include multiple domestic and international tours with artists such as Ignacio Berroa, Tigran Hamasyan, Gerald Clayton, Eric Harland, Taylor Eigsti, Snoop Dogg and the late Prince. Ben is a founding member of the Grammy nominated group Kneebody. In 2015, Ben Wendel released a music-video art project entitled The Seasons inspired by a set of twelve piano pieces written and released each month by Tchaikovsky in 1876. Wendel’s modern take on the idea was to compose and release twelve original jazz chamber duets in video format on YouTube with modern luminaries Joshua Redman, Luciana Souza, Eric Harland, Julian Lage, and Ambrose Akinmusire, among others. As the videos garnered acclaim among social networks, the project became an unexpected word of mouth success and was featured prominently in The New York Times (Best of 2015), NPR’s All Things Considered, and the CBC. In 2016, After viewing an expressionist painting by Lee Krasner at The Whitney Museum entitled The Seasons, Wendel decided to expand upon the original duets project by reimagining the arrangements for a five-piece ensemble comprised of musicians and dear friends from The Seasons – Aaron Parks (piano), Gilad Hekselman (guitar), Matt Brewer (bass) and Eric Harland (drums). The Seasons album was released on Motéma Music in October 2018 to critical acclaim. Wendel’s latest project ‘High Heart’ was premiered at Winter Jazzfest 2019 and involves incredible musicians such as Shai Maestro, Michael Mayo, Gerald Clayton, Joe Sanders and Nate Wood. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022
FOR IMMEDIATE RELEASE SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022 Tickets on Sale to SFJAZZ Members, Thursday, July 29 at 11:00amPST Tickets on Sale to Public, Thursday, August 5 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, July 22, 2021) -- SFJAZZ announces the 2021-2022 Concert Ceason running September 23, 2021 to May 29, 2022. The organization will be presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Grace Cathedral, and Paramount Theatre in Oakland. Tickets will go on sale to SFJAZZ Members on Thursday, July 29 at 11:00am PST and on sale to the general public on Thursday, August 5 at 11:00amPST. For more information, visit sfjazz.org. SFJAZZ will celebrate the official Re-Opening of the SFJAZZ Center with its first full-capacity concert since March 2020 on Thursday, September 23 featuring Thelonious Monk Competition winner and soundtrack composer for Bridgerton and Green Book, pianist Kris Bowers. The SFJAZZ Center Re-Opening weekend includes concerts featuring Zakir Hussain, Eric Harland, and Abbos Kosimov on Friday September 24, and Pat Metheny’s Side-Eye project with James Francies and Joe Dyson on Saturday, September 25 and Sunday, September 26. “Over the past 18 months, all of us have been torn from the rhythms of everyday life and with the SFJAZZ 2021-2022 Season, and what is the our 39th year, we – artists, staff, and board -- are looking forward to a new rhythm and welcoming audiences back to the SFJAZZ Center,” says SFJAZZ Founder and Executive Artistic Director Randall Kline. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 "Our Subcultural Shit-Music": Dutch Jazz, Representation, and Cultural Politics ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D.C. van den Boom ten overstaan van een door het College voor Promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op dinsdag 17 mei 2016, te 14.00 uur door Loes Rusch geboren te Gorinchem Promotiecommissie: Promotor: Prof. -
The Vijay Iyer Trio
THE VIJAY IYER TRIO Vijay Iyer – piano Stephan Crump – double bass Marcus Gilmore – drums By overwhelming consensus, the V IJAY IYER TRIO (Vijay Iyer, piano; Stephan Crump, double bass; Marcus Gilmore, drums) has become one of the pivotal jazz bands of the twenty-first century. Described as “the best piano trio in jazz today” (D er Spiegel), “the great new jazz piano trio” (The New York Times), “truly astonishing” (NPR), and “the best band in jazz” (PopMatters), the trio makes “cutting-edge music, but always accessible” (The Guardian) – emotionally resonant and deeply interactive, radiating groove and brimming with polyrhythmic detail, rooted in tradition yet truly innovative in style and form. Break Stuff (2015), “the third and best record by Mr. Iyer’s trio” (N ew York Times) and Iyer’s twentieth release as a leader, was produced by Manfred Eicher for ECM. It received a coveted five stars in D ownBeat m agazine, and the German newspaper D ie Zeit raved, “This record is very, very, very good… as astonishing as it is intoxicating.” Crucially, as D ownBeat notes, “the Vijay Iyer Trio is, at its core, a w orking band,” distinguished most of all by a profound, seemingly effortless unity, developed over hundreds of performances in nearly a dozen years. As Howard Reich wrote in The Chicago Tribune, "The three players practically have become a single rhythmic organism... one of the great rhythm units of the day." The trio earned the admiration of audiences, musicians, and journalists worldwide with its two previous albums, H istoricity (ACT, 2009) and Accelerando (ACT, 2012), which were both named #1 jazz album of their respective years in both the DownBeat and JazzTimes international critics’ polls, surveying hundreds of critics. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of