Ments of Maui: Notes on Tricksters
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Album Review: Bon Iver's 22, a Million
Album Review: Bon Iver’s 22, a Million 22, a Million, the newest album by American indie folk band Bon Iver, leaves the listener with an overarching question: Is there any border left between acoustic and electronic music? Although ambiguous as to which category it falls into, Bon Iver manages to respect both genres with a rich, homogenous mixture of experimental and traditional instrumentation. However, the album is a motley of songs that—both individually and as a group—build to nowhere, like a fleeting thought that crosses the mind at one point, but leaves no lasting impression. Founded in 2007 by singer/songwriter Justin Vernon, Bon Iver has been the vanguard of the indie folk/experimental genre. Vernon—a Wisconsin native with deep ties to the American wilderness—is undeniably influenced by a guitar-and-voice acoustic sound that is reminiscent of childhood campfires, roasting s’mores, and long silences between experienced fishermen. Tracks like “29 #Strafford APTS” and “00000 Million” have obvious connections to the folk genre: banjo, acoustic guitar, three and four-part vocal harmonizing, and chatter and laughter among musicians before the start of the song. These elements anchor the album, preventing it from straying too far from the group’s previous releases. During the five-year gap between the album Bon Iver and 22, a Million, Bon Iver evidently delved into the uncharted territory of experimental music. The use of synthesizers, vocal filtration, extensive sampling, and static-ridden beats establishes a distinctive atmosphere of digital haziness, a complementary frame for Vernon’s midwestern accent-tinged voice. -
"Erase Me": Gary Numan's 1978-80 Recordings
Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius. -
Louder Than War Favourites
Albums of the Year 2018 : The Top 25 Ged Babey 9 December, 2018 As voted for by 30 of our writers, here are the Top 25 Albums of 2018. The Number One received more than twice the votes as the second place. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of votes -so are in random order to be frank. But… Every one is a winner! 2018 was a great year for music and the Number 1 is no surprise… ONE IDLES Joy As An Act of Resistance (Partisan) Punk Rock reinvented and not wearing a mask of masculinity or yoke of tradition, but a wicked smile and its broken heart exposed but still beating in its chest. Punk rock which instead of calling for Anarchy and saying I Don’t Care is shouting UNITY! and LOVE IS ALL. Reviewed here by Ged Babey IDLES - DANNY NEDELKO TWO The Blinders Columbia (Modern Sky) This power trio, this band of very modern troubadours, this enlightened youth, deliver an album so explosive, so perfect, it defies any attempt at categorisation. There are odd time signatures, indefinite song structures but the tracks ebb and flow beautifully. Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming. Reviewed here by Nigel Carr The Blinders - L’etat C’est Moi [Music Video] THREE ILL : We Are ILL (Box Records) All-woman five-piece… currently based in Manchester, who highlight that quality music does not have to mean an emulation of that which has gone before. -
Satya 13 Ram Gopal Varma, 1998
THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989. -
The Whare-Oohia: Traditional Maori Education for a Contemporary World
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. TE WHARE-OOHIA: TRADITIONAL MAAORI EDUCATION FOR A CONTEMPORARY WORLD A thesis presented in partial fulfilment of the requirements for the degree of Masters of Education at Massey University, Palmerston North, Aotearoa New Zealand Na Taiarahia Melbourne 2009 1 TABLE OF CONTENTS He Mihi CHAPTER I: INTRODUCTION 4 1.1 The Research Question…………………………………….. 5 1.2 The Thesis Structure……………………………………….. 6 CHAPTER 2: HISTORY OF TRADITIONAL MAAORI EDUCATION 9 2.1 The Origins of Traditional Maaori Education…………….. 9 2.2 The Whare as an Educational Institute……………………. 10 2.3 Education as a Purposeful Engagement…………………… 13 2.4 Whakapapa (Genealogy) in Education…………………….. 14 CHAPTER 3: LITERATURE REVIEW 16 3.1 Western Authors: Percy Smith;...……………………………………………… 16 Elsdon Best;..……………………………………………… 22 Bronwyn Elsmore; ……………………………………….. 24 3.2 Maaori Authors: Pei Te Hurinui Jones;..…………………………………….. 25 Samuel Robinson…………………………………………... 30 CHAPTER 4: RESEARCHING TRADITIONAL MAAORI EDUCATION 33 4.1 Cultural Safety…………………………………………….. 33 4.2 Maaori Research Frameworks…………………………….. 35 4.3 The Research Process……………………………………… 38 CHAPTER 5: KURA - AN ANCIENT SCHOOL OF MAAORI EDUCATION 42 5.1 The Education of Te Kura-i-awaawa;……………………… 43 Whatumanawa - Of Enlightenment..……………………… 46 5.2 Rangi, Papa and their Children, the Atua:…………………. 48 Nga Atua Taane - The Male Atua…………………………. 49 Nga Atua Waahine - The Female Atua…………………….. 52 5.3 Pedagogy of Te Kura-i-awaawa…………………………… 53 CHAPTER 6: TE WHARE-WAANANGA - OF PHILOSOPHICAL EDUCATION 55 6.1 Whare-maire of Tuhoe, and Tupapakurau: Tupapakurau;...……………………………………………. -
Maori Values Can Reinvigorate a New Zealand Philosophy
Maori Values Can Reinvigorate a New Zealand Philosophy Piripi Whaanga A thesis submitted to Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Arts in Philosophy. Philosophy Department Victoria University of Wellington 2012 CONTENTS CONTENTS ....................................................................................................................................................2 ACKNOWLEDGMENTS ..................................................................................................................................4 ABSTRACT .....................................................................................................................................................4 INTRODUCTION ............................................................................................................................................7 Thesis method ........................................................................................................................................11 Thesis chapter division ...........................................................................................................................12 CHAPTER ONE: PRE-PAKEHA MAORI VALUES .............................................................................................17 Tikanga of mauri .....................................................................................................................................17 Virtues as ethics .....................................................................................................................................20 -
Maurice Merleau-Ponty: Phenomenology of Perception
Phenomenology of Perception ‘In this text, the body-organism is linked to the world through a network of primal significations, which arise from the perception of things.’ Michel Foucault ‘We live in an age of tele-presence and virtual reality. The sciences of the mind are finally paying heed to the centrality of body and world. Everything around us drives home the intimacy of perception, action and thought. In this emerging nexus, the work of Merleau- Ponty has never been more timely, or had more to teach us ... The Phenomenology of Perception covers all the bases, from simple perception-action routines to the full Monty of conciousness, reason and the elusive self. Essential reading for anyone who cares about the embodied mind.’ Andy Clark, Professor of Philosophy and Director of the Cognitive Science Program, Indiana University Maurice Merleau-Ponty Phenomenology of Perception Translated by Colin Smith London and New York Phénomènologie de la perception published 1945 by Gallimard, Paris English edition first published 1962 by Routledge & Kegan Paul First published in Routledge Classics 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1945 Editions Gallimard Translation © 1958 Routledge & Kegan Paul All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
THE SEMINAR of JACQUES LACAN the Logic of Phantasy
16.11.1966 I 1 THE SEMINAR OF JACQUES LACAN BOOK XIV The logic of phantasy 1966-1967 Translated by Cormac Gallagher from unedited French manuscripts FOR PRIVATE USE ONLY 16.11.1966 I 2 Seminar 1: Wednesday 16 November 1966 Today I am going to throw out some points that are rather in the nature of a promise. “Logic of phantasy”, I entitled, this year, what I count on being able to present to you about what is required at the point that we are at on a certain path. A path which implies, I will recall it forcefully today, this sort of very special return that we have already seen, last year, inscribed in the structure and which is properly speaking fundamental in everything that Freudian thinking uncovers. This return is called repetition. To repeat is not to find the same thing again, as we will articulate later, and contrary to what is believed, it is not necessarily to repeat indefinitely. We will come back then to themes that I have in a certain fashion already situated for a long time. It is, moreover, because we are at the moment of this return and of its function, that I believed I could no longer put off presenting to you in a unified way what up to now I thought necessary as a minimal indication of this journey, namely, this volume that you already find within hand‟s reach. It is because this year it will no doubt be possible for us to study in depth the function of this relation to writing - which after all, in a certain way, I forced myself up to the present if not to avoid, at least to delay - that here again I believed I could take this step. -
Dritter Teil: Wortschatz Der Germanischen Spracheinheit by August Fick with Contributions by Hjalmar Falk, Entirely Revised by Alf Torp in 1909
Wörterbuch der Indogermanischen Sprachen Dritter Teil: Wortschatz der Germanischen Spracheinheit by August Fick with contributions by Hjalmar Falk, entirely revised by Alf Torp in 1909. Electronic version created by Sean Crist (*kurisuto*@*unagi.cis.upenn.edu*) enlarged and maintained by Dieter Studer (*dieterstuder*@*access.unizh.ch*). This document was typeset with TUSTEP from the base document “pgmc v1 5.xml” on 16 December 2006. 1 Notes on the electronic version The original text by Torp was scanned, processed with OCR equipment and corrected by Sean Crist ([email protected]). A single pass of hand-checking has been done on the entire document. This checking took around two years and was completed on 10 April 2003. He then re-checked the first 50 pages, finishing on 26 May 2003. The four levels of indentation, representing the hierarchical arrangment of the entries, were added to this PDF version on 9 June 2003. At the end of each entry there is a notation indicating where the entry is found in the original text. A notation like “25:3” means that the entry was the third entry beginning on page 25 of the original text. A notation like “102:11, 103:1” means that the entry started as the eleventh entry on page 102 and flowed over onto page 103. The Nachträge und Berichtigungen (addenda and errata) have been incorporated into the main text by Dieter Studer in May 2006. The deletions (〈nb0〉) and insertions (〈nb1〉) are denoted in the base document using XML tags, so that both the original and corrected versions of the text are recoverable. -
An Earthly Cosmology
Forum on Religion and Ecology Indigenous Traditions and Ecology Annotated Bibliography Abram, David. Becoming Animal: An Earthly Cosmology. New York and Canada: Vintage Books, 2011. As the climate veers toward catastrophe, the innumerable losses cascading through the biosphere make vividly evident the need for a metamorphosis in our relation to the living land. For too long we’ve ignored the wild intelligence of our bodies, taking our primary truths from technologies that hold the living world at a distance. Abram’s writing subverts this distance, drawing readers ever closer to their animal senses in order to explore, from within, the elemental kinship between the human body and the breathing Earth. The shape-shifting of ravens, the erotic nature of gravity, the eloquence of thunder, the pleasures of being edible: all have their place in this book. --------. The Spell of the Sensuous: Perception and Language in a More-than-Human World. New York: Vintage, 1997. Abram argues that “we are human only in contact, and conviviality, with what is not human” (p. ix). He supports this premise with empirical information, sensorial experience, philosophical reflection, and the theoretical discipline of phenomenology and draws on Merleau-Ponty’s philosophy of perception as reciprocal exchange in order to illuminate the sensuous nature of language. Additionally, he explores how Western civilization has lost this perception and provides examples of cultures in which the “landscape of language” has not been forgotten. The environmental crisis is central to Abram’s purpose and despite his critique of the consequences of a written culture, he maintains the importance of literacy and encourages the release of its true potency. -
THAT ALSO IS YOU Some Classics of Native Canadian Literature
THAT ALSO IS YOU Some Classics of Native Canadian Literature Robert Bringhurst 0,"NCE UPON A TIME there was one small island, nothing more. The gods were clinging to it, clustered together like bladderkelp and bar- nacles, so thickly they could scarcely breathe. And the Raven, tied like a baby in his cradle, was floating on the sea. A voice called out to him, and he wriggled up from his martenskin blankets and looked around. In the midst of the endless flexing and rolling of the ocean, his cradle thumped and scraped against something solid. It was tall and thin and stretched as far as he could see below the waves that broke over the top of it. It was stone, and the stone was full of faces he had never seen outside his dreams. He clambered down it into deep water. In the wet twilight in front of him stood a house, and a voice came through the doorway, saying in the Haida language, Hala qách'i t'ak'in'gha:1 "Come inside, my grandson." Digha da gyasildaghasas danggha kiingagan : "From me you will borrow, to you I will give." In the house beneath the sea, he met an Old Man White as a Gull, who spoke to him again in Haida. But what the Old Man said to him next was something the Raven did not fully understand. Di hau dang iji. Waasing dang iji : "I am you," the Old Man said, "and that also is you." He gestured as he said this toward something slender, blue as air and green as beachgrass, that was moving around the carved screens at the rear of the house, like a heron choosing a fishing hole. -
On the Repatriation of Māori Toi Moko Colleen Murphy a Thesis Submitted in Partial Fulfillment of the Requi
Talking Heads: On the Repatriation of Māori Toi Moko Colleen Murphy A thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors in the History of Art THE UNIVERSITY OF MICHIGAN April 2016 Murphy 2 TABLE OF CONTENTS Whakawhetai (Acknowledgements) . 03 Text Introduction: Detached Heads . 04 Ta Moko Tattooing . 07 Early Contact with Europeans . 09 Changing Attitudes . 16 General H.G. Robley . 19 People on Display . 26 Western Displays of Māori Art and Artifacts . 30 The Māori Renaissance . 34 Repatriation Practices . 37 Legislation Related to Repatriation . 39 Conclusion: Ceremonial Repatriation . 41 Endnotes . 42 Bibliography . 46 Images . 50 Murphy 3 Whakawhetai (Acknowledgements) I would like to sincerely thank my faculty advisor Dr. David Doris for his indispensable guidance during this process. He continuously found time in his busy schedule to help me with my research, and I am incredibly grateful for his generosity, sense of humor and support. I am also grateful to Dr. Howard Lay for his assistance both in this project and throughout my career at the University of Michigan. He reaffirmed my love for the History of Art in his lectures both at Michigan and throughout France, and demonstrated unbelievable dedication to our seminar class. I am certain that my experience at Michigan would not have been the same without his mentorship. I am greatly appreciative of the staff at Te Papa Tongawera for their online resources and responses to my specific questions regarding their Repatriation Program, and the Library of the University of Wellington, New Zealand, which generously makes portions of the New Zealand Text Collection freely available online.